https://blacknerdproblems.com/stray-dogs-dog-days-1-review/
Creators: Tony Fleecs and Trish Forstner / Colorist: Brad Simpson / Layouts: Tone Rodriguez with Mike Vasquez / Flatter: Lauren Perry / Image
Way back near the beginning of the year, the first issue of Stray Dogs came out detailing the dreary story of a group of dogs that found themselves under the ownership of a malevolent man. Styled after Don Bluth animated films with a distinctively dark twist, Stray Dogs was a series that I kept an eye out on, but wasn’t necessary ready to deal with such an emotional charged premise (although, you’ll be able to decide for yourself as the first issue is available to read for free online). As the year comes to a close though, I found myself intrigued especially with the new anthology.
Stray Dogs: Dog Days #1 is a collection of stories that detail the backstories of six of the dogs that occupied the Master’s house. The stories vary in length and time frame, although the vast majority of them act as a prologue to the main series. Fleecs and Forstner do a spectacular job of crafting these short stories. Each one manages to evoke different layers of emotional resonance and manages to capture the anthropomorphism of each of the different dogs to different degrees.
Out of the six stories, I would like to give a particular mention to Gucci’s and Roxanne’s. Gucci’s story is one of the shortest in the extra sized anthology, but it’s use of the Instagram framework is stellar and manages to be very compact and efficient with its storytelling. We’re able to get a very complete picture of the dog/owner dynamic relationship, and the final page lands an incredible one-two punch of a conclusion. Conversely, Roxanne’s story is one of the longer ones, but takes us through the emotional ringer and even knowing how everything turns out, manages to amplify all of the tension in the world.
All in all, let this review serve two purposes: 1) to go check out Stray Dogs if you’re in the correct mental space for that, and 2) if you’re already into Stray Dogs, to check this out. It’s a unique aesthetic and emotionally compelling storytelling, and everyone involved should be commended for their work in extending the universe.
9.0 “Canine Chronicles” out of 10
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The post ‘Stray Dogs: Dog Days #1’ Review appeared first on Black Nerd Problems.
Creators: Tony Fleecs and Trish Forstner / Colorist: Brad Simpson / Layouts: Tone Rodriguez with Mike Vasquez / Flatter: Lauren Perry / Image
Way back near the beginning of the year, the first issue of Stray Dogs came out detailing the dreary story of a group of dogs that found themselves under the ownership of a malevolent man. Styled after Don Bluth animated films with a distinctively dark twist, Stray Dogs was a series that I kept an eye out on, but wasn’t necessary ready to deal with such an emotional charged premise (although, you’ll be able to decide for yourself as the first issue is available to read for free online). As the year comes to a close though, I found myself intrigued especially with the new anthology.
Stray Dogs: Dog Days #1 is a collection of stories that detail the backstories of six of the dogs that occupied the Master’s house. The stories vary in length and time frame, although the vast majority of them act as a prologue to the main series. Fleecs and Forstner do a spectacular job of crafting these short stories. Each one manages to evoke different layers of emotional resonance and manages to capture the anthropomorphism of each of the different dogs to different degrees.
Out of the six stories, I would like to give a particular mention to Gucci’s and Roxanne’s. Gucci’s story is one of the shortest in the extra sized anthology, but it’s use of the Instagram framework is stellar and manages to be very compact and efficient with its storytelling. We’re able to get a very complete picture of the dog/owner dynamic relationship, and the final page lands an incredible one-two punch of a conclusion. Conversely, Roxanne’s story is one of the longer ones, but takes us through the emotional ringer and even knowing how everything turns out, manages to amplify all of the tension in the world.
All in all, let this review serve two purposes: 1) to go check out Stray Dogs if you’re in the correct mental space for that, and 2) if you’re already into Stray Dogs, to check this out. It’s a unique aesthetic and emotionally compelling storytelling, and everyone involved should be commended for their work in extending the universe.
9.0 “Canine Chronicles” out of 10
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The post ‘Stray Dogs: Dog Days #1’ Review appeared first on Black Nerd Problems.
