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https://blacknerdproblems.com/james-wan-thanks-vfx-artists/

It’s a bittersweet time for fans of the DC Extended Universe’s (DCEU). On the one hand, the DCEU is being rebooted and rebranded into the DC Universe (DCU) after 10 years of tepid critical and box office response. On the other, fans of the DCEU are saying goodbye to current iterations of beloved DC Comics characters like Gal Gadot’s Wonder Woman and possibly Jason Momoa’s record-breaking turn as Aquaman (2018’s Aquaman remains the highest-grossing DCEU film to date). But as fans shower praise on the actors, directors, and writers of some of the more beloved DCEU properties, Aquaman and the Lost Kingdom director James Wan is showing gratitude to an often-undervalued asset in the filmmaking community: Visual Effects (VFX) teams.

Aquaman and the Lost Kingdom official trailer

It’s no secret that superhero movies rely heavily on special effects. But it takes real skill to make flying Kryptonians, lightning-wrangling goddesses, and deep-sea battles to look seamless. But for movies where the bulk of the action takes place in otherworldly settings like Aquaman and the Lost Kingdom, directors like James Wan depend even more on VFX teams to bring their illustrious visions to life.

“For something like Aquaman and the Lost Kingdom, and the first Aquaman, so much of the movie is visual effects,” said Wan. “So much of the world is created in a synthetic environment. That immediately allows you to set the different depths and levels.”

Wan’s statement makes even more sense in the context of the Aquaman films, both of which he directed. In the sequel to the 2018’s blockbuster, Jason Momoa’s Arthur Curry/Aquaman defends Atlantis and the world-at-large against the villainous Black Manta. But this time Black Manta (Yahya Abdul-Mateen II) wields the Black Trident, a mystical weapon with the power to release a malevolent force upon the world, forcing Aquaman to form an alliance against the brother he imprisoned in the first movie. Needless to say, this kind of underwater adventure isn’t possible without a visionary director like Wan at the helm. But rather than highlight his own contributions to the project, he’s eager to shower praise on the VFX teams that he’s worked hand-in-glove with.

Aquaman
Actor Patrick Wilson (left) and director James Wan (right)

“I totally feel like people can be very dismissive of CGI and visual effects and stuff like that. But there’s so much artistry, there’s so much love, and passion, and just so much hard work that goes into these movies,” said Wan. “And that’s definitely the case with Aquaman and the Lost Kingdom. Myself and my team, we work really hard to try and put out the best-looking stuff out there. I definitely feel like they are the unsung heroes of these kinds of movies.”

Wan’s not wrong. Over the past few years, more VFX workers have been speaking out against the long working hours, unrealistic deadlines, and low pay they’ve been forced to accept. And when special effects aren’t up to audience standards, it’s the VFX teams that are unfairly dragged by fans who don’t understand the brutal conditions those teams are working under.

Here’s how it works. When a film studio like Sony, Marvel, or Warner Bros. Discovery has a film project in the works, they’ll request for VFX studios to submit a bid to work on said project. Competition among the VFX studios is fierce, creating a race to the bottom where often the VFX studio charging the lowest price often wins the coveted contract.

Aquaman and the Lost Kingdom | Black Manta Returns Featurette (with Yahya Abdul-Mateen II)

But a low winning bid doesn’t negate the amount of hard work needed to fulfill the obligations of the contract. This has led to frontline VFX workers working horrendous hours for paltry paychecks. Such abominable conditions have led to a more and more VFX teams talking about and choosing to collectively organize. The latest such move came this September during the dual writers and actors strikes, when Marvel Studios VFX workers voted unanimously to join the International Alliance of Theatrical Stage Employees (IATSE) union.

“It doesn’t matter how big of a cog they are, if you take one out and the machine wouldn’t function,” said Wan when speaking in a general sense about the importance of strong VFX teams. “Filmmaking is such a process that you need everyone to be able to contribute to it. You couldn’t make a movie like Aquaman and the Lost Kingdom without visual effects.”

Aquaman
Jason Momoa as Arthur Curry/Aquaman, King of Atlantis.

But if jaw-dropping special effects and hearthrobs likes Jason Momoa and Yahya Abdul-Mateen II aren’t enough to get you to the theaters for Aquaman and the Lost Kingdom, then promises of one-of-a-kind movie-going experience might be.

“I would say, if [fans] enjoyed the first movie, it’s really just an extension of the first film in a lot of regards,” said Wan. “The movies that I make, the movies that I direct, I make them a fully cinematic experience so that they can be experienced and seen on the bigger screen. I do think that this movie is truly, truly designed for the big screen.”

