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http://www.thenerdelement.com/2019/03/07/warner-bros-wonder-con-lineup/

WARNER BROS. TELEVISION BRINGS THE BIG BANG THEORY ONE LAST TIME, PLUS WARNER BROS. ANIMATION’S NEW DC SUPER HERO GIRLS AND THE RETURN OF THE 100 ON WONDERCON WEEKEND 2019

Q&A Panels with The 100, The Big Bang Theory Writers and DC Super Hero Girls, Plus The 100’s Season Six World Premiere Screening in Anaheim March 30–31

BURBANK, Calif. (March 7, 2019) — Celebrating finals, firsts and rebirths, Warner Bros. Television (WBTV) will test the physics of funny one last time at WonderCon 2019 with The Big Bang Theory’s final appearance, unveil The 100’s sixth season premiere (on a brand-new planet)and deliver Warner Bros. Animation’s (WBA) newest superhero fix — DC Super Hero Girls. All three series will be out in force during the fan fest in Anaheim, including special video presentations and Q&A sessions on Saturday, March 30, celebrating The Big Bang Theory (Thursdays at 8/7c on CBS) with the hit comedy’s writers, as well as the new animated series DC Super Hero Girls (premiering Friday, March 8, at 6/5c on Cartoon Network, before moving to regular time period of Sundays at 4:00 p.m. ET/PT). Sunday, March 31, brings the exclusive season six world premiere screening of The 100 (premiering Tuesday, April 30, at 9/8c on The CW).

Stars and producers scheduled to attend
WonderCon 2019 include:

  • The 100 stars
    Eliza Taylor, Bob Morley, Marie Avgeropoulos, Richard Harmon, Tasya
    Teles, Shannon Kook
    and more, along with executive producer Jason
    Rothenberg.
  • The Big Bang Theory executive producers and series writers.
  • DC Super Hero Girls executive producer Lauren Faust and voice cast
    members Kimberly Brooks, Kari Wahlgren, Nicole Sullivan,
    Grey Griffin and Myrna Velasco.

The cast and producers of The 100
and DC Super Hero Girls will also be signing autographs. For more info about obtaining a ticket for the
signing, please visit www.comic-con.org/WCA.

For more information about the Studio’s plans at WonderCon, follow us on Instagram at @warnerbrostv and Twitter at @warnerbrostv.

Following are the WBTV panel dates and times for WonderCon 2019 (panelists and panel times may be subject to change).

Saturday, March 30

12:00–1:00 p.m. DC Super Hero Girls
Video Presentation and Q&A
— Fresh
off their brand-new series on Cartoon Network, the DC Super Hero Girls are
landing at WonderCon. The world may know them as Wonder Woman, Supergirl and
Batgirl, but not-so-typical teenagers Diana, Kara and Barbara — alongside their
Super Hero friends — have much more to deal with than just protecting the
citizens of Metropolis from some of the most sinister school-aged
Super-Villains of the DC Universe. After all, being a teen is tough enough,
with school, friends, family and the chaos that comes with managing a social
life. But add super powers and a secret identity into the mix, and things can
get a lot more complicated. Join executive producer Lauren Faust
(My Little Pony: Friendship Is Magic, Foster’s Home for Imaginary Friends)
plus the vocal cast, including Kimberly Brooks, Kari Wahlgren, Nicole
Sullivan
, Grey Griffin and Myrna Velasco, as they share new
footage and answer fan questions! After its Friday, March 8, premiere, DC
Super Hero Girls
airs Sundays at 4:00 p.m. ET/PT on Cartoon
Network.  North 200A.

3:30–4:30 p.m. Inside The Big Bang Theory Writers’ Room — Join The Big Bang Theory writers as they take you behind-the-scenes of TVs #1 comedy one final time before the series signs off in May. From huge guest stars to the final goodbye, find out what it takes to bring this show from a theory to the longest running multi-camera comedy in television history. Join the show’s executive producers and writers as they take you inside the writers’ room for a lively discussion and special video presentation. From Chuck Lorre Productions, Inc., in association with Warner Bros. Television, The Big Bang Theory airs Thursdays at 8/7c on CBS.  Arena.

