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Netflix has released the official red band trailer for Zack Snyder’s director’s cut of Rebel Moon. While the trailer has earned some viewers’ approval, it can’t hide the fact that the movie is unnecessary.
The original Rebel Moon movie was released in two parts, with the first arriving in late 2023 and the second in April 2024. Although the films received a lot of hype from Netflix and Snyder and were touted as epic space operas certain to kickstart a new cinematic universe, they both proved to be critical failures. Critics panned the movies for utilizing too many space opera tropes and lacking a strong storyline or character development. They were also criticized for their length, as, combined, the films came in at over 4 hours of runtime. However, the strangest part of the Rebel Moon debacle is that before either movie was released, Snyder confirmed that both would get extended R-rated director’s cuts.
The post A Good Trailer Can’t Hide How Unnecessary Zack Snyder’s ‘Rebel Moon’ Director’s Cut Is appeared first on The Mary Sue.
Courtesy of Discover Puerto Rico 
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When I was putting together BNP’s Anime Summer 2024 Season Preview, I KNEW that I wanted to cover Suicide Squad ISEKAI. All I really knew that the anime series was airing June 27th on the MAX and Hulu streaming platforms and that “Harley Quinn, Deadshot, Peacemaker, Clayface, and King Shark sent to ISEKAI!? (a.k.a Another World) Brace yourselves for the pulse-pounding saga of the elite task force known as the “Suicide Squad” as they embark on a jaw-dropping adventure!” All I knew was to expect C-H-A-O-S and that I knew that I was tuning in!
Spoilers Big and Small Follow Below, Be Warned!
THE GOOD
Episode 1: The Suicide Squad films (2016) and (2021) have had some success, and someone cooked up this chaotic idea of seeing the team…*checks notes* to another world via ISEKAI style? One of the strangest trailers we looked at and dissected in the Black Nerd Problems discord, for sure. What we do know is that Harley, thee Harley Quinn (ANNA NAGASE), Gotham City’s Mistress of Mayhem–gets separated from her baddie lover Joker (YUUICHIRO UMEHARA) –which I’m always a fan of–I’m biased cause Harley Quinn is such a great show– and snatched up after a short duel with Katana (CHIKA ANZAI).
Imprisoned and then thrown together on an aircraft with other villainous weirdos and misfits, she’s told about being placed on a special team by the unshakeable Amanda Waller (KUJIRA). Waller has been doing what she does behind the scenes and none of it looks good–Harley, Deadshot (REIGO YAMAGUCHI), Peacemaker (TAKEHITO KOYASU), Clayface (JUN FUKUYAMA), and lastly King Shark (SUBARU KIMURA) find themselves in another world–one with orcs, dragons, and magic and set to work in defending themselves! As for first episodes, this one is a fun introduction into the mashup of DC super villains and the Isekai genre from the realm of anime.
Episode 2: More world-building starts to fan out in this second episode of Suicide Squad ISEKAI and not only do we get to see glimpses of the governing monarchy in place but also a few of the major players in place that have thoughts about the still newly formed Suicide Squad’s entrance into this world. This episode also delightfully plays up the tropes for the Isekai genre, movie plots, and prison breaks–the audience get to see more of the team harping on each other and working together as a team. A lucky encounter with agent Rick Flag (TAKUYASHIRO) who was also imprisoned gives the squad new information and a guide to get them to the checkout point to keep the bombs in their neck from exploding, implanted by Waller’s staff.
I think what is really important here in this second episode is the realization that as much as this fantasy world is different from the world the squad is from (magic staffs and other weapons, orcs and other creatures, etc)–it is also similar to the “real world.” Here a leader isn’t listening to their council on the best ways to rule and solve problems plaguing the people. Eagle eyed- individuals see solutions in the way of possibly using some unique set pieces on the ever-evolving chess board. The squad comes to terms that they’ll have to make their own way unless they want to leave their fate in the hands of others which will probably spell their doom. Once again, this episode pops with a flashy, hilarious ending.