For all the DCEU’s bumps and bruises, the Aquaman franchise has remained a bright spot in the cinematic universe. Whether Jason Momoa will be back in the DCU to play the coolest version of Aquaman ever remains to be seen. As for director James Wan, he’s looking forward to his next project coming out in early 2024. But it will be a while before Wan takes a seat in the director’s chair again.

“My next project that I’m producing is Night Swim. That’s the [supernatural horror film] that’s coming out in January. But in terms of directing, I’m taking a break. I’m taking a long nap!”

After completing the visual and storytelling spectacle that is Aquaman and the Lost Kingdom, that’s a nap James Wan more than deserves.

Aquaman and the Lost Kingdom hits theaters on Friday, December 22, 2023.

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The post Director James Wan Thanks VFX Artists as ‘Aquaman and the Lost Kingdom’ Closes Out the DCEU appeared first on Black Nerd Problems.

December 21, 2023

Director James Wan Thanks VFX Artists as ‘Aquaman and the Lost Kingdom’ Closes Out the DCEU

https://blacknerdproblems.com/james-wan-thanks-vfx-artists/

It’s a bittersweet time for fans of the DC Extended Universe’s (DCEU). On the one hand, the DCEU is being rebooted and rebranded into the DC Universe (DCU) after 10 years of tepid critical and box office response. On the other, fans of the DCEU are saying goodbye to current iterations of beloved DC Comics characters like Gal Gadot’s Wonder Woman and possibly Jason Momoa’s record-breaking turn as Aquaman (2018’s Aquaman remains the highest-grossing DCEU film to date). But as fans shower praise on the actors, directors, and writers of some of the more beloved DCEU properties, Aquaman and the Lost Kingdom director James Wan is showing gratitude to an often-undervalued asset in the filmmaking community: Visual Effects (VFX) teams.

Aquaman and the Lost Kingdom official trailer

It’s no secret that superhero movies rely heavily on special effects. But it takes real skill to make flying Kryptonians, lightning-wrangling goddesses, and deep-sea battles to look seamless. But for movies where the bulk of the action takes place in otherworldly settings like Aquaman and the Lost Kingdom, directors like James Wan depend even more on VFX teams to bring their illustrious visions to life.

“For something like Aquaman and the Lost Kingdom, and the first Aquaman, so much of the movie is visual effects,” said Wan. “So much of the world is created in a synthetic environment. That immediately allows you to set the different depths and levels.”

Wan’s statement makes even more sense in the context of the Aquaman films, both of which he directed. In the sequel to the 2018’s blockbuster, Jason Momoa’s Arthur Curry/Aquaman defends Atlantis and the world-at-large against the villainous Black Manta. But this time Black Manta (Yahya Abdul-Mateen II) wields the Black Trident, a mystical weapon with the power to release a malevolent force upon the world, forcing Aquaman to form an alliance against the brother he imprisoned in the first movie. Needless to say, this kind of underwater adventure isn’t possible without a visionary director like Wan at the helm. But rather than highlight his own contributions to the project, he’s eager to shower praise on the VFX teams that he’s worked hand-in-glove with.

Aquaman
Actor Patrick Wilson (left) and director James Wan (right)

“I totally feel like people can be very dismissive of CGI and visual effects and stuff like that. But there’s so much artistry, there’s so much love, and passion, and just so much hard work that goes into these movies,” said Wan. “And that’s definitely the case with Aquaman and the Lost Kingdom. Myself and my team, we work really hard to try and put out the best-looking stuff out there. I definitely feel like they are the unsung heroes of these kinds of movies.”

Wan’s not wrong. Over the past few years, more VFX workers have been speaking out against the long working hours, unrealistic deadlines, and low pay they’ve been forced to accept. And when special effects aren’t up to audience standards, it’s the VFX teams that are unfairly dragged by fans who don’t understand the brutal conditions those teams are working under.

Here’s how it works. When a film studio like Sony, Marvel, or Warner Bros. Discovery has a film project in the works, they’ll request for VFX studios to submit a bid to work on said project. Competition among the VFX studios is fierce, creating a race to the bottom where often the VFX studio charging the lowest price often wins the coveted contract.