Sunday, March 31

11:00 a.m.–12:15 p.m. The 100 Season Six World Premiereand Q&A — After the game-changing season five finale, Clarke and the team make their way down to the new planet. They are left wondering if this planet is suitable for life, and if the human race can finally live in peace? What will they find on this new mysterious home, and what will emerge from Monty’s discovery of the Eligius III mission? Be the first to watch the season six world premiere, exclusively at WonderCon, followed by a Q&A with cast and producers — including Eliza Taylor, Bob Morley, Marie Avgeropoulos, Richard Harmon, Tasya Teles, Shannon Kook, JR Bourne and Jason Rothenberg — as they answer all your burning questions. From Bonanza Productions Inc. in association with Alloy Entertainment and Warner Bros. Television, season six returns Thursday, April 30, at 9/8c on The CW.  Arena.

SOCIAL MEDIA CONTACTS

THE 100

TWITTER:

The 100:                                 
@cwthe100

Eliza
Taylor               
           
@MisElizaJane

Paige
Turco                           
@ItsPaigeTurco

Bob
Morley                           
@WildpipM

Marie
Avgeropoulos              
@iamAvgeropoulos

Lindsey
Morgan                    
@linzzmorgan

Richard
Harmon                    
@RichardSHarmon

Tasya
Teles                            
@tasyateles

Shannon
Kook                       
@shannonkook

Jason
Rothenberg                  
@JRothenbergTV

The 100 Writers                     @The100writers

FACEBOOK:           
           
www.facebook.com/cwthe100

THE BIG BANG THEORY

TWITTER:                           
@bigbangtheory

FACEBOOK:                       
www.facebook.com/TheBigBangTheory

DC SUPER HERO GIRLS

FACEBOOK:           
           
https://www.facebook.com/DCSuperHeroGirls/

The post Warner Bros. Wonder Con Lineup appeared first on The Nerd Element.

March 10, 2019

Warner Bros. Wonder Con Lineup

http://www.thenerdelement.com/2019/03/07/warner-bros-wonder-con-lineup/

WARNER BROS. TELEVISION BRINGS THE BIG BANG THEORY ONE LAST TIME, PLUS WARNER BROS. ANIMATION’S NEW DC SUPER HERO GIRLS AND THE RETURN OF THE 100 ON WONDERCON WEEKEND 2019

Q&A Panels with The 100, The Big Bang Theory Writers and DC Super Hero Girls, Plus The 100’s Season Six World Premiere Screening in Anaheim March 30–31

BURBANK, Calif. (March 7, 2019) — Celebrating finals, firsts and rebirths, Warner Bros. Television (WBTV) will test the physics of funny one last time at WonderCon 2019 with The Big Bang Theory’s final appearance, unveil The 100’s sixth season premiere (on a brand-new planet)and deliver Warner Bros. Animation’s (WBA) newest superhero fix — DC Super Hero Girls. All three series will be out in force during the fan fest in Anaheim, including special video presentations and Q&A sessions on Saturday, March 30, celebrating The Big Bang Theory (Thursdays at 8/7c on CBS) with the hit comedy’s writers, as well as the new animated series DC Super Hero Girls (premiering Friday, March 8, at 6/5c on Cartoon Network, before moving to regular time period of Sundays at 4:00 p.m. ET/PT). Sunday, March 31, brings the exclusive season six world premiere screening of The 100 (premiering Tuesday, April 30, at 9/8c on The CW).

Stars and producers scheduled to attend WonderCon 2019 include:

  • The 100 stars Eliza Taylor, Bob Morley, Marie Avgeropoulos, Richard Harmon, Tasya Teles, Shannon Kook and more, along with executive producer Jason Rothenberg.
  • The Big Bang Theory executive producers and series writers.
  • DC Super Hero Girls executive producer Lauren Faust and voice cast members Kimberly Brooks, Kari Wahlgren, Nicole Sullivan, Grey Griffin and Myrna Velasco.

