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http://www.blackenterprise.com/lifestyle/arts-culture/joss-whedon-womens-equality-workplace/

equality

Why? I believe that this comes from having fewer people push you along the way. I was that same girl: the one who didn’t know if she was capable. The shift in my attitude and confidence came to me through a very a strong boss and mentor. My boss, business partner, mentor, and sponsor, Abhilash Patel, pushed me to do exactly what I said I wanted to do. He never let me slide, never let me question my abilities, and held me to very high expectations. This relationship changed me forever and made me more successful. We need men and women to help change gender inequality in the workplace. We need more men and women like Abhilash who don’t allow people to quit, but instead push them forward. We need to bring men to the discussion of equality. This is not just about women: equality is about everyone, and we need everyone’s participation to succeed.

This past year, I had an opportunity to interview writer, director, and producer Joss Whedon hours before he was honored at the L.A. Chapter’s Media Summit in support of #HeForShe, a movement for both men and women to promote gender equality within their communities. Women like Jennifer Lawrence and Robin Wright have fought these battles publicly, but it’s time that male colleagues joined women in equalizing their industry. Joss Whedon is a perfect example of a man stepping forward to fight the battle for equal pay. He has consistently pushed strong female roles to become an unremarkable standard. Whedon told us why we must pay more attention than ever to elevating women in media. For the purpose of this article, I asked him the following questions:

What does the word feminist mean to you?

“It’s someone who’s just trying to restore a balance that’s been missing from our culture for far too long. It means understanding the effect you have on the people around you, and what a certain amount of respect can accomplish in your daily life—as much as the more tangible things like, ‘People should get paid.’”

You’re known for writing strong female characters. Do you find it funny that you get pinpointed as “that guy,” and do you think it’s because not as many people are doing that?

“That was always weird to me. I was like, ‘There have to be other people, right? The clubhouse is really empty. I think the fact that it’s remarked upon is the very problem we’re here to deal with tonight: the fact that it’s remarkable. I think, now, if I started doing the work that I used to do, it would be less remarkable. Things have definitely come forward from when I started.’”

I read a statistic that it would take 44 years for the pay to be equal, male‑female, if we go at the pace we are at currently. What do you think both men and women can do to help speed up that timeline?

“We need to overcompensate a little bit for the fact that we’ve been under compensating forever. Things have to be pushed to be even. People have to make decisions that may seem counterintuitive to a businessman every now and then because they’ll pay as little as they can to everyone.

Read more at www.businesscollective.com…

 


Cynthia Johnson is co-founder at Ipseity Media, previously managing partner at RankLab (acquired by AAC Holdings Inc. 2015)

BusinessCollective, launched in partnership with Citi, is a virtual mentorship program powered by North America’s most ambitious young thought leaders, entrepreneurs, executives and small business owners.

 

 

December 13, 2016

An Interview With Joss Whedon on Women’s Equality in the Workplace

http://www.blackenterprise.com/lifestyle/arts-culture/joss-whedon-womens-equality-workplace/

equality

Why? I believe that this comes from having fewer people push you along the way. I was that same girl: the one who didn’t know if she was capable. The shift in my attitude and confidence came to me through a very a strong boss and mentor. My boss, business partner, mentor, and sponsor, Abhilash Patel, pushed me to do exactly what I said I wanted to do. He never let me slide, never let me question my abilities, and held me to very high expectations. This relationship changed me forever and made me more successful. We need men and women to help change gender inequality in the workplace. We need more men and women like Abhilash who don’t allow people to quit, but instead push them forward. We need to bring men to the discussion of equality. This is not just about women: equality is about everyone, and we need everyone’s participation to succeed.

This past year, I had an opportunity to interview writer, director, and producer Joss Whedon hours before he was honored at the L.A. Chapter’s Media Summit in support of #HeForShe, a movement for both men and women to promote gender equality within their communities. Women like Jennifer Lawrence and Robin Wright have fought these battles publicly, but it’s time that male colleagues joined women in equalizing their industry. Joss Whedon is a perfect example of a man stepping forward to fight the battle for equal pay. He has consistently pushed strong female roles to become an unremarkable standard. Whedon told us why we must pay more attention than ever to elevating women in media. For the purpose of this article, I asked him the following questions:

What does the word feminist mean to you?

“It’s someone who’s just trying to restore a balance that’s been missing from our culture for far too long. It means understanding the effect you have on the people around you, and what a certain amount of respect can accomplish in your daily life—as much as the more tangible things like, ‘People should get paid.’”

You’re known for writing strong female characters. Do you find it funny that you get pinpointed as “that guy,” and do you think it’s because not as many people are doing that?

