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One of my New Years resolutions was dedicating this year to leveling up, specifically as an author and artist. Or rather as an auteur.  

Breaking personal records and churning out more pieces than ever, I’ve spent the better part of the year in nonstop writer mode which of course is the equivalent of Puppet Angel.

One of the ways I leveled up recently was completing Steven Barnes and Tananarive Due’s lifewriting class entitled Afrofuturism: Dreams to Banish Nightmares.

The 10-week webinar course included lectures, social media and interviews with everyone from Jamie Broadnax, creator of Black Girl Nerds to executive producer, director and Black Panther scribe, Reginald Hudlin, Bree Newsome, and many others.

The curriculum also included:

• How African-Americans spun the nightmare of slavery and oppression into dreams, art, and music that has changed and inspired the world…and how you can apply these concepts to your own life…today!
• How to use Theme to guide your storytelling and create even greater impact
• How to build new worlds and people them with three-dimensional characters
• How to turn your personal pains and fears into creative gold
• How to write about social injustice in a variety of genres, including fantasy, science fiction and horror

I’m always happy for the opportunity to learn from two of the best in the industry today.

My thoughts on the course?

To be honest, I wasn’t quite sure what I was signing myself up for. To be more honest, I also wasn’t terribly keen on the idea of having a class over 10 Saturday evenings. However I was dedicated and willing to make the necessary sacrifices and put in the work to evolve as an artist. Five minutes after logging into the webinar for the first time and I felt at home. The 1 hour and 10 minute class actually felt like a casual book club meeting at a coffee shop with friends.

Steven and Tananarive are an absolute delight. It was too cute watching them finish each other’s thoughts and sentences. They’re the epitome of #BlackLove and #RelationshipGoals. They kept each class light, exciting and engaging. The interviews with the industry pros were both insightful and informative.

After each class I felt galvanized to tackle my writing and as a result I have landed a few freelance gigs and sales. If you’re serious about taking your writing to the next level, then I can’t recommend this class enough. You’ll be richer for the experience. Real talk.

And in related news Steven has a new novel out.

You’ll definitely want to grab a copy which is available now. You’ll be glad that you did.

Following the heels of our Anime Expo intro article this year, our first main event we went to last night was the Masquerade, a cosplay and performance competition that has been running for over 20 years. This year’s event was MCed by Ezra Weisz and without a doubt, I can already say that this is perhaps the best masquerade I’ve gone to, solely from the strength of the MC himself.

Going to cosplay masquerades usually is a hit or miss, most of the time being misses as conventions have a bad habit of using hosts that have no experience in warming up crowds or the ability to do stand-up. Regardless of how strong the competition lineup may be, the show will drag into severe boredom if the MC cannot entertain the audience in between the transitions.

Such was not the case for this year’s Anime Expo so serious kudos must go to 3 hours briskly going by, thanks to the MC as well as the performances being extra screened so that there were more competitors with quality, as opposed to quantity.

Out of the competitors that showed up this year, the one that wowed me big time was Extreme Costumes’ rendition of Overwatch, (which won Best in Show not surprisingly). I mean, they got a freakin’ giant robot walking around in here.

This year’s intermission was provided by The Corps Dance Crew, a professional level dance crew that performs at various pop-culture conventions and events, both in and out of cosplay. Suffice to say, these fine men and women did an excellent job weaving the two elements together.

And there you have it! We will provide further coverage of some of the main events as we get to them but in the meantime, you can find Josephine and I cosplaying as Ghost in the Shell characters on the floor.

The beauty and pain of Black lives as seen through the eyes of a talented young New Orleans visionary.

This was a journey. Not the journey that takes place in Spider-Man: Homecoming, but our journey as movie goers and fans who have watched the evolution in the backdrop of our lives: Spider-Man and how his story is told. Spider-Man the property. Fans of the character, both new and old, are at a groundswell of excitement for this, the sixth Spider-Man movie in recent history and third reboot of the franchise, and that, regardless the fame of a character, is sort of a miraculous feat. I am excited to write this. Spider-Man has had a hero’s journey, off the screen as much as on, so amazing that the answer to the question is one of triumph itself: How did we get here?

When the third Spider-Man recast was announced back in 2015, it was met with the understandable skepticism of fans who had seen it all before. Hollywood had already given five recent Spidey films and two Peter Parkers, and the promise of another superhero origin story and the third death of Uncle Ben brought even the biggest fans a twinge of cynicism at the reboot. Remember that feeling, when it was announced Peter Parker would be played by then 15-year old Tom Holland? I wrote about the news and subsequent grumbling from fans – in what I called the Ja Rule problem – and who could blame them? Spider-Man had, after all, been featured in 5 solo films since 2002, so a return to Marvel studios could not possibly replace the spark of emotion we had lost in our gained comfort with seeing web-slinging on the big screen. Could it?

