Common at the Variety Comic-Con Studio, Presented by Google TV held at the Hardrock Hotel on July 27, 2024 in San Diego, California. (Photo by Katie Jones/Variety via Getty Images) By Victoria Uwumarogie ·
Common at the Variety Comic-Con Studio, Presented by Google TV held at the Hardrock Hotel on July 27, 2024 in San Diego, California. (Photo by Katie Jones/Variety via Getty Images) By Victoria Uwumarogie ·
I often open my pieces with the same sobering observation: It is increasingly difficult to find original ideas on large platforms. Not just in film and television, but anywhere throughout the media landscape. So imagine my surprise when I saw the trailer for Rebel Ridge and was faced with what could be the most culturally insightful action movie to drop since Dev Patel’s Monkey Man. A well-acted, politically resonant piece of genre-defying cinema, Rebel Ridge hits different. Literally.
Simple Plot, Deep Concept
Aaron Pierre enters the action genre as Marine veteran Terry Richmond. For those of us with prison-involved family, the story is a familiar one. Terry rides into a small town to get his cousin bailed out of jail. When he is accosted, harassed, and robbed for the bail money by local police, he stays in town to deliver justice…To the whole damn police department!
[Important note, this movie is centered around civil forfeiture, which allows the government to seize property from citizens. It’s meant to be used to disrupt organized crime. Historically, it’s also been shown to be used by police to steal from citizens with impunity.]
The Opposite of John Wick
Off rip, it’s important to note that there is so much media out in the world that we relegate things to be based on other things. So when a homie was selling me on watching Rebel Ridge (which they didn’t have to do because the trailer HAD ME) they coined it as the ‘Black John Wick’. In reality, Rebel Ridge is the complete and total opposite of John Wick. If anything, this is what the Reacher series thought it was.
Black, In Action
The reason this can’t be ‘Black John Wick’ is wild cut and dry. Ain’t no way, in the world we live in, that even a fictional Black person would be permitted to catch that many bodies and not be held accountable for it. Much less a whole ass town’s law enforcement! Even if said police department is corrupt.
What sets Rebel Ridge apart is that despite Terry being completely justified in taking the life of every cop and militia member on the census after getting robbed, accosted, harassed, profiled, shot at, and a successful conspiracy to get his cousin killed. Terry, superbly acted by Aaron Pierre, doesn’t kill a single soul for the entire movie. If that ain’t peak symbolism of the Black experience, then I have to turn my Black card in at the nearest jook joint.
This took me for a ride for the duration of the movie. This feeling that although he spent the whole movie in the right, he was made out to be wrong at every turn. An old anger sat in my chest while I watched and I immediately understood the character and their journey. I didn’t just root for Terry, I bet my hopes and dreams on his victory. That stirring and violent humanity set me on edge, I had to take a reprieve after the opening scene. I knew then that Rebel Ridge was about to take me into the rarely charted waters of…
The Paradox of Black Existence
If I had known upfront that this movie was going to go here, I might have watched it sooner. To be completely honest, the action beats are amazing but all of them undergird the idea that Terry has to go out of his way to do ‘what he has to do’ but all within the confines of the law. Art imitating life is one thing, but to do so in an action movie is rare.
Not to take away from what The Matrix, Equilibrium, and Snowpiercer accomplish with their commentary. But those are firmly science fiction.
Rebel Ridge approaches social commentary while maintaining a grounding rarely seen in the genre. More than anything, it leans into something I recall from Toni Morrison. She cites an epiphany she had during segregation and understood that she had ‘the moral high ground’. Because racists were so needlessly petty, it implied that something was inherently wrong with their moral compass. To push back against someone’s harmful moral compass and not beat their ass is a Herculean undertaking. One that non-white folks in the US go through daily. Terry embodies the saying, “They’re lucky we want equity and not revenge.”
This moral high ground is why Terry tears through every single officer, knowing he could kill each and every one of them, yet going above and beyond to keep them alive. The climactic action sequence has Terry spanking these guys while providing life-saving triage at the same time.
Acting Performances
Aaron Pierre sizzles in this movie and makes a hell of a splash as an action star. Mind you, this is the same man who I first learned about from his performance in Barry Jenkins’ Underground Railroad. A masterclass in showcasing dignity in a time of great indignity. I hope to see a lot more of Pierre in the future.
Don Johnson has found his stride in his villain era. He is a force in this movie and he’s just so damn cool about it. The casual systemic racism and capitalism combo went so well. It was almost like a reprise of his Knives Out character, just with a backbone and the support of a police station.
AnnaSophia Robb rounds out the core cast, she’s come a long way from Bridge To Terabithia. Her turn as Summer McBride, the paralegal looking for redemption is full of nuance. Often, in an action movie, this character is as flat as they come. They only serve the main characters’ needs and often become the love interest by the end. Robb shines by giving this character so much dimension off the page. The choices she makes are a great example of how to redefine archetypes. I loved how she fit into the story.
