Uncategorized
http://blacknerdproblems.com/atlanta-robbin-season-recap-teddy-perkins/
***Atlanta is back for season two, ROBBIN SEASON and we couldn’t be more excited. While not a traditional recap for us, Nicole and William get together each week to talk out the great, the innovative and the utterly bizarre of the latest episode. All the spoilers ahead.***
William: To paraphrase you: I asked for a Darius-centered episode, but like Darius himself, got something wholly unexpected. I have…a lot of feelings about this. I don’t know if any of them are coherent. First question I have, generally, is when did you know this shit was going from creepy to a Get Out situation?
Nicole: The ostrich egg.
I literally almost tapped out at the ostrich egg. First, I literally almost vomited. Secondly, I started really looking at the setting and thought “oh, okay, I see you southern gothic.” And then I knew that wherever Darius and I thought this episode was going, we were both wrong. How about you? What was your tipping point?
William: LOL, the ostrich egg was so unsettling. I do think it did well to mess with our expectations of a TV show. We know it’s creepy and we know there’s the implied logic that Darius is in grave danger, but on TV shows, when it’s that overt, it doesn’t usually happen that way. If Al thought Darius might die, he wouldn’t be joking with him on the phone or sending texts “Are you dead?”
And even if it feels like the next logical thing to happen were this real life, I think TV shows have used that trope so much, I denied it right up until the blood on the piano and the brother in the basement.
Nicole: The tape recording did that for me. It was so simple and I was so shook. “I don’t have a butler, I just use that to remember things?” What in the Faulkner are we doing right now, Donald Glover? I’m so tempted to list a top 50 creepiest things in this 35-minute episode, but I don’t want to give into that impulse, so can we tackle the “why” of it? What does this mean?
William: Well, I’ve been thinking about this, naturally, a lot since I watched it initially. Every episode in some way can be tied to Robbin Season and it seems clear that this could refer both to the brothers being robbed of their childhood and humanity and perhaps secondarily Darius being robbed of his impulse to explore humanity.
It feels too simple to say this all about abuse at the hands of mean-spirited patriarchs and more about analyzing the cost of genius and legacy. Or maybe nothing. To be honest, after watching that, I don’t know what I know anymore.
Nicole: It definitely notes the idea of the beating-the-talent-ito-you fathers. Definitely, but I agree that’s it not just that. Because I was struck by the gothic and the grotesque, I’ve been thinking a lot about the uncanny valley that was Teddy Perkins as a character. His face is a human face, but we don’t believe it. Glover doesn’t want us to entirely believe it, though. Because it’s a commentary on, obviously, Michael Jackson and then Sammy Sosa. These men also occupy that grotesque space wherein there is a transgression from one thing (blackness) to another (not quite whiteness).
But Teddy’s face has to be believable enough for us to take the peril that Daryl is in seriously. It’s a mask that is not mask. For me, this is a continuation of Glover’s exploration of celebrity and its construction–the mask is not a mask or the mask that must appear to not be a mask. And then to see Teddy Perkins played by himself? [runs around the room with hands in the air]. I love it.
William: Yeah, from a technical standpoint, it was a beautiful (in its grotesque) piece of television. The aesthetic of the house, Darius basically playing the role of the audience by his exploration of the rooms and relics. Thinking back, I also should’ve have been aware earlier how bad this was going to get. Darius, who didn’t flinch at the alligator kept in a room of the house. Darius who asks folks if he can measure their tree. Darius who once took a samurai sword into some Korean underground den and emerged with a dog for breeding was unnerved from the beginning. That should’ve told me something.
Nicole: Speaking of my deep love of Darius… he continues in his quest because he doesn’t want to regret not continuing. Evidently, he had a two regret death pact with someone (who!), but thats not the most Darius thing in the Darius-centered episode. When Al asks how someone would know if he had two regrets, Darius says incredulously, “Because I’d tell them.” And he would. Because he asks to measure trees. Because of the sword and the alligator and the dogs. I never doubt that he would.
So later when Darius is handcuffed to a chair and faced with death, I don’t doubt that he’s telling the truth about his father.