The cast and producers of The 100 and DC Super Hero Girls will also be signing autographs. For more info about obtaining a ticket for the signing, please visit www.comic-con.org/WCA.

For more information about the Studio’s plans at WonderCon, follow us on Instagram at @warnerbrostv and Twitter at @warnerbrostv.

Following are the WBTV panel dates and times for WonderCon 2019 (panelists and panel times may be subject to change).

Saturday, March 30

12:00–1:00 p.m. DC Super Hero Girls Video Presentation and Q&A — Fresh off their brand-new series on Cartoon Network, the DC Super Hero Girls are landing at WonderCon. The world may know them as Wonder Woman, Supergirl and Batgirl, but not-so-typical teenagers Diana, Kara and Barbara — alongside their Super Hero friends — have much more to deal with than just protecting the citizens of Metropolis from some of the most sinister school-aged Super-Villains of the DC Universe. After all, being a teen is tough enough, with school, friends, family and the chaos that comes with managing a social life. But add super powers and a secret identity into the mix, and things can get a lot more complicated. Join executive producer Lauren Faust (My Little Pony: Friendship Is Magic, Foster’s Home for Imaginary Friends) plus the vocal cast, including Kimberly Brooks, Kari Wahlgren, Nicole Sullivan, Grey Griffin and Myrna Velasco, as they share new footage and answer fan questions! After its Friday, March 8, premiere, DC Super Hero Girls airs Sundays at 4:00 p.m. ET/PT on Cartoon Network.  North 200A.

3:30–4:30 p.m. Inside The Big Bang Theory Writers’ Room — Join The Big Bang Theory writers as they take you behind-the-scenes of TVs #1 comedy one final time before the series signs off in May. From huge guest stars to the final goodbye, find out what it takes to bring this show from a theory to the longest running multi-camera comedy in television history. Join the show’s executive producers and writers as they take you inside the writers’ room for a lively discussion and special video presentation. From Chuck Lorre Productions, Inc., in association with Warner Bros. Television, The Big Bang Theory airs Thursdays at 8/7c on CBS.  Arena.

Sunday, March 31

11:00 a.m.–12:15 p.m. The 100 Season Six World Premiereand Q&A — After the game-changing season five finale, Clarke and the team make their way down to the new planet. They are left wondering if this planet is suitable for life, and if the human race can finally live in peace? What will they find on this new mysterious home, and what will emerge from Monty’s discovery of the Eligius III mission? Be the first to watch the season six world premiere, exclusively at WonderCon, followed by a Q&A with cast and producers — including Eliza Taylor, Bob Morley, Marie Avgeropoulos, Richard Harmon, Tasya Teles, Shannon Kook, JR Bourne and Jason Rothenberg — as they answer all your burning questions. From Bonanza Productions Inc. in association with Alloy Entertainment and Warner Bros. Television, season six returns Thursday, April 30, at 9/8c on The CW.  Arena.

SOCIAL MEDIA CONTACTS

THE 100

TWITTER:

The 100:                                  @cwthe100

Eliza Taylor                            @MisElizaJane

Paige Turco                            @ItsPaigeTurco

Bob Morley                            @WildpipM

Marie Avgeropoulos               @iamAvgeropoulos

Lindsey Morgan                     @linzzmorgan

Richard Harmon                     @RichardSHarmon

Tasya Teles                             @tasyateles

Shannon Kook                        @shannonkook

Jason Rothenberg                   @JRothenbergTV

The 100 Writers                     @The100writers

FACEBOOK:                        www.facebook.com/cwthe100

THE BIG BANG THEORY

TWITTER:                            @bigbangtheory

FACEBOOK:                        www.facebook.com/TheBigBangTheory

DC SUPER HERO GIRLS

FACEBOOK:                        https://www.facebook.com/DCSuperHeroGirls/

The post Warner Bros. Wonder Con Lineup appeared first on The Nerd Element.


