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Today's wreath will teach you how to decorate a wreath form with frosting-like clay (decoden), and embed an adorable tiny tea set, creating the cutest wreath for tea lovers. I got the wreath form at the dollar store, and the rest of the supplies for this craft from my stash. This wreath is super easy to make, and it looks so darn cute when it's finished.

Wreath a Day #3: Tea & Frosting Decoden Wreath

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Have you heard of decoden? It's a silicone clay that looks like frosting, and is great for decorating just about any item. You can embed little trinkets, rhinestones, or other items in the clay, and when it dries it looks like a delicious, whimsical, treat, but it's completely permanent.

For this project, I used Mod Podge Collage Clay, which is by far the easiest and quickest version of decoden frosting I have found. You can also create your own "frosting" with silicone caulk and a decorating tube nozzle.

Supplies Needed:

• Foam wreath form*
• Mod Podge Collage Clay, white and pink
• Tiny ceramic tea set*
• Resin flower cabochons

*Items with an asterisk can be purchased at the dollar store

I got the tiny tea set in the $1-2 dollar section at my local toy store, but you can sometimes find comparable tea sets at your local dollar store. The resin flower cabochons can be purchased from many different online places, including Amazon, eBay, and Etsy.

Step 1: Decorate the Wreath with Pink Decoden Frosting

If you use Mod Podge Collage Clay, this step is very simple. Remove the lid on the pouch of collage clay, screw on your chosen frosting tip (several tips are included in the box), and start decorating.

I chose the star tip and decided to pipe random stars of pink frosting on my wreath form.

If you are concerned with perfection, you can practice on a scrap surface first, but remember, you will be embedding things into the collage clay later, so you can easily cover up any ugly frosting dollops. Squeeze from the bottom of the tube and lift the tip to create a star.

As you can see, my frosting dollops weren't that good. I think it's because I got the collage clay out of my cold garage and it needed to come to room temperature first. You can solve this problem by leaving the lid on the pouch of frosting and gently kneading it for a minute or two. Or, just keep your collage clay inside your house instead of in your freezing cold garage!

Step 2: Fill in the Wreath with White Frosting

Next, fill in the rest of the wreath with white frosting. As you can see, I have a few gaps in some areas of my wreath. This is something we can fix later.

Step 3: Add the Embellishments

Space your tea set around the wreath. Use a dollop of decoden frosting to keep the lids on the teapot and sugar bowl.

Add the resin flower cabochons to fill in the blank spots. I also added some contrasting blue flowers around the wreath to add a little bit of visual interest.

Fill in any remaining gaps in frosting with the rest of the frosting.

Let the decoden frosting dry overnight, or according to package instructions.

See all the wreath a day wreaths here!

Comedian and entrepreneur Kevin Hart continues to expand his influence. This time around he’s teaming up with HISTORY for a two-hour event titled Kevin Hart Presents: The Black Man’s Guide to History. HISTORY describes the program as a look at lesser-known, yet important black history stories—all filtered through the lens of Kevin Hart.

“I’m very excited to be working with HISTORY on this show because not only is it entertaining, and it’s hysterical, but it also is an important program for our country right now. We hope to make people laugh and learn a bit too,” said Hart.

The show begins as Hart finds his daughter upset after watching the film 12 Years A Slave, believing that black history appears to only be about slavery and oppression. According to HISTORY, this prompts Hart to educate her through scripted re-enactments about fascinating, black, American, historical figures that aren’t as well known. Examples of historical figures re-enacted in the show include: Matthew Henson, the first person to go to the North Pole, but did not receive the credit; Robert Smalls, a former slave who led a revolt on a Confederate warship and pretended to be the captain to evade capture; Mae Jemison, the first black female astronaut; and Henry “Box” Brown, a slave who courageously mailed himself to a free state in a box.

“Kevin is an extraordinary performer with a real appreciation for history,” said Paul Cabana, executive vice president and head of programming, HISTORY. “Only he could bring these true stories to life in such an entertaining way. We’re thrilled to be working with him.”

Hart will star and executive produce the two-hour event from Hartbeat Productions and Comedy Dynamics. An airdate has yet to be announced.

With a firework sensibility of joy and agony, Axolotl Overkill practically burns down the screen. The film from 24-year-old writer/director Helene Hegemann is a spree of bored, bright youth in rebellion against nothing in particular, cut together (by German editing icon Bettina Böhler) to flirt with magical realism while hangover vomiting into a Dolce and Gabbana bag.

