Uncategorized

https://blacknerdproblems.com/selena-the-series-is-really-selena-the-side-character/

If you know the story of Selena, you’re ready to go through that wonderful breakout story of love, hard work, and determination only to end up bawling in a corner with your Kleenex because you know the inevitable? Selena: The Series Part 1 delves into the family dynamics and beginning stages of her life into her teen years. Selena: The Series touches on the different aspects of love, hard work, and trust by exploring each of the characters and their relationship to one another. Viewers are immediately submerged into the world of a budding family band. They learn about music through the memories of their father.

This series has its moments of beauty not because Selena (Christian Serratos) is the “star” of the band, but because it focuses on family as a wondrous ensemble. Each character expresses a different facet of ourselves. Abraham Quintanilla’s (Ricardo Antonio Chavira) faith in his family, even to its faults; Marcella Quintanilla’s (Seidy López) love and passion for the ones she loves; A.B’s (Gabriel Charvarria) vigorous work ethic and resourcefulness, Suzette’s (Noemí González) protection and openness; and of course Selena’s ever flowing creativity and bright demeanor. Their personalities serve as a balancing act and draws you into the characters and makes the experience more heartfelt.

Exploring the Realm of Family Values


SELENA THE SERIES (L to R) SEIDY LOPEZ as MARCELLA QUINTANILLA and RICARDO CHAVIRA as ABRAHAM QUINTANILLA in episode 101 of SELENA THE SERIES/NETFLIX © 2020

What makes this series impactful is that it touches on various layers of hardship. A shining moment at the beginning of the series was when the Quintanilla family lost their restaurant. Poverty pushed them into uncomfortable territory. Abraham’s pride was both the comic relief and a telling outline of how his character will react to conflict. Abraham grows even as he’s pressured into humility. His character was consistent. Whether he is managing his family through music or lecturing them about core values, he was solid and recognizable. Marcella was often a balancing act for her family. She grounded everyone and helped them realize they are not alone. I appreciated Marcella because she played a huge part in supporting her family through realism, and not allowing the darkness to be a cloak.

With this, one of the issues that surfaced is the fact that it started to feel much like a story about what Abraham did for the family, and less about Selena as a character. We got to see Selena in school. We see Selena interact with friends, which is great! But, most of the scenes were actually Abraham instructing, or Abraham fighting to get his family on track, which can feel very much true, but it centralizes the wrong character at certain moments. The series could focus more on how Selena was isolated, how she reacted to it, and how she grows from it. But it doesn’t do that much, it instead focuses a bit on how other people become flexible around Selena.

The Love and the Sisterhood

When we see how Selena and her siblings learn about the different facets of music, they internalize their lessons through a variety of experiences. Their relationships to the instruments call into question, “How does our relationship to music show who we are?” As Suzette started to learn the drums, she slowly became more emotionally open and aware. An even stronger sisterly bond formed between her and Selena through different avenues of self-expression. Bright hair, flashy DIY outfits, and sifting through boy troubles, González and Serratos made classic teenage trials seem harmonious. Their exploration of music pushed them to be their most authentic selves. Though their ideologies of what that looks like remains flexible, they were solidified enough to challenge what made them uncomfortable.

But even though Selena and Suzette’s characters were given a beautiful light that I admired, there was something I felt was missing from Selena herself. The sisterhood falls short to the “Father-Son” duo. We see this especially in scenes where we see them making huge business moves and we get really intense with how hard they work to support Selena. And of course, we can talk about the patriarchy and the various layers that entails in culture discourse but, this moves Selena from the star that she is, to the “asset” to their success story. Yes, Selena was a teenager who wanted to enjoy life and be a kid, but we didn’t get to dive much into her learning process. We saw everyone else’s learning prioritized in the show over hers, and that’s what we were looking for.