William: Yeah, listen, I was already shell-shocked by the events that led to that moment that I feel like I need to watch it again to appreciate it. When Darius said earlier that his father should have apologized, that’s just a seemingly simple thing that isn’t explored that much. When we hear of these stories of horrible fathers (it’s almost always fathers, right?) abusing their elite talented children, we hear them being contrite for being exposed years later. But a straight-up apology is few and far between.
And you’re right, because Darius is who we believe him to be, I 100% believe him when he talks about his father. I’m convinced that if this wasn’t something that shapes Darius’ background, he wouldn’t invent it because he had a shotgun aimed at his chest. Which really doesn’t mean that Darius had an empathetic story to tell in the face of violence, but really that Darius is just empathetic to about every situation because he opens himself up to that possibility.
Nicole: He not only is empathetic in the face of his impending death (my dude had no outs in sight while he sat in that chair), but he goes beyond that. He not only tells Teddy that his father should have said sorry to saying “I’m sorry,” but he continues to apologize on behalf of the father before he starts telling his “daddy shit” story which is less a story than it is an accusation. All of that past trauma “doesn’t give you an excuse to repeat the same shit over and over.” It’s both understanding and demanding of accountability.
William: Agreed. I’m not sure what I expected from a Darius centered episode, but putting him in a position to show unflinching empathy no matter the trial is probably the most honest depiction of him, so bravo to the team for that. Speaking of which: are you agreeing with the internet that this was the best episode of Atlanta to date?
Nicole: I don’t know if it was the best, but I think it was my favorite. The tried and true nerd in me wants to do a close reading of every frame because even on a second watching, so much detail jumps out at me. It feels richer and more deliberately textured than some of the other episodes. Since Atlanta is already transcendent (what genre is it? is it series? a serial?), that it keeps raising the bar and then pole vaulting over it is a joy.
How about you? Where does this rank for you in Atlanta episodes?
William: It is definitely in my top 3. It might be number one, but I need more viewings of it without the sheer shock involved. I go back to the B.A.M. episode from season one that literally accomplished like four different things with great nuance and execution. But yeah…after the feeling of just being shook, I can see the amazing artistry of this episode. Which includes this perverse sense of atmosphere it created.
Outside of this episode, I do have questions about this season in general. It doesn’t have the throughput and narrative consistency that the first season did and I don’t know if that’s intentional or the fact that everyone became a star after season one and their shooting schedule was difficult to manage. But right now it feels like a collection of vignettes. Which isn’t terrible but isn’t as cohesive as I would like.
Nicole: I’m enjoying the vignettes immensely. I think it’s likely related to everyone’s rising stars but regardless of the cause I think it’s an effective storytelling device for now. It’s unsustainable, but I think so far it offers needed windows into the characters that a traditional linear thread wouldn’t it also effectively handles the movement of time without being too overt. At a point though, we’re gonna need all of these characters back together again.
We have 5 episodes left in this season so they have room to play a little bit more, but we do need at least one episode that is grounded in the overarching narrative of the show/characters.
William: To continue that theme, it looks like we get Van back. Possibly interacting with another one of her ain’t shit friends. Which…anything following this past week will be tough, but I am looking forward to an Earn-less Van episode.
Nicole: Anything would be less stressful than this week.
William: This shit was so stressful I forgot how stressful the previous two episodes were. Any remaining thoughts?
Nicole: Honestly, my overall thought this season mostly revolve around being excited for what these actors/actress do next in their careers. I’m excited for their less mainstream projects. More so now than I was at the end of season 2. It’s refreshing to live a show and have no none nary nan idea what to expect from the next episode.
Are you following Black Nerd Problems on Twitter, Facebook,Instagram, Tumblr, YouTube and Google+?
The post Atlanta – Robbin’ Season Recap: Darius, a Piano, and the Legacy of Abuse appeared first on Black Nerd Problems.
***Atlanta is back for season two, ROBBIN SEASON and we couldn’t be more excited. While not a traditional recap for us, Nicole and William get together each week to talk out the great, the innovative and the utterly bizarre of the latest episode. All the spoilers ahead.***
William: To paraphrase you: I asked for a Darius-centered episode, but like Darius himself, got something wholly unexpected. I have…a lot of feelings about this. I don’t know if any of them are coherent. First question I have, generally, is when did you know this shit was going from creepy to a Get Out situation?