Episode 3: Suicide Squad ISEKAI‘s third episode has no reason to be so damn funny. The obvious language barrier and an attempt to translate on the behalf of the team makes for extremely amusing fun and downright hysterical scenes which makes the first half of the episode stand out in all the best ways. Playing up the quick fix of ‘all us speaking the same language’ and ‘taking on the task of the monarchy’ tropes found in Isekai finally moves the narrative along to get the squad suited up and back into action. Some observations by different members conclude someone is up to no good; another villain from the real world is behind the scenes manipulating at least some of the forces wrecking havoc.
Just as things were settling down to more serious matters, the funny is punched back up into overdrive in the later second half of the third episode of Suicide Squad ISEKAI. One of the Suicide Squad’s members realizes that they are meeting up with an old acquaintance and the tragically funny flashbacks will remind audiences why this show is rated TV- MA for a reason. This is the episode that convinced me that I wanted to watch more! I’m glad that the streaming platform released these three episodes together at the launch of the series this weekend. Audiences know for certain what they’ve watched, and they’ll feel compelled to think about whether they’ll watch more or it or pass.
THE BAD
Episode 1: An absolute minor thing when it comes to Harley’s character design and it is absolutely silly in retrospect as I love the rest of her anime inspired version in Suicide Squad ISEKAI. How Harley’s hair is combed up into her pigtails on the back of her head–it looks like the divided sections of a volleyball, and it is hella distracting. That is the tweet. That is the post. I had to get it off my chest and tell somebody.
Episode 2: I’m waiting for Clayface’s character to find his groove in the team–look, I know the Suicide Squad’s a bunch of weirdos. YET, I am waiting to see if he’s less of an oddball–and that’s saying A LOT, given his peers and more of a character that I want to root for? I was first introduced to Clayface’s character back in the 90’s thanks to Batman:The Animated Series. And while I know that is only one version of the character–years ago, I’m not sure if this version meshes well with the team, TBH. I have to admit I’m not just sold on the character in this line-up, yet. Yes, he was in the Harley Quinn animated show so he’s not a stranger. And yes, I was making Muzan (Demon Slayer) comparisons jokes from the first time I saw the trailer.
Episode 3: I got nothing much. Some of the animation sequences in the second half were a little rough, yet I felt that greatly helped with the storytelling of the relationship of the two characters and their previous misunderstandings.
THE CHAOTIC
Episode 1: Suicide Squad ISEKAI does such a great job slowly releasing the chaotic nature of not just Harley and the team, the very nature of the world that they find themselves in but also Amanda Waller’s vision. The fight scenes are wildly entertaining and smooth throughout the episode–and the big battle upon entering the new world showcase the newly formed team’s personalities and talents perfectly. I did not know that I needed the anime version of Amanda Waller in my life and low and behold: that is what 2024 has gifted us! (This is a new original anime from DC Japan and Wit Studio (SPY×FAMILY CODE: White) Will I ever look at her the same thanks to this ending animation sequence of the series? Probably…also no yet I got to say I don’t hate it!
Episode 2: Just when I thought the squad’s time in prison (in another world, mind you) was dragging on: their glorious prison break does not disappoint and leads to a colorful, chaotic, funny time on their way out! The dance number was unexpected and well worth waiting for towards the end. This second episode of Suicide Squad ISEKAI really starts to show audiences the messy comradery of the squad as they start to make some sense of where they are now. I am really starting to appreciate the bizarre fantasy adventure we’ve got on our hands.
Episode 3: This third episode of Suicide Squad ISEKAI bounces back from serious to funny and decorum to riot a lot more smoothly and the squad makes leeway with their standing in this new world. This third episode also brings some answers on small things hinted upon from the first two episodes that better tie together small events we witnessed and may have been curious about. I also think I’ve started to figure out how Clayface works better in the show: we need him as a better balanced with others on the squad and on the show. He obviously is the exposition guy: the one responsible for pointing out the rules of Isekai and story structure and the like. YET, he can be heavy handed like he was in episode two which dragged the story for me. Seeing other characters of the squad shine this episode meant less of him and more of them all mostly working together with revived vigor.
