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I’m going to start with a controversial statement that’s going to position me in a very peculiar place for the rest of the article, but I have to say it to properly frame everything that will come after…I think Man of Steel (2013) was a good depiction of Superman.
I think Henry Cavill’s depiction of specifically Superman and in a different timeline, probably could have been a decent Clark Kent. It’s not a perfect movie by any means (the death of Jonathan Kent being one of the more egregious moments of the film), but I felt it captured the larger than life nature of an extraterrestrial with superpowers. The last act set up what could have been an interesting interpretation of Superman, who has resolved not to kill after being forced to use force to stop Zod from killing innocent people.
However, we never got the chance to explore that as we were thrust into a series of movies that never let Superman be the focus, instead pitting him against a vague ideological opposite, positioning him as a tyrant, killing him, resurrecting him in a primal state, and then never really properly revisiting the character’s optimistic core. And during this time, we got a cavalcade of dark-Superman stories between Brightburn, The Boys, and Invincible that explored the dark implications of a near omnipotent being.
And these are interesting stories. Kingdom Come and Red Son are fascinating explorations of the character, but I think after a decade or so of the uber-serious ubermensch, I longed for a more uplifting version of the character. The CW’s Superwoman and Superman and Lois definitely erred more on the side of optimism, and the mythos lent itself to some good moments here and there, but never quite endeared itself to me to a point where I’d adore it. I enjoyed it, but I didn’t feel the need to proselytize it.
Enter My Adventures with Superman.
(Some potential spoilers interspersed throughout.)
I don’t think I can stress how much I didn’t know I needed this until I saw the trailer. And I don’t think I could have been happier when in the opening minutes of the pilot, a young Clark Kent adorned with that cool 90’s S on his shirt manages to save a woman from crashing into a tree and quietly discovering that he has superpowers. He immediately flies up to the sky with a goofy smile and immediately wonders about his origin. The story then picks up in the present where we get to meet our trio and the show draws fantastic parallels between Clark and Lois,and establishes all of the characteristics we have come to expect: Clark’s earnest Midwestern charm, Lois’s driven career nature, and Jimmy being Clark’s biggest hype man.
Throughout the first season, we see a truly modern version of the character. One with a more sci-fi bent, with the myth of the inaugural season revolving around repurpose Kryptonian tech. One with clear anime influences, helped brilliantly by Studio Mir giving Clark the magical girl transformation that we as a society didn’t know we needed until the glowing blue light subsumed our favorite flying brick. Also, they riffed off iconic nerd properties with a Neon Genesis Evangelion-esque redesign of Parasite, a bishonen Slade Wilson, and mechs…so many glorious mechas.
Episode 4 was a big one! The Ivo Tower gala space was designed by Roger Oda. Roger also build out a model for us to reference, which saved my butt because the BGs were massive so that we could have plenty of coverage. pic.twitter.com/nwoM2Zdbi8
— Molly Stanard
avail. for work
It’s a story that recognizes that Superman’s story is an immigrant story, where Clark’s parents risked everything to get him to a safe haven without fully knowing if he would be accepted, and Clark having to reconcile with an unknown heritage and the inherent fear that society has of “the other.” It’s a story that recognizes that Clark Kent being a journalist is an integral part to the character, where the relentless search for truth and justice alongside Lois and Jimmy is how they grow and demonstrate their principles. We see them cultivate sources, investigate crime scenes, asking the hard questions to others (and themselves), and yes, break the rules, but it’s all in pursuit of a better world. It’s a story that positions the military as a reasonable antagonist, an entity that fears what they don’t understand to the point of doing anything they can to stop a perceived threat based on a prior incident.
Everything about this show is a brilliant balance of elements. It’s got triumphant music and incredible animation for both the high-octane action and the sweet tender moments of friendship and romance. It’s the way that the intro plays with a happy go-lucky guitar riff as our heroes valiantly face a menagerie of sci-fi villains. The way Jimmy keeps referring to a psychic starfish in Germany, how Lois wears a formal outfit inspired by the traditional Korean hanbock, how Martha Kent adds the finishing touches to her son’s costume.