Nicole: The ostrich egg.
I literally almost tapped out at the ostrich egg. First, I literally almost vomited. Secondly, I started really looking at the setting and thought “oh, okay, I see you southern gothic.” And then I knew that wherever Darius and I thought this episode was going, we were both wrong. How about you? What was your tipping point?
William: LOL, the ostrich egg was so unsettling. I do think it did well to mess with our expectations of a TV show. We know it’s creepy and we know there’s the implied logic that Darius is in grave danger, but on TV shows, when it’s that overt, it doesn’t usually happen that way. If Al thought Darius might die, he wouldn’t be joking with him on the phone or sending texts “Are you dead?”
And even if it feels like the next logical thing to happen were this real life, I think TV shows have used that trope so much, I denied it right up until the blood on the piano and the brother in the basement.
Nicole: The tape recording did that for me. It was so simple and I was so shook. “I don’t have a butler, I just use that to remember things?” What in the Faulkner are we doing right now, Donald Glover? I’m so tempted to list a top 50 creepiest things in this 35-minute episode, but I don’t want to give into that impulse, so can we tackle the “why” of it? What does this mean?
William: Well, I’ve been thinking about this, naturally, a lot since I watched it initially. Every episode in some way can be tied to Robbin Season and it seems clear that this could refer both to the brothers being robbed of their childhood and humanity and perhaps secondarily Darius being robbed of his impulse to explore humanity.
It feels too simple to say this all about abuse at the hands of mean-spirited patriarchs and more about analyzing the cost of genius and legacy. Or maybe nothing. To be honest, after watching that, I don’t know what I know anymore.
Nicole: It definitely notes the idea of the beating-the-talent-ito-you fathers. Definitely, but I agree that’s it not just that. Because I was struck by the gothic and the grotesque, I’ve been thinking a lot about the uncanny valley that was Teddy Perkins as a character. His face is a human face, but we don’t believe it. Glover doesn’t want us to entirely believe it, though. Because it’s a commentary on, obviously, Michael Jackson and then Sammy Sosa. These men also occupy that grotesque space wherein there is a transgression from one thing (blackness) to another (not quite whiteness).
But Teddy’s face has to be believable enough for us to take the peril that Daryl is in seriously. It’s a mask that is not mask. For me, this is a continuation of Glover’s exploration of celebrity and its construction–the mask is not a mask or the mask that must appear to not be a mask. And then to see Teddy Perkins played by himself? [runs around the room with hands in the air]. I love it.
William: Yeah, from a technical standpoint, it was a beautiful (in its grotesque) piece of television. The aesthetic of the house, Darius basically playing the role of the audience by his exploration of the rooms and relics. Thinking back, I also should’ve have been aware earlier how bad this was going to get. Darius, who didn’t flinch at the alligator kept in a room of the house. Darius who asks folks if he can measure their tree. Darius who once took a samurai sword into some Korean underground den and emerged with a dog for breeding was unnerved from the beginning. That should’ve told me something.
Nicole: Speaking of my deep love of Darius… he continues in his quest because he doesn’t want to regret not continuing. Evidently, he had a two regret death pact with someone (who!), but thats not the most Darius thing in the Darius-centered episode. When Al asks how someone would know if he had two regrets, Darius says incredulously, “Because I’d tell them.” And he would. Because he asks to measure trees. Because of the sword and the alligator and the dogs. I never doubt that he would.
So later when Darius is handcuffed to a chair and faced with death, I don’t doubt that he’s telling the truth about his father.
William: Yeah, listen, I was already shell-shocked by the events that led to that moment that I feel like I need to watch it again to appreciate it. When Darius said earlier that his father should have apologized, that’s just a seemingly simple thing that isn’t explored that much. When we hear of these stories of horrible fathers (it’s almost always fathers, right?) abusing their elite talented children, we hear them being contrite for being exposed years later. But a straight-up apology is few and far between.
