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Writer: Victor LaValle / Artist: Jo Mi-Gyeong / Boom! Studios
I think I was in middle school when I heard about the general concept of “climate change” and as a child, I don’t think I had a full conceptualization of what it actually was because it’s a difficult thing for a child to grasp. That the collective actions of the human species have managed to damage the Earth, something that’s been around for a time that is almost unfathomable to process, after being on it for what is virtually a blip. Even as an adult, it’s still a tough conceptualization, although for different reasons, namely: why am I being told to alter my life style drastically when corporations and companies who actually hold sway in changing the global atmosphere act with seeming less caution than I do with recycling. It is with this framing that I sat down to read Victor LaValle’s and Jo Mi-Gyeong’s Eve.
In typical young adult science fiction fantasy, the titular character of Eve is introduced with an unbridled enthusiasm and blissful nature. Mi-Gyeong’s artwork is absolutely stunning from the first page, and continually impresses throughout the issues with gorgeous backdrops and animated character designs. And LaValle gives her ample opportunity to show off, having the story travel through a wide variety of landscapes and spectacles and one of my personal favorite tropes in fiction, the stuffed animal companion that’s more than your typical animal companion.
Eve‘s basic narrative follows a familiar arc if you’ve read prior climate change fiction before. The world has been irrevocably altered, and it’s up to Eve to try and fix the world. The differences are small but notable. Eve hasn’t been trained to save the planet. There is not an immediate antagonistic force outside of the harsh environment. It’s very much a familiar premise but works largely in part to LaValle’s sense of pacing and comedic timing. He captures Eve’s personality brilliantly and conveys a strong sense of wit and direction, and deliberately reveals various things about the world to keep drawing the reader in. There are lots of allegories and references, some more subtle than others, some more obvious, that are littered throughout the first issue, that all make for a strong foundation, and Mi-Gyeong’s artworks sells the world.
I liked the first issue of Eve, and I appreciate the general Afrofuturist vibes and the charm of the main character. I think there are a couple more anchoring details that I would have appreciated to fully vest me into the story, but given that this is a 5-issue mini-series, I’m willing to stick around and see the contextualization that the second issue will provide. Eve has a lovable protagonist in a prescient piece of work, and it’s going to be an interesting venture for sure.
8.7 “Seeds” out of 10
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The post Eve #1 Review appeared first on Black Nerd Problems.
Writer: Victor LaValle / Artist: Jo Mi-Gyeong / Boom! Studios
I think I was in middle school when I heard about the general concept of “climate change” and as a child, I don’t think I had a full conceptualization of what it actually was because it’s a difficult thing for a child to grasp. That the collective actions of the human species have managed to damage the Earth, something that’s been around for a time that is almost unfathomable to process, after being on it for what is virtually a blip. Even as an adult, it’s still a tough conceptualization, although for different reasons, namely: why am I being told to alter my life style drastically when corporations and companies who actually hold sway in changing the global atmosphere act with seeming less caution than I do with recycling. It is with this framing that I sat down to read Victor LaValle’s and Jo Mi-Gyeong’s Eve.
In typical young adult science fiction fantasy, the titular character of Eve is introduced with an unbridled enthusiasm and blissful nature. Mi-Gyeong’s artwork is absolutely stunning from the first page, and continually impresses throughout the issues with gorgeous backdrops and animated character designs. And LaValle gives her ample opportunity to show off, having the story travel through a wide variety of landscapes and spectacles and one of my personal favorite tropes in fiction, the stuffed animal companion that’s more than your typical animal companion.
Eve‘s basic narrative follows a familiar arc if you’ve read prior climate change fiction before. The world has been irrevocably altered, and it’s up to Eve to try and fix the world. The differences are small but notable. Eve hasn’t been trained to save the planet. There is not an immediate antagonistic force outside of the harsh environment. It’s very much a familiar premise but works largely in part to LaValle’s sense of pacing and comedic timing. He captures Eve’s personality brilliantly and conveys a strong sense of wit and direction, and deliberately reveals various things about the world to keep drawing the reader in. There are lots of allegories and references, some more subtle than others, some more obvious, that are littered throughout the first issue, that all make for a strong foundation, and Mi-Gyeong’s artworks sells the world.
I liked the first issue of Eve, and I appreciate the general Afrofuturist vibes and the charm of the main character. I think there are a couple more anchoring details that I would have appreciated to fully vest me into the story, but given that this is a 5-issue mini-series, I’m willing to stick around and see the contextualization that the second issue will provide. Eve has a lovable protagonist in a prescient piece of work, and it’s going to be an interesting venture for sure.
