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https://www.blackenterprise.com/diana-ross-airport-tsa-flying-while-black/

Diana Ross had a not-so-pleasant experience at the airport over the weekend. The legendary singer revealed in a series of tweets Sunday that she felt “violated” by a Transportation Security Administration (TSA) officer while she was flying out of the Louis Armstrong New Orleans International Airport. Ross, who performed at the New Orleans Jazz & Heritage Festival on Saturday, said the experience was so bad that it made her “want to cry.”

In another tweet, the 75-year-old icon wrote, “on one hand I’m treated like royalty in New Orleans and at the airport I was treated like s—t.”

A TSA spokesperson released a statement in response to the incident, saying they have reviewed surveillance footage of Ross’ pat-down search and found that the agents involved “followed all protocols,” reports Entertainment Tonight.

“TSA is committed to ensuring all travelers are treated with respect and courtesy. TSA is aware of concerns presented by Diana Ross about her screening experience at Louis Armstrong New Orleans International Airport this morning. Initial review of CCTV indicates that the officers involved with Ms. Ross’s screening correctly followed all protocols, however, TSA will continue to investigate the matter further. We encourage Ms. Ross to reach out to TSA so we can further explain our procedures, designed to protect travelers from a persistent threat.”

Ross is one of several famed black women who has called out the TSA in recent years. In December 2016, political commentator and media personality Angela Rye shared a video on Twitter of TSA giving her a pat-down. Rye, who appeared to get emotional in the video, said she was humiliated by the procedure. Likewise, Solange Knowles tweeted back in 2012 about enduring a TSA hair search through her curly mane. The “Don’t Touch My Hair” singer quipped that the search was an example of “Discrim-FRO-nation.”

TSA Hair Bias

Earlier this year, a report by ProPublica revealed that many black women who have been subjected to hair pat-downs have felt singled out. A survey conducted in March by the publication found that a majority of travelers who’ve experienced hair searches were women of color. Many described the searches as intrusive and disrespectful.

Some TSA agents, however, insist that they’re not racially-profiling women of color for additional security searches. Rather, the TSA full-body machines may be biased against black women’s hair textures and styles. “With black females, the scanner alarms more because they have thicker hair; many times they have braids or dreadlocks,” an unnamed TSA officer who works at a Texas airport told ProPublica. “Maybe, down the line, they will be redesigning the technology, so it can tell apart what’s a real threat and what is not. But, for now, we officers have to do what the machine can’t.”

TSA said in a statement that they are “reviewing additional options for the screening of hair.”

The post Diana Ross Had A ‘Flying While Black’ Moment appeared first on Black Enterprise.

May 7, 2019

Diana Ross Had A ‘Flying While Black’ Moment

https://www.blackenterprise.com/diana-ross-airport-tsa-flying-while-black/

Diana Ross had a not-so-pleasant experience at the airport over the weekend. The legendary singer revealed in a series of tweets Sunday that she felt “violated” by a Transportation Security Administration (TSA) officer while she was flying out of the Louis Armstrong New Orleans International Airport. Ross, who performed at the New Orleans Jazz & Heritage Festival on Saturday, said the experience was so bad that it made her “want to cry.”

In another tweet, the 75-year-old icon wrote, “on one hand I’m treated like royalty in New Orleans and at the airport I was treated like s—t.”

A TSA spokesperson released a statement in response to the incident, saying they have reviewed surveillance footage of Ross’ pat-down search and found that the agents involved “followed all protocols,” reports Entertainment Tonight.

“TSA is committed to ensuring all travelers are treated with respect and courtesy. TSA is aware of concerns presented by Diana Ross about her screening experience at Louis Armstrong New Orleans International Airport this morning. Initial review of CCTV indicates that the officers involved with Ms. Ross’s screening correctly followed all protocols, however, TSA will continue to investigate the matter further. We encourage Ms. Ross to reach out to TSA so we can further explain our procedures, designed to protect travelers from a persistent threat.”

