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http://www.afronerd.com/2020/06/new-mid-week-show-btalk-100-this-wed-at.html
Sannu (“hello” in Hausa) to our more than loyal listenership! There’s more unrest and uncertainty but you can count on your AFROnerdist crew to come through with the fire, facts and fastidiousness during these very trying times. So make sure to tune in to our infamous Mid Week in Review airing this Wednesday at 8pm eastern. The topics du jour are: the riots and protests on the national scene are still going on with President Trump promising to send in the military to calm this alleged storm and many folks are perceiving a dictatorial edge to his demeanor; are the rioters looking out for the black business owners, themselves or are they sincerely upset over police malfeasance?; And what are the citizens of these embroiled cities expecting as respite once the literal smoke clears? I wonder how Colin Kaepernick feels about this-60 North Carolina police officers knelt before before demonstrators during a stand off relating to the tragic police killing of George Floyd; we’ll also try to address some of the lighter issues we failed to address on the preceding Sunday’s Grindhouse broadcast; thoughts about Blackout Tuesday and recent accusations that the popular TikToK social media platform censors black creatives; well they do say (some) kids can be cruel…..and it’s evident when Middle School students reenact the Floyd murder for laughs (damn…); umm…we are still in the midst of a pandemic, right?; and to lighten the load…..are the CW’s Batwoman writers going to actually write out the “batwoman” character from the self titled show? ; well….HBO Max has officially christened their DC cinematic section as the DC Extended Universe….so do I cancel my DC Universe subscription now? GamesRadar and Newsarama merge for some reason….; Marvel and DC exclaim support for the black community; nerd virus alert…..an Ayer Cut-for Suicide Squad? And lastly, what does all this corporate (vocal) support for Black Lives Matter mean? Call up LIVE at 508-645-0100.
AFTER CLICKING ON THE LINK, FEEL FREE TO FILL OUT THE LISTENER FORM OR PRESS “NO THANKS” TO GO DIRECTLY TO AFRONERD RADIO!!!
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Sannu ("hello" in Hausa) to our more than loyal listenership! There's more unrest and uncertainty but you can count on your AFROnerdist crew to come through with the fire, facts and fastidiousness during these very trying times. So make sure to tune in to our infamous Mid Week in Review airing this Wednesday at 8pm eastern. The topics du jour are: the riots and protests on the national scene are still going on with President Trump promising to send in the military to calm this alleged storm and many folks are perceiving a dictatorial edge to his demeanor; are the rioters looking out for the black business owners, themselves or are they sincerely upset over police malfeasance?; And what are the citizens of these embroiled cities expecting as respite once the literal smoke clears? I wonder how Colin Kaepernick feels about this-60 North Carolina police officers knelt before before demonstrators during a stand off relating to the tragic police killing of George Floyd; we'll also try to address some of the lighter issues we failed to address on the preceding Sunday's Grindhouse broadcast; thoughts about Blackout Tuesday and recent accusations that the popular TikToK social media platform censors black creatives; well they do say (some) kids can be cruel.....and it's evident when Middle School students reenact the Floyd murder for laughs (damn...); umm...we are still in the midst of a pandemic, right?; and to lighten the load.....are the CW's Batwoman writers going to actually write out the "batwoman" character from the self titled show? ; well....HBO Max has officially christened their DC cinematic section as the DC Extended Universe....so do I cancel my DC Universe subscription now? GamesRadar and Newsarama merge for some reason....; Marvel and DC exclaim support for the black community; nerd virus alert.....an Ayer Cut-for Suicide Squad? And lastly, what does all this corporate (vocal) support for Black Lives Matter mean? Call up LIVE at 508-645-0100.
AFTER CLICKING ON THE LINK, FEEL FREE TO FILL OUT THE LISTENER FORM OR PRESS "NO THANKS" TO GO DIRECTLY TO AFRONERD RADIO!!!
function openPlayer(s){window.open("https://radio.securenetsystems.net/v5/"+escape(s),"Player","height=630,width=940,modal=yes,alwaysRaised=yes")}
Disney is a company that many criticize (and rightfully so), but at least they’re wielding their money and reach for good today. Pledging to donate $5 million dollars to organizations that fight for social justice, the company issued a statement and has been using their social networks to talk about racism and oppression in America.
Via a piece on The Walt Disney Company site, the company is prepared to start with a $2 million donation to the NAACP, with plans of donating $3 million more to other organizations.
“The Walt Disney Company has pledged $5 million to support nonprofit organizations that advance social justice, beginning with a $2 million donation to the NAACP to further their longstanding work promoting social justice by eliminating disparities and racial discrimination through their advocacy and education programs.”
Disney is also planning on matching eligible donations with their Disney Employee Matching Gifts program. The extent of which we don’t know yet, but it is at least something. Netflix, for example, is matching employee donations 200%. What will Disney’s percentage be?
“In addition, through the Disney Employee Matching Gifts program, employees are able to increase their impact in their communities by donating to eligible organizations, with the Company matching those gifts.”
It’s a small step, but an important one. Disney is one of the wealthiest media companies on the planet, with an estimated worth of $130 billion. $5 million dollars is a drop in the bucket for them, and we hope it’s indicative of a pledge to give a lot more going forward. All Disney properties sent out the same message the other day about their support of Black Lives Matter but didn’t have information on their own donations attached, something many criticized.
If Disney is prepared to match the donations of those employees under their umbrella, then I hope stars of the bigger franchises step up and have the corporation match their donations. It’s unclear whether movie stars and pledges from other highly-paid Disney talent will be matched, but they damn well should be. The more money raised the better, and Disney is more than capable of matching the donations of the casts of its big properties. Let’s see those superheroes doing some good in the real world.
