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For a long time, Mondo has been the go-to for fans who love to celebrate their favorite properties with literal works of art. But as Mondo continues to change and evolve, bringing to the table posters, figures, soundtracks, and more, it’s heartening to know that fans and their desires are still at the center of the company’s core.
At C2E2 in Chicago, Nerdist was delighted to speak with Peter Santa Maria, Senior Creative Director of Collectibles at Mondo, about what goes into creating a Mondo collectible, how fans shape the ultimate designs of Mondo’s works, what’s on the horizon for the brand, and more. Santa Maria was even able to tease a whole new kind of Mondo collectible on the horizon, citing something the brand has never done before. We can’t wait to find out what that is, but in the meantime, take a deep dive into the world of Mondo with us.
Nerdist: Mondo is known for its incredible creations and high-quality designs. Can you talk a little bit about how you decide what to make into a collectible and how you decide what it should look like?
Santa Maria: Yeah, across the board, whether it’s our soundtrack, posters, or collectible figures, we always start from, “Are we a fan of this internally?” So whoever is working at the company and is a fan is going to steer the product.
We don’t make something that we’re not likely to buy ourselves as a fan, right? So we have our favorite properties that we love to hit on, like Godzilla and Masters of the Universe; of course, we love Marvel and DC, but we also recently put out some Scott Pilgrim collectibles.
We love that. But the idea is if you’re going to work with a franchise that’s very big, very well-known, and has products out there, what do we bring to the table? So it’s curation. It’s finding the right artist out there and then matching them up with the right movie, show, whatever it is, so that it’s like a new synthesis that happens. People are like, “Wow, I’m excited because I never thought I would see so-and-so designed in that style.”
So, that’s really what I mean. Are we getting excited about the idea of it? Are we excited for so-and-so doing such-and-such project? If we are then that means the fans for sure are going to be.
Nerdist: Yeah, I was looking at the latest set, and I saw the Beavis and Butt-Head poster, which I thought was super interesting. So I think it’s really cool that you kind of follow your fannish desires and not necessarily just go by what movie is coming out.
Santa Maria: No, no, and there are a lot of times where we will turn something down that’s a big thing because we don’t have a personal connection or we don’t know what we would bring there.
So if it doesn’t talk to us, we’ll be like, “Not yet, maybe in the future.” But you mentioned Beavis and Butt, we just did that beautiful screenprint of the artist, Kensausage. Probably one of my favorite artist things of all time. He designed a bunch of sketches for us for what that poster could be like and we’re like, “Yeah, they’re all awesome, which one do we pick?” But that strange mutant version of Beavis and Butt together, we felt, we have to have that. It’s a new interpretation, but it feels of the show, of the movie when they have their psychedelic experience or whatever it is.
And now we’re also introducing a bunch of fans to Kensausage. And then you can place the poster back to the artist and their other artwork and it creates a brand new audience for that art, which is the best part of what we do.
Nerdist: So really, at any time, Mondo might decide to create something new for an older property? (Nerdist personally pitched more Hannibal posters.)
Santa Maria: Yeah, if we have the license, and we feel like there’s excitement about it, or we think, “We wouldn’t normally do this, but this looks awesome we should probably,” then yes.
You never know; you might see us design like a big robo-mechanized Hannibal that looks like it’s a figure that came out of Japan in the ’60s. Right? No one else would make that. That’s the idea.
Nerdist: I would be so into that. And I think that’s really great because so often, if you’re a new fan to an older franchise you won’t get the opportunity to experience new merchandise, so it’s cool that’s where Mondo can step in.
Santa Maria: Exactly, 100%.
Nerdist: How much does fan input influence your decision-making?
Santa Maria: We’re always listening to the fans in terms of, there are comments sometimes it’ll be about, “Hey, I love this line so much, please don’t forget to include such and such character because he always or she always gets overlooked.” Or, “I love the franchise. I love that you’re doing it on this scale, but why don’t you guys do it in soft line or whatever it is?” So we’re always listening to that, and that’s how we get better. We’re not going to be able to do this without fans and the fan’s excitement. So we do what we think is awesome, we put it out there, fans respond and go, “Great idea, or hold on we’re almost there,” and then we work on that.
Nerdist: Do you have an example of that kind of interaction?
Santa Maria: Yeah, Masters of the Universe, specifically. I can’t reveal anything, but there are certain characters that we know from other lines that don’t get put out as figures very often. In the Facebook group, people mentioned it, and I’ve seen it in the YouTube comments, and so we go internally, “You guys, we have to do this.”
And when people see it, they’re going to flip.
Nerdist: That ties into my next question: Are there any upcoming releases that your fans can get really excited about?
Santa Maria: Yes, there are some big surprises that are going to be mentioned tomorrow in our panel. And then at Comic-Con, we have our brand new Scareglow from Masters of the Universe 1/6 and Scaremare, our original. We designed a character for Masters of the Universe that Mattel allowed us to do, and we’re debuting it at that show, and it’s going to be super, super exciting. Of course, Scott Pilgrim is coming out. Our Teenage Mutant Ninja Turtle vinyl figures are releasing. We’re trying to hit every fandom we can with something new, refreshing, that feels worthy of your shelf space.
