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https://nerdist.com/article/his-dark-materials-ma-costa-real-fantasy-world/
Warning: This post contains major spoilers for episode three of His Dark Materials.
HBO/BBC
Lyra Belacqua’s world might resemble our own in some ways, but His Dark Materials is unmistakably a fantasy. It’s where human souls take form as animals, witches and talking bears live in the North, and magical flies act as spies. Yet the series has been emotionally accessible through three episodes because it focuses on its characters. And no one has done a better job of making a fantasy feel real and grounded than Anne-Marie Duff’s Ma Costa. Her moving performance this week was both heartbreaking and heartwarming; perfect for an episode that showed a mother’s love transcends all worlds.
“The Spies” finally confirmed what non-book readers likely suspected after last week’s episode. Mrs. Coulter is Lyra’s mother. That revelation only makes her actions so far more confusing and malicious, though. We learned Lyra was born out of wedlock, and the resulting shame and scandal nearly destroyed both of her parents. But why did Mrs. Coulter wait so long to take her child home from Jordan College after abandoning her? And why would she do something as unthinkable as torture Lyra via her daemon? The currently distraught Mrs. Coulter clearly cares about Lyra, but she has no understanding of what it means to put someone else first. She doesn’t know how to love someone, even her own daughter.
HBO/BBC
Ma Costa knows what it means to love her children. She’s been a powerful voice for her missing son Billy and a fierce protective of her eager-to-act son Tony. She’s done that despite her overwhelming grief. And somehow during all of this, she has even found the strength to look after a lost little girl who has no one else in the world. It’s what she did when Lyra was a baby, something we discovered in the show’s most powerful scene yet.
Lyra learns about her real mother and her own past with Ma Costa in a very different way in the books. Yet that moment, more than any other on the series so far, exemplifies why Philip Pullman‘s novels have such a profound connection with readers. Lyra lives in a magical fantasy world, but the people who live there experience the same feelings of love and hate, of hope and fear, as any of us. All of that was on display during that painful conversation; Anne-Marie Duff had to tell a scared girl a terrible truth while carrying her own impossible burden. Ma Costa isn’t Lyra’s mother, but she cares for her like one. And what’s more, that means giving her all of the love she’s capable of. Even when we’d understood if she couldn’t.
HBO/BBC
Her genuine love is why Lyra didn’t need to be told the name of the Gyptian nurse who hid her as an infant. It was clear from Ma Costa’s broken voice and the look on her face she had been the one Lord Asriel had turned to when his daughter was in danger. While Mrs. Coulter was afraid for herself, Ma Costa risked her own life to protect Lyra when she held her all night, She’s still holding her now, despite even worse danger, all while she suffers through a parent’s worse nightmare. It’s all so awful for both of them, which is what makes it all so powerful. Ma Costa’s love is enough to keep them both moving through the darkness, together.
With the Gyptian boats heading North to meet with witches and fight Gobblers, His Dark Materials will only feel more and more like a fantasy. The story will get further away from our own world. But as Ma Costa shows, even as it does it will still feel real, because there’s no magic that can match a mother’s love.
Featured Image: HBO/BBC
The post How Ma Costa Makes HIS DARK MATERIALS Feel Real appeared first on Nerdist.
Warning: This post contains major spoilers for episode three of His Dark Materials.
HBO/BBC
Lyra Belacqua’s world might resemble our own in some ways, but His Dark Materials is unmistakably a fantasy. It’s where human souls take form as animals, witches and talking bears live in the North, and magical flies act as spies. Yet the series has been emotionally accessible through three episodes because it focuses on its characters. And no one has done a better job of making a fantasy feel real and grounded than Anne-Marie Duff’s Ma Costa. Her moving performance this week was both heartbreaking and heartwarming; perfect for an episode that showed a mother’s love transcends all worlds.
“The Spies” finally confirmed what non-book readers likely suspected after last week’s episode. Mrs. Coulter is Lyra’s mother. That revelation only makes her actions so far more confusing and malicious, though. We learned Lyra was born out of wedlock, and the resulting shame and scandal nearly destroyed both of her parents. But why did Mrs. Coulter wait so long to take her child home from Jordan College after abandoning her? And why would she do something as unthinkable as torture Lyra via her daemon? The currently distraught Mrs. Coulter clearly cares about Lyra, but she has no understanding of what it means to put someone else first. She doesn’t know how to love someone, even her own daughter.
HBO/BBC
Ma Costa knows what it means to love her children. She’s been a powerful voice for her missing son Billy and a fierce protective of her eager-to-act son Tony. She’s done that despite her overwhelming grief. And somehow during all of this, she has even found the strength to look after a lost little girl who has no one else in the world. It’s what she did when Lyra was a baby, something we discovered in the show’s most powerful scene yet.