Of course, you know the answer, and maybe you were a true believer all along: it made its spark, starting with Spider-Man’s cheer-worthy arriving scene in Marvel’s Civil War. Then a flame was kindled in the post-credits, a teen Parker endowed with Stark tech. And here, in the aptly-titled nod to his fans, Spider-Man: Homecoming is less a movie than an event – a prodigal son returning and being welcomed back with open arms, an opportunity for fans to forget the past and start anew, and Marvel – with its most recognizable figure – regained the excitement of our first time even though we had lost count. They didn’t just replace the spark, Marvel Studios built a fire. And so, the important question now: how good is Spider-Man: Homecoming? The short answer: the most fun superhero film you have seen in a long time.

Where Spider-Man: Homecoming succeeds is taking a simple twist on origin story films of the past. Take Spider-Man, add super-powers, subtract Uncle Ben, and voilà. The equation does not begin with mere Peter because Peter is already Spider-Man from the very beginning; no radioactive spider, no first-time-webbing exposition, no mention of Uncle Ben. That last one is worth saying, because for most fans it was what we grew most tired of, watching Uncle Ben die a potentially third time, and so I say again: Spider-Man: Homecoming hardly even alludes to Uncle Ben, let alone does it use his death as an emotional staple of the film. Yet Homecoming keeps all the fun of an origin in an innovative way, courtesy of Stark Tech innovation. Instead of learning to use his powers the first time, mastering the suit itself is the power he learns after Tony Stark upgrades him from his homemade cut-off hoodie. Spider-Man’s suit has literally hundreds of features, and thanks to a little hacking from his best friend Ned, Peter goes from “training wheels protocol” mode to having full access to all the bells and whistles to help him save the day.

Of course, it’s not that easy, as Peter goes through a series of successes and failures that intertwine with one of the secondary themes of the film: his own uncle-nephew type of relationship with Tony Stark. While Spider-Man wants nothing more than to exercise his great power and responsibility by joining the Avengers, Stark has a legitimate fear of willingly and irresponsibly placing a 15-year old kid in harm’s way. Stark hides his concern with trademark wit and snarkiness, but it rings sincere that if something were to happen to Peter in the big league, he would feel at fault.

Meanwhile, Peter himself wants nothing more than what any teenager would want if given superpowers, and that’s to use them. The whole comedic premise of the movie, as described by Kevin Feige, is playing with the idea of what a teenager would do if they gained superpowers, and Spider-Man: Homecoming plays on that theme time and again with the funny, nerdy, young Peter Parker who hits the ground when he casts his web too long, and is stuck on foot when there are no skyscrapers around, and runs through backyards like Ferris Bueller, and cracks wise despite being in way over his head. Where Tobey McGuire was more serious Spidey and Andrew Garfield was the lighter nerd, Tom Holland is the one who hits all the dimensions of Peter Parker, humor first. Because more than anything, Spider-Man: Homecoming is a big, fun comedy.

On the other end of Spider-Man is Vulture, played by Michael Keaton, as the villain who cuts the comedy with seriousness. What stands out in his writing, as well as Keaton’s portrayal, is Vulture as an intentionally straightforward, relatable, and unfortunately topical villain. He is not crazed, nor does he want to take over the world – he wants to thrive in this new world of aliens and supervillains who destroyed their city in The Avengers, who then took their jobs to profiteer off cleaning up the mess. It is a thoughtful tie-in to other Marvel films – The Avengers and Civil War, specifically – that connects Spider-Man: Homecoming into the larger Marvel Cinematic Universe, and catapults Spider-Man into higher prominence like Captain America or Iron Man as the connective tissues of the MCU. It is certainly heavy-handed at times, but Homecoming ties into the larger universe early and often.

The #SpiderManHomecoming supporting cast are all POC, by the way. pic.twitter.com/e9cqUMoirc

— Jordan Calhoun (@JordanMCalhoun) June 25, 2017

Fantastic portrayals by one of the most diverse casts you will find in a comic book movie will contribute to a fun trip to the theater. There is a lot of racebending that takes a firm stance on the debate of adapting original characters to fix industry mistakes of the past, from Zendaya’s brusque, funny Michelle, to Laura Harrier’s nerdy Liz, to Tony Revolori’s Flash. There are easily more speaking parts with non-white characters than white, so from the bodega owner to the cast extra cheering on the ferry, the cast truly reflects the diversity of its Queens, New York setting. Add to that, the high school characters redefine what it means to be a nerd to be better based in present day than 1990. Flash is still the bully, but a brown-skinned one who uses his clout more than his physicality to abuse; Liz is the heartthrob senior, but on the academic decathlon team along with the rest. They are heroes and bullies, popular and unpopular, and everything in between, all while being nerds. To be smart was not to be sentenced to being monolithic.

See Spider-Man: Homecoming for its celebration of the character, his return and integration into the MCU, the wide diversity of its cast representing the beauty of New York, and its comedy. It might be the most fun you will have in theaters all year. Spider-Man: Homecoming premieres in theaters Friday, July 7th.

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