A Family Friendly Journey about Love and Perseverance


SELENA THE SERIES (L to R) JUAN MARTINEZ as YOUNG A.B QUINTANILLA and RICARDO CHAVIRA as ABRAHAM QUINTANILLA and MADISON TAYLOR BAEZ as YOUNG SELENA QUINTANILLA and SEIDY LOPEZ as MARCELLA QUINTANILLA and DANIELA ESTRADA as YOUNG SUZETTE QUINTANILLA in SELENA THE SERIES Cr. Sara Khalid/NETFLIX © 2020

A.B learned music through isolation. By compartmentalizing sounds and understanding the realms of music, he in turn reflected that in his own trials. Much like his father, he served as the backbone of the group in a developmental way. He searched for band-mates when times got rough, produced songs, and served as a main head for stage set up. This compartmentalization he learned served as an outline for how he would handle his trials throughout the show as well. Viewers will observe A.B put hope on the line for his family much like his father. It comes not only as a band-mate who trusts his team, but as someone who has been invested in various parts of the process. From lighting and stage set up in their early years to the come-ups with big name contracts.

The Quintanilla family knows risk, knows love, knows hardship, and if there are any lessons you want to learn you can watch it in Selena: The Series Part 1. They remained strong because they never questioned who they were, they only challenged the boundaries on how to be better.

But sadly, there moments where the series fell short. If you’re looking for a central Selena character, this is not it. Selena feels more like a side character to a greater focus on the family. The acting feels a bit rushed in moments where it could be enhanced. It succeeded in showing what family can do to be supportive, but what I wanted from them was a tender focus on how Selena was crafted as a person. It seems like they will be holding back on that until the second part, when that’s what they should have started off with in the first place.


SELENA THE SERIES (L to R) NOEMI GONZALEZ as SUZETTE QUINTANILLA and HUNTER REESE PENA as RICKY VELA and CHRISTIAN SERRATOS as SELENA QUINTANILLA and PAUL RODRIGUEZ JR. as ROGER GARCIA and GABRIEL CHAVARRIA as A.B QUINTANILLA in episode 103 of SELENA THE SERIES Cr. Sara Khalid/NETFLIX © 2020

If you’re a returning fan, looking to point at the screen and say “AYE!” you will have a great time and you might end up rewinding a couple of times. If you’re a new fan, get your playlists ready because your music library is about to be turned up. But I will admit, this is not necessarily “Selena” but rather “The Quintanillas” which is a beautiful story and is definitely part of who she is, but it feels separate from what viewers might be expecting.

Selena: The Series Part 1 is currently streaming on Netflix!

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The post ‘Selena: The Series:’ Is Really Selena, The Side Character appeared first on Black Nerd Problems.

December 5, 2020

‘Selena: The Series:’ Is Really Selena, The Side Character

https://blacknerdproblems.com/selena-the-series-is-really-selena-the-side-character/

If you know the story of Selena, you’re ready to go through that wonderful breakout story of love, hard work, and determination only to end up bawling in a corner with your Kleenex because you know the inevitable? Selena: The Series Part 1 delves into the family dynamics and beginning stages of her life into her teen years. Selena: The Series touches on the different aspects of love, hard work, and trust by exploring each of the characters and their relationship to one another. Viewers are immediately submerged into the world of a budding family band. They learn about music through the memories of their father.

This series has its moments of beauty not because Selena (Christian Serratos) is the “star” of the band, but because it focuses on family as a wondrous ensemble. Each character expresses a different facet of ourselves. Abraham Quintanilla’s (Ricardo Antonio Chavira) faith in his family, even to its faults; Marcella Quintanilla’s (Seidy López) love and passion for the ones she loves; A.B’s (Gabriel Charvarria) vigorous work ethic and resourcefulness, Suzette’s (Noemí González) protection and openness; and of course Selena’s ever flowing creativity and bright demeanor. Their personalities serve as a balancing act and draws you into the characters and makes the experience more heartfelt.