8.7 “Seeds” out of 10
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One thing that Dburt is doing (finally) is investing in cryptocurrency, courtesy of Roundlyx. We would implore our followers to investigate, discern and then explore by using our referral code: afro-87A4BF
Call us LIVE at 508-645-0100. AFTER CLICKING ON THE HIGHLIGHTED LINK, GO DIRECTLY TO AFRONERD RADIO!!!
or This link below.....
function openPlayer(s){window.open("https://radio.securenetsystems.net/v5/"+escape(s),"Player","height=630,width=940,modal=yes,alwaysRaised=yes")}
Also, Afronerd Radio's podcast format can be heard via BTalk 100 Pandora, Spotify and, IHeartRadio....more formats to follow!
Greetings, folks! Welcome to the latest installment of Afronerd Radio's Grindhouse broadcast, airing every Sunday at 6 p. m. eastern on BTalk 100. Join your "invincible" AFROnerdist hosts as they tackle the following data: noted graphic novelist and illustrator, Jeff Parker (Marvel, DC, Valiant), stops by to discuss his genre-spanning career and future projects; Afronerd Radio supporter and friend of the show, Dedren Snead, also swings by the "steam engine" to discuss his multi-tasked career, as co-creator (shout out to Marco Lopez) of Subsume Media, including a recent appearance on W. Kamau Bell's United Shades of America:
W. Kamau Bell (@wkamaubell) May 7, 2021
Well, it all "goes down" when billionaire technologist, Elon Musk, hosts this weekend's Saturday Night Live...but why all (or some of) the alleged disdain from some SNL cast members for Musk's appearance? And more importantly, will this show cause another "crypto bump?"; legendary comedian, Dave Chappelle's podcast, The Midnight Miracle, premieres on Luminary:
Educator and author, Victor LaValle (Destroyer) is "black on it" with another stellar graphic novel debut entitled Eve, courtesy of Boom Studios (hat tip to our own Uncanny Daryll B. for mentioning the comic during our last show) and lastly, Marvel's Heroes Reborn is revisited but with an interesting twist to the main "616" canon.
One thing that Dburt is doing (finally) is investing in cryptocurrency, courtesy of Roundlyx. We would implore our followers to investigate, discern and then explore by using our referral code: afro-87A4BF
Call us LIVE at 508-645-0100. AFTER CLICKING ON THE HIGHLIGHTED LINK, GO DIRECTLY TO AFRONERD RADIO!!!
or This link below.....
function openPlayer(s){window.open("https://radio.securenetsystems.net/v5/"+escape(s),"Player","height=630,width=940,modal=yes,alwaysRaised=yes")}
Also, Afronerd Radio's podcast format can be heard via BTalk 100 Pandora, Spotify and, IHeartRadio....more formats to follow!
Writer: Robbie Thompson / Artists: Eduardo Pansica and Julio Ferreira / DC Comics
New Suicide Squad book, same rules.
Off the heels of the off the wall Tom Taylor run on this book, we see a new creative team in Robbie Thompson, Eduardo Pansica, and Julio Ferreira take on the Squad and lead them into Infinite Frontier.
I was a big fan of the Tom Taylor run, and I was really sad to see it prematurely end. So, I was a bit apprehensive to try out this book, especially since it hasn’t been that long since the other one ended.
But I’ll say that I’m presently surprised about how good it is. It’s not following the same story as Taylor’s, and it doesn’t feature many of the same characters, but it’s still really solid. And on top of that, it’s still entertaining.
The team features a roster that resembles the Future State version more closely than the classic version. But this is obviously not in that future universe. Maybe this is how it gets to that point.
For the time being, Peacemaker is the leader of the team, with Conner Kent Superboy positioned to take his place at some point. The dynamics are great. Peacemaker is full of moral superiority. This man is crazy. Peace at all cost. Even if that means killing a bunch of people. It’s cool to see the comics show him some TLC before he makes his debut in the films later this year.
As for the soon to be leader, we don’t really know how or why Superboy is on the Suicide Squad, but it’s an interesting mystery. He clearly would like to be anywhere else. I’m here for whatever it may be.
Issue #3 was a crossover of sorts as it featured Bolt, a member of Titans Academy, and a prominent character from that book. I wouldn’t say that you have to be reading that book to understand the contents of this story, but it can only help.
The Squad was tasked with capturing her and bringing her to the base because they need the services of a speedster for whatever Amanda Waller is currently cooking up (we have yet to be informed).
You know the rules: succeed or get your head blown off. The tension literally writes itself each issue. This is popcorn eating storytelling.
It’s safe to say this book is in good hands, and it’s heading in a good direction. I’m looking forward to seeing how it all unfolds.
9 Laundry Room Meetups out of 10
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