VERDICT
Overall, Suicide Squad ISEKAI is a super funny, chaotic, colorful animated lovechild of some favorite DC baddies and the realm of anime via the Isekai genre. The series starts to really mesh together with the addition of the third episode to make this a series that I want to keep watching. Obviously not for the kids, this anime series is quick to remind viewers of that with its spots of violence, blood, and gore.
There’s enough of a lure at the end of each episode that we’ve been given to suggest there is more mystery and fantasy adventure to watch and more humor on the darker side to share a laugh at. From the announcement of and first trailer, we knew that Suicide Squad ISEKAI was going to be an oddball of the summer anime season, yet no one was expecting it to be just a stunning, messy, solid series off the bat. I knew that I’ve been tuning in and now I know that I’ll definitely be watching more once more episodes drop.
♡Premiered June 27♡ Max & Hulu
•United States: Max & Hulu
•Korea: ANIPLUS & LAFTEL
•France: ADN
•Southeast Asia, Taiwan & Hong Kong: HBO GO
Please find areas outside of Max availability and local platforms on the official website: https://suicidesquad-isekai.com/
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The post ‘Suicide Squad ISEKAI’ is Funny, Chaotic, Messy, and I Want More appeared first on Black Nerd Problems.
It is not hyperbole to say that Destiny irrevocably changed my life for the better. When I first pre-ordered the game in 2014 after moving back to St. Louis because I was enamored with the idea of an unbreakable Ward of Dawn stopping enemies in their tracks, I could not have predicted the daisy chain of events that would unfold. That I would meet some of my best friends. That I would become a writer at Black Nerd Problems. That I would eventually come to realize that I’m non-binary. All of these things can be directly traced back to Destiny. A science fantasy first person shooter looter shooter MMORPG is responsible for making me a better person and also consuming well over 6000 hours and counting of my life (and that is very much a low ball estimate as far as I’m concerned). I have covered Destiny 2 extensively over its lifespan. I have gone on the record several times that it is my favorite game that I cannot recommend to anyone. It is a game of great importance to me, and The Final Shape is the culmination of the last decade of an overarching epic, the Light and Dark Saga.
It’s been a month. I’ve done almost everything that there is to be done. And now all that’s left is to write a little bit about the past, the present, and the future.
Darkest Before
At the beginning of 2024, community sentiment was at an all-time low. The Final Shape hype machine had seemingly run out of steam, and the mass lay off late in 2023 that was coupled with the inevitable delay announcement of the most hyped DLC left many despondent. A few months of next to nothing did not bode well well and all the momentum that Season of the Wish brought came to a grinding halt.
In order to waylay this content drought slightly, Bungie introduced Into the Light, a sort of mini-content drop that did the impossible: bring people back to the game in droves. Between the reprisal of beloved fan weapons, the addition of “shiny” weapons, a proper 50-wave endurance-based horde mode, and a boss gauntlet in the form of Pantheon, this mini-drop breathed new life into the game. The updated versions of guns were meta-monsters with fantastic new perks and potential combinations. Onslaught offered an activity that promoted different parameters for buildcrafting and escalating difficulty. Shiny guns made drops exciting again. Pantheon was a true test of skill and mastery that pushed us to the limit. After so much internalized dread, Into the Light brought promise that the delay really was for the best. And then Bungie showed their hand.
A new enemy faction, a first in about half a decade. A gameplay manifestation of the in-lore canon of wielding light and darkness. A promise of an epic end. I hate reddit’s sentiment that a cornered Bungie produces their best work, but it’s also hard not to agree with it because the end result was something else.
The Call
As is tradition with every Destiny DLC, I took the week off with the intent of playing this game as much as the server capacity and my frail human body could handle. And mind you, the servers were actively terrible on launch. This was by far one of the roughest launches since Beyond Light. I was in queue just to log into the game for almost two hours. After every single mission completion, I’d get kicked right before I could see any semblance of a cut scene. I missed several early plot points and foreshadowing elements, but I was determined to play through. I took many more breaks, and I was able to get through six of the seven story missions on the first day, saving the denouement for Wednesday morning which was the correct decision as that mission was a true test of endurance.