Exploring the Realm of Family Values

SELENA THE SERIES (L to R) SEIDY LOPEZ as MARCELLA QUINTANILLA and RICARDO CHAVIRA as ABRAHAM QUINTANILLA in episode 101 of SELENA THE SERIES/NETFLIX © 2020

What makes this series impactful is that it touches on various layers of hardship. A shining moment at the beginning of the series was when the Quintanilla family lost their restaurant. Poverty pushed them into uncomfortable territory. Abraham’s pride was both the comic relief and a telling outline of how his character will react to conflict. Abraham grows even as he’s pressured into humility. His character was consistent. Whether he is managing his family through music or lecturing them about core values, he was solid and recognizable. Marcella was often a balancing act for her family. She grounded everyone and helped them realize they are not alone. I appreciated Marcella because she played a huge part in supporting her family through realism, and not allowing the darkness to be a cloak.

With this, one of the issues that surfaced is the fact that it started to feel much like a story about what Abraham did for the family, and less about Selena as a character. We got to see Selena in school. We see Selena interact with friends, which is great! But, most of the scenes were actually Abraham instructing, or Abraham fighting to get his family on track, which can feel very much true, but it centralizes the wrong character at certain moments. The series could focus more on how Selena was isolated, how she reacted to it, and how she grows from it. But it doesn’t do that much, it instead focuses a bit on how other people become flexible around Selena.

The Love and the Sisterhood

When we see how Selena and her siblings learn about the different facets of music, they internalize their lessons through a variety of experiences. Their relationships to the instruments call into question, “How does our relationship to music show who we are?” As Suzette started to learn the drums, she slowly became more emotionally open and aware. An even stronger sisterly bond formed between her and Selena through different avenues of self-expression. Bright hair, flashy DIY outfits, and sifting through boy troubles, González and Serratos made classic teenage trials seem harmonious. Their exploration of music pushed them to be their most authentic selves. Though their ideologies of what that looks like remains flexible, they were solidified enough to challenge what made them uncomfortable.

But even though Selena and Suzette’s characters were given a beautiful light that I admired, there was something I felt was missing from Selena herself. The sisterhood falls short to the “Father-Son” duo. We see this especially in scenes where we see them making huge business moves and we get really intense with how hard they work to support Selena. And of course, we can talk about the patriarchy and the various layers that entails in culture discourse but, this moves Selena from the star that she is, to the “asset” to their success story. Yes, Selena was a teenager who wanted to enjoy life and be a kid, but we didn’t get to dive much into her learning process. We saw everyone else’s learning prioritized in the show over hers, and that’s what we were looking for.

A Family Friendly Journey about Love and Perseverance

SELENA THE SERIES (L to R) JUAN MARTINEZ as YOUNG A.B QUINTANILLA and RICARDO CHAVIRA as ABRAHAM QUINTANILLA and MADISON TAYLOR BAEZ as YOUNG SELENA QUINTANILLA and SEIDY LOPEZ as MARCELLA QUINTANILLA and DANIELA ESTRADA as YOUNG SUZETTE QUINTANILLA in SELENA THE SERIES Cr. Sara Khalid/NETFLIX © 2020

A.B learned music through isolation. By compartmentalizing sounds and understanding the realms of music, he in turn reflected that in his own trials. Much like his father, he served as the backbone of the group in a developmental way. He searched for band-mates when times got rough, produced songs, and served as a main head for stage set up. This compartmentalization he learned served as an outline for how he would handle his trials throughout the show as well. Viewers will observe A.B put hope on the line for his family much like his father. It comes not only as a band-mate who trusts his team, but as someone who has been invested in various parts of the process. From lighting and stage set up in their early years to the come-ups with big name contracts.

The Quintanilla family knows risk, knows love, knows hardship, and if there are any lessons you want to learn you can watch it in Selena: The Series Part 1. They remained strong because they never questioned who they were, they only challenged the boundaries on how to be better.

