Writer: Jason Aaron / Artist: Juan Frigeri / Marvel Comics
I’m not a fan of joining in on the “Jason Aaron is doing a terrible job on the Avengers” crowd that I see in many online forums, but something about this issue rubbed me the wrong way. This idea of canon vs. taking liberties with characters and their history or origin is always a tough debate. Thor’s parentage is the biggest example of this right now and Avengers #54 really forces you to choose sides, and it should be interesting to see how the comic book world feels after it’s all said and done.
One of my main problems with Avengers #54 is the use of the villains. It seems like there’s no direction or logical use of Doom Supreme’s Masters of Evil. I wouldn’t hate finding out about Doom’s plan to sporadically throw different villains at our heroes, but the use of this issue’s corrupted Thor seems like Aaron doing his best to make this son of a Phoenix change more palatable.
The thing that does intrigue me is the mental chess match happening between Mephisto and Doom Supreme. The Orb will undoubtedly play a part in either side besting the other, so one of the upcoming issues of Avengers should shed more light on this cordial beef between devil and sorcerer. Juan Frigeri keeps me coming back to this Avengers book, so I hope he stays on board for a while.
Writer: Jason Aaron / Artist: Juan Frigeri / Marvel Comics
I’m not a fan of joining in on the “Jason Aaron is doing a terrible job on the Avengers” crowd that I see in many online forums, but something about this issue rubbed me the wrong way. This idea of canon vs. taking liberties with characters and their history or origin is always a tough debate. Thor’s parentage is the biggest example of this right now and Avengers #54 really forces you to choose sides, and it should be interesting to see how the comic book world feels after it’s all said and done.
One of my main problems with Avengers #54 is the use of the villains. It seems like there’s no direction or logical use of Doom Supreme’s Masters of Evil. I wouldn’t hate finding out about Doom’s plan to sporadically throw different villains at our heroes, but the use of this issue’s corrupted Thor seems like Aaron doing his best to make this son of a Phoenix change more palatable.
The thing that does intrigue me is the mental chess match happening between Mephisto and Doom Supreme. The Orb will undoubtedly play a part in either side besting the other, so one of the upcoming issues of Avengers should shed more light on this cordial beef between devil and sorcerer. Juan Frigeri keeps me coming back to this Avengers book, so I hope he stays on board for a while.
In her 2011 bookSister Citizen: Shame, Stereotypes, and Black Women in America, Melissa Harris-Perry says this about Black women: “Sisters are more than the sum of their relative disadvantages: they are active agents who craft meaning out their circumstances and do so in complicated and diverse ways.”
This reaffirms the ideas of thought-leaders before her: the issues Black women face are complex and individual, but each example of how these women have overcome and thrived and made meaning out of their struggle inspires others to overcome and do the same.
Harris-Perry is a respected author, professor, political commentator, and host (of The Takeaway podcast). She is the Maya Angelou Presidential Chair at Wake Forest University in the Department of Politics and International Affairs, the Department of Women’s Gender, and Sexuality Studies, and the Program in Environment and Sustainability. Her writing has appeared in the Wall Street Journal, New York Times, and Chicago Tribune, and she has served as editor-at-large for Elle.com and ZORA.
Born in Seattle but growing up in Virginia, Melissa Harris-Perry graduated from Wake Forest University with a bachelor’s degree in English and received a PhD in political science from Duke University.
Yes, she’s got receipts, and they run long. Harris-Perry has been a formidable voice on issues surrounding race, gender, politics, and power for over 20 years.
Harris-Perry has occupied political spaces traditionally held by white men. She raises her voice on issues that affect the Black community, specifically Black womanhood and motherhood. It’s in her nature to educate, and she is a leader when it comes to Black women’s responses to negative depictions of race and gender, as she has faced them herself.
After being a frequent contributor to the MSNBC network, Harris-Perry received her own show, Melissa Harris-Perry, in 2012. This was a major milestone for her, as well as for Black women, because she primarily discussed issues impacting us, which was not common for the network (or anywhere else). She left in February 2016 because MSNBC wanted her to cover news that they considered important but not what her show normally discussed.