March 9, 2019

White Couple Markets Water As 40-Ounce Malt Liquor in the Hood

https://www.blackenterprise.com/white-couple-markets-water-as-40-ounce-malt-liquor/

They’re cheap, pack a high-alcohol content, and are often associated with gangsters, low-income communities, and classic hip-hop. Perhaps, that’s part of the reason why Hollywood actor Theo Rossi and his wife, Meghan, thought it would be a good idea to emulate the image of a 40-ounce bottle of malt liquor to sell spring water. They were wrong.

Activists and elected officials in Brooklyn, New York, are calling for the removal of Ounce Water from local stores, arguing that the packaging of the water bottles promotes negative stereotypes about black communities as well as alcoholism. In a tweet, Brooklyn Borough President Eric Adams called the marketing scheme “tone-deaf.”

Protesters say the water bottles are directly linked to the history of cheap liquors like Colt 45, Olde English, and Private Stock, which were marketed to black neighborhoods and glorified through rap music. As a result, this led to alcoholism and “a big part of the demise” of working class communities of color, community member Christine Gilliam told Yahoo.

“In a community that has been ravaged by alcohol and drugs, we are confused as to why someone would create a product that so closely resembles a malt liquor bottle,” wrote Breukelen RISE, an activist group that serves at-risk youth and their families, in a letter to the company, according to The New York Daily News.

As a result of the outrage, Ounce Water was forced to pull some of its products from a supermarket in the Brooklyn neighborhood of Canarsie last week after NYCHA activists complained about its controversial campaign. However, they were replaced with 20-ounce bottles from the same company.

“They called the store and said we were promoting alcoholism by selling water in that bottle,” said Kevin Chang, the manager of the Food World supermarket, to The New York Daily News. “They said they’d come and protest unless we got rid of them. We called the manufacturer. They came and took the 40s and gave us the 20s. To be quite honest, it does look like an Olde English, but it’s plastic. It’s not glass. It’s just water. It says water on the contents.”

malt liquor

(Instagram/GetOunced)

Founded in 2015, a company spokesperson said Ounce Water’s mission is to keep people hydrated.

“Ounce Water is hydration made easy. Ounce Water is 100% pure natural spring water,” reads a company statement. “We are highly involved in community activities for youth and adults which focus on health and wellness, and further the education of the health benefits of proper hydration.”

However, much like the backlash against luxury brands like Gucci and Prada, which have been accused of marketing racist imagery, critics say 40 Ounce Water is blackface in a bottle. “It’s insulting to our intelligence,” Thora Lashley said. “What’s next, candy corn in a crack vial? Juice in a syringe?

malt liquor

(Instagram/GetOunced)

Lashley, who has lived in Brooklyn’s Breukelen Houses for 50 years, says she saw countless friends succumb to alcoholism growing up in the city housing, some as young as 12 years old. Many of them drank 40s in the hallways, on stoops, and in courtyards, she added.

Derek Perkinson, city field director for the National Action Network, agrees with the protesters. “If it’s a health kick, fine. We’re all for that,” he said. “But the presentation of it in a 40-ounce bottle is bad. We reserve the right to protect our children from being targeted. They should be ashamed of themselves.”

The post White Couple Markets Water As 40-Ounce Malt Liquor in the Hood appeared first on Black Enterprise.


March 8, 2019

Things We Saw Today: New Rumors Say Idris Elba is Replacing Will Smith in The Suicide Squad

https://www.themarysue.com/idris-elba-deadshot-suicide-squad/

Will Smith will apparently not be returning for The Suicide Squad, due to scheduling conflicts. Instead, Idris Elba is in talks to take on the mantle of Deadshot for the film, which will function as a soft reboot of the first film. David Ayer’s first attempt to bring the Squad to the big screen drew in box office numbers and acclaim for Margot Robbie’s turn as Harley Quinn but for the most part was not well received. James Gunn has been brought on to course correct.