But sadly, there moments where the series fell short. If you’re looking for a central Selena character, this is not it. Selena feels more like a side character to a greater focus on the family. The acting feels a bit rushed in moments where it could be enhanced. It succeeded in showing what family can do to be supportive, but what I wanted from them was a tender focus on how Selena was crafted as a person. It seems like they will be holding back on that until the second part, when that’s what they should have started off with in the first place.

SELENA THE SERIES (L to R) NOEMI GONZALEZ as SUZETTE QUINTANILLA and HUNTER REESE PENA as RICKY VELA and CHRISTIAN SERRATOS as SELENA QUINTANILLA and PAUL RODRIGUEZ JR. as ROGER GARCIA and GABRIEL CHAVARRIA as A.B QUINTANILLA in episode 103 of SELENA THE SERIES Cr. Sara Khalid/NETFLIX © 2020

If you’re a returning fan, looking to point at the screen and say “AYE!” you will have a great time and you might end up rewinding a couple of times. If you’re a new fan, get your playlists ready because your music library is about to be turned up. But I will admit, this is not necessarily “Selena” but rather “The Quintanillas” which is a beautiful story and is definitely part of who she is, but it feels separate from what viewers might be expecting.

Selena: The Series Part 1 is currently streaming on Netflix!

Want to get Black Nerd Problems updates sent directly to you? Sign up here!
Follow us on Twitter, Facebook and Instagram!

The post ‘Selena: The Series:’ Is Really Selena, The Side Character appeared first on Black Nerd Problems.


December 5, 2020

The Must-Have Gift Guide For People At Every Fitness Level

https://madamenoire.com/1205140/fitness-gift-guide/

We already told you what to get the loved one who could use some help in the kitchen. How about something for the gym-goer in your life? And by gym-goer, they can be someone who works out every day to maintain. They can also be someone trying to move from being active once in a blue moon to moving every other day to meet goals for the new year.

Whether you know a person who has become a couch potato during the pandemic and wants to get their life together, or you have a loved one who hasn’t slowed down in their activity all year, this is a gift guide ready for people at all levels looking for a good workout. We’ve compiled some of our favorite goods, from apparel for sweat sessions to products that help with healthy eating and recovery. These are five items that will please fitness enthusiasts and novices alike.

Under Armour Women's UA HOVR™ Phantom 2 Metallic Running Shoes

Source: Under Armour / UA

Women’s UA HOVR™ Phantom 2 Metallic Running Shoes – $160

Stay connected during workouts, but not in the way you’re thinking. Under Armour has a line of shoes that connect to the brand’s app, MapMyRun, so that those pounding the pavement can always track their metrics and improve running times and distance. This particular connected shoe, the HOVR Phantom 2 in a metallic design, helps you feel like you’re running on air, eliminating impact. The design, with its sock-like structure, provides runners with the support they need to go harder, longer. If the rose gold is not really the style of who you’re eyeing this shoe for, it’s also available in a black and metallic gold.


December 4, 2020

We Need to Talk About Letitia Wright’s Tweets and Why Accountability Matters

https://www.themarysue.com/letitia-wright-covid-vaccines-twitter/

I woke up this morning to see Black Panther 2 trending along with Shuri and Letitia Wright. Much to the dismay of my Wakandan fangirl heart, it had nothing to do with the franchise. Instead, it was about a series of tweets Wright made in regards to a video she shared re: the COVID-19 vaccinations that are being worked on.

Oh boy.

Before I continue, let me just say that it is absolutely okay to question the validity of vaccinations that are in progress and haven’t been proven to work. It’s also absolutely okay to be skeptical as a Black person considering our history with racism in the medical field. That’s not the problem here, but I’m sure you already knew that, otherwise, why would Wright be trending?

The problem here is the video she shared and her response when people rightfully called out the issues in it.