Harris-Perry would not be silenced. She said, “I will not be used as a tool for their purposes. I am not a token, mammy, or little brown bobble head.” MSNBC called her decision “really surprising, confusing, and disappointing.”
Shortly after her departure, I read a news headline, “Melissa Harris-Perry Goes Racial on MSNBC.” No surprise that the article was written by a white man. Yes, she said it — she would not be a mammy. Black women understood what she meant: She wasn’t going to sell her soul and care more about MSNBC’s reputation than her own dignity.
Her show was important because it centered Black women and marginalized voices. At the time, it was the only space on cable news that had intelligent and thoughtful conversations about us within politics and culture. She normalized a poised, intelligent, and educated Black woman who spoke unapologetically about what touched our community. It wasn’t even that her guests were all Black. It was that they weren’t all white.
In addition to her vast accomplishments in the political and educational spaces, she is also a mother whose journey was not traditional. After giving birth to her first daughter, her second daughter was born via surrogacy. After she shared with me that she had uterine fibroids, I felt connected because this condition disproportionately affects Black women. Harris-Perry made the decision to have her uterus removed in 2008 but was still devastated by the loss of her ability to become pregnant ever again. After learning about surrogacy, Harris-Perry and her husband began the journey to extend their family. On Valentine’s Day 2014, they welcomed their second daughter.
The fact that she shared her story — a very difficult and long journey — allowed other Black women who were dealing with uterine fibroids, infertility, and the stress of it all to not feel alone. She showed us another side to the story, when we thought we were at the end.
With her award-winning book, Sister Citizen: Shame, Stereotypes, and Black Womenin America, Harris-Perry became acknowledged as a public intellectual. She pulled no punches with her insightful criticism of the institutions and damaging myths about Black womanhood that keep us from fully realizing our citizenship and our identity. It is a book that I consider required reading, and her meticulous research of novels that I love — The Color Purple, The Bluest Eye, Their Eyes Were Watching God, and For Colored Girls Who Have Considered Suicide When the Rainbow Is Not Enuf — are deeply insightful. She used these novels to connect Black women’s different experiences to the struggle for recognition and even personhood.
Harris-Perry is a strong tower of scholarly analysis and extraordinary wisdom. She is the professor I could have used in graduate school; the consummate mentor that I wish I had. I see her as the professor who encourages her students to challenge her and stay outside the box. Her intense critical thought on the scope of Black women’s experiences would have helped shape my thoughts and feelings in college as a young Black woman and blossoming feminist.
When we think about Black women who are contributing so much to shaping the world we live in, Melissa Harris-Perry is there. She has redefined what news journalists can look like and understands that the white male interpretation of a story is not the only one. She has also shown us how to understand our worth and stay true to ourselves no matter what.
2022 is not giving what the kids refer to as, “what it’s supposed to give.” A rapper that changed my whole taste in music has devolved into a stalker ex-husband, gas is climbing towards five dollars a gallon, Atlanta is ending later this year…And now Amazon has ruined my comic book reading experience. For the last few years, Comixology spared me a trudge across town to one of the only comic shops in said town worth visiting in search of my weekly haul. I never have to pre-order, the website never runs out of copies because it’s all digital and I saved physical space while still getting to collect comics. It was my slow ease into converting to digital comics.
Comixology has become an electronic ‘trudge across town’ in its own right. After fifteen years and over two hundred million downloads, Amazon did the only thing they could possibly do: they made a good thing bad. Last week, the platform released an update that essentially integrated it into a “Kindle Comics” Amazon page. See below:
Sure, there’s still all of the trademark signage of the original, but it’s still more or less an Amazon page. The Comixology reader has been replaced by a basic Kindle equivalent, far less specialized for reading comics than its predecessor.
Lemme Downgrade You
To say that this update was a catastrophic downgrade for the platform is a fighting words level insult to the phrase ‘catastrophe’. Even if you forget about how confounding the new site-slash-app is to navigate or how basic and uninviting. The reader can still compare it to what came before and that’s still not the worst part of this. The changes to publishing through Comixology have stirred up a completely valid controversy about the reduced royalties for independent content. Not to mention the massive backlash from readers concerning the thousands of dollars in purchased comics that have come up missing from their libraries in the update. The flagship platform for digital comics has become a corporate-controlled wasteland overnight. It’s more than a little wild that here, in the era of what’s being sold as “Web 3.0”, we still can’t trust companies to be competent stewards over digital content.