Happy New Year to our stalwart supporters and listeners! We're keeping it simple, citizens! This will be the last show for 2021, so we will keep it topical for the last week of the year as well as an assessment in Black blerd pop culture in '21. Check out this special Year in Review during the "Mid-Week" tonight at 8 p.m. eastern on the mighty BTalk 100 internet broadcasting network. Included with a rundown of notable events in 2021, the crew will be discussing: Gen-Z' apparent discovery of the classic hiphop trio, De la Soul, courtesy of the end credits song, "Magic Number" featured in Spider-man: No Way Home; iconic football coach, sports commentator and VG brand master, John Madden passes at 85; Dburt admittedly winced at the sight of a very human-like android, Amera and how society may be on the cusp of the "uncanny valley" as AI advances:
Another MCU IP, Ghost Rider, might be next for the reboot treatment but who will portray the demon of vengeance? Another The Batman trailer hits the cyberverse and we have our thoughts:
As the popular Black female-centered HBO series, Insecure comes to a close, some folks on Twitter were inquiring about the need for Black male-oriented "crew" series. Unfortunately, the request was met with a strange bit of vitriol; Basketball greats, Kareem Abdul Jabbar and Lebron James have a bit of a virtual dust-up online over COVID, and lastly, #ihadawhitefriend trends on Twitter for another "shame on you" reason.
One thing that Dburt is doing (finally) is investing in cryptocurrency, courtesy of Roundlyx. We would implore our followers to investigate, discern and then explore by using our referral code: afro-87A4BF
Call us LIVE at 508-645-0100. AFTER CLICKING ON THE HIGHLIGHTED LINK, GO DIRECTLY TO AFRONERD RADIO!!!
Also, Afronerd Radio's podcast format can be heard via BTalk 100 Pandora, Spotify and, IHeartRadio....more formats to follow!
Writer: Nicole Andelfinger / Artist: Simone Ragazzoni / Boom! Studios
I know what you’re thinking: there have been a lot of Power Rangers comics these last couple of years. You’re right, and we’ve only covered a small portion of the available offerings. That said, the reason we keep finding ourselves here is because the Power Rangers occupy a very beholden place in our childhoods (or at least my childhood), and given the franchise’s long-lasting tenure, there is a wealth of lore and mythology that is always worth delving into. Our latest venture: the origins of the Phantom Ranger (conveniently, one of the last characters I vaguely remember because I fell off of the franchise around Turbo).
Andelfinger takes ample opportunity to play with classic sci-fi tropes, setting the first page in “The Distant Past” where an unnamed proto-Ranger gets stuck in the Morphin Grid to keep an unspecified, but obviously evil entity in. Then, we flash forwarding “584 years” a couple pages later where a different group of scientists/teenagers with an attitude must deal with the consequences of said actions. There are a lot of different named characters (Ori, Kartor, Vivavli, Phiro, Rhian, Telosi, Xev) that we get very cursory introductions and who are all concerned with the events that befell Namize. With such a large ensemble and only very brief characterizations to go off, there is a little bit of a tracking issue, but that’s not entirely uncommon with first issue science fiction comics.
That said, while it took me a minute to keep all of the character names straight, there is still plenty of charged dialog and clever quips. I enjoyed Andelfinger’s writing as a whole, and I don’t envy the task of having to establish so many worldbuilding elements within a mini-series. And Ragazzoni does a fantastic job bringing the Rangers of the distant past plus five hundred eighty four years to life and also displaying the awesome power of the Morphin’ Grid. The book looks like exactly what you’d expect a Power Rangers book set in such era would look like. The costumes are dramatic, the set pieces are extravagant, and the monster design is sharp. It’s a vibrant first issue.
Out of all of the Power Ranger titles, this one’s probably going to appeal particularly to the already enfranchised and specifically to those who are explicitly familiar with the Phantom Ranger. Andelfinger and Ragazzoni do a great job bringing the story to life, but this is a bit of a deep dive with a lot of moving pieces, but if you’re into it, you’re gonna be really into it.
8.6 “Grids” out of 10
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