Lyra learns about her real mother and her own past with Ma Costa in a very different way in the books. Yet that moment, more than any other on the series so far, exemplifies why Philip Pullman‘s novels have such a profound connection with readers. Lyra lives in a magical fantasy world, but the people who live there experience the same feelings of love and hate, of hope and fear, as any of us. All of that was on display during that painful conversation; Anne-Marie Duff had to tell a scared girl a terrible truth while carrying her own impossible burden. Ma Costa isn’t Lyra’s mother, but she cares for her like one. And what’s more, that means giving her all of the love she’s capable of. Even when we’d understood if she couldn’t.
HBO/BBC
Her genuine love is why Lyra didn’t need to be told the name of the Gyptian nurse who hid her as an infant. It was clear from Ma Costa’s broken voice and the look on her face she had been the one Lord Asriel had turned to when his daughter was in danger. While Mrs. Coulter was afraid for herself, Ma Costa risked her own life to protect Lyra when she held her all night, She’s still holding her now, despite even worse danger, all while she suffers through a parent’s worse nightmare. It’s all so awful for both of them, which is what makes it all so powerful. Ma Costa’s love is enough to keep them both moving through the darkness, together.
With the Gyptian boats heading North to meet with witches and fight Gobblers, His Dark Materials will only feel more and more like a fantasy. The story will get further away from our own world. But as Ma Costa shows, even as it does it will still feel real, because there’s no magic that can match a mother’s love.
Featured Image: HBO/BBC
The post How Ma Costa Makes HIS DARK MATERIALS Feel Real appeared first on Nerdist.
On September 4 of this year, a settlement was reached in a lawsuit brought against YouTube by the state of New York and the Federal Trade Commission (FTC), which required the goliath video sharing platform to pony up $170 million for violating the Children’s Online Privacy Protection Act of 1998 (COPPA). The settlement not only resulted in the fine, but a slew of new rules that YouTube, and therefore YouTube kids content creators, must comply with. Now, in a brief video, YouTube has outlined the new rules, and they are infuriating YouTubers, especially those who produce videos aimed at children.
The brief video announcing the new changes that will affect YouTubers making kids content.
After the settlement, numerous YouTubers started pumping out videos decrying it, declaring the new rules to be a major, perhaps fatal, blow to people who create kids content on the platform for a living. The YouTubers’ complaints were mostly focused on the fact that the terms of the settlement called for YouTube to stop collecting data on, and aiming targeted ads at, child viewers (children defined as anyone below the age of 13), which would necessarily mean a decrease in many of their channels’ revenue. And while the YouTubers themselves didn’t have much clarification as to what the new rules would be, thanks to the above video, they now do. Kind of.
First off, one unquestionable result of YouTube’s changes to its kids content policies is a sizable loss of revenue for most, if not all, of the people making content aimed at children. Because YouTube is no longer allowed to target ads at children based on data collected from them (specifically “cookies” that track their history of online activity), YouTube channels that have kids videos as their bread and butter will take a serious hit—targeted ads based on data collected by YouTube pay more to content creators versus general ads that are not targeted. Which means anybody who marks their content as aimed at kids—a mandatory decision that will need to be made before posting videos—will almost certainly make less money than they did prior to the changes.
A video from the FTC announcement of the September 4 settlement with YouTube.
On top of an inability to show targeted ads, YouTube videos aimed at child audiences will also be hamstrung by a bevy of other adjustments that will make the mass sharing of that type of video much less likely. The video explaining the changes (top) notes that videos aimed at kids will no longer have as options features including comments, info cards, and end screens; channels producing kids content will also have stories, the community tab, the notification bell, and the ability for viewers to add videos to watchlist or save to playlist, disabled.
Beyond that, many of the changes that have been announced by YouTube imply subjective guidelines that will likely make consistent compliance from YouTubers difficult. For example, it seems unclear what exactly constitutes content aimed at kids. This is especially true of gaming videos, which could be considered kid-targeted, or just aimed at a general audience with kids making up a significant portion of the viewers (think Minecraft). YouTube says that it’s going to deploy machine learning algorithms to help decipher which videos are aimed at kids, but this will likely, in part, only further confuse matters—many of the decisions made by the algorithms will likely be questionable or even blatantly wrong, and YouTubers will lose out on revenue before incorrect judgements by the algorithms can be rectified.
YouTube is marking videos for kids VOLUNTARILY, their AI’s decisions do not represent the law. Just because your videos did not get marked does NOT mean they are COPPA compliant.