Today’s Price Is The Same As Yesterday’s Price
It’s already a seldom discussed issue that digital comics somehow have the same monetary value as their physical counterparts. After all, there was a time when physical comics became more expensive because they were being printed on higher quality paper. That way, they last longer so you don’t have your comics falling apart in twenty-five years unless you read them once and hermetically seal them forever. So, paying five bucks for digital content without that same tangible value is already hard to justify. Now, add the fact that your ability to retain your collection is hindered because of some conglomerate’s whims.
Granted, it’s true that music heads and cinephiles do have to re-buy their favorites in another form every so often. But that’s usually because some existing media format becomes outmoded by something that was already gaining popularity. Not because a company just up and lost their library. Also, it’s usually something that happens gradually over time, not all at once because an update was a failure. This is the sort of thing that makes collectors and comic fans give up on a format altogether.
In The End
Comixology has done the obligatory song and dance about, “hearing the overwhelming user response” on social media and done some patchwork to the comic reader so that it resembles the previous one. But the debacle has proven to be, at best, a sobering look at where we are in terms of ownership of digital content for those of us that don’t have the coin to spend on external or removable memory. Though, on the bright side, it’s still less expensive than any amount of gas it takes to get to your local comic shop. So, there’s that? Right?
Read on for everything you need to know before visiting Disney World with a baby!
Visiting Walt Disney World with a baby should be filled with magical memories, not moments of worry and strife. Well, we’re here to provide some guidance in order to ensure your vacation’s a lot more comfortable, especially when bringing your little Mousketeers along. In this article, we’ll discuss Disney’s Baby Care Centers, breastfeeding laws in Florida, and all the other important info you need. Our goal is to give you the confidence to be comfortable throughout your visit. So, sit back and think happy thoughts, as you start planning your dream vacation to the most magical place on earth!
Now then, it’s time to put on your mouse ears and start the show!
Disney’s Baby Care Centers
First, we’d like to point out that you don’t have to hike across the park to a Baby Care Center just to feed your little one. In 2018, the state of Florida made it legal to breastfeed in public. Anywhere that the nursing mother is allowed to be, publicly or privately, she is allowed to openly breastfeed her child(ren). The law also states that moms decide whether they want to cover as they breastfeed, providing nursing mothers the freedom to choose the option they’re most comfortable with. However, Baby Care Centers offer more than just an indoor place to breastfeed.
For parents looking to unwind, recharge, and cool down with their babies and toddlers, Baby Care Centers are located within all four of the main Walt Disney World parks (Magic Kingdom, Epcot, Animal Kingdom, and Hollywood Studios). Little ones can comfortably nurse, eat, and be changed in a relaxing atmosphere away from the crowds. Plus, a full staff of cast members are available to help, during regular park hours.
NOTE: Baby Care Centers are the only locations within the parks that provide microwaves to heat up food brought from outside of the park. In addition, there are on-site shops stocked with purchasable items. These items include wipes, over-the-counter medications, sunscreen, formula, and juice.
Further, each location has private nursing rooms with low or dimmable lighting. While expressed breast milk cannot be stored at the center, ice packs are available at the First Aid stations. Additionally, breast pumps can be held at the First Aid stations, meaning nursing mothers have one less thing to carry and/or worry about while visiting the parks.
However, it’s important to note that Typhoon Lagoon Water Park and Blizzard Beach Water Park and Disney Springs do not offer Baby Care Centers. Instead, there provide roomy baby changing stations inside most restrooms scattered across each of those parks.
Baby Care Center Locations
Below is a quick visual guide to each Baby Care Center located within the four Walt Disney World theme parks.
At Animal Kingdom, the Baby Care Center is located on Discovery Island between First Aid and Creature Comforts.