“That was always weird to me. I was like, ‘There have to be other people, right? The clubhouse is really empty. I think the fact that it’s remarked upon is the very problem we’re here to deal with tonight: the fact that it’s remarkable. I think, now, if I started doing the work that I used to do, it would be less remarkable. Things have definitely come forward from when I started.’”

I read a statistic that it would take 44 years for the pay to be equal, male‑female, if we go at the pace we are at currently. What do you think both men and women can do to help speed up that timeline?

“We need to overcompensate a little bit for the fact that we’ve been under compensating forever. Things have to be pushed to be even. People have to make decisions that may seem counterintuitive to a businessman every now and then because they’ll pay as little as they can to everyone.

Read more at www.businesscollective.com…

 


Cynthia Johnson is co-founder at Ipseity Media, previously managing partner at RankLab (acquired by AAC Holdings Inc. 2015)

BusinessCollective, launched in partnership with Citi, is a virtual mentorship program powered by North America’s most ambitious young thought leaders, entrepreneurs, executives and small business owners.

 

 


December 12, 2016

Stream the LA LA LAND Soundtrack Featuring Ryan Gosling and Emma Stone

http://nerdist.com/stream-the-la-la-land-soundtrack-featuring-ryan-gosling-and-emma-stone/

Shine your dancing shoes. The La La Land soundtrack is now online and available to stream in full. While you’re prepping to get your boogieing on, keep scrolling to check out Fred Armisen’s songs about KFC, Elton John’s music video contest, Thurston Moore’s new Can supergroup, and a Big Freedia song about Santa Claus. In other words, all the music news you may have slept through over the weekend.

One of the most anticipated films of 2016 only just now came out, and based on reviews, it’s worth all the hype. We’re talking about Damien Chazelle’s La La Land, the Emma Stone and Ryan Gosling-starring musical with tons of comedy and romance thrown in. It looks charming as heck. In case we doubted that, its soundtrack is streaming in full, including songs sung by both leads. Let the swooning commence.

Fred Armisen doesn’t know how to take a break from comedy. Somewhere between acting in movies, appearing on SNL, writing and starring in Portlandia, creating fake bands, and recording albums, he took some time to write songs about KFC. Armisen wrote a two-song EP that was pressed onto 125 copies of vinyl and then hidden in record stores across the country. If you can’t find one of the copies, have no fear. Both “C-O-L-O-N-E-L” and “Nashville Centric Boogie” are on Soundcloud to stream right now. [Consequence of Sound]

Classic rock and the hits that are tacked onto that genre are timeless. Their music videos? Eh, not so much. Elton John is well aware of this fact and partnered with YouTube to change it. He’s now letting fans create music videos for three of his biggest songs: “Bennie and the Jets,” “Rocket Man,” and “Tiny Dancer.” Technically, those songs were released before the music video era so they don’t actually have videos, but if they did, they likely would be full of cheese (Sorry not sorry). So, submissions are now open each week for filmmakers to submit their own animation, live-action, and choreography to the entries. Read up on the details over at Elton John’s website. [Rolling Stone]

Next year is the 50th anniversary of experimental rock act Can‘s formation. The German group influenced just about every rock, psych, or jam band to exist, so this is a pretty big anniversary, as if the five-decade number didn’t indicate such. To celebrate, London’s Barbican Centre will host a tribute concert series in April entitled The Can Project. The original keyboardist in the band, Irmin Schmidt, will conduct the London Symphony Orchestra for a piece called “An Homage to Can.” Better yet, classic Can songs will be covered by a Can tribute group led by none other than Sonic Youth‘s Thurston Moore. Tickets have already sold out, but we’re willing to bet (See: praying) the event will be recorded and uploaded for fans to watch sometime shortly after. [Consequence of Sound]

Not every holiday song is meant to be played by the fire. Big Freedia dropped a new EP called A Very Big Freedia Christmazz and it is, exactly as expected, full of songs for twerking. From “Rudy, The Big Booty Reindeer” to “Santa Is a Gay Man,” she made sure to cover all topics with a smirk and sarcasm. It’s available to stream right now, and if you want to hear these songs live, grab tickets to her upcoming tour and hope she’ll stay in the holiday spirit long after Santa and his sleigh have flown away. [Rolling Stone]

See you back here on Wednesday for another Music Dispatch!

Image: Summit Entertainment


December 12, 2016

Rogue One strikes me as Apocalypse Now meets Mission Impossible

http://blackgirlnerds.com/rogue-one-strikes-apocalypse-now-meets-mission-impossible/

By Jacqueline Coley

This past weekend we saw about 30 minutes of Gareth Edwards’ Rogue One: A Star Wars Story and to put it simply this ain’t your Daddy’s Star Wars.