Aquaman and the Lost Kingdom | Black Manta Returns Featurette (with Yahya Abdul-Mateen II)

But a low winning bid doesn’t negate the amount of hard work needed to fulfill the obligations of the contract. This has led to frontline VFX workers working horrendous hours for paltry paychecks. Such abominable conditions have led to a more and more VFX teams talking about and choosing to collectively organize. The latest such move came this September during the dual writers and actors strikes, when Marvel Studios VFX workers voted unanimously to join the International Alliance of Theatrical Stage Employees (IATSE) union.

“It doesn’t matter how big of a cog they are, if you take one out and the machine wouldn’t function,” said Wan when speaking in a general sense about the importance of strong VFX teams. “Filmmaking is such a process that you need everyone to be able to contribute to it. You couldn’t make a movie like Aquaman and the Lost Kingdom without visual effects.”

Aquaman
Jason Momoa as Arthur Curry/Aquaman, King of Atlantis.

But if jaw-dropping special effects and hearthrobs likes Jason Momoa and Yahya Abdul-Mateen II aren’t enough to get you to the theaters for Aquaman and the Lost Kingdom, then promises of one-of-a-kind movie-going experience might be.

“I would say, if [fans] enjoyed the first movie, it’s really just an extension of the first film in a lot of regards,” said Wan. “The movies that I make, the movies that I direct, I make them a fully cinematic experience so that they can be experienced and seen on the bigger screen. I do think that this movie is truly, truly designed for the big screen.”

For all the DCEU’s bumps and bruises, the Aquaman franchise has remained a bright spot in the cinematic universe. Whether Jason Momoa will be back in the DCU to play the coolest version of Aquaman ever remains to be seen. As for director James Wan, he’s looking forward to his next project coming out in early 2024. But it will be a while before Wan takes a seat in the director’s chair again.

“My next project that I’m producing is Night Swim. That’s the [supernatural horror film] that’s coming out in January. But in terms of directing, I’m taking a break. I’m taking a long nap!”

After completing the visual and storytelling spectacle that is Aquaman and the Lost Kingdom, that’s a nap James Wan more than deserves.

Aquaman and the Lost Kingdom hits theaters on Friday, December 22, 2023.

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The post Director James Wan Thanks VFX Artists as ‘Aquaman and the Lost Kingdom’ Closes Out the DCEU appeared first on Black Nerd Problems.


December 21, 2023

8 Expert Tips & Advice For Aging Well In Your 50s

https://www.blackenterprise.com/8-expert-tips-advice-for-aging-well-in-your-50s/

The nation is aging. According to AARP (formerly the American Association of Retired Persons), the years ahead can be fulfilling if we create healthy and purposeful habits, behaviors, and attitudes.

Genetics is only one contributing factor in aging well. AARP outlined eight indicators that make a difference, plus advice on how to kickstart them into your journey.

  • MAINTAIN STRONG SOCIAL CONNECTIONS

The AARP cites loneliness as a risk among older adults who do not maintain strong social connections. About one-third of U.S. adults aged 45 and older report feeling lonely, and the most vulnerable are low-income individuals, the CDC found. For older Black adults, loneliness differs from other ethnic groups because of the disproportionate barriers they face. 

Advice: To combat loneliness, AARP advises older adults to look for ways to “connect with others regularly,” such as talking to a loved one every day, taking up a hobby, or working part-time. Studies found that people with stronger social relationships increased their survival odds by 50%. 

  • COMMIT TO PHYSICAL EXERCISE

Older African Americans have low levels of physical activity, which increases the risk of aging-related health conditions, according to studies. The AARP noted that those who tend to engage in physical activity they enjoy stave off potential risks of age-related illnesses. A 2022 study found that light physical activities such as walking, dancing, and gardening were associated with a lower risk of death.

Advice: Whether it’s 10 minutes or 30 minutes, try to do a physical activity about five days a week. AARP also suggests adding strength training.

  • ADOPT A MEDITERRANEAN DIET

A 2022 study published in PLOS Medicine found that the earlier you adopt a Mediterranean diet, the better. A Mediterranean diet consists of various fruits, vegetables, whole grains, beans, nuts, legumes, fish (especially those rich in omega-3 fatty acids such as salmon, sardines, and mackerel), and healthy fats like olive oil.

Expert advice: Prioritize your day with at least five servings of vegetables per day, in addition to two to three servings of fruit. Use healthy fats like olive oil instead of butter or vegetable oil, and swap the red meat out for fish.

  • LIVE OUT YOUR PURPOSE

A 2019 JAMA Network Open study of nearly 7,000 adults found that those who scored highest on a scale measuring “life purpose” were less likely to die over a four-year period compared with those who scored lower.  

