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Writers: Zac Thompson & Lonnie Nadler / Artist: Piotr Kowalski / Black Mask Studio

It’s been a long wait for the return of Come Into Me as the series fully embraces its horror roots. And what a goddamn horror show it is.

It’s the title fight of the century, and boy is it as grotesque and surreal as you could imagine. While it looked like Becky grasped full control of Quinn’s body by the end of the second issue, she soon finds out that it’s not as easy as it seems. Quinn’s still in there, doing his best Get Out impression as he falls deeper and deeper into his and Becky’s subconscious. Soon he starts crawling his way back in order to regain control of his own body.

Realizing this, Becky becomes desperate to survive. Her unwillingness to die or be stored away in some machine kicks into overdrive. It’s quite admirable, even when her plans are half-baked. This issue really shows how far her character is willing to go to stay alive and in control of her own fate.

What really shines in this issue (honestly, what always shines in every issue) is the art of Piotr Kowalski. Between the clever panel setups and dreamscapes to the slow deterioration of Quinn’s body, Kowalski provides the right amount of chaos that makes the reader lose focus enough to feel what it’s like in Quinn and Becky’s shared mind. The constant merging of memories makes for some impressive visuals. Meanwhile, the morphing of Quinn’s body definitely gives body horror fans everything they could ever want and more.

I’d be remiss not to mention poor Ainsley, who just wanted to help. The poor woman tries to do everything in her power to help Quinn out of this obvious shit show and it ends up becoming worse than ever. The end is horrifying, and this is coming from someone who already has fears about what it would be like to have someone in your head. Whatever Thompson and Nadler have in store for the next chapter of Come Into Me, we are not ready.

10 Terrible Pickup Lines out of 10

Reading Come Into Me? Find BNP’s other reviews of the series here.

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The post Come Into Me #3 Review appeared first on Black Nerd Problems.

Maybe The Purge could work best as a TV show. The movies have steadily gotten better since the first one. You’ll remember the 2013 movie squandered a genuinely interesting premise on a break-in story. The […]

The post The Purge TV Series Slows Things Way Down, Which Could Be a Good Thing appeared first on Geek.com.

In March 2017, the creative team of Dedren Snead and Timothy Geathers initiated a Kickstarter campaign that introduces a universe where the All-Mother Eshe has shepherded the An’Fre people in the world of Tal’Jazar, known as the Eternal Realm.  As with all realms, all good things must end as a dark force enters.  In Sorghum and Spear: Simidan, the girls in the village of Marduri on the Forbidden Mountain of Juleh—prepare for the Festival of Simidan, which celebrates the great sorghum harvest. It also serves as a coming of age as the young girls get to choose whether they stay in the village or go down into the world. 

The story provides an introduction into the backstory of Namazzi, one of the heroines of the Eternal Realm.  In one last act of youth, Namazzi and her best friend Kett explore the Forbidden Mountain. From the relationship with an older sister to a possible evolvement of a relationship with a friend from the village, Sorghum and Spear: Simidan, is about facing the different opportunities placed in your path.  I picked up this title cold, without the knowledge that the associated Kickstarter and website provide, which I believe put me at a loss for the richness of the Sword and Spear universe. Having said that, although I did not recognize the significance of some of the story, my disadvantage did not affect my enjoyment of the title.

There are a lot of titles that have used the African milieu as the foundation for their universes.  In the Marvel Universe, of course, we have Wakanda that has been recently adapted cinematically by Ryan Coogler and via comic books by Ta-Nehisi Coates. This has encouraged a whole new generation to actually look at a map of the continent of Africa looking for the fictional kingdom, originated by Stan Lee.  In the DC Universe, the last expedition to Africa of any consequence I can think of was with the first 14 issues of Batwing written by Judd Winich back in 2011.  Other publishers and Kickstarter campaigns have put forward other titles many of which BGN has reviewed, but what separates, this title from those?

This one emphasizes the huge role that women play in the development and nurturing of our youth.  Strangely enough, I missed that there were no men in the first issue at all.  Maybe, if I had paid a little more attention at the beginning, which provides the origin of the daughters of the All-Mother Eshe, I would have recognized the absence is likely intentional.  Note that I am not mad at that, but I do find it curious.  The village of Marduri at the edge of the mystical forbidden Mount Juleh, not filled with warriors (this is not Wonder Woman) or men, but full of the An’Fre, a spiritual people choosing to honor their traditions.  This village protects the more peaceful ways of the All-Mother with its focus on the cultivation of sorghum while another village honors the All-Mother by raising its spears in preparation to engage the oncoming challenge from demons through the Light Gate.