Jack Quaid (who is having an absolutely incredible year between spots on The Boys, Oppenhiemer, Star Trek) brings a distinct earnesty to Clark, capturing the stalwart nature of the Man of the Steel and the questioning young adult still trying to figure things out. Alice Lee captures the energetic spirit of Lois, easily selling how the determined journalist in training draws the eyes of Clark. Ishmel Sahid gleefully matches the energy of the two folks in his inner circle who are a lot a lot. The supporting cast rounding out the world and just giving us such a complete version of Metropolis, Task Force X, and hints of a broader world.
At the time of writing, the season finale isn’t out, but I was in tears for the majority of episode 9 because it got the characters. It has enduring optimism. It has a sense of humor. The fact that Superman, that Clark constantly chooses to do good for no other reason than that he can. And it’s not like the story strays away from addressing the “Beware the Superman” tropes that have circulated in parallel (even going so far to make meaningful use of the Multiverse to stage some interesting conflicts that episode 10 will address if the promo is anything to go by).
It reminds me of Superman: For All Seasons, of the original Tomasi/Gleason run that got me invested in the character, of Christopher Reeves and Margot Kidder’s chemistry.
It shows a deep understanding and respect for the mythos and the current audience that needs a paragon type figure. It’s a fascinating, enthralling version of the “Boy Scout” and is a textbook case study on how to make an almost god-like character relatable and interesting. It’s yet another example why I think DC just needs to invest all of their money to animated properties because between this and Harley Quinn, there aren’t any superheroes stories coming close to the level of insight these series have on their characters and why we adore them.
So do yourself a favor and join me in watching and rewatching My Adventures with Superman to make sure that we don’t just get a second season, but a third, and fourth. And maybe some companion series set in the world. They took Young Justice from me, so I’m going to remain greedy when it comes to my heroes.
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The post Oh, So There Are Folks Who Understand Superman appeared first on Black Nerd Problems.
I’m going to start with a controversial statement that’s going to position me in a very peculiar place for the rest of the article, but I have to say it to properly frame everything that will come after…I think Man of Steel (2013) was a good depiction of Superman.
I think Henry Cavill’s depiction of specifically Superman and in a different timeline, probably could have been a decent Clark Kent. It’s not a perfect movie by any means (the death of Jonathan Kent being one of the more egregious moments of the film), but I felt it captured the larger than life nature of an extraterrestrial with superpowers. The last act set up what could have been an interesting interpretation of Superman, who has resolved not to kill after being forced to use force to stop Zod from killing innocent people.
However, we never got the chance to explore that as we were thrust into a series of movies that never let Superman be the focus, instead pitting him against a vague ideological opposite, positioning him as a tyrant, killing him, resurrecting him in a primal state, and then never really properly revisiting the character’s optimistic core. And during this time, we got a cavalcade of dark-Superman stories between Brightburn, The Boys, and Invincible that explored the dark implications of a near omnipotent being.
And these are interesting stories. Kingdom Come and Red Son are fascinating explorations of the character, but I think after a decade or so of the uber-serious ubermensch, I longed for a more uplifting version of the character. The CW’s Superwoman and Superman and Lois definitely erred more on the side of optimism, and the mythos lent itself to some good moments here and there, but never quite endeared itself to me to a point where I’d adore it. I enjoyed it, but I didn’t feel the need to proselytize it.
Enter My Adventures with Superman.
(Some potential spoilers interspersed throughout.)
I don’t think I can stress how much I didn’t know I needed this until I saw the trailer. And I don’t think I could have been happier when in the opening minutes of the pilot, a young Clark Kent adorned with that cool 90’s S on his shirt manages to save a woman from crashing into a tree and quietly discovering that he has superpowers. He immediately flies up to the sky with a goofy smile and immediately wonders about his origin. The story then picks up in the present where we get to meet our trio and the show draws fantastic parallels between Clark and Lois,and establishes all of the characteristics we have come to expect: Clark’s earnest Midwestern charm, Lois’s driven career nature, and Jimmy being Clark’s biggest hype man.