(via The Walt Disney Company, image: JIM WATSON/AFP via Getty Images)
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Today would be a good day to watch ATTACK THE BLOCK. It’s on Amazon, Vudu, iTunes, and free on Pluto TV.
— Michelle Swope (@RedheadfromMars) June 3, 2020
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lili reinhart coming out as bi is one of the only things about this year that has made me happy pic.twitter.com/HZZUUvI7xT
— ً (@bwgheads) June 3, 2020
- Batwoman is prepared to create a new character instead of recasting its departing lead, Ruby Rose. (via Vulture)
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DEFUND TIKTOK https://t.co/zxwpI7zsqE
— billy eichner (@billyeichner) June 3, 2020
And now, your moment of Zen:
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—The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—
Intensity and Non Linear Growth
Michaela Coel has brought an intense project that challenges your emotions and ideologies in I May Destroy You. This is an intense story dedicated to the progression and how we analyze human behavior post-traumatic incidents. For those who have experienced sexual assault, I offer a trigger warning before watching this show. I May Destroy You does not hold back. The show presents a world of experiences that one may have while trying to process and heal from their own trauma. When we talk about consent, the discussion of what consent is not needs to happen in the same breath. They talk about the line straddling, gas lighting, and what happens when consent is stripped from you. I May Destroy You does not fail to display the gas lighting, the nervous ticks, and the defense mechanisms. The show will be as honest as it can be, and it may cause an exploratory discomfort.
One cannot bring I May Destroy You to the table without also talking about safety. This show is especially important for Black people because everything feels like it hits too close to home. The crew takes viewers on an emotional journey that discusses the ideologies of “violation.” This includes and extends itself beyond just the talks about sexual assault. Violation is used as a metaphor across I May Destroy You in different aspects of identity like race, gender, and sexual orientation. Every issue was layered in the Black experience.
In the lives of Black folks, we are placed in situations that make us hyper aware of our blackness. It injects itself into how we maneuver in the world and how people perceive us; whether we are the aggressor or the victim. The show presents dynamic personalities that gives viewers the ability to see that we have the power to be both. We can suffer from abuse and then through our own grief, reflect a similar kind of abuse on others.
Call it what it is, Say Its Name
I May Destroy You presents the question “what can we do on our path to healing” and then offers as many answers as they could offer while not shying away from the wrong choices folks could make. What I fail to see in plenty of shows that presents trauma, is that they often give protagonists a shield against judgment. Sometimes, when a protagonist goes through a terrible experience, they allow the character to process and watch all the other characters swarm them with support, which on one hand could be great. Yet there is a way to challenge the realism that pertains to situations like that. After your trauma, not everyone is going to understand you immediately. Not everyone will come to your rescue. Sometimes on your journey to healing these characters will do irresponsible things, and the writers won’t allow others to hold them accountable. It feels as if the protagonist is painted in a light that does not give viewers the agency to be angry with them.
I’m glad that the creators refrained from giving that shield to the characters in this series. Watching Arabella’s decisions at first gave me anxiety. I admittedly felt uncomfortable with some of her careless decisions. I often cringed and screamed “what are you doing,” then slowly, but surely, I started to see these decisions as a movement of character. I saw the flashbacks as the building blocks for her current mistakes and her future victories. When Arabella grew, I felt my heart grow with her. When she had setbacks, the way her actions were viewed did not incite me to feel pity. It pushed empathy and accountability through the artistic usage of camera angles, coloring and metaphorical placement of props.
What do We See, and How Does that Affect our Perception?
I loved seeing how the creators allowed the camera angles to be part of how we emerge ourselves in the story. We’re able to sense the moments where Arabella feels powerless when we look down on her or when she is giving into her own vices by just the way color is displayed across her face. I took note of the moments where there was intentional darkness. It gave voice to Arabella’s cloudy moments when as a viewer, I knew this was not going to be a good time for her; even when she felt confident in her decisions. The playful toss with lights and colors brought forward striking moments that viewers will be sure to enjoy as it grants us permission into the protagonist’s world.
Though there were many wins I May Destroy You brought to the table, there were a few notable moments where the project did not do it for me. Though I enjoyed the movement we had between characters and how it felt like we were moving with them, there was a stillness that often felt like a barrier. When it comes to stories and understanding the kinks of a characters, sometimes we need moments of filler where creators set the scene that humanizes the protagonist as well as other characters within a project. There were moments where I felt like they took too much time to unravel scenes that did not necessarily serve a character purpose. I understood that there were times they were trying to reel the audience in to the mind of the characters and try to reel them into the emotions they are feeling; but it feels like they were trying too hard to reach there at certain points.
Each episode unraveled a different layer about the human psyche, but at times I felt like I was taken on this journey at an expense. I enjoyed where it went, but I wasn’t always fond of how they brought me there. It felt like I was moving from an intense moment, then the next minute I was given a “breather” that opened viewers to an aspect of the character. Sadly, when they did this it was drawn out too long. It did not feel focused and intentional, rather I was left floating in space with no concrete destination, just background. By the time it brought me to it, another issue was about to unravel, and I was still trying to process what just happened. I am eager to see the discussion surrounding growth, acceptance, and consent that I May Destroy You will bring and how this will inspire viewers to observe the gray areas and uncomfortable habits that they might have indulged in in hopes to promote greater understanding towards our emotional and physical well-being.
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The post I May Destroy You: An Intense Journey in Sexual Assault, Sexuality, and Race appeared first on Black Nerd Problems.