Ross is one of several famed black women who has called out the TSA in recent years. In December 2016, political commentator and media personality Angela Rye shared a video on Twitter of TSA giving her a pat-down. Rye, who appeared to get emotional in the video, said she was humiliated by the procedure. Likewise, Solange Knowles tweeted back in 2012 about enduring a TSA hair search through her curly mane. The “Don’t Touch My Hair” singer quipped that the search was an example of “Discrim-FRO-nation.”

TSA Hair Bias

Earlier this year, a report by ProPublica revealed that many black women who have been subjected to hair pat-downs have felt singled out. A survey conducted in March by the publication found that a majority of travelers who’ve experienced hair searches were women of color. Many described the searches as intrusive and disrespectful.

Some TSA agents, however, insist that they’re not racially-profiling women of color for additional security searches. Rather, the TSA full-body machines may be biased against black women’s hair textures and styles. “With black females, the scanner alarms more because they have thicker hair; many times they have braids or dreadlocks,” an unnamed TSA officer who works at a Texas airport told ProPublica. “Maybe, down the line, they will be redesigning the technology, so it can tell apart what’s a real threat and what is not. But, for now, we officers have to do what the machine can’t.”

TSA said in a statement that they are “reviewing additional options for the screening of hair.”

The post Diana Ross Had A ‘Flying While Black’ Moment appeared first on Black Enterprise.


May 7, 2019

An Unbridled Enthusiasm: Talking with Detective Pikachu’s Justice Smith

https://blacknerdproblems.com/an-unbridled-enthusiasm-talking-with-detective-pikachus-justice-smith/

Detective Pikachu comes out May 10, 2019 and it almost feels weird to be excited about a live action adaptation of a video game. Yet every trailer shows a wonderfully realized world of pocket monsters and every day that passes, the young six year old version of me becomes more and more giddy at the prospect. It certainly helped that we got to talk with the (human) face of the film, Justice Smith a.k.a. Tim Goodman.



Black Nerd Problems
: A lot of us at Black Nerd Problems were introduced to you as Books in Netflix’s The Get Down and later in Jurassic World: Fallen Kingdom as Franklin Webb. How excited are you to introduce yourself as Tim Goodman to the rest of the world?

Justice: I’m very excited. I was this huge pokemon fan myself and to be a part of something like this, that means so much to so many people. It’s a childhood dream come true you know? It’s great, man. It’s great.

BNP: What was your first Pokemon game?

Justice: Pokemon Gold for GameBoy Color. But I also had Pokemon Crystal, Pokemon Stadium, Pokemon Snap for N64.

BNP: What does the franchise mean to you after being cast?

Justice: It meant a lot to me as a kid. It had such a huge impact on me. And after being cast, I learned so much more about Pokemon than I ever thought. And going in, I already knew a lot. I watched the anime, played the games, all that good stuff. But yeah, it’s incredible.

Detective Pikachu

 

BNP: What were some of the challenges of filming Detective Pikachu, given the wide range of set pieces and the CGI you had to work with.

Justice: Yeah, I think it’s difficult to act with something that’s not there. I had some practice with that in Jurassic World: Fallen Kingdom, but that was a little different because all I had to do was run away screaming. In this, I had to actually talk and react to Pokemon. But Rob Letterman, our director, made me feel as comfortable as he could. He made sure where in the room the pokemon were at all times and he did everything in his power to make it feel real.

BNP: How about the banter with Ryan Reynolds?

Justice: Ryan is hilarious. He’s so funny, and just as funny off camera as he is on camera. He’s also incredibly kind and sincere, which I appreciate.

BNP: Historically, with films based on video games, there tends to be apprehension surrounding it. Why do you think Detective Pikachu has resonated with the fanbase?

Detective Pikachu

Justice: We took a lot of time and we took a lot of care about how we represented this universe. We had Pokemon experts on set every single day. The Pokemon Company was there every single day. I’m such a big fan as well. I wanted to make sure that we honoring the fans, honoring the universe, and telling a story that relatable and human that anyone could enjoy regardless of your Pokemon knowledge. I think when you try to tell a good story, an honest story, that will work regardless of the genre.