Throughout the first season, we see a truly modern version of the character. One with a more sci-fi bent, with the myth of the inaugural season revolving around repurpose Kryptonian tech. One with clear anime influences, helped brilliantly by Studio Mir giving Clark the magical girl transformation that we as a society didn’t know we needed until the glowing blue light subsumed our favorite flying brick. Also, they riffed off iconic nerd properties with a Neon Genesis Evangelion-esque redesign of Parasite, a bishonen Slade Wilson, and mechs…so many glorious mechas.
Episode 4 was a big one! The Ivo Tower gala space was designed by Roger Oda. Roger also build out a model for us to reference, which saved my butt because the BGs were massive so that we could have plenty of coverage. pic.twitter.com/nwoM2Zdbi8
— Molly Stanard
It’s a story that recognizes that Superman’s story is an immigrant story, where Clark’s parents risked everything to get him to a safe haven without fully knowing if he would be accepted, and Clark having to reconcile with an unknown heritage and the inherent fear that society has of “the other.” It’s a story that recognizes that Clark Kent being a journalist is an integral part to the character, where the relentless search for truth and justice alongside Lois and Jimmy is how they grow and demonstrate their principles. We see them cultivate sources, investigate crime scenes, asking the hard questions to others (and themselves), and yes, break the rules, but it’s all in pursuit of a better world. It’s a story that positions the military as a reasonable antagonist, an entity that fears what they don’t understand to the point of doing anything they can to stop a perceived threat based on a prior incident.
Everything about this show is a brilliant balance of elements. It’s got triumphant music and incredible animation for both the high-octane action and the sweet tender moments of friendship and romance. It’s the way that the intro plays with a happy go-lucky guitar riff as our heroes valiantly face a menagerie of sci-fi villains. The way Jimmy keeps referring to a psychic starfish in Germany, how Lois wears a formal outfit inspired by the traditional Korean hanbock, how Martha Kent adds the finishing touches to her son’s costume.
Jack Quaid (who is having an absolutely incredible year between spots on The Boys, Oppenhiemer, Star Trek) brings a distinct earnesty to Clark, capturing the stalwart nature of the Man of the Steel and the questioning young adult still trying to figure things out. Alice Lee captures the energetic spirit of Lois, easily selling how the determined journalist in training draws the eyes of Clark. Ishmel Sahid gleefully matches the energy of the two folks in his inner circle who are a lot a lot. The supporting cast rounding out the world and just giving us such a complete version of Metropolis, Task Force X, and hints of a broader world.
At the time of writing, the season finale isn’t out, but I was in tears for the majority of episode 9 because it got the characters. It has enduring optimism. It has a sense of humor. The fact that Superman, that Clark constantly chooses to do good for no other reason than that he can. And it’s not like the story strays away from addressing the “Beware the Superman” tropes that have circulated in parallel (even going so far to make meaningful use of the Multiverse to stage some interesting conflicts that episode 10 will address if the promo is anything to go by).
It reminds me of Superman: For All Seasons, of the original Tomasi/Gleason run that got me invested in the character, of Christopher Reeves and Margot Kidder’s chemistry.
It shows a deep understanding and respect for the mythos and the current audience that needs a paragon type figure. It’s a fascinating, enthralling version of the “Boy Scout” and is a textbook case study on how to make an almost god-like character relatable and interesting. It’s yet another example why I think DC just needs to invest all of their money to animated properties because between this and Harley Quinn, there aren’t any superheroes stories coming close to the level of insight these series have on their characters and why we adore them.
So do yourself a favor and join me in watching and rewatching My Adventures with Superman to make sure that we don’t just get a second season, but a third, and fourth. And maybe some companion series set in the world. They took Young Justice from me, so I’m going to remain greedy when it comes to my heroes.