Advice: What is important to you? Find out what your passion is so your later years can truly reflect your values and identity. This journey offers keys to new connections and adventures.

  • SLEEP FOR SEVEN HOURS A NIGHT

Studies report a connection between sleep duration and the risk of developing Alzheimer’s, dementia, and death. Alzheimer’s also increases your risk for chronic health problems such as obesity, diabetes, depression, high blood pressure and heart disease.

Advice: AARP encourages older adults to cultivate healthy habits right before bed, especially if they have trouble sleeping. These include avoiding caffeine and alcohol in the evenings and limiting screen time. Maintaining a sleep schedule is also essential. 

  • EMBRACE A POSITIVE OUTLOOK

“Age is just a number,” so the saying goes, but studies show that optimism can take you a long way. Researchers note that ageist stereotypes can be a “self-fulfilling prophecy,” AARP reported. 

Advice: According to AARP, optimism can be cultivated by gratitude practices and positive self-talk. One approach is to shift your mindset about aging. 

  • BE CONSCIENTIOUS ABOUT YOUR HABITS

AARP noted a study of 1,954 people found that those who were more conscientious were 22% less likely to experience cognitive impairment. Another showed a 35% reduced risk of early death.

Advice: Mark your calendar, AARP suggests. From setting reminders and intentions to prioritizing early arrivals to doctor appointments, these habits put you at the forefront of your life.

  • CONSISTENTLY GROW YOUR BRAIN POWER

People who age well constantly learn new things and challenge their brains in order to stave off cognitive decline, experts say. That can mean taking a class at the community college, learning a new game such as chess or mah-jongg, or playing sudoku. Such activities also reduce stress, which can create inflammation that causes cellular damage to the body and brain.

Advice: Learn something new and do it often. 

If you haven’t done so already, consider how you can apply these productive habits, behaviors, and attitudes to your life at age 50 and into your golden years.


December 21, 2023

GODZILLA MINUS ONE Heading Back to Cinemas in Black and White

https://nerdist.com/article/godzilla-minus-one-coming-back-to-theaters-in-black-and-white/

The original Japanese masterpiece Godzilla hit theaters in 1954. The moody black-and-white production introduced the world to kaiju cinema and launched a beloved franchise. Almost 70 years later, with 32 Japanese sequels under his gargantuan belt, the massive lizard returned for Godzilla Minus One. This movie sets its action slightly before the original movie, firmly in Postwar Japan. The country is at its lowest point, defeated and desolated. When Godzilla comes a trampling, the people will have to band together to save themselves. It’s one of the best movies of the year, and now you can see it in throwback monochrome.

A scared woman looks out the window of a train and sees Godzilla rampaging through the city in Godzilla Minus One in black and white.
Toho Studio

This news, which we first saw via CBR, is very exciting for Godzilla fans. Godzilla Minus One is perhaps the closest in tone and focus to the original movie, and while its colors are great, the chance to see it in theaters in black-and-white feels like a particular treat.

We should add, so far Godzilla Minus One/Minus Color only has a Japanese release date. That is January 12, 2024. However, given the massive North American take for the film, it’s only a matter of time. The movie made $11 million on its opening weekend, making it the biggest opening for a live-action Japanese movie, and the biggest opening for a foreign language movie in 2023. That is, if you pardon the pun, huge. Given next year is the 70th anniversary of the original, we could easily see a Godzilla double feature with the OG and the new one in the near future.

At least we have this super rad poster for the Japanese release of Godzilla Minus One in black and white to tide us over until we get to see it over here.

The Japanese poster for Godzilla Minus One Minus Color.
Toho Studio

Kyle Anderson is the Senior Editor for Nerdist. He hosts the weekly pop culture deep-dive podcast Laser Focus. You can find his film and TV reviews here. Follow him on Instagram and Letterboxd.

The post GODZILLA MINUS ONE Heading Back to Cinemas in Black and White appeared first on Nerdist.


December 21, 2023

Batman Villains We Want in the DCU Arkham Asylum Series

https://nerdist.com/article/villains-we-want-in-the-batman-arkham-asylum-spinoff-series/

Apart from the upcoming series about Colin Farrell’s Penguin, Matt Reeves is bringing another extension of the Batman world to Max. But as James Gunn recently revealed, this new series won’t take place in the Gotham City of The Batman. It will take place in the new DCU. It will focus on the inmates of Arkham Asylum, Gotham City’s home for the criminally insane. Most notably, the Dark Knight’s very long list of rogues. Naturally, the show’s setting brings to mind one important question. Which Batman villains will we soon see roaming the halls of this Arkham Asylum series? We have some ideas on who should make the cut.