BNP: So, bit of a switch, if you were a gym leader, what would Pokemon type be and what would be your signature Pokemon?

Justice: Probably Psychic…. or Ghost. And Gengar. Love Gengar.

BNP: Where do you see the franchise going in the future? It’s generated a lot of positive buzz and lots of potential avenues to go down with the buddy cop angles and the wider universe in general.

Justice: It would be cool to explore the buddy cop dynamic even more, and I just want to see more Pokemon. We have 807. We have a lot of content to mine from. And although, there’s a lot in the movie, we can’t fit all of the time. If there is a sequel, I would love for the fans to see more realized in three dimensions.

Detective Pikachu

BNP: Anything you want to add to maybe convince people on the fence to take the leap?

Justice: Yeah, I think if you’re a fan of Pokemon, I think you’ll be satisfied, I hope you’ll be satisfied. I know I’m satisfied. I know I’m biased because I’m in the movie, but the movie really makes all your wildest dreams come true. It”s exactly how kids growing up wanted to see. They wanted to see humans interact side by side with Pokemon as real life creatures. And if you don’t know anything about Pokemon, it’s a good story. I think there’s no hurt in given the movie a chance even if it’s just to see what the movie is about.

Pokémon fans, be sure to catch Justice Smith in Detective Pikachu opening May 10th, 2019!

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The post An Unbridled Enthusiasm: Talking with Detective Pikachu’s Justice Smith appeared first on Black Nerd Problems.


May 6, 2019

PODCAST: Gabrielle Union and Jessica Alba & Filmmakers Stefon Bristol and Frederica Bailey

https://blackgirlnerds.com/podcast-gabrielle-union-and-jessica-alba-filmmakers-stefon-bristol-and-frederica-bailey/

Segment 1: Premiering May 13th is the Bad Boys spinoff L.A.’s Finest starring Gabrielle Union and Jessica Alba. The actresses sit down with Cat Combs to discuss playing complex 3-dimensional women in this new action series.

Segment 2: Netflix is releasing the Spike Lee sci-fi time travel adventure See You Yesterday. Lynnette Nicholas sits down with director Stefon Bristol and co-writer Frederica Bailey.

Edited by: Jamie Broadnax

Music by: Sammus

 

The post PODCAST: Gabrielle Union and Jessica Alba & Filmmakers Stefon Bristol and Frederica Bailey appeared first on Black Girl Nerds.


May 6, 2019

Honored and Grateful: An Interview with Warrior’s Dianne Doan

https://blacknerdproblems.com/honored-and-grateful-an-interview-with-warriors-dianne-doan/

It’s a well known fact that we here at Black Nerd Problems adore Warrior. It’s unique blend of genres and fantastic production has made it a stand out show of Spring 2019, so when we were given the opportunity to talk with Dianne Doan, the actress bringing Mai Ling to life, we pretty much jumped at the chance…

 

Black Nerd Problems: What does it mean to you help tell the story of 18th Century Chinese immigrants, based on Bruce Lee’s writing, in 2019 with Warrior?

Dianne Doan: I think it’s kind of the perfect time to be telling this story. There are a lot of amazing things in media in terms of inclusion and diversity. For me personally, to be able to tell this story of Chinese American immigration… it’s never been told before. I think Justin Lin mention that in history books it takes a couple of paragraphs or maybe half a page in the book. To tell the story in the way that we’re telling it, this poppy, pulp fiction Martial arts drama; it’s never been done before. Personally, it couldn’t have come in a better format.

I feel very honored and grateful to be a part of this project. Looking at our cast list, the first eight out of eleven series regulars are Asian, whether it’s Asian American or Asian Canadian, it’s such a diverse international cast. Turning up to the table and seeing so many familiar faces and relatable faces, it got emotional. There’s a movement right now, but to know that we’re one of the first out of the gate is incredible.

BNP: Specifically to your character, Mai Ling, her backstory and arc see her trading her life in exchange for her brother and eventually becoming this key player in the Long Zii gang. How do you prepare for such a complicated role and what elements of Mai Ling resonate with you?