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The post Oh, So There Are Folks Who Understand Superman appeared first on Black Nerd Problems.
I never beat Elden Ring. After defeating the first major skill check of a boss, scuttling about the seemingly endless open world, and getting killed by birds repeatedly on the rafters, I never logged back on especially since there was a Destiny 2 around the corner. I had been on the receiving end of a very humbling experience and perhaps one day I will go back.
However, during Destiny 2’s Season of the Deep’s natural lull at the end of the season, I ended up picking up Remnant II to fill the time. I wasn’t originally going, but the promotion videos looked intriguing and some friends said they were picking it up, so I copped the pre-order. Over the course of three weeks or so, I eventually managed to crawl my way to beating the game’s final boss alone…
…on the lowest difficulty…
…after intensive research and recruiting some random folks from the clumsy matchmaking in the early game.
And I have very little intention of returning to the game unless my friends want to give it a whirl, but let me regale you with the tale of how this Roguelike enthusiast facetanked their first Soulslike to completion.
This is not a review
I’ll be upfront and tell you that this isn’t an assessment of whether or not I think Remnant II is a good game. I think the million copies that it sold in the first month and the litany of accolades serve as more than ample evidence of Remnant II’s quality. This is about my specific experience which was heavily influenced by the fact that I played the totality of my time on the Steam Deck. This was not my intent, but my laptop refused to launch the game and the game played well enough on the portable PC (after increasing the FoV a smidge and reducing the graphical fidelity to compensate).
We start our travels in post-Apocalytpic Earth where “the Root” has taken over, and we are in search of the last bastion, Ward 13. And after some fumbling around, I meet up with fellow survivors, immediately get felled by the introductory boss even with three NPCs dealing damage (although I think my instinct to hipfire which led me to melee the angry monster was more at fault than me I’d argue) and make it into town where I make the first critical decision.
My close quarters inclinations led to the Challenger archetype; however, the main reason I selected the class was its prime perk “Die Hard” which acts a self-revive. Considering that I never made it far into Elden Ring, I figured that it was hard to argue with the efficacy of not dying, a sentiment that would be reinforced again and again. Further fumbling led me into a High Fantasy Fae Castle and my journey armed with a shotgun, a pistol, and the ability to stomp.
I died within about three minutes upon entering the library hall for the first time as I was greeted by several units, about half of which were straight up flying. It took a couple of attempts, but I eventually learned how to switch between the service pistol for flying enemies, the shotgun for everything else, and the melee as a last resort. If I was in melee range ,that also meant that I was in range to get melee’d myself, and my inability to dodge in any game continued to haunt me. Death after death, I slowly worked my way through the castle and then found myself in a straight up low fantasy Victorian town. At this point, I’d gained enough resources and levels to feel somewhat comfortable proceeding until I got to the sewers where I met my first boss: a weird floating ball.
That floating ball completely destroyed me, at which point I realized that my loadout was not going to cut it. At this point, the YouTube algorithm had picked up what I was playing and offered “FANTASTIC EARLY GAME LOOT,” and I was able to pick up an SMG with many more bullets, better damage, and generally easier to use. It still took several tries and learning how to manage my Dragonhearts (one of the only sources of healing) and my self-revive. (At this stage of my progression, my plan was to save hearts for after healing thinking that I could outlive the 10 minute cooldown, something that I’d quickly realize would never actually happen.) Finally, I won, entering the last node of the biome.
At this point, I figured that if I was playing the purported melee class I should invest in a melee weapon. After scouring wikis, one of the world boss rewards was a melee weapon. I went in to challenge of the two Fae Imposter kings and I proceeded to die repeatedly. The highly mobile floating boss proved to the antithesis of my loadout, but through trial and error, I could get to the last stage. However, after an hour of attempts one day and another hour the next, I decided to enlist help. My friends weren’t available, so I opened my instance to a friendly handler who brought a dog into the fray. The three of us managed to barely fell the king. I was dead when the final blow was struck, but finally progress.