What We Know So Far About the Arkham Asylum Series

The gates of the infamous Arkham Asylum, home for the criminally insane, as seen in DC Comics.
DC Comics

In an interview, Reeves had the following to say to Games Radar about the upcoming Arkham series. Note: Reeves said this when the Arkham show was still a spinoff of The Batman, although we feel much still applies.

We’ve actually now [moved] more into the realm of exactly what would happen in the world of Arkham as it relates coming off of our movie and some of the characters and their origins…almost leaning into the idea of, it’s like a horror movie or a haunted house that is Arkham. Again the way that Gotham is a character in the movie, I really want Arkham to exist as a character. You go into this environment and encounter these characters in a way that feels really fresh.

Batman villains Mad Hatter, Poison Ivy, and Professor Pyg.
DC Comics

While this is a very early description of the show, we have some ideas on how we think it should play out. An Arkham Asylum series would be perfect as an anthology, with each episode dedicated to a different villain. The episodes would reveal how the villains came to be and how they wound up in Arkham. This idea perfectly sets up the Bat-villains for the DCU’s eventual Batman-centric The Brave and the Bold movie. In a haunted house, there are many rooms to visit. And one by one, you meet new scares along the way.

In this imagining, the new DCU Batman would play a small part in the show, as it would be from the villain’s perspective. You wouldn’t necessarily even need that same actor under the mask as on the big screen. This could work similarly to how Pedro Pascal appears on The Mandalorian. You could get name actors for each Arkham Asylum villain, and then later use the spinoff characters in The Brave and the Bold. Let the series do the heavy lifting for the villain intros.

Use Arkham Asylum: A Serious House on a Serious Earth as Inspiration

Cover art from Dave McKean for Grant Morrison's 1989 graphic novel, Batman: Arkham Asylum.
DC Comics

As for which Batman villains we think will appear in the Arkham spinoff? Well, we’re going to explain why we didn’t choose some big ones. Harvey Dent/Two-Face as a person is too intimately tied to Bruce Wayne, so DC should reserve his story for a movie. Established and overused villains in live-action like the Joker should act as more peripheral characters. Ra’s al Ghul and Bane are international terrorists and not Arkham material. But so many other classic bad guys are all long overdue for a live-action appearance. We feel a little inspiration from Grant Morrison’s graphic novel Arkham Asylum: A Serious House on a Serious Earth is in order. That darker, psychological take on Arkham influenced all its portrayals going forward. With that in mind, here’s who we think should get the spotlight in a future Arkham Asylum series.

Which Batman Villains Will Appear in the Arkham Series?

Here are the villains we most hope to see in this new DCU series.

Scarecrow (Jonathan Crane)

Batman confronts the Scarecrow, master of fear, in the pages of DC Comics.
DC Comics

Professor Jonathan Crane, who first appeared in 1941, is one of the many Batman villains who holds up a twisted mirror to the Dark Knight. Like Batman, he has an obsession with fear. But he uses fear as a weapon of control over the weak, not to scare the wicked, as Batman does. Despite his status as a college professor, one fired for his unethical experiments, the Scarecrow lost his grasp on reality. Mainly because of exposure to his own fear toxin. A whole episode based on his origins, and how Batman locked him up at Arkham, seems like an easy decision to us.

Man-Bat (Kirk Langstrom)

Kirk Langstrom, the were-creature called the Man-Bat, Batman tragic adversary from DC Comics.
DC Comics

The Man-Bat is far more than just Batman’s name in reverse. First appearing in Detective Comics’ 400th issue, along with Ra’s al Ghul, he ushered in a new age of Batman villains for the Bronze Age of comics. Although, he was more of a tragic figure than a straight-up villain. Kirk Langstrom was a scientist who tried to give humanity the sonar sense of bats. But his experiments on himself led him to become a hybrid human/bat creature. He acts as a combination of Dr. Jekyll and Mister Hyde with a dash of werewolf. He’s not technically insane, but the experiments on his body have left him with no control of his mental faculties, leading him to be locked away in Arkham. Far too sci-fi for the Matt Reeves The Batman universe, Man-Bat is a perfect fit for the DCU.