Dianne: With Mai Ling, I wanted to make sure that I understood the time period and what rights we would have as women. The main thing that came across was not many women got to immigrate to America. You had to be either a purchased bride or a prostitute. For Mai Ling specifically, Jonathan and I came up with this backstory that what happened to Mai Ling, being married to a warlord and being abused and raped, that I have to escape to another world so I got on a boat and being a prostitute wasn’t an option. I’d never be in that vulnerable state again.

To find power in the Long Zii and to make sure that I would maintain power or garner more and I wanted to make sure it wasn’t like the typical Dragon Lady, a trope in my eyes, or a mustache twirling villain. I wanted to make sure that she was grounded and hope the audience could understand the past and see her brother mess up her plans and dealing with that with the different Tongs and the upcoming war between the Tongs and the war between the government and the Irish workers.

BNP: Mai Ling is essentially the power behind the Long Zii, as you mentioned, during a time where women were constantly underestimated, especially Chinese women. No one expected her to be this sort of “mastermind” character. In a show full of “warriors,” what is it like being the one who drives the plot in the back and foreground.

Dianne: It’s interesting. In the tong, she is married to the leader, but the rest of the world doesn’t know if she’s a trophy wife or her exact role. And given Mai Ling is older now and I would know better. And I think initially, we see Li Yong (Joe Taslim) is the right-hand man in the tong, and it begs question why is Mai Ling given the opportunity to call all the shots.

There is there is a beautiful story that comes from her need of power and in the end, take control. But I think it’s really fun playing her, because she’s so underestimated. She has a lot more plans than anyone expects. What is her plan? What is she doing? She’s clearly has this deeper power in her pocket. There’s a big spiderweb around Mai Ling, and it’s exciting reading a new script and seeing what the writers have planned for her.

BNP: At the time of the interview, we’ve about four or five episodes in. What are some of your favorite moments that you can talk about?

Dianne: My favorite episodes are four and seven, but my favorite scene that people have seen, it’s actually a simple scene, but it shows so much of the relationship and dynamic between the siblings of Ah Sahm and Mai Ling, but that carriage scene outside, where Ah Sahm leaves Penelope’s apartment and I kind of wrangle him into my carriage. It’s so civilized and it’s two real brother and sister bickering with each other. It was so fun to play. Any scene with Andrew Koji is always great. I think it’s important that it shows the dynamic between the two.

BNP: Did you find it challenge to work with the historic set pieces with the different lexicons and languages switching, all of the different elements that you weren’t necessarily familiar with.

Dianne: No. Not at all. With the language barrier, the show editors and writers have used language as such a clever tool to weave you in and out of the experience. As the audience, you’re watching from the outside and then get immediately immersed into Chinatown. All of the costumes and set pieces made it easier to work, because you were in the world. We weren’t working with green screen, there were tangible things you can touch and feel to transport back to the 1800’s.

BNP: You could say there’s an authenticity to it?

Dianne: Exactly.

 

BNP: For anyone somehow still on the fence, why should they tune into Warrior this spring?

Dianne: I think, personally, there’s nothing really like it on TV. We’ve said it before. It’s like Gangs of New York meets Kill Bill. There’s a little bit of everything. It’s martial arts and action with drama and elements of comedy, and tie Bruce Lee’s name it kind of sparks anyone’s reaction to what the could be. And the fact that we have the stamp of approval… It’s this world that’s never been shown before.

What have you thought of the show?

BNP: Oh. I was entirely in the love from the moment I started watching. The opening Ah Sahm beating up a racist white police officer was very cathartic in this day and age, I’ve been very invested in how it turns. It’s been my honor to interview you today.

Dianne: Thank you so much. And I hope you stay tuned. Episodes nine and ten are pretty juicy.

BNP: Oh, I will be.

See Diane on Warrior playing on Cinemax now, with new episodes on Friday nights.

 

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The post Honored and Grateful: An Interview with Warrior’s Dianne Doan appeared first on Black Nerd Problems.


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