My loot ended up being a long gun called Deceit, the fundamental opposite of a melee weapon, but this ended up being a blessing in disguise as Deceit ended up my primary weapon for the rest of my playthrough.
Matchmaker, Matchmaker Make Me a Match
At this point, I wanted a couple of more resources and levels, so I rerolled my instance of Losom to become familiar with my weapon and tried a couple instances of matchmaking. Remnant II’s online co-op is cumbersome at best, and you also load in dead until the team reaches a crystal. I managed to load in as two players two levels above me were going on a rampage and when they refreshed at the checkpoint, I managed to get a veritable cornucopia of trait points and resources that helped kickstart my ability to play solo.
After more research and more fumbling, I realized I was close to being able to add a secondary archetype and prepared to mutli-class into a medic becoming a Die-Hard Guardian / depending on which archetype was my primary. I did this because the medic uniquely had access to sustain and again, really difficult to argue with the efficacy of not dying.
Although all of the healing in the world doesn’t stop instantly dying from being crushed by a rotating block in one of the most infuriating puzzle bosses I played, although a helpful map helped resolve my instinct to chuck my Steam Deck onto the lawn.
First Act Woes, Second and Third Act Triumphs
Between the kickstart in elementary build, some luck finding an SMG that seemed to be the love child of Riskrunner and Anarchy from Destiny, I managed to systematically work my way through the drab sci-fi world of N’erud and the generic jungle world of Yeasha.
At this point, I discovered the cadence and had enough experience to endure the combat challenge. Most mini-bosses I could successfully tank and out DPS, and the world bosses felt like fair fights now that I was equipped with gear that let me position myself slightly better. The challenger’s trait reducing encumbrance let me dodge at a standard penalty. The final boss proved a little more difficult to parse, but even then I eventually slayed the root of the root.
And then every urge I had to play this game solo slowly evaporated into the ether.
Epilogue Apathy or a Roguelike a Soulslike is not
I think the reason I managed to finish Remnant II (in addition to having more time before the Destiny 2 content than I had when I picked Elden Ring) is because I was more more familiar with shooter mechanics over hack and slash. And the fact that I could reduce my need to dodge by outhealing things and not lose resources on death.
But as I played through Remnant II, I became more intimate with the unique elements of Soulslike and also why they don’t resonate. The slow vertical progression meant it took a long time to feel incremental jumps in powers. The limited resources made lateral progression even more tedious and felt terrible when I found a new piece of gear that I ended up leaving in my inventory because I didn’t want to grind out for more sources after already grinding for the first piece. The combat sequences had weird intervals where some transitions had a few minutes and others were brutal crawls that were several times longer (which made it all the worse when I failed right before a world crystal). The narrative was… there although in true souslike form, most of it was in item descriptions.
But in the perfect form of a circle, the thing that cemented for me that while Remnant II is a good game it was not going to take anymore of my time were the extraordinary amount of secrets hidden literally everywhere. Some I did find. Some I would have never found even if you gave me an infinite amount of time and energy. One was hidden by the devs who knew that their community was going to datamine their game which is objectively an awesome move. But like how I described in my ode to my aversion in the open world, exploration is not for me. I like the combat challenge. I like knowing what the objective is and then figuring out how to solve that specifically.
After researching all of the things I had missed and yet to discovered, I tried starting a new game, but quickly realized that unless I had some companions. I was not going to enjoy replaying the game to no fault of the game but because I enjoy a different experience.
Maybe during the next lull I’ll retry Elden Ring just to see if I learned anything from my time in the Labyrinth. Or maybe I’ll try Baldur’s Gate III or Armored Core 6. Who’s to say? Although it’s nice being able to articulate all of the reasons why, it’s even nicer than that the Remnant II lasted just long enough for me to return to my main game.
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The post The Roguelike Enthusiast Facetanks Their First Soulslike to Completion appeared first on Black Nerd Problems.