There have been a few frantic tweets and Reddit posts that claim the recasting is a sign that everyone from the Snyder era of the DCEU except Robbie, Gal Gadot, and Jason Momoa, are not safe and might be recast. Let’s probably lay these worries to rest: an actor’s schedule not working out for a film he wasn’t necessarily planning on returning to does not mean that we have to bid farewell to everyone else in the franchise.

Deadline reported that Smith’s parting from the franchise was amicable and purely based on schedule. While people can lie, it’s also not likely that everyone has concocted a giant scheme to hide Smith parting badly with Warner Bros. If they wanted to completely erase the entire first film, Deadshot wouldn’t be involved at all, period. Smith’s lack of involvement also doesn’t mean that no one else from the original film will return.

Don’t fret, DC fans. Elba’s casting is good news, and does not mean the end of the Snyder Verse as we know it. Let’s enjoy the news for what it is.

(via Deadline, image: Warner Bros)

  • The first footage of Episode IX has been screened, and here’s a breakdown of what it is. (via Slash Film)
  • Adrienne Barbeau returns to the swamp for Swamp Thing. (via Twitter)
  • Was Mr. Rogers bisexual? (via Dlisted)
  • Patty Jenkins got hyped for Captain Marvel. (via Twitter)

  • The first info about Amazon’s Lord of the Rings series has been revealed. (via IndieWire)
  • Read this stellar essay about what the movies taught Manohla Dargis about being a woman. (via New York Times)
  • Artist Jen Bartel’s awesome Captain Marvel sneakers go on sale tomorrow. (via Nerdist)
  • The Queen used Instagram! (via Instagram)

 

View this post on Instagram

 

Today, as I visit the Science Museum I was interested to discover a letter from the Royal Archives, written in 1843 to my great-great-grandfather Prince Albert.  Charles Babbage, credited as the world’s first computer pioneer, designed the “Difference Engine”, of which Prince Albert had the opportunity to see a prototype in July 1843.  In the letter, Babbage told Queen Victoria and Prince Albert about his invention the “Analytical Engine” upon which the first computer programmes were created by Ada Lovelace, a daughter of Lord Byron.  Today, I had the pleasure of learning about children’s computer coding initiatives and it seems fitting to me that I publish this Instagram post, at the Science Museum which has long championed technology, innovation and inspired the next generation of inventors. Elizabeth R. PHOTOS: Supplied by the Royal Archives © Royal Collection Trust / Her Majesty Queen Elizabeth II 2019

A post shared by The Royal Family (@theroyalfamily) on Mar 7, 2019 at 3:31am PST

 

Want more stories like this? Become a subscriber and support the site!

The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—

 


March 7, 2019

INTO THE SPIDER-VERSE Story Artist on Creating Thousands of Versions of a Single Scene

https://nerdist.com/article/into-the-spider-verse-story-artist-denise-koyama-interview/

Spider-Man: Into the Spider-Verse required hundreds of hours of work from thousands of artists and technicians—not just to tell the story of Miles Morales and his fellow Spider-People, but to translate the imagery and energy of comic book panels into fluid, dynamic animation.

Story artist Denise Koyama, a longtime fan of the character since the days of Steve Ditko, created tens of thousands of storyboards borrowing from classic comic framing, action and storytelling in order to create sequences that thrilled audiences and brilliantly brought the characters to life.

At a recent press day for the Feb. 26 digital and March 19 home video release of the Oscars’ Best Animated Feature winner, Nerdist sat down with Koyama for an honest, energetic conversation about the tremendous volume of work that she did in order to help Spider-Man look truly spectacular.

In addition to deconstructing the pipeline for creating (and recreating) shots for some of the film’s most exciting sequences, she talked about her own past and present influences as an artist, and reflected on the opportunity to turn her lifelong passion for comic books into one piece of this film’s revolutionary moviemaking process.

You mentioned that there were 1,750 versions of one sequence you worked on for the film. Is that the most versions of any scene?

Denise Koyama: I don’t know—probably not! There were so many different versions because this was different from our normal process. They could literally change the idea [on a whim]. And so you might be launched on something and you’re like, okay, I’m doing this. And then they’d send a note to change that, or start over and do this thing. So there was a lot of that kind of stuff going on, and lots of different versions.