The footage from Rogue One started with the first 15 minutes of the film, followed by few 2-3 minutes clips from the first half, and ending with an extended trailer sizzle reel. It is not enough to judge how good the film will be, but I can tell you – without question – this is not like any Star Wars story we have ever seen.  If you’re worried about spoilers, let me just say, I did get some details about the film, but I don’t KNOW anything. We reviewed an extended trailer, and though I can now make assumptions on a few plot points, I learned nothing that couldn’t garner from the current marketing of Rogue One.  So here is what we saw:

The shift from the previous Star Wars films starts with the crawl – or in this case – the lack of crawl. The film begins with “A long time ago in a galaxy far, far away….,” then we jump to a cold open.  We are on a young Jyn Erso’s home world where Orson Krennic (Ben Mendelsohn) dressed all in white and shoulder to shoulder with black storm troopers – in direct contrast to the Darth Vader entrance of A New Hope – lands in an open field. Krennic is sinister yet charismatic during his interrogation of Jyn’s father, Galen Erso (Mads Mikkelsen). Ben Mendelsohn’s performance here is very reminiscent of Christoph Waltz in Inglorious Basterds instantly terrifying and disarming. The Ersos, it seems, have been preparing for Krennic’s eventual discovery of their hiding place. Like this, immediately after her mother sends Jyn off with words of love and wisdom, she provokes Krennic. The skirmish results in Jyn’s escape, her mother’s death, and her father’s apprehension.  Later we meet, Saw Gerrera (Forest Whitaker) who rescues Jyn and says, “We have a long ride ahead of us.” Then there is a beat, and “BAM,” the Rogue One title card fills the screen as the main theme plays.

Rogue One: A Star Wars Story..L to R: Jyn Erso (Felicity Jones) and Cassian Andor (Diego Luna)..Ph: Jonathan Olley..© 2016 Lucasfilm Ltd. All Rights Reserved.

In the next scene, we meet Cassian Andor (Diego Luna), an intelligence officer for the Rebel Alliance. Cassian’s interaction with a wounded agent shows that even though he is one of the “good” guys he has no problem making a wrong decision to achieve the ultimate goal. The Rebels we learn want to know how to defeat the Death Star. To do this, they need Galen Erso’s plans. To get to Galen Erso, they need a defector named Bodhi Rook (Riz Ahmed). When we spoke with Riz following Rogue One press conference, he mentioned how his character is not terribly smart and never intended to be caught up in a war.  – “He’s just trying to survive.” 

Rogue One: A Star Wars Story
(Jiang Wen)
Ph: Film Frame
©Lucasfilm LFL

It becomes apparent that the Rebels need Jyn to get to Gerrera, who can then help them get to Galen, and ultimately destroy the Death Star. During the rebels rescue of Jyn’s, is where we first meet K-2SO (voiced and played by Alan Tudyk), who even the most casual fans will be talking about long after the credits roll. During Jyn’s rescue, she’s catapulted to the ground by K-2SO, and he cheekily says “Congratulations, you’ve been saved.” This moment pretty well sums up the character, funny, brutally honest, and lethal. ” During this same action piece, we also meet Chirrut Îmwe (Donnie Yen) a blind warrior who is also Force sensitive. He describes as a “Guardian of the Whills. Though his character is still a mystery, even in the footage we saw, one thing is for sure is Donnie Yen is going to be bad-ass – Darth Maul style bad-ass.

Rogue One: A Star Wars Story. Saw Gerrera (Forest Whitaker).Ph: Giles Keyte..© 2016 Lucasfilm Ltd. All Rights Reserved.

I did see some other things that I would say are a bit spoilerier, so I will not discuss those here. The biggest thing I walked away with is that this is a huge departure from the previous films. Rogue One strikes me as Apocalypse Now meets Mission Impossible with a little Argo on the side. Only seeing 28 minutes of a 130-minute film isn’t enough to judge it, but is sufficient to get the flavor. The flavor is new, dark and gritty and I can’t wait to have more.

Rogue One is in theaters December 16th.

The post Rogue One strikes me as Apocalypse Now meets Mission Impossible appeared first on Black Girl Nerds.


December 12, 2016

“4 Your Eyez Only” review: Is J.Cole’s latest featureless album worth the hype?

http://theblackgeeks.com/4-your-eyez-only-review/

The year 2016 has been one of major disappointments (*cough* Election 2016 *cough*), but fans of hip-hop were given an early holiday present with J. Cole’s long-awaited follow-up to 2014 Forest Hills Drive. The rapper revealed the project, 4 Your Eyes Only, a week ago without much fanfare. Yet, controversial singles such as “False Prophets” […]

The post “4 Your Eyez Only” review: Is J.Cole’s latest featureless album worth the hype? appeared first on TheBlackGeeks.


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