The Mad Hatter (Jervis Techt)

The Alice in Wonderland-based Batman villain the Mad Hatter, as seen in the pages of DC Comics.
DC Comics

Since his original appearance in 1948’s Batman #49, Jervis Tetch has been a classic villain who disguises himself in the garb of innocent childhood iconography. He’s a genius scientific inventor who develops mind control tech that’s extremely advanced. Alas, he does not wish to use his genius for good. His obsession with all things Alice in Wonderland and his true belief that he’s the Mad Hatter from Lewis Carroll’s story make him one of Batman’s most unhinged foes—and most dangerous.

Poison Ivy (Pamela Isley)

Pamela Isley, the eco-terrorist and Batman villain called Poison Ivy, as she appears in modern DC Comics.
DC Comics

Pamela Isley has been a legendary Batman villain, ever since 1967. Some perceive her as an antihero, because her targets are anyone who contributes to deforestation and climate change. Having said that, Ivy murders anyone who gets in her way. So, good cause or not, she’s not really a hero. If this were set in The Batman world, Matt Reeves would likely go in a grounded direction for her. But in the DCU, she could absolutely be someone who controls giant Venus flytraps and such. A whole episode focusing on Ivy’s rise and fall, and eventual Arkham lock-up, would be perfect for this series. Not to mention, we could see her meet a certain psychiatrist named Harleen Quinzell. Those two have quite the history all their own.

Professor Hugo Strange

The mad Professor Hugo Strange, both a doctor and an inmate in DC Comics' Arkham Asylum.
DC Comics

This is another must-have Batman villain if you’re doing a show based on Arkham Asylum. Because as a psychiatrist, Professor Hugo Strange was actually on staff at Arkham for years. Before being committed to being a patient there, that is. It probably had something to do with his penchant for making “monster men” out of corpses. An action like that will result in the label “criminally insane.” He is one of only a handful of villains to have deduced Batman’s secret identity as Bruce Wayne. Because of this, and the fact that Strange once treated the other Arkham inmates as his own patients, it makes him an ideal candidate for any Arkham Asylum series.

Mr. Freeze (Victor Fries)

Victor Fries, a,k.a. Mister Freeze, the Batman's ice powered villain, as seen in the pages of DC Comics.
DC Comics

As Matt Reeves has indicated in recent interviews, there is probably a good way to tell the story of Victor Fries in a more compelling way in live-action. The tale of a scientist who loses all emotion except rage when he loses his wife Nora in a terrible accident. He’s one of the great tragic villains in Batman history, and an entire episode from his point of view would be incredible. In fact, we’d root for Paul Dini, father of the modern version of Freeze in Batman: The Animated Series, to write the episode. No one understands Victor better than he does. Just please, skip any ice-related puns.

Professor Pyg (Lazlo Valentin)

Professor Pyg, a recent addition to Batman's Rogues' Gallery, as seen in DC Comics.
DC Comics

Here’s a villain that is a somewhat recent creation. Lazlo Valentin is as dark as Bat villains get. Wearing a creepy pig mask straight out of a horror movie, he has a criminal fixation with the myth of Pygmalion—especially its twisted ideas about physical perfection. His obsession leads him to kidnap people and perform surgery on them, transforming them into living drones. It’s really twisted stuff, but perfect for the “haunted house” vibes of an Arkham Asylum series. Professor Pyg appeared in live-action before, butwe think this is the chance to do Pyg right and not pull any punches.

Clayface (Matt Hagen)

Clayface, Batman's shapeshifting villain of many faces, as he appears in DC Comics.
DC Comics

Many Batman villains have been named Clayface, going back to the 1940s. But for an Arkham Asylum series, we think we’d go with the most popular version of the character, Matt Hagen. His popularity is a result of his longevity in the role of Clayface, but also the fact that he was the version introduced in Batman: The Animated Series. In animation, he was an actor disfigured in an accident, who uses an experimental drug to make his appearance look normal, but also to shapeshift into looking like anyone. But the side effects of the drug turn him into a creature of literal sentient mud, raging against the world. Hagen winds up in Arkham, although others use his name while incarcerated. Too sci-fi for The Batman world, he’s perfect for a DCU that has metahumans in it.

Together, these Batman villains could work perfectly for the anthology characters for this Arkham Asylum series. Once fully introduced, we could see them meld into the world of James Gunn’s new DCU, perhaps led by Joker and Riddler. It sounds like an exciting journey and potentially chilling journey to us.

Originally published on March 11, 2022.

The post Batman Villains We Want in the DCU Arkham Asylum Series appeared first on Nerdist.


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