Animal Kingdom map
The Baby Care Center at Hollywood Studios is near the main entrance, to the left of Crossroads of the World.
Hollywood Studios map
Epcot’s Baby Care Center is near the Epcot Experience (the blue roofed building), right next to First Aid, close to Mexico.
Epcot Map
Finally, the Magic Kingdom Baby Care Center is between Casey’s Corner and The Crystal Palace, near the end of Main Street and to the left.
Magic Kingdom map
Disney World Stroller Rentals
All Walt Disney World theme parks and Disney Springs offer single and double stroller rentals. Single strollers accommodate children up to 50 pounds (23 kg), while double strollers can hold 100 pounds (45 kg) or less. There’s also options to rent strollers for the day or for the entire length of your stay.
Length of stay rentals must pre-pay for the number of days they plan on using the strollers. Doing this saves money as opposed to renting on a day-to-day basis, so it may be worth looking into.
Importantly, when hopping from park to park, you must return strollers to the rental location prior to departure. Later, while visiting a different park, simply show the rental receipt at the stroller rental location and get a fresh stroller for your visit.
As for locations, stroller rentals are at the main entrance of all four of the Walt Disney World theme parks. Additionally, Epcot has a second stroller rental location at the entrance of International Gateway. While, Disney Springs rents strollers at Sundries (near the bus stop at Town Center).
At each Walt Disney World park, Disney installed hygienic water stations as part of their initiative to become more eco-friendly. These hydration stations are located all around the parks. Best of all, they’re completely free and much easier to use than using a standard drinking fountain.
Depending on the season, rain showers happen daily in Florida. So, whether you rent or bring your own stroller, your little one can enjoy the enchanting scenery while not being affected by the elements with this rain cover. Importantly, this fits over most strollers, including the rentable ones at the parks.
Your little Mousketeer can roll in style with this Mickey (or Minnie!) themed compact stroller. First, it’s lightweight and easy to fold and store when not in use. Next, the stroller’s ultra smooth ride and five-point safety harness lets you to enjoy your walks worry-free as you take in the sights.
Bring a personalized stroller tag and eliminate the stress of searching for your stroller amongst all the others in the designated Stroller Parking areas (typically located near the entrance and exit of the attractions). Many guests have similar-looking strollers, especially the rented ones, so a customized stroller tag makes it much easier to spot your own.
Comfortably shield your child, whether in their carrier or while breastfeeding, with this cover. The knit-rayon material stretches easily over carriers, or you can wrap it around yourself to use as a privacy barrier when breastfeeding. It’s even strong enough to support your baby in swings or shopping carts.
This set of sunscreen necessities meets the required guidelines for traveling with containers. Ensure that your baby is ready for the Florida sun with proper SPF protection, without paying the high cost for sunscreen at the parks. Bonus, this set includes an adorable stuffed monkey as a traveling companion.
So, what if your baby wants to be carried, versus sitting in a stroller? Then get this Disney-themed wrap. You can walk around hands free, and your little one can feel safe and secure. Plus, you can use it as a cozy blanket, on the ride back to the resort.
This stroller organizer has two expandable cup holders, two zippered compartments, and can strap onto all strollers. Further, a large mesh bag is ideal for holding onto the many souvenirs that you collect during your vacation. When not in use, fold the organizer up and place it inside the diaper bag. Easy peasy, lemon squeezy.
Don’t let soggy clothes dampen your day. Instead, place them inside of this Mickey-themed waterproof wet bag. Perfect for when a change of clothes may be called for during a trip to the parks. In addition, the bag is hand or machine washable and has quick-drying material, so you can use it again and again.
Your infant will look adorable in their matching Minnie hat and bootie set (which come in pink or red). These accessories are great for blocking the sun from your Mouseketeer’s face and feet. The lightweight, cotton, material is ideal for a day at the park, then a dip in the pool. A Mickey set is available here.
The sun can get quite bright in Florida. So, to keep harmful light away from your baby’s eyes, baby sunglasses are ideal. These come in an array of colors. Perfect to mix and match with some adorable Disney-inspired outfits. Your tyke will be ready (and protected) for a magical day out to the parks!