Nerdist: Mondo is pretty well-known for its posters and, as you mentioned, figures, vinyls, and more. Is there another sort of arm or kind of collectible that you imagine putting out in the future or thinking about?
Santa Maria: I mean, yeah, we are working really hard on our posters, our screen prints, to figure out what hasn’t been done yet, what interpretations haven’t been done yet. We love going back to visit the universal monsters. We love going back to visit that.
But we’re exploring anime now in a bigger way and how anime gets reinterpreted when the fans already love the style of anime. But can we challenge those aesthetics and make something new and interesting? That’s a big one for us.
Also, our soundtracks, we continue to want to really engineer exciting designs for the packaging, so that people have that whole experience when they’re opening them up, listening to the music, but also going through the album. You can expect some great stuff.
Nerdist: But in addition to that could we see any new types of Mondo projects in addition to collectibles, figures, and soundtracks?
Santa Maria: Yes, there is a… Let’s see, I have to say this without spoiling. There is a new product line coming that will be announced in the next couple of months from Mondo. We’ve never done it before. I think people, especially people who love to do unboxings on YouTube and watch those, they’re going to love this one.
Nerdist: Just to wrap it up, what do you think your most successful release has been? And what is your personal favorite?
Santa Maria: Well, I’m biased to the figures that I personally designed, like the Creature from the Black Lagoon, Godzilla, and Mechagodzilla. But in terms of the most successful releases this year, I mean, we had a huge success with Rogue from our X-Men 1/6 animated line. We had a huge success with Scareglow, our soft vinyl figure from our Masters of the Universe line.
We also had a Godzilla: Minus One poster that worked well for us. That was huge. So you never know. You can kind of get a sense of what it’s going to be, but you never know. You always just have to see where the fans are and what they direct to you.
The post Mondo’s Sr Creative Director on a New Product Line Coming Soon and Embracing Fan Input appeared first on Nerdist.
For a long time, Mondo has been the go-to for fans who love to celebrate their favorite properties with literal works of art. But as Mondo continues to change and evolve, bringing to the table posters, figures, soundtracks, and more, it’s heartening to know that fans and their desires are still at the center of the company’s core.
At C2E2 in Chicago, Nerdist was delighted to speak with Peter Santa Maria, Senior Creative Director of Collectibles at Mondo, about what goes into creating a Mondo collectible, how fans shape the ultimate designs of Mondo’s works, what’s on the horizon for the brand, and more. Santa Maria was even able to tease a whole new kind of Mondo collectible on the horizon, citing something the brand has never done before. We can’t wait to find out what that is, but in the meantime, take a deep dive into the world of Mondo with us.
Nerdist: Mondo is known for its incredible creations and high-quality designs. Can you talk a little bit about how you decide what to make into a collectible and how you decide what it should look like?
Santa Maria: Yeah, across the board, whether it’s our soundtrack, posters, or collectible figures, we always start from, “Are we a fan of this internally?” So whoever is working at the company and is a fan is going to steer the product.
We don’t make something that we’re not likely to buy ourselves as a fan, right? So we have our favorite properties that we love to hit on, like Godzilla and Masters of the Universe; of course, we love Marvel and DC, but we also recently put out some Scott Pilgrim collectibles.
We love that. But the idea is if you’re going to work with a franchise that’s very big, very well-known, and has products out there, what do we bring to the table? So it’s curation. It’s finding the right artist out there and then matching them up with the right movie, show, whatever it is, so that it’s like a new synthesis that happens. People are like, “Wow, I’m excited because I never thought I would see so-and-so designed in that style.”
So, that’s really what I mean. Are we getting excited about the idea of it? Are we excited for so-and-so doing such-and-such project? If we are then that means the fans for sure are going to be.
Nerdist: Yeah, I was looking at the latest set, and I saw the Beavis and Butt-Head poster, which I thought was super interesting. So I think it’s really cool that you kind of follow your fannish desires and not necessarily just go by what movie is coming out.
Santa Maria: No, no, and there are a lot of times where we will turn something down that’s a big thing because we don’t have a personal connection or we don’t know what we would bring there.
So if it doesn’t talk to us, we’ll be like, “Not yet, maybe in the future.” But you mentioned Beavis and Butt, we just did that beautiful screenprint of the artist, Kensausage. Probably one of my favorite artist things of all time. He designed a bunch of sketches for us for what that poster could be like and we’re like, “Yeah, they’re all awesome, which one do we pick?” But that strange mutant version of Beavis and Butt together, we felt, we have to have that. It’s a new interpretation, but it feels of the show, of the movie when they have their psychedelic experience or whatever it is.
And now we’re also introducing a bunch of fans to Kensausage. And then you can place the poster back to the artist and their other artwork and it creates a brand new audience for that art, which is the best part of what we do.
Nerdist: So really, at any time, Mondo might decide to create something new for an older property? (Nerdist personally pitched more Hannibal posters.)
Santa Maria: Yeah, if we have the license, and we feel like there’s excitement about it, or we think, “We wouldn’t normally do this, but this looks awesome we should probably,” then yes.