In Conclusion
Rebel Ridge is the goods y’all. I’m not sure how writer/director Jeremy Saulnier thought to combine intense action with such thoughtful and human experiences, but they came together perfectly to make a damn good movie. RebelRidge is available on Netflix.
A new TV spot offers a sneak peek at Walt Disney Animation Studios’ Moana 2, including a new song, “We’re Back,” from the film. The epic animated musical, which opens in theaters on Nov. 27, 2024, reunites Moana (voice of Auli‘i Cravalho) and Maui (voice of Dwayne Johnson) for an expansive new voyage alongside a crew of unlikely seafarers. After receiving an unexpected call from her wayfinding ancestors, Moana must journey to the far seas of Oceania and into dangerous, long-lost waters for an adventure unlike anything she’s ever faced. A new poster is also available.
The voice cast also features returning stars Rachel House (Gramma Tala), Temuera Morrison (Chief Tui) and Nicole Scherzinger (Sina), as well as Hualālai Chung, David Fane and Rose Matafeo as Moana’s new crew members Moni, Kele and Loto, respectively. Awhimai Fraser voices mysterious new character Matangi; Gerald Ramsey plays Moana’s ancestor, Tautai Vasa; and Khaleesi Lambert-Tsuda lends her voice to Moana’s adoring and adorable little sister, Simea.
The Walking Dead: Daryl Dixon – “The Book of Carol” is here. We pick up only two weeks after the events of season one with Daryl training Laurent to kill walkers. Meanwhile, Carol is in Freeport, Maine and finally discovers that Daryl is all the way in France. She’s determined to get there and, in a miracle that only The Walking Dead universe can pull off, Carol does make it to France. Here’s how Carol ends up in France to search for Daryl in The Walking Dead: Daryl Dixon.
Over in France, things are tense after everyone at the Nest discovers that Genet has a few of their people in captivity thanks to Pouvoir. This could compromise their safety and put Laurent in danger once again. Daryl agrees with Sylvie that they have to save them because, well, we know he loves to fight. He doubts that he could be happy at the Nest because there are people he left behind.
He wonders if his friends are thinking of him and then we cut to Carol back in the US. She goes to that junkyard where Daryl ended up being captured and begins to ask for information about “the guy who owned that bike” before Mick. (If you remember, she beat him up and stuffed him in that car trunk.) Predictably, the guys try to give her a hard time so she gets Daryl’s crossbow and makes hell for them until one guy finally admits the truth.
She eventually finds a car and takes off down the road, unsure of what to do next. Lucky for her, a small plane flies overhead, capturing her attention for a little too long. She hits a walker and crashes the car, causing a wound on her head. Still, Carol fights walkers and follows that plane towards a small abode with a greenhouse. This mini compound has gates and other forms of protection. But Carol sneaks onto the property and begins her classic “damsel in distress” routine to get a guy’s attention. His name is Ash, he lives there alone, and yes that’s his airplane. He is also very hot, but that’s not the point here.
Ash has cracked the code of surviving solo. He has a generator and a pretty decent food supply along with a literal airplane. He mainly uses it to get above everything for a while. Honestly, it is shocking that the CRM hasn’t noticed him nor taken him out yet. The next day, he goes for a quick flight to look for parts and Carol’s nosy ass goes into his shed and greenhouse to snoop around. She finds a world map but then his generator goes out and walkers get past the fence. She fights them and tears a portion of his whole greenhouse up in a walker battle.
Ash is understandably upset with her for invading his private place and tells her to leave. She apologizes and says she hopes they could become friends. He opens up to her about Avi, his son who died when he wandered off, just like what happened to Sophia. The greenhouse has a memorial spot for Avi. His son’s death explains why Ash doesn’t want to leave and go anywhere in his plane.
Instead of connecting with him over their deceased kids, Carol lies to him. She says that her daughter Sophia and husband Ed (who is also long dead) were in France when the outbreak happened and she wonders if she’s alive. It is emotionally manipulative and initially doesn’t work but Ash changes his mind and decides to take her. This is baffling because, like he said, there’s no weather forecast and communications, which makes this trip risky. Also, it has been well over a decade since the outbreak. Even if you have an address for a person, it is very unlikely that they will be there. Rick’s group even left Atlanta and ended up in Virginia! And now Daryl’s silly self is all the way in France and fighting folks!
Anyway, the power grid blows at night while Ash and Carol are working on the plane. His ethanol storage catches on fire and walkers descend upon them. So Carol gets in a plane with him and they fly out towards the sunrise and on their way to France. Of course, they don’t land in this episode but we do know that this plane will get her at least overseas. Let’s find out the rest of her journey as The Walking Dead: Daryl Dixonseason two plays out.
(Honestly, we kinda already know that poor Ash won’t make it. The story is about Daryl and Carol and he’s merely a tool to get her from point A to point B. Hate that for him.)