And you’re right, because Darius is who we believe him to be, I 100% believe him when he talks about his father. I’m convinced that if this wasn’t something that shapes Darius’ background, he wouldn’t invent it because he had a shotgun aimed at his chest. Which really doesn’t mean that Darius had an empathetic story to tell in the face of violence, but really that Darius is just empathetic to about every situation because he opens himself up to that possibility.
Nicole: He not only is empathetic in the face of his impending death (my dude had no outs in sight while he sat in that chair), but he goes beyond that. He not only tells Teddy that his father should have said sorry to saying “I’m sorry,” but he continues to apologize on behalf of the father before he starts telling his “daddy shit” story which is less a story than it is an accusation. All of that past trauma “doesn’t give you an excuse to repeat the same shit over and over.” It’s both understanding and demanding of accountability.
William: Agreed. I’m not sure what I expected from a Darius centered episode, but putting him in a position to show unflinching empathy no matter the trial is probably the most honest depiction of him, so bravo to the team for that. Speaking of which: are you agreeing with the internet that this was the best episode of Atlanta to date?
Nicole: I don’t know if it was the best, but I think it was my favorite. The tried and true nerd in me wants to do a close reading of every frame because even on a second watching, so much detail jumps out at me. It feels richer and more deliberately textured than some of the other episodes. Since Atlanta is already transcendent (what genre is it? is it series? a serial?), that it keeps raising the bar and then pole vaulting over it is a joy.
How about you? Where does this rank for you in Atlanta episodes?
William: It is definitely in my top 3. It might be number one, but I need more viewings of it without the sheer shock involved. I go back to the B.A.M. episode from season one that literally accomplished like four different things with great nuance and execution. But yeah…after the feeling of just being shook, I can see the amazing artistry of this episode. Which includes this perverse sense of atmosphere it created.
Outside of this episode, I do have questions about this season in general. It doesn’t have the throughput and narrative consistency that the first season did and I don’t know if that’s intentional or the fact that everyone became a star after season one and their shooting schedule was difficult to manage. But right now it feels like a collection of vignettes. Which isn’t terrible but isn’t as cohesive as I would like.
Nicole: I’m enjoying the vignettes immensely. I think it’s likely related to everyone’s rising stars but regardless of the cause I think it’s an effective storytelling device for now. It’s unsustainable, but I think so far it offers needed windows into the characters that a traditional linear thread wouldn’t it also effectively handles the movement of time without being too overt. At a point though, we’re gonna need all of these characters back together again.
We have 5 episodes left in this season so they have room to play a little bit more, but we do need at least one episode that is grounded in the overarching narrative of the show/characters.
William: To continue that theme, it looks like we get Van back. Possibly interacting with another one of her ain’t shit friends. Which…anything following this past week will be tough, but I am looking forward to an Earn-less Van episode.
Nicole: Anything would be less stressful than this week.
William: This shit was so stressful I forgot how stressful the previous two episodes were. Any remaining thoughts?
Nicole: Honestly, my overall thought this season mostly revolve around being excited for what these actors/actress do next in their careers. I’m excited for their less mainstream projects. More so now than I was at the end of season 2. It’s refreshing to live a show and have no none nary nan idea what to expect from the next episode.
Are you following Black Nerd Problems on Twitter, Facebook,Instagram, Tumblr, YouTube and Google+?
The post Atlanta – Robbin’ Season Recap: Darius, a Piano, and the Legacy of Abuse appeared first on Black Nerd Problems.
Writer: Rainbow Rowell / Artist: Kris Anka / Marvel
We asked for the litness and Rainbow Rowell hath delivered us from monotony! I was completely blown away by the surprise guest we were graced with in Issue #8, but boy was I pleased! Runaways is delivering in so many ways. We finally meet Karolina’s powerful boo, Lightspeed. We got some real raw vicious villainy. We started off with one of the wildest twists that left us cliffhung like crazy. Then there were a few tidbits that seem to allude to some deeper problems.
Let’s start off with the green elephant in the room. Dr. Fuckin DOOM fam! The first supervillain these kids face is Dr. Doom? How Sway?! Rainbow Rowell you devilish fiend, I’m drinkin’ the Kool-Aid. How you got Dr. Doom ready to run the jewels, bangin’ on your front door like the super. It’s a great little battle and Anka brings these Doom filled panels to life in a classic yet edgy fashion. Our heroes are forced into action but quickly learn that they are no match for the savage, seasoned, villainous veteran.