You never know; you might see us design like a big robo-mechanized Hannibal that looks like it’s a figure that came out of Japan in the ’60s. Right? No one else would make that. That’s the idea.
Nerdist: I would be so into that. And I think that’s really great because so often, if you’re a new fan to an older franchise you won’t get the opportunity to experience new merchandise, so it’s cool that’s where Mondo can step in.
Santa Maria: Exactly, 100%.
Nerdist: How much does fan input influence your decision-making?
Santa Maria: We’re always listening to the fans in terms of, there are comments sometimes it’ll be about, “Hey, I love this line so much, please don’t forget to include such and such character because he always or she always gets overlooked.” Or, “I love the franchise. I love that you’re doing it on this scale, but why don’t you guys do it in soft line or whatever it is?” So we’re always listening to that, and that’s how we get better. We’re not going to be able to do this without fans and the fan’s excitement. So we do what we think is awesome, we put it out there, fans respond and go, “Great idea, or hold on we’re almost there,” and then we work on that.
Nerdist: Do you have an example of that kind of interaction?
Santa Maria: Yeah, Masters of the Universe, specifically. I can’t reveal anything, but there are certain characters that we know from other lines that don’t get put out as figures very often. In the Facebook group, people mentioned it, and I’ve seen it in the YouTube comments, and so we go internally, “You guys, we have to do this.”
And when people see it, they’re going to flip.
Nerdist: That ties into my next question: Are there any upcoming releases that your fans can get really excited about?
Santa Maria: Yes, there are some big surprises that are going to be mentioned tomorrow in our panel. And then at Comic-Con, we have our brand new Scareglow from Masters of the Universe 1/6 and Scaremare, our original. We designed a character for Masters of the Universe that Mattel allowed us to do, and we’re debuting it at that show, and it’s going to be super, super exciting. Of course, Scott Pilgrim is coming out. Our Teenage Mutant Ninja Turtle vinyl figures are releasing. We’re trying to hit every fandom we can with something new, refreshing, that feels worthy of your shelf space.
Nerdist: Mondo is pretty well-known for its posters and, as you mentioned, figures, vinyls, and more. Is there another sort of arm or kind of collectible that you imagine putting out in the future or thinking about?
Santa Maria: I mean, yeah, we are working really hard on our posters, our screen prints, to figure out what hasn’t been done yet, what interpretations haven’t been done yet. We love going back to visit the universal monsters. We love going back to visit that.
But we’re exploring anime now in a bigger way and how anime gets reinterpreted when the fans already love the style of anime. But can we challenge those aesthetics and make something new and interesting? That’s a big one for us.
Also, our soundtracks, we continue to want to really engineer exciting designs for the packaging, so that people have that whole experience when they’re opening them up, listening to the music, but also going through the album. You can expect some great stuff.
Nerdist: But in addition to that could we see any new types of Mondo projects in addition to collectibles, figures, and soundtracks?
Santa Maria: Yes, there is a… Let’s see, I have to say this without spoiling. There is a new product line coming that will be announced in the next couple of months from Mondo. We’ve never done it before. I think people, especially people who love to do unboxings on YouTube and watch those, they’re going to love this one.
Nerdist: Just to wrap it up, what do you think your most successful release has been? And what is your personal favorite?
Santa Maria: Well, I’m biased to the figures that I personally designed, like the Creature from the Black Lagoon, Godzilla, and Mechagodzilla. But in terms of the most successful releases this year, I mean, we had a huge success with Rogue from our X-Men 1/6 animated line. We had a huge success with Scareglow, our soft vinyl figure from our Masters of the Universe line.
We also had a Godzilla: Minus One poster that worked well for us. That was huge. So you never know. You can kind of get a sense of what it’s going to be, but you never know. You always just have to see where the fans are and what they direct to you.
The post Mondo’s Sr Creative Director on a New Product Line Coming Soon and Embracing Fan Input appeared first on Nerdist.
My favorite digital manga subscription service Azuki, home of my beloved My Dear Detective: Mitsuko’s Case Files is partnering with manga distributor Digital Entertainment to add seven manga series to its library. The seven titles — including The Boy Who Used to Be God, Thank You, My Mistakes., and Poisoner Home — are now available worldwide on the Azuki website and iOS and Android apps. Here’s a few of the new series with synopses from Digital Entertainment:
The Boy Who Used to Be God by Sen, distributed by Digital Entertainment: There is a country about to undergo a drastic change after a revolution destroys its sacred regime. Those who celebrate the new freedom, those who try to face the crimes committed by the former regime, and those who denounce the crimes… people in different positions are trying their best to survive. This is a story of a boy who was forced to be god seeking a childhood as an ordinary boy.