From a story perspective, the campaign managed to do the impossible of culminating ten years into a satisfying conclusion. The return of Cayde-6 as voiced by Nathan Fillion brought just the right amount of nostalgia to the story that was all about exploring a wrapped version of our past. Keith Davidson managed to step in the late Lance Reddick’s Commander Zavala role brilliantly, bringing a different type of gravitas that paid tribute while also distinguishing itself. Mara Junot’s Ikora and Brandon O’Neil’s Crow facilitated several heartfelt moments. As someone who has dutifully been through the gauntlet, this stretch let me reconnect with the characters in a truly meaningful way as the fate of the known universe was hanging in the balance, as Brett Dalton’s Witness menacingly kept taunting me throughout.
Journeying through the Pale Heart felt like a true odyssey, as each mission took me through unsettling landscapes (oh so many hands everywhere) with campsite meditations punctuating each leg as I approached a towering monolith in the distance. And the penultimate confrontation with the Witness set the stage for the final showdown pretty much perfectly. I talked with a friend who had returned during Into the Light, and while they didn’t have the same emotional investment, the narrative still managed to resonate strongly, so I think it was a victory all around.
A Multifaceted Approach
From a gameplay perspective, The Final Shape was an overwhelming success. The addition of Prismatic offered an entirely new level of self-expression and buildcraft options that reinvigorated the game. And most impressively, the original monochromatic classes still had enough justification to exist alongside the mind numbingly complex prismatic variants. I did the math several times over and came out with a ballpark of 22 million to 81 mission possible build configurations between the five supers, five melees, five grenades, multiple jumps, three class abilities, and the twenty-one choose five or six fragments and that’s just on the subclass configuration screen, to say nothing about exotic synergies. And, of course, by the time I’m writing this, the community has already managed to identify the most potent optimas for each of the class, but it is an incredibly precarious balance that any shift in balance could topple into an entirely different meta.
The flexibility and versatility of Prismatic is only part of its joy though. The transcendence mechanic acts a fun little mini-game that rewards you with a mini-super mode with a unique transcendent grenade and a slew of other benefits. And while an electrified snare for the Titan wasn’t the most grockable thing at first, it has since saved my life in the Legendary campaign, Grandmaster Nightfall, and the hardest raid in the franchise’s history (more on that later). I will engage with nitpicking over the relative power and parity of the classes, as I think for the average player they will find something to enjoy and for the veteran, they will science it later.
Having Prismatic throughout the majority of the Final Shape was definitely a welcome change of pace to the slow tease of Stasis in Beyond Light and the overtly focused learning of a limited Strand kid in Lightfall. Being able to use a full kit from the jump and getting to tune it as I progress was great. I would have appreciated having more of the fragments available throughout the campaign rather than the eventual unlock method which ranged from convoluted world puzzles, grinding enemies to get materials to make keys, and backtracking through the campaign. I understand that it was probably more engaging than the original playlist grind for Stasis, the mindless killing on Neomuna for Strand, or the glimmer sinks that the legacy sunglasses settled, but I feel like there was a middle ground between those and the obtuse puzzles we eventually got.
The difficulty of the Legendary campaign even with our immense levels of power creep felt appropriate. Outside of a singular part of Requiem (the fourth mission of the campaign), everything felt reasonably fair. The conclusion to Iconoclasm was an appropriate test of endurance and felt super satisfying to complete.
And all of the new toys felt incredible between the weapons and the new armors that opened gameplay in a wide variety of ways; whether it’s a top slot strand rocket sidearm that hits like a truck and lets you run an exotic middle slot such as the reliable Red Death, a burst fire grenade launcher that leaves pools that deal damage over time or the rocket buffing Hazardous Propulsion. It’s incredible that even after a decade, there are still novel design spaces.