The film, based on Hegemann’s controversial novel, revolves around a 16-year-old Berlin pinball named Mifti (Jasna Fritzi Bauer) who bounces with impish delight between sex with an older woman, Alice (Arly Jover), disrespecting her school administrators, a wealthy family of enablers, step-sister Anika (Laura Tonke) trying to play parent, the pain of losing her mother to a heart condition, and her new famous friend Ophelia (Mavie Hörbiger), whose access to cocaine and interesting party pals come in handy.

In a sense, it makes a manic pixie dream girl the star of her own movie.

Mifti is a force of nature, confident in all things, undaunted by authority or convention, uninhibited in her consumption. She elevates LOLj/k to a life philosophy, but she’s not the wispy moron that usually flutters through movies like this. Half of what makes her so dangerous is her fierce, self-aware intelligence. Bauer–known for playing these nasty youth roles back home in Germany–owns every frame with both leonine confidence and an unnerving comfort with every dark scenario.

Unlike the bodily exploration of Wetlands or the sexy-fish-over-her-head taboo of Havoc, Axolotl Overkill manages to treat youthful sexuality with both respect and reality–recognizing the dangerous consequences of the party-bound lifestyle without adding an ounce of extra shame or getting too luridly hygienic.

That’s partially because Mifti’s adventures are based on whim more than malice. She doesn’t seem intent on grinding herself into the ground with booze and anonymous sex because of some deep-seated trauma she has to face, so much as she’s simply open to the next fun thing in life.

That’s the shared, secret language that guides every character. Like an improv troupe, they share the deep intimacy of accepting each other’s wacky ideas without question. Maybe that’s deciding to bail on a restaurant right after sitting down and ordering 5 mineral waters. Maybe that’s deciding to have sex with the cab driver who just dropped off the date you made out with earlier. Maybe that’s bringing your new water-based pet to the hottest nightclub in Berlin. Whatever feels right. Acceptance is the watchword.

And, yes, the axolotl. For those who don’t know, it’s an adorable mole salamander that stays permanently, like Mifti and friends, in its larval stage. More than metaphors, they also look like creatures Harry Potter might study, which ties nicely into the animal-based magical realism Axolotl Overdrive dips its toes into. These moments-randomly finding some llamas, meeting a unicorn on a walk of shame through the forest–feel like downing a packet of Pop Rocks with a smile already on your face.

Even we, the viewers, get our own dreamlike visions, leaving Mifti and her friends behind occasionally to enjoy a captivating dance sequence that seems inserted into the film as a reminder that writer/director Hegemann is the one guiding the whimsy. A project this frenetic runs the risk of being a confusing mess, but Böhler and Hegemann manage to build something with a quick rhythmic impulse that feels like constructive A.D.D. There’s a grand clarity at work, even when we jump in time or enter a potential fantasy mindset.

As for the ensemble, Jover is smoldering as a mature foil. She’s also into parties, obviously cool with bedding underage girls, and makes a ton of money through illegal means, but she’s grounded. Calmer. Content. Mifti is also drawn to Ophelia–played like a caged tiger by Hörbiger–with her mercurial state of mind and celebrity status. They hit it off immediately, sharing the comfort of being impulsive with another person who isn’t judging you. Here again that theme of acceptance emerges. So much of the uptempo diversions are underscored by Mifti’s need to be in control, to offer it temporarily to someone else, or to respond after losing it.

Everything comes together beautifully to craft a whirlwind portrait that’s mischievous, smart, and substantial.

5 out of 5 larval stage burritos

Images: Vandertastic

Last week, Abrams Books finally released the highly anticipated graphic novel adaptation of Octavia Butler’s classic novel, Kindred. Created by our friends John Jennings and Damian Duffy — collectively known as J2D2, the book has already shot to the top of the New York Times bestseller list for hardcover graphic novels! To celebrate this momentous occasion, revisit my conversation with them recorded last summer during San Diego Comic-Con. The conversation is also available via podcast from Soundcloud (embedded below). Please remember to subscribe to Hard NOC Life on YouTube or iTunes and leave us a rating and review so folks can find us there! And don’t forget to get your own copy of Kindred.

We talk about the honor and challenges behind adapting Octavia Butler’s story and why it’s important for new audiences to engage with her work and why it’s taken so long to have Butler’s work adapted. They also discuss the long tradition of black speculative fiction and Afrofuturism and their place in mainstream literary spaces. John also talks about his recent Eisner win!