This looks like it will appeal to fans of: Historical fantasy, revolution and action, and perhaps complex world building
Thank You, My Mistakes. by Haruto Chino, distributed by Digital Entertainment: He’s a dad. Why would he do that? Daycare worker Yukari was too busy with the children for love. In fact, she didn’t have any opportunities to meet people in the first place… But, just when she was thinking that, she found herself having drinks with her friend Manami’s boss, Koji. The man Manami said was “good-looking, but strange,” was a gentleman and escorted Yukari back home. However, having had a few too many drinks, the two of them fell on to the bed, and… wound up kissing. The following morning, Koji was gone. Yukari was in agony recalling the previous night!! With those memories in tow, she did her work, but the “handsome dad” there to pick up one of the children was… the same man she had just shared her bed with!?
This looks like it will appeal to fans of: Romance and spice, workplace drama, and mature romance that the Josei fans might appreciate!
Poisoner Home by iwo, distributed by Digital Entertainment: Tateyuki Chono is devastated when his apartment and extensive collection of insect specimens burns to the ground one evening. But his luck turns around when a chance leads him to meet famed entomologist Izumo Kusanagi. Chono is floored by the kind hospitality of Kusanagi and his beautiful daughter Toko. However, the warm atmosphere of the estate belies a sinister secret. What is the true nature of Dr. Kusanagi’s research? And is Chono already trapped in a deadly web of terror?
This looks like it will appeal to fans of: Insects and the study of them, psychological narratives, and the horror genre
Mr. (Former) Yakuza is in Over His Head with Me, and I Can’t Escape Him. by Itsuka Hazuki, distributed by Digital Entertainment: The flirt who hits on her even during work is… a former yakuza!? Azusa is a doctor working as an occupational physician who takes her job seriously. Itsuki Sakuma is a handsome but suspicious guy who constantly annoys her during his evaluations! He’s frivolous, aggressive, and mysterious… But then, he was the only one who noticed Azusa being terrified of her ex-fiancé, who now stalks her. He said, “I’ll protect you. I don’t want you to be alone.” He suddenly started looking so serious! She tries to discipline herself by telling herself to not get spoiled, but as he shows his gentlemanlike personality, she can’t help relying on him…. And that’s when she saw the vivid traditional tattoos on him, and…!? He’s a (former) yakuza who never let his prey escape from him, and now he goes all out for the love of his life. Let the show begin☆
This looks like it will appeal to fans of: Rom-com vibes for sure, a gentle male lead as I’ve been told, and mature romance that the Josei fans might appreciate!
I’m a (Fake) Saint Who Was Summoned to Another World, But Apparently I’m Fated to Die If I Don’t Marry the Prince by Lala, distributed by Digital Entertainment: “I’ll return you to your world if you marry the prince.” That was the shocking proposal of the self-proclaimed god! I won’t really get a bad ending if I refuse, will I!? Office worker Sara was involved in a traffic accident, or so she thought. One moment, she was about to be hit by a truck, but the next… she found herself transported to an unfamiliar, grand castle, falling right on top of Prince Ars! When a soldier recognized her as “Sara,” the saint who saved the kingdom five years earlier, everyone suddenly started treating her as some divine being!! After questioning her reality, a voice came to her and said, “Capture the heart of the prince, who longs for the saint, and marry him!” The voice then threatened her, denying her return to her own world should she fail… Her only weapon in this challenge is her face that apparently looks just like that of the saint’s! And so began her zealous attempt to steal the prince’s heart!
This looks like it will appeal to fans of: Truck-kun’s shenanigans, light novels with long names, fantasy worlds, and plucky, determined young women trying to survive
Azuki is available on the web at www.azuki.co and in the iOS App Store and Google Play Store. The app features 300 manga series, including international hits like Attack on Titan, Fire Force, and A Silent Voice. Azuki also publishes acclaimed new series like Mecha-Ude: Mechanical Arms, Natsume & Natsume, and My Dear Detective: Mitsuko’s Case Files, with weekly new chapters available exclusively via the Azuki app.
Start reading for free today with advertisements, or upgrade to Premium and access the full Premium catalog featuring thousands of chapters for just $4.99 a month. A 14-day free trial and discounted annual plan are also available, and additional volumes outside the subscription can be purchased via direct volume sales (Premium members get 20% off all volumes). Most titles are available worldwide (except Japan). Stay up to date on the latest announcements by following Azuki at x.com/ReadAzuki, facebook.com/ReadAzuki, and instagram.com/readazuki.
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The post Azuki Adds New Manga Series for April appeared first on Black Nerd Problems.
Spoilers be waiting for Crimson Sky, but that shit happened fifty-leven days ago
Maaaan, listen. Before you ask, nah, ain’t no other recaps from this season so don’t even look. You didn’t miss a damn thing so don’t even bother Google with that. This show, this fuckin’ Shogun show y’all…listen. I put my jersey in the rafters for the recap game. I was Tim Duncan, enjoying my retirement and rarely seen and when you did see my, I had them jeans and flannel on with no edge up in sight. Your boy was trying not to be seen, OK! But this damn show. The power of Edo compelled me. So yeah, I had to lace them up one more time.
And while I am resisting the urge to recap this whole ass amazing ass season, I will start here.
Mariko. Mariko-sama. Is. The. Fucking. GOAT. Please, please, I beg of you, name me a more BOUT THIS ACTION, unshakeable willed character than The Translator. The T-M Hundred Terminator model.