Not only was the speaker (Tomi Arayomi) in no way a medical professional, according to sources (since the initial tweet has been deleted) he flat out stated that he didn’t understand vaccines medically, was skeptical of climate change, xenophobic, and transphobic. This wasn’t some educational video she shared, it was a full-on conspiracy theory video that, somehow, had extra time to be discriminatory toward marginalized groups. That’s truly an achievement.

Folks rightfully called Wright into question and I was ready to just leave it at that, but then I saw that this delightful tweet which is, surprisingly, still up:

And this absolute non-apology/lack of any sign of growth here:

And I realized that we have to talk about this. ALL of it. The misinformation. The fallback to blaming cancel culture. The lack of accountability. The transphobia. Just… everything, all of the everything.

Let’s go.

In order to question things you actually have to ask a question

Wright is under the false impression that she’s being attacked for daring to question the validity of these vaccines. Okay, first of all? I’m gonna need folks to stop calling education an attack. The hypocrisy of saying that you’re questioning something to seek answers, only to cry ATTACK when folks give you answers, is absurd. What you really want, in that case, is answers that agree with you and treat you like some rogue vigilante who dared to step up and question things when no one else would.

You don’t want facts. You don’t want to be challenged. You don’t want to have a conversation. You want to be coddled and praised. Period.

You are absolutely allowed, even ENCOURAGED, to ask questions, especially about a thing that’s being produced to stop an entire pandemic. By all means, we NEED to ask questions in order to get a vaccine that actually solves that problem.

However.

If you actually want to question things, you not only have to check the sources you share (I’ll get to this next), but you have to, well, ask a question. Technically speaking, all Wright did in her initial tweet was share the video with a prayer hand emoji. That’s not questioning anything, if anything, that’s showing solidarity with the video you just posted. You can’t say you’re sharing it to question things when you didn’t say anything until folks started to question you.

That’s not asking questions. That’s defending yourself after making an irresponsible tweet.

The dangers of spreading misinformation

Keeping in mind that Wright didn’t actually ask a single question until after the rightful dragging, I should point out that it’s a good thing that folks were quick to debunk the video. We can easily say that they did it to educate Wright but it’s more than that. It’s not just about her.

Wright has a large platform, and if that tweet got left without anyone calling the video into question we could’ve had a lot of misinformed people to deal with. It doesn’t matter what Wright’s intentions were, what matters are her actions. She shared a woefully misguided video with no sort of explanation behind it beyond an emoji, people could’ve easily taken it at face value because Letitia Wright supports this. 

If you really do want to have a conversation about the vaccines being made right now, it’s imperative to check the sources you’re using and, at least, explain why that’s the source you’re going with. These are people’s lives on the line here and Letitia Wright has a global presence. This wasn’t some small-time Twitter rando with 2 followers, it was someone with a voice on the platform.

What’s especially insidious about this incident is that it’s coming from a marginalized person who is part of a group that has a history of being mistreated in the medical field. I mentioned how it makes sense for the Black community to question the validity of vaccines, but spreading misinformation will only harm us more. Now isn’t the time to prey on already existing insecurities. Whether Wright meant to do that or not is, again, irrelevant, because that’s exactly one of the outcomes that could (and probably will) happen based on her platform. It was irresponsible of her, especially the number of times she quadrupled down on it.

Author Mikki Kendall wrote a thread addressing Wright, Black skepticism with vaccines, and the full weight of her actions. It’s worth reading the whole thing and Wright’s responses to it.

Also, this thread by physician and assistant professor Brittani Moneé James is an amazingly educational dive into why Black folks would have concerns about a vaccine and what can be done to alleviate their concerns. I should also note that James is one of the co-founders of “The Institute for Antiracism in Medicine.

Basically what I’m trying to get at is that Black folks are already concerned, so adding more concerns based on conspiracy theories and hesitation over “luciferase” being one of the components in a vaccine because Lucifer is in the name is… not it.