Last issue left us wondering what in the world Molly’s best friend could’ve creepily been proposing. We immediately find out, but the questions behind the best friends forever proposition are the more intriguing aspects. Who is this witch that dunked Abbie in this fountain of youth? How’d this all happen without Abbie paying some sort of fee? I got questions fam! Why did Nico freeze like T’Challa when he saw Nakia? Whats gonna happen with Karolina’s superhero relationship after Lightspeed finds out that bae is apart of the most reactionary and dysfunctional team out there? Issue #9 better have answers!
Runaways is back on the attack and I can’t stop thanking Kris Anka and Rainbow Rowell enough. Rowell has made some outstanding choices in pacing and character building. She gave us a dabble of evil with Molly’s grandmother, which makes this Dr. Doom move such a staggering step up. She decided to give us an established, albeit young hero as Karolina’s girlfriend, which opens the door for so much to work with. Kris Anka has delivered on all of our character’s styles, outfit choices, colors and looks. He really understands this family and it reflects in his work.
Anka and Rowell are a stellar tag team that is firing on all cylinders. Runaways is hitting their stride so all comic book readers and fans of the new Hulu show should dive into this run before they get left in the telepathic dinosaur dust.
9 Shook Witches out of 10
Reading Runaways? Find BNP’s other reviews of the series here.
Are you following Black Nerd Problems on Twitter, Facebook,Instagram, Tumblr, YouTube or Google+?
The post Runaways #8 Review appeared first on Black Nerd Problems.
Awesome Con, taking place next weekend at the Washington Convention Center in DC, will not only be giving us a plethora of media guests, Future Con for the science and tech geeks, and Awesome Con Jr for the family, the convention will also be celebrating the 80th Anniversary of Superman! Check out the press release from earlier this week below for more info. There is still time to get tickets! I’ve enjoyed myself every year!
Awesome Con 2018 to Celebrate the 80th Anniversary of Superman with All Star Line-up of Comic Talent
Washington, D.C. (March 21, 2018) – Top illustrators, writers, and celebrities in the comics world will unite at Mid-Atlantic pop culture convention Awesome Con presented by LeftField Media, taking over Washington, D.C.’s Walter E. Washington Convention Center fromMarch 30-April 1, 2018. Comics powerhouse DC Entertainment and other renowned publishers will present special programming like industry insider and celebrity-driven panels, share exclusive announcements, debut designs, and more at the show. Awesome Con is proud to mark its sixth year by working with comic book artist Patrick Zircher on the official show poster and original art in the con’s program guide, distributed to all show attendees.
Show attendees can look forward to programming celebrating eight decades of Superman, marking the icon’s 80th anniversary since debuting in April 1938 from DC. Fans will be able to attend events and interact with special guests Tom Welling and Michael Rosenbaum, who played Clark Kent and Lex Luthor in beloved television series “Smallville,” during the weekend. Kids attending Awesome Con will also receive special keepsake badges featuring official Superman artwork from acclaimed artist and DC Publisher Jim Lee specially commemorating the weekend. Creators from renowned publishers like DC will meet-and-greet with fans throughout the weekend at booths on the Awesome Con show floor, making it easier than ever to meet the makers behind some of the most beloved characters in pop culture.
Comic fans will love events like Past, Present & Future: The 80th Anniversary of Superman, a panel bringing together DC artist Greg Capullo and writer Scott Snyder and comic book artist and writer Dan Jurgens, alongside Tom Welling and Michael Rosenbaum to retrace the iconic character’s history and discuss what’s next for the Man of Steel.
Attendees can also reserve tickets to special limited-access events during Awesome Con weekend to closely engage with the industry’s most celebrated creators. A DC Writer Panel and Meet & Greet on Friday, March 30 brings celebrated writers and artists Tom King, Frank Tieri, Joshua Williamson, Sam Humphries, Matthew Rosenberg, and James Tynion IV together for an intimate hour-long Q&A with attendees. Tickets for this special experience are available for $100 at www.awesomecon.com/tickets, and include an autographed variant comic cover featuring each guest’s work, a photo opp with all the guests, and up to five autographs from each guest. Attendees must also have a Friday day pass or Weekend pass to Awesome Con.