Never been more upset to assume a character is dead, celebrate her escape and then realize nah, she bout to be dead as fuck. All in about 30 minutes, mind you. But T-M Hunned looms large in this episode, sorry, this masterpiece. So, let’s jump into this.
Laid to Rest
First off, as soon as I saw an old man on his death bed, I was like, this gotta be Blackthorne. About to die of old age in your comfortable bed, in this economy, gotta be a white dude. And it was. His boys looking at his Japanese artifacts and perpetuating some myth of him fighting off “hundreds of savages.” But hol up, wait a minute! I’m of the belief this shit ain’t real. Mostly because of the crucifix his blind ass clutches before we snap back to reality. But we gonna circle back on that.
Back in the Edo period, Yabushige in trying to wake Anjin. If it looks like your boy was hit by a bomb, he basically almost was. Except Mariko held that shit for him. For everybody fucking body. Old Man Blackthorne might have been some sort of dream sequence, but you know what was real? Mariko catching that powder last episode. No dying breaths. No last look goodbye, no gasp. Nothing. Just Mariko-sama already dead in John’s arms. After the Anjin let’s out the primal yell we all did last week, never stopped until confirming she was dead THIS week, John says a small prayer for her. And…he is NOT OK. Not to be lost in this, as ayebody is sobbing over T-M Hunned’s death, YabuJudas says (what he thought was to himself) “Forgive me…” which I’m sure, won’t come back to put a foot squarely in his ass.
Toranaga in the woods, literally stoking the flames, being watched over by his messenger bird with the same haircut. LITERALLY, NOTHING HAPPENS IN THIS SCENE EXCEPT TORANAGA POKING A FIRE AND RANDOM NATURE SOUNDS, but you know something important is happening. The scene lasts 30 seconds and if you told me the fate of the world was decided in this moment, I would believe you. Cuz I’ve seen it happen before!
Back in Osaka, the council is meeting and y’all, this council been so fucking spineless and fickle to this point already. You can literally see the marionette strings on their neck for 9 episodes already. But now they bout to be intolerable! I mean good, fuck them. We ride for Lord T all day every day. But these dudes are all terrible people and terrible at their jobs. They all broken up about T-M Hunned’s death, saying it never should have happened. True. But where was y’all when she was literally fighting 8 muthafuckas in the yard with nothing but a spear and a kimono? It’s not like she was gonna break out a noble phantasm. The fuck did y’all expect then?!
Of course Lord T is “shocked and appalled to find that the woman he sent to offer her life up as an ultimatum to break the house arrest of his people and the other families somehow didn’t survive there is gambling in this establishment.” So, he done sent a raven saying yeah, you killed my vassal so I dipped out of Edo and sharpening my swords. It’s been emotional. Be easy.
This is complicated by the fact that the council knows that the council made this shit happen. As in Ishido. They still punks though. Ishido says that Lord T’s protest don’t mean shit, because they are united. Which is like saying, man, I hope it doesn’t rain today and the clouds been darker than sources for discrimination all fucking day. They couldn’t unite a pizza or a damn jigsaw puzzle right now. When MORE commentary happens about how its wild such a despicable act could come from the council. Ishido or “No I in team, but there is a Me” gonna try and blame Toranaga for the attack. Even Lady Ochiba is like, “this muthafucka…” The gall. The nerve.
Ishido is ready for war now, but the council is like, nah, she was good Christian folk, she needs a burial. Ishido tries to bypass this and play the Akechi card but Lady Ochiba is like nah b, y’all gonna give my homie her flowers.
To be clear, this was not a suggestion. This was not a request. Or a meek, sly offering. She told Ishido what the fuck was about to happen. I quote:
Lady Mariko will…generously be honored.
Translate that in whatever language you wish but the end result was, don’t shit get done till my girl is laid to rest.
Fin.
Ishido couldn’t do nothing but shut his ass up. The council is like we will have the heir’s support and army right. And Ishido, confident as all hell, like hell yeah we got that honor shit my dude. Let’s ride…after the funeral of course. And right when Ishido is writing the war report, an earthquake hits.
Y’all there are omens. And then there are just direct messages from the heavenly father telling you to slow your ass down. Perhaps, these dudes need to listen up more.
War Time Prep
Ishido comes to visit YabuJudas and listen. Y’all ain’t gonna make me feel bad for this snake. Y’all ain’t gonna make me be like, well, he had no choice, and the consequences of his actions are having a profound effect on him. Fuck all that.
HOWEVER…
This muthafucka is broken. Like picked up a pre-ordered cart of groceries and all the eggs look like they’ve seen war, broken. T-M Hunned’s death fucked him up, y’all. Ishido trying to sell this dude on him being on the council once Toranaga is dead. But YabuJudas, you know what he care about right now? Fish. Specifically, catfish in the pond. That ain’t. Fucking. There. Whew Lawd. Ishido gotta better chance of whipping out a cell phone and making an automated appointment with his therapist’s office for council than he does of YabuJudas being worth a damn for him moving forward. When Ishido said, “there are no catfish in that pond,” I heard that shit in the key of “there was no dope on that boat.” Ishido tells him to get his army ready, but y’all, he knows that shit is an absolute wrap.