Banding Together
Equally crucial to the campaign is the post-campaign offerings which was fairly expansive between new adventures that unlocked the rest of the key components of the Prismatic kit, even more new toys, and some set up. As one of the many players who completed the campaign before the Salvation’s Edge raid race, there was a nice little in game tracker that showed me how my efforts in saving lost Ghosts and uncovering the secrets of the Pale Heart was contributing to our stockpile of resources to fight the Witness. Admittedly, I was not the biggest fan of all of the activities the Pale Heart had to offer, and I ended up spending more of my time gilding Dredgen for the 12th time while one of my hunters reset his reputation with Ghost twice (he spent a lot of time in the Overthrow public event styled activity), but did eventually cycle it into my routine. The open world aspects of the game remain the parts of the game I engage with the least, but considering the breadth of offerings, that’s fine by me.
When the raid race did hit on June 7th, I was 1) disappointed that there were only three days to prepare and 2) understood from a narrative perspective that it had to pretty much happen immediately. And the day one was fundamentally brutal. Several hours on the first encounter alone and not even progress to a second phase of the excessive relay. I spent the rest of the evening enthralled with the grueling 19-hour raid race that would eventually culminated in the climax of the Light and Dark Saga in Excision the next morning at 7AM (give or take a couple minutes). The final cut scene and sequence marked a fitting end, but it was one that very much left the world still very much alive and open.
The next few weeks became dedicated to gearing up for a rematch with Salvation’s Edge. It took my fireteam 28 hours over 7 sessions in 16 days to get a single kill on the Witness. It is a raid that felt like you were actively racing to stop the end of the world. A constantly ticking clock, tight mechanical execution, enemies that were very much intended to disrupt you in a multitude of terrible ways, and a puzzle that truly emphasized that fashion was forever a part of the end-game. It is tolling in a way that the original Last Wish was tolling taken to a logical extreme that I really thought we’d never get back to. But I have never felt quite as satisfied saying “#$%& you” to a raid boss and buying a jacket.
With the raid complete, even more of the world opened up. I finally found the motivation to be reunited with the gun that got me hooked on the buttery smooth FPS that was the Khvostav 3.0 and the Prismatic class item. I did the collaborative story missions with my friends. I ran a Grandmaster, I felt guilt that we as a collective apparently never said hi to Failsafe in several years.
Killing Tally
I currently own four, soon to be five, raid jackets. I have the complete grimoire anthology, comic collections, and four collector’s editions, 38 commemorative pins, and 3 Destiny inspired tattoos. I have mained Heart of Inmost Light since its introduction in Forsaken after getting one to drop from a Gambit match. My Titan has worn the same transmog since its introduction in Beyond Light. My current build right is best described as a walking blacksmith as I call down lightning to generate lances made of zero-point entropy and axes from black holes. My most used weapons are an exotic fusion that reached 30K kills while I was maining Striker, followed by the most powerful heavy exotic in the game before it’s several nerfs. I’m currently rocking Eriana’s Vow to maximize the benefits I’m getting from the Facet of Ruin.
This game is engrained into the fiber of my being, and I am just so thankful that its decade story was acclaimed by both critics and fans as both a critic and a fan. I’m thankful that the game is continuing, even if the Episodic format has not sufficiently dovetailed from its seasonal format predecessor or the somewhat convoluted Pathfinder system.
It is a touch point and while we don’t know what the Frontiers in the future look like just yet, I do know that I am thankful everyday for this weird little game. This repetitive grind that helped me in ways that I have waxed poetic on and on, again and again. I cannot safely say this game is good to come back to. Your mileage is going to vary wildly. But I can say that I’m glad I stuck through the highs, the lows, the lulls, and I’ll be around for a while longer. When the game is good, the game is really good. And when the game is great, there is nothing quite like it on the market still after ten years, and it is the singular reason why so many companies are chasing after the game as a service model, and somehow Destiny is the only one left standing. And even after the end, I still can’t wait to log in and play functionally the same game I’ve been playing for a decade-ish.
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The post One Month After the Final Shape: A Decade-ish of ‘Destiny’ in Retrospect appeared first on Black Nerd Problems.