The creative minds behind Batman comic miniseries “Dark Nights: Metal” come together at Awesome Con for a Batman Metal Q&A and Meet & Greet on Saturday, March 31. Artist Greg Capullo, writer Scott Snyder, and inker Jonathan Glapion host a private one-hour Q&A with attendees, who will each receive a color Greg Capullo Batman print, a black-and-white Greg Capullo Batman print, and an inked Batman variant comic book cover by Jonathan Glapion. The iconic trio of guests will sign the prints and comic cover along with up to five items per attendee. Tickets are available for $100 at www.awesomecon.com/tickets; attendees must also have a Saturday day pass or Awesome Con Weekend pass.
Special Guests
Comic Guests
- Scott Snyder (Superman Unchained, American Vampire, Batman, Swamp Thing, Voodoo Heart)
- Greg Capullo (Dark Nights: Metal, Batman, Reborn, X-Force, Quasar, The Creech)
- Sean Gordon Murphy (Batman: White Knight, Hellblazer: City of Demons, Punk Rock Jesus, Shaun of the Dead, Teen Titans, The Wake, Tokyo Ghost)
- Tom King (A Once Crowded Sky, Batman, The Sheriff of Babylon, The Vision)
- Clay Mann (Batman, Batman Eternal, Gambit, X-Men)
- James Tynion IV ((DC’s Detective Comics, Batman, Teenage Mutant Turtles, The Backstagers, Red Hood and the Outlaws, Constantine: The Hellblazer)
- Josh Williamson (Skybound, Flash Rebirth)
- Frank Tieri (Wolverine, Ultimate Spider-Man, Marvel vs Capcom 3, Ultimate Marvel vs Capcom 3)
- Sam Humphries (Nightwing)
- Matthew Rosenberg (4 Kids Walk Into a Bar, We Can Never Go Home, The Archies)
- Jonathan Glapion (Superman, Batman, Curse of the Spawn, Elektra: The Hand) Entertainment Guests
- Stephen Amell (Arrow)
- John Barrowman (Arrow)
- Tom Welling (Smallville)
- Michael Rosenbaum (Smallville)
- Cress Williams (Black Lightning)
- Will Friedle (Batman Beyond)
- Phill LaMarr (Justice League Unlimited)
Awesome Con runs from Friday, March 30 until Sunday, April 1 in the Walter E. Washington Convention Center in Washington, D.C. More information about Awesome Con and tickets are available at www.awesomecon.com.
About Awesome Con
Awesome Con is the biggest annual comic and pop culture convention in Washington, D.C., having welcomed over 71,000 attendees in 2017. Awesome Con celebrates all aspects of geekdom and pop culture, with a wide assortment of engaging events, comic books, collectibles, toys, games, original art, cosplay and more. Awesome Con is presented in partnership with LeftField Media, an event organization company developed by the founder of New York Comic Con. Learn more at www.awesomecon.com.
About LeftField Media
LeftField Media, LLC is an events company focused on developing face-to-face events in a range of communities rooted in contemporary culture and shared passion. LeftField was formed in 2014 by Greg Topalian (President, LeftField Media) and is now owned by Topalian and Clarion Events Ltd. With a keen sense of the evolving needs of businesses and their consumers, as well as new opportunities created by change, LeftField takes a clean slate approach to its work. LeftField’s portfolio includes Play Fair (playfairny.com), a family-focused celebration of toys and play built with the Toy Industry Association; Awesome Con (awesomecon.com), Washington D.C.’s Comic Con; Rose City Comic Con (rosecitycomiccon.com), in Portland, O.R.; Anime NYC (animenyc.com), a Japanese pop culture festival presented by Crunchyroll; and the Classic Auto Show (theclassicautoshow.com), a vintage auto show launched in Los Angeles. LeftField Media is headquartered in historic Trumbull, C.T. (leftfieldmedia.com).
The post Awesome Con 2018 to Celebrate the 80th Anniversary of Superman appeared first on The Nerd Element.