Cut to Toranaga in the most majestic shot in the series…like what the actual hell man.
Anyways, he releases his falcon to the sky, saying, “Bear many Daughters.” I don’t have anything else to add except that:
- It’s just a beautiful ass scene and,
- Toranaga been on screen for a total of maybe 90 seconds, said two lines, and you already feel like he is controlling everything we see.
He Been IN IT
Old Man Blackthorne dreaming again about the path not taking and his sorta-sons asking about the savages. But all your Anjin can see is Mariko-sama. Naw, dead that savages shit. My man found LOVE. He wakes up from his micro-coma or whatever and is told he been out long enough to miss T-M Hunned’s funeral service. A couple of days ago! Damn, they must have thought your boy would never wake up. He’s been hit few times, so he walks with a limp. Now, he’s traveling with Father Martin on Toranga’s behalf and Taking the Blackthorne is expecting this staged death in the woods at any minute.
I want to move on from this scene, because the coming scenes are fucking cinema, but this part is so damn good to me. We saw this first when Father Martin misinterpreted his Japanese a few episodes back, but the good Father is so sure that the Heir’s army will help defeat Toranaga and Taking the Blackthorne is like, bruh, you don’t know shit. It’s just a dope ass way of showing how Blackthorne was the savage in a new land, not knowing shit about what was happening, the people, the customs, and Father Martin was trying to tell him how shit goes down. But now Blackthorne is clearly the more knowledgeable of the landscape than Father Martin, mostly because Father Martin is at arm’s length of the province and the culture, while Blackthorne has been IN IT. Just a dope progression. Aiight, we back to it.
Blackthorne realizing that Mariko made all this shit happen and that Toranaga didn’t even have to raise a sword or get within a stone’s throw of Osaka. Taken the Blackthorne thinks he’s about to die right here, but surprise, Mariko done went and prepared a place for your boy. Not in heaven, but literally on a boat and back to Toranaga. Blackthorne learns this and my dude just melts. He on the boat making the ride choppy cuz his tears flooding the lake. Shit was rough.
Lady Ochiba chillin with her son, finishing her latest chapbook. She recites Mariko’s last line of poetry back to her and asks her son’s opinion for the next line. Now listen, the heir is young, and sheltered and naïve. None of those things are his fault. But that stanza was trash. I’m just gonna be up front about that. Get this dude in a workshop ASAP. I got some texts he can get started on cuz supposed to be ruling over all this shit. You can at least get this word game tight. Not like he got shit else to work on right now. Thankfully, Lady Ochiba comes through with one of the many, many great lines in this finale.
Flowers are only flowers because the fall.
But thankfully, the wind.
Look, I ain’t going overboard here, I ain’t about to go full MFA on you or anything. But line economy, diction, staying within the metaphor. Trust me, the shit slaps. And also, a clear indication that some shit has changed.
Check Your Scorecard
Bruh, this boat ride. I’m still fuck YabuJudas all day, but that don’t mean I want to watch a slow death. This shit is rough as hell. First, he asks for Blackthorne to take him back to England. Like, my dude, what in the entire fuck is YabuJudas gonna do in 17th century England?! You thought shit was rough in the Sengoku lands, at least the folks wash here man! Then he tries to emulate Toranaga and wants the Anjin to teach him how to dive. This was Five Heartbeats, I still got it levels of sad. Blackthorne legit did the Homer Simpson in the bushes meme and tried to back all the way out of this dude’s field of vision.
But then, they see the ship. Or what used to be the ship. Burnt to a fuckin crips, sitting at the bottom of the channel. If you are scoring at home, here’s how Taking the Blackthorne’s current events are going:
Goes to Osaka with Mariko, assuming he’s gonna die there like everyone else.
Watches Mariko almost get herself killed via combat.
Almost has to kill Mariko himself as he seconds her Seppuku
Makes love to Mariko
Evades assassins
Watches Mariko get blown the fuck up
Wakes up *sometime later* and misses Mariko’s funeral
Assumes he’s going to be killed in the woods
Learns that Mariko saved his life before hers ended
And then…sees his only thing left, his ship, destroyed and useless
White dudes ain’t been down bad like this since they integrated baseball. But like, we have so much more emotional damage to go. They get to shore and yo, YabuJudas is happy to be home!
…until they hem his ass up IMMEDIATELY. His nephew said I was told to get your swords. Takemaru tells Yabu the order comes from Toranaga himself, and Yabu don’t even flinch. HE KNOWS IT’S THE END. He don’t fight. He don’t protest or try to talk any shit, just accepts it.
Muraji pulls Blackthorne aside and tells him that Christians slipped through and destroyed the boat. Blackthorne takes this as Mariko’s doing, as a deal for his life. Bruh listen, the way we just kind of never know exactly what the plans are until well after the fact…
Betrayal Brings The End
By the way, it’s a gruesome sight in town. Literal heads on literal stakes. Full village lockdown is in effect. Fucking around is not who Toranaga is.