This could’ve been an opportunity to discuss this with credible sources and discussion on how we make sure this community is reassured of their valid concerns, but instead, we have a video that’s over an hour-long that shares no credible information, and thanks to the size of Wright’s platform, there will be a subsect of people who think that this is a valid take.

You might see the number of people calling her out and think that it doesn’t matter if only a handful of people believe her, but it only takes a few for something to spiral out of control. All we have to do is look around at the number of people over the summer who supported being shut down to flatten the curve compared to the folks who protested about haircuts and dining in. You see who won that argument.

Also, in the spirit of completely checking your sources, I implore you to not raise the platform of someone who expresses misguidance and hatred toward another marginalized group of people, ESPECIALLY if you’re a Black woman and the group he’s addressing involves OTHER BLACK WOMEN. I’m linking the tweet with the clip here so you have a choice in whether or not you want to see it. I was gonna link Arayomi’s problematic response, too (that I’m told was also transphobic), but it’s already been deleted.

It’s maddening that Wright shared a video with transphobic messaging when we just talked about the violence against Black trans folks because of what happened to Laverne Cox and her friend this week. It’s completely callous to have a platform as big as Wright’s and share something that discriminates against others, especially fellow Black women. The fact that it’s days after a transphobic act of violence is just an extra layer of malicious, especially since Wright hasn’t addressed that part at all.

Then again, she hasn’t really apologized or acknowledged any level of growth, but I’ll get to that.

Stop. Blaming. Cancel. Culture.

I will always and forever be frustrated that the term canceled has been morphed into this LOL scapegoat folks use when they’re being criticized for their loud, wrong, and harmful actions. It’s especially frustrating when it’s coming from someone who not only didn’t initially ask anything, but when they did start asking questions that meant that … um … they opened themselves up to responses.

How are you being “canceled” when you asked for this very discussion?

There’s this thing that folks do where they say they want to learn, but they forget that part of learning is holding yourself accountable when you come at something in the wrong way. But now it’s been boiled down as “lol canceled” which immediately makes people think it’s silly discourse and “don’t worry, sis, folks just be like that.”

I especially hate when celebrities do this because fans (and even other celebrities) will come to their aid without looking into the entire situation. As soon as Hollywood utters the phrase cancel culture there’s a chance that the rest of stardom will back them because cancel, to them, translates to “dismissing someone over nonsense, we must form Voltron to defend the others.”

Take Wright’s Marvel colleague Don Cheadle, for instance, who initially had Wright’s back based purely on the fact that she cried CANCELED. Once he realized the full scale of the situation he pulled back and deleted his initial response.

Still, saying that he won’t throw her away isn’t necessary. No one’s asking him to do that, but folks constantly assume that accountability means “get rid of this problematic person completely.” And while it’s great that Cheadle’s saying that he’ll talk to her off Twitter, why is that the part we don’t get to have access to?

We always get to see someone wrongfully defending someone, and even correcting themselves, but when it comes to holding folks accountable? That’s private. And like, I’m sorry, but if you’re willing to put your neck on the line for someone, publically, and find out that they were wrong, publically, I kinda need some sort of “I don’t stand with them” statement to be said. Publically.

What we need is for people to not assume that someone’s being called out for some baseless reason. We need them, when they see the “I’m being canceled” tweet, to ask the simple question of why this is happening to their friend, colleague, etc. We especially need this to happen when it’s coming from folks who claim to be for defending marginalized groups, or when it’s something as serious as “celebrity shares a highly misinformed video about the pandemic during the pandemic.”

The (lack of) a real response

So did Wright learn anything from all this? You might think so since she deleted the initial video and even thanks Kendall for taking the time to educate her. The problem, to me, is that she keeps assuming that she’s being called out for questioning things and not acknowledging the real reason why people are taking the time to talk to her about this. It’s a little infuriating, to be honest, to see someone who is being given so much time and effort to not only leave up the “canceled” tweet, but to post one that only says that her intentions were good.