Geathers, as the lead artist, has established a great team where each panel immerses the reader in a world colored with a strong, bright perfect-for-cartoons pallet.  The warm colors perfectly mesh with the playful storytelling.  I will say, that I was a little distracted with some of the vernacular of the An’Fre infused throughout the story.  While I like the indoctrination into the community, at times I felt like I needed the “Dictionary of the Eternal Realm,” to fully understand what was going on, which is why I enthusiastically read it a couple of times. There is a gentle approach to a budding intimate relationship in this story, which is only a few frames and approached in a very innocent fashion, but it might be a little more than what some might want for their children.  Therefore, I recommend that this may not be a suitable issue for pre-teens and younger.  Or conversely, this may be a good opportunity to approach the subject with your child who may be searching to find a genteel portrayal of their own feelings.

Regardless, this refined treatment of the routine, everyday challenges of life, combined with the extraordinary invasion of bad forces establishes an interesting foundation for Snead/Geathers Eternal Realm. In addition as part of the Kickstarter campaign, there is a civic-mindedness to the community that Snead/Geathers has created around their universe.  This is accomplished, in part, through the different tiers of the Kickstarter, which included interaction with Sword and Spear cosplayers, and in the upper tiers rewards of jewelry supporting the not-for-profit organization Project Have Hope.  The campaign also envisions supporting a positive representation of the associated community through establishing a framework to support an animated series. 

Sorghum and Spear: Simidan is just like the grass sorghum.  Due to its heartiness, the species are the primary food crop for those in arid climates, being used to make bread or even molasses, while in other places this strong growing grass may be considered invasive.  In its own way, this book serves as a source of manna for the beginning of the Eternal Realm and endures to bring forth an engaging journey of discovery for several young girls as they find their way through the every day and the extraordinary all, unfortunately, or fortunately at the same time.  Although a little pricey at $10.00, if you have some time, let your philanthropic side prevail and decide that this is a journey that you should take with them.

The post BGN Pull List: Sorghum and Spear – Simidan Comic Power appeared first on Black Girl Nerds.

Writer: Cullen Bunn / Artist: Mark Bagley / Marvel

Slicing Send Off

Truthfully, I wasn’t ready for the limited series to end. Deadpool Assassin #6 left me cackling at the edge of my seat and also screaming dramatically at my ceiling. Last issue had me in tears. After the death of our beloved snake (Weasel) there was only one person left to save, his wife. Now my first thought was, yo this girl Threnody crazy as hell. You can’t be stealing somebody’s whole spouse. Which opened up my heart even more when I thought about the last DP Assassins issue. The pull and push surrounding religious metaphors versus loss, maybe I missed it all along this whole limited series.

The death of Weasel isn’t a crucifixion but rather he is the scapegoat for Threnody. If Weasel is the scapegoat for Threnody, then the kills Deadpool accumulated across the series is just a clump of scapegoats for himself. *Throws comic*. Why must Cullen Bunn continue to do this to me?! I just came here for a good time, and now I’m getting in my feels about the underlying metaphors of bloodshed.

This whole issue was packed with leaps of faith, perspective cuts and my heart kept pumping. The writing throughout the series was always a gut wencher, either with the visuals or the laughter. This last issue was a great tie and merger of all the metaphors scattered throughout Deadpool Assassins.

Slicer Pencil Strokes

The Bunn and Bagley team is a force to be reckoned with when it comes to be reckoned with. Each issue in Deadpool Assassins managed to have a similar art style but ranged so differently. The movement of blood took us from violent 90’s blood splatter to artistic blood-bending and I never got enough of it.

In Deadpool Assassins #6 the color scales ranged in liquids and transference of powers. What I loved about the art style this issue is that it was as quick and sharp like the dialogue. It felt like I was watching a television editor do masterful cuts, and the coloring did not suffer in the process. Bagley takes the suspense and adds swift decisions and movements. If the writing didn’t make your heart skip, I’m pretty sure those colors gave you a quick jab.

Deadpool Assassins #7 is honestly the limited series that I will look up to when I read other DP limited series. As a fan I felt like I was tugged along the story and I was watching it all go down right there in person as if I got some blood on my t-shirt. This is a comic that DP fans would look for if they want a gush of entertainment with a hefty side of existential crisis.

9.4 Existential Sabre Slices out of 10 

Reading Deadpool Assassin? Find BNP’s other reviews of the series here

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The post Deadpool Assassin #6 Review appeared first on Black Nerd Problems.