YabuJudas is brought before Toranaga and yo…he doesn’t even hesitate. He’s basically like, so here’s the sitch, you betrayed me, let in assassins and after they killed Mariko, we got you 4K admitting this shit. So…is there anything else to talk about.
Can I make a note that, I would love to go back to the personal handwritten notes, perfectly folded rectangular letter as a form of communication. Like, for real, let us get off of Meg’s internet and just hand each other letters from now until forever. I mean, I kinda want that. Cuz the reality is, every time someone reaches in their clothes and pulls one of them muthafuckas out, it either confirms something bad has already happened or that something bad is about to happen. Shit was an omen. So yeah, I like the aesthetic but I might need to workshop mechanics of the letter revolution first.
YabuJudas admits the betrayal, and Toranaga is like bet. Your lands are forfeit, kill yourself by tomorrow night. Ok, cool, I think we’re done here. Damn, finished early, we can still get lunch.
After Yabushida (look, the dude is condemned to die, I figure I can address him properly now) gets several requests denied, Toranaga asks who he wants to second him, and Yabushida says the Anjin. Toranaga is like, nah.
And I literally laughed out loud at this part because I feel like Yabushida could have named fifty-leven people and he would have said no to all them until Yabushida chose Toranaga himself. I think Yabushida knew that shit too. Like damn, this dude really just wants to cut my head off. Should have humored him and seen how long Toranaga kept that shit up. We could’ve been there till it got dark.
No Translator
Man, what a kind of great send off for Fuji. She deserved a non-terrible ending to her story. But some of these scenes? Lawd. She sits next to Blackthorne, and he looks over to the empty spot and simply says, “No Translator.” Fuck man. Like, can we go one seen without putting our heart back in our chest and then, with gentle hands, removing that shit again.
Toranaga is holding his new son, and Ma Dukes said she is sorry for Lord Nagakado’s death. Toranaga is like, yeah, sad shit, but at least I got other sons. Y’all, he really said that Nagakado doing the reverse slip and slide and busting his head open on the healing rocks was a canon event. Shit is fucking cold out here. But the scene ends with of course, another letter, smuggled in secret from Lady Ochiba. First off, why this letter so long. Toranaga was unfolding this thing for half an hour.
Second, that is the face of a man who won every prop bet, every parlay, bet the Golden State Warriors wouldn’t make the playoffs, bet the Black talk shows would take Candace Owens back with no interrogation, everything. If I text this to you, that means I have already won, and you don’t even know what game we were playing.
And just to perfectly encapsulate this scene, my dude just spits some Mariko’s poetry off the top.
“Only her words remain with us now. But what a bonfire she made.”
But he’s holding back tears as he says this. Ugh, this fucking show.
Fuji has her families remains ready for transport and tells Blackthorne that she is leaving to become a nun. At first the Anjin is like, um, your boy is lonely. And it ain’t even like THAT, but your boy can’t really be alone right now. And Fuji is like, nah, I get it, but I don’t work for you no more? I hope that’s cool. And it is. Their relationship arc is pretty awesome, let’s just say that. After that reconciliation, she says she’s sad for the village because Toranaga is just killing folks after the ship got burnt. So Blackthorne requests a meet.
The Best Scene
Taking the Blackthorne meets Takemura on the edge of town and takes his weapons. Much more cordial than the beginning of this series. And look, I know everyone loves the Yabushida last scene. I do too. And everyone loves the scene on the boat with Fuji and Blackthorne. I do too! But this shit? This gotdamn scene. Possibly one of my favorite scenes in recent TV. Point. Blank. Period.
Toranaga first tells him that he will not rest until he finds out who sabotaged Blackthorne’s ship. Now, we should have known that nothing we expected to happen was going to happen this scene, when Muraji drops his cover and tells Anjin who he is. Not just that he was a spy for Toranaga. But that he is actually a samurai but converted to Christianity with the Portuguese. Years ago. And…your boy out here speaking the King’s English. Blackthorne is like, what the entire fuck is happening right now.
BUT the counter punch is that Blackthorne doesn’t even need the interpreter like that, because he prepared his own statement in Japanese. He apologizes for the disrespect he showed at the summit. He admits that he had given up and no longer had…he falters. Which leads to this gorgeous exchange:
Muraji: Hope? Hope. Or is the word you are looking for “faith”?
Blackthorne: At this point either one will do.
Ok, I will be brief. Writing is a talent. Writing is a skill. So it is unrealistic to expect every TV show to be beautifully written all the time. But something I want the streaming service hustlers to take note of is, uncertainty is a powerful tool. It does not serve your characters to always be so certain in what they say and do. Sometimes they don’t have the words, sometimes, they make bad decisions because they weren’t ready to make any decisions at all. I think a lot of writers think strongly defined characters is synonymous with strongly convicted and certain characters; and this scene is kind of a perfect example against that idea. ANYWAYS.
Blackthorne asks Toranaga to stop the terror against Ajiro, explaining that his enemies didn’t burn his ship, but that Mariko exchanged the ship for his life.
Toranaga: What about the Anjin’s war?
Blackthorne: [English] I don’t…need it anymore. [Japanese] My war, small war.
Do I need to say anything? Nah, I don’t need to say anything on that.