There’s zero acknowledgment of the actual reason why folks were going in so hard about this. There’s zero acknowledgment of the misinformation, the transphobia, none of it is mentioned. You have to search through responses to others that she’s had, and even then, none of it is really an apology or, at the very least, an admission of sharing a video that was entirely wrong.

Wright saying what her intentions are means nothing. That’s just an attempt to clean up the messiness of that prayer emoji tweet. It doesn’t show any sign of whether or not she gets the weight of what sharing that tweet could’ve done nor does it even show a basic “I don’t agree with the video.”

Like … does she agree with it? She keeps saying she shared it to raise awareness and illustrate the concerns she has and … that’s it, that’s all I have to go off of.

Letitia Wright. From one Black woman to another. You have to do better than this. Not just for your own personal growth, but for the sake of your platform and those who follow you. If you’re so adamant about raising awareness, you have to do it responsibly. You also have to acknowledge your missteps and reflect on the lessons you’re being taught.

Please don’t take this moment for granted.

(Image: Frazer Harrison/Getty Images) 

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The post We Need to Talk About Letitia Wright's Tweets and Why Accountability Matters first appeared on The Mary Sue.


December 4, 2020

Warner Bros. To Shake Film and TV Releasing Major Titles to HBO Max

https://blackgirlnerds.com/warner-bros-to-shake-film-and-tv-releasing-major-titles-to-hbo-max/

Warner Bros. announced they will be releasing titles to HBO Max while at the same time having those titles available in theaters. 

“It allows us to do a global release and a national release in what we think is going to be a checkerboarded theatrical market place for the bulk of 2021,” Toby Emmerich Warner Bros. Pictures Group chairman said. “We think where theaters are open, and consumers can go, that a lot of people will choose to go to the theater, especially for big movies.”

“This hybrid exhibition model enables us to best support our films, creative partners and moviegoing in general throughout 2021,” Emmerich continued. “We have a fantastic, wide-ranging slate of titles from talented and visionary filmmakers next year, and we’re excited to be able get these movies in front of audiences around the world.

And, as always, we’ll support all of our releases with innovative and robust marketing campaigns for their theatrical debuts, while highlighting this unique opportunity to see our films domestically via HBO Max as well.”

The titles include the following: The Suicide Squad, The Matrix 4, Dune, Godzilla vs. Kong and Space Jam: A New Legacy, Little Things, Judas and the Black Messiah, Tom & Jerry, Mortal Kombat, Those Who Wish Me Dead, The Conjuring: The Devil Made Me Do It, In The Heights, Reminiscence, Malignant, The Many Saints of Newark, King Richard and Cry Macho.

“No one wants films back on the big screen more than we do,” said Ann Sarnoff, CEO, WarnerMedia Studios and Networks Group. “We know new content is the lifeblood of theatrical exhibition, but we have to balance this with the reality that most theaters in the U.S. will likely operate at reduced capacity throughout 2021. With this unique one-year plan, we can support our partners in exhibition with a steady pipeline of world-class films, while also giving moviegoers who may not have access to theaters or aren’t quite ready to go back to the movies the chance to see our amazing 2021 films. We see it as a win-win for film lovers and exhibitors, and we’re extremely grateful to our filmmaking partners for working with us on this innovative response to these circumstances.”

Jason Kilar, WarnerMedia’s CEO had this to say in closing: “After considering all available options and the projected state of moviegoing throughout 2021, we came to the conclusion that this was the best way for WarnerMedia’s motion picture business to navigate the next 12 months. More importantly, we are planning to bring consumers 17 remarkable movies throughout the year, giving them the choice and the power to decide how they want to enjoy these films. Our content is extremely valuable, unless it’s sitting on a shelf not being seen by anyone. We believe this approach serves our fans, supports exhibitors and filmmakers, and enhances the HBO Max experience, creating value for all.”


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