I’m sure that there’s a certain acclimation process, but is there a point where you’re like, I’ve done this 1,744 times, I don’t want to do it one more!

DK: Well, they rotate us out just so that we don’t get tired and put us on different things. But as your job, I like to come up with different options. So for me, it was like, okay, we’ll try a different option, and it was a lot of fun. I mean, sometimes it’s really hard because you love something and it’s hard to see some of your babies die, but it’s all for the greater good.

Talk about your relationship with the other departments and how you work together.

DK: This is hilarious. I work from home, on a farm, so it’s completely opposite—I feel like somehow I live in two different universes. One is the goat lady of Riverside, and the other one is a story artist in Culver City working with the most amazing artists in the world. And there was a lot of collaboration between Justin [Thompson], who is a production designer, and the division where they’re modeling the buildings and stuff. So most of the time I could figure stuff out in 3D, but for Spider-Man, you have to be very, very accurate in some things.

So they’ll do a whole thing and I’ll say, “I want the camera to do this,” and they could actually go into my program and set up the camera, lens, etcetera, and then they’ll shoot the thing without characters—just the environment. And then I’ll take a couple of still frames from there and then put that into my storyboard to give it a little bit more flavor of 3D. Because sometimes with all this stuff going on, it’s very hard to see how the camera will move when people are fighting upside down and sideways and stuff is moving around.

Which department produced the most revisions for you? In the production pipeline, is it the story that’s constantly changing, or the animation style or technique, or the directing, for example?

DK: It’s always the story idea. The experimentation on this was insane, and so it was constantly changing. So you could be working on something and then we’re starting on something else. Usually you have this timeframe, present [your work], and go to editorial. Here, you have two days to do hundreds of drawings, and I don’t know if you saw the outline, but a lot of it is just, “He goes in and saves the Spideys.” That’s it. There’s only a general location, but sometimes we don’t even have visuals for the places that we’re supposed to do. And so you have to make that up and have like an hour to figure this out before I actually have to actually draw this. So it was a little bit of a challenge. But it was fun.

How much did referencing the visual language of comic books affect what angles and framing to use, in the storyboard stage?

DK: What we would do is several different passes: a straight pass where we do traditional storyboarding and then go, where can we make this more like a cartoon? We’d [put] the paneling in or the action words and stuff and then I would try different things and say, does this work? Does the timing of this work? Is the impact of this better or worse? So we’d go through an experiment and do stuff and then the directors might go, well, that works for the scene, but maybe change it up here or do this here, or maybe it doesn’t work. So there’s a lot of collaboration going on.

As a big fan of Spider-Man comics, was there a certain action or silhouette or framing that you hoped to sneak into the film?

DK: I just wanted Spider-Man to be fluid throughout the whole thing. The way that Steve Ditko drew him is very fluid. He did a very classical style of Spider-Man, but there’s some beautiful movement throughout the whole form, and Cheyenne contemporized that and made it very fluid and simplified. And so trying to keep that feeling of it, the spirit of it and keep true to that, that was my goal.

Was Ditko the artist that was most inspiring to you during this process?

DK: Because I grew up looking at his work, for me that’s Spider-Man. That’s my childhood, my heart. This is my love for Spider-Man. It’s such a crazy thing to be in your room reading a comic book, and then fast forward to be working on a Spider-Man movie. Like, brain broken—it’s a dream come true!

What was one choice, be it an angle or movement, that made it into the movie that you’re especially proud of, even if nobody else will notice it?

DK: Just being a part of it for me was everything. As a storyboard artist, after you finish it, it’s kind of like you don’t care how the outcome is and how they decide to change it around. But just being part of that whole collider thing with Doc Ock and Spider-Man fighting, that for me was like, yes, I can die happy now!

Images: Sony

The post INTO THE SPIDER-VERSE Story Artist on Creating Thousands of Versions of a Single Scene appeared first on Nerdist.


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