Toranaga is like, ok, cool, requests denied. Basically, even if that was Mariko’s order, someone still disobeyed his law, making them disloyal and that shit can’t stand. And now, we have the moment, I feel pretty comfortably saying might make Cosmo Jarvis the front runner for a Golden Globe. With tears in his eyes the entire time. He states that he, Blackthorne is actually the disloyal one and is offering his life for the village. When Toranaga says no, Blackthorne loses his shit. He admits that he was the enemy all along because of his intents when he got there. Your boy strengthens his resolve, quotes Mariko one more time and begins to commit Seppuku in protest. Until Toranaga stops him. And when I say stops him. He literally prevents John from driving the short sword into his heart and then gives him a forearm shiver to the face.
I had no idea what Toranaga was going to say after this. He could have spelled out the secret of life, and it wouldn’t have surprised me. But I did not have “if your dramatic ass is done showing out for TikTok now, get off your ass, repair that boat and make me a fleet.”
Wait, WHUT?
You know that line in Ocean’s Eleven when he Reuben says, “He’ll kill you. And then he’ll go to work on you.”
That’s what shit felt like. Like, why would I let you die when I have shit you could be doing for me. Blackthorne looking as confused as us. But you know what…them heads came off them spikes. So…win-win?
Great last moment between Takemura and his uncle Yabushida. He gives him his death poem. And listen, in the multiverse Yabushida may be a trustworthy dude, he may be Shogun, maybe he escaped to England. But within infinite possibilities, there’s a zero percent chance he was a good poet. Also, he gives over his will v.187.
So. Much. Shit happens in this conversation. It’s basically the best version of a villain dropping telling the hero his evil plan, except nothing like that at all, lmao. Toranaga basically ties up almost every loose thread over some casual ass conversation. First takeaway: yeah, he burned the Anjin’s ship, and he’d gladly do that shit again. That dude ain’t never leaving (and historically, never did).
Yobushida asks him how it feels to control the wind, and Toranaga responds, I’m not a player I just crush a lot.
Yabushida still can’t see how Toranaga can win with the Heir’s army backing Ishido and the other families united. How is Crimson Sky supposed to work? And Toranaga is like, my dude? Seriously? You really asking me that shit. Crimson Sky BEEN done, homie. Shoutout to Black Dynamite because they threw that shit before he walked in the room!
Then, Toranaga turns into a precog and starts telling Yabushida the future. But let’s be real, Toranaga was always a precog. Lady Oshiba sent a raven saying she off that Ishido pack. The regents gonna turn against him. And Toranaga gonna start his empire building in Edo, the center of his power. You know what’s coming right. SAMURAI SAID TORANGA COULDN’T COME BACK HOME. YOU KNOW WHEN HE HEARD THAT? WHEN. HE. WAS. BACK. HOME. This shit is done y’all. Check and mate before they finished setting the board up. And then this shit.
“All of us have made this possible. You, me, Lady Mariko…Even the barbarian who came out of the sea.
*Draws sword*
How many times I’ve thought of giving his life away but stopped. Not because he’s important – my banner would survive without him – but because he makes me laugh. And my enemies need a distraction.”
Fucking perfection. No jokes. No adlibs. When something is perfect, you LET IT BE.
To Be Shogun
Yabushida realizes that Toranaga wanted to be Shogun from the jump and every single move he made was for this eventuality. Got. Damn. Of course, when he asks for confirmation, Toranaga hit him with that call back line, “why tell a dead man the future?”
What follows: a self-inflicted wound to the stomach, a head turn, a dying man’s smile, a slight grin from the executioner and then one, clean, cut. A far cry from when he was a boy and unsure of himself, taking him several hacks to cut off his defeated enemies’ head.
CINEMA!!!
Don’t mean to short these last scenes, but are you not exhausted? Cuz I am. This effin show man.
Blackthorne takes Fuji out to the water one last time. He has put her families remains in the boat, and they row out together. He believes that a soul committed to the deep lives on forever. The spread her family’s ashes into the water before he does the same with Mariko’s cross, the beautiful line returning again, “let your hands be the last to hold her.”
And now, we arrive at the end, with Blackthorne trying to coordinate the village to raise the boat. Man, they ain’t pullin shit. Anjin tells them to rest, but then the strongest warrior in the land rolls up to help. I didn’t really need or want Buntaro to get some glorious ending but his life over the last few weeks been worse than Blackthorne man. So him laying down his sword to help pull Blackthorne’s ship out of the water was great. Better than great. But not as great as when the boat finally comes out of the water and the villagers all laughing and joyous elation, still pulling, still grunting, all working together. I dunno man. What other show does this?! Blackthorne offers Buntaro his water and is captivated by seeing Toranaga overlooking everything. As he always has. And maybe Blackthorne figured some shit out just now. Maybe he just admires the man.
…or maybe, Blackthorne is like me, likely you, that is looking at this towering achievement and saying, gotdamn. I’m standing in the shadow of greatness. Cuz that’s how it felt watching this show every week. Just a masterpiece. And if you disregard the 4K+ words I’ve already written, no notes.
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