This is real. The penalties are real. This is not some small youtube update like you’re used to. pic.twitter.com/LEPmVwkvi3
— Chadtronic (@Chadtronic) November 16, 2019
Perhaps the biggest hit to YouTubers creating kids content, or even those creating content that could be misconstrued as targeted toward kids, comes from the possibility of being fined directly by the FTC. As CNET points out, “Channels that post kids videos but don’t identify them as such run the risk of getting hit with their own ‘aggressive’ FTC fines, according to the commission.” YouTuber Dan Eardley, the creator of Pixel Dan, a YouTube channel focused on reviews of collectible toys, told The Verge that “If the FTC decides that [we] are indeed targeting children, we’ll be fined. [And that is] frightening.” He added that “It’s especially scary because the verbiage of ‘kid directed’ vs ‘kid attractive’ isn’t very clear,” which means it will be hard to tell if he’s in violation of the FTC’s regulations or not.
In regards to support from YouTube for content creators who are trying to decipher if their content is targeted at kids according to federal laws, the platform, which is a subsidiary of tech giant, Google, says that they should consult a lawyer. A suggestion that seems ludicrous when considering the amount of videos posted by YouTube channels, as well as the cost of lawyers.
So the new YouTube COPPA compliant rules are rolling out and cool – most of my channel got auto-flagged as being “for kids” because pokemon and cartoon characters. Meaning 60-90% of my revenue will disappear. Very cool. Thanks YouTube. This will destroy my channel. pic.twitter.com/LuhwJZMFnf
— VERSY
(@Versiris) November 13, 2019
Looking toward the future, it seems that there may be some kind of exodus, of questionable scale, from YouTube to other video streaming platforms such as Twitch or Mixer. In another article from The Verge, YouTuber Een Forester said that “It’s kind of like [YouTube is] killing video game content.” Forester added that “Now, we can’t make videos on more mature video games because they’ll get demonetized, but if we make videos on child-friendly games, they’re also now going to get demonetized. What do we do?” He told The Verge that he is considering moving to one of the aforementioned alternative platforms as a result of this conundrum.
YouTube Kids, an app YouTube has made specifically for content aimed at people aged 13 and under, may also provide a refuge for content creators who currently produce videos for YouTube, although a transition from YouTube to YouTube Kids poses challenges as well. For example, channels that already have an established presence on YouTube will have to reform their audience on YouTube Kids, and may never earn as much audience attraction as they did on the main platform. YouTube Kids has also faced harsh criticism from advocacy groups, which say that the app isn’t effective enough at weeding out content not suitable for children. YouTube has said that it’s responding to these criticisms with reinvigorated efforts to review and filter out unsuitable videos, and presumably this could lead to a similar loss of revenue even for those kids content creators who have already switched to YouTube Kids.
A video from YouTube channel Yawi Vlogs, which says it will be no longer be incentivized to make content.
At this point it’s impossible to say how exactly YouTubers will be affected by the new content regulations, as the changes announced by YouTube won’t go into effect until January of 2020. But if your favorite YouTube channel focused on kids content, or even content simply geared toward gamers, disappears from the video platform, at least you’ll now know why. Which is more than can be said for how creators themselves are going to know which of their videos are and are not “made for children.”
What do you think about these changes to YouTube’s policies regarding content aimed at kids? Do you think the FTC has done more harm than good with its demanded changes to YouTube’s regulations, or do you think this is the best way to protect children from predatory marketing practices? Let us know your thoughts in the comments!
Feature image: Marco Verch Professional
The post YouTube’s FTC-Mandated Rules for Kids Content Infuriate Creators appeared first on Nerdist.
When Jaime Reyes is in trouble, a powerful scarab transforms him into a super hero. Jaime never asked to be the Blue Beetle, but he’s been doing his best to live up to the power within. Now the most sinister evil this or any other world has ever seen has his sights set on turning Jaime toward the darkness…and the Batman Who Laughs always gets what he wants. Spinning out of the events of Batman/ Superman and “Year of the Villain” comes the tale of a hero fighting the evil inside, and whose friends and family are about to pay the price…
The Infected: Scarab #1 hits shelves on November 20th, 2019!
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The post Exclusive DC Preview – The Infected: Scarab #1 appeared first on Black Nerd Problems.
Source: Brian Stukes / Getty
Last week, it was reported that Real Housewives of Potomac star Candiace Dillard filed a compliant against her co-star Monique Samuels after they had a physical altercation which led to Samuels facing second degree assault charges. Now, Samuels has fired back and filed a compliant of her own and Dillard is now facing second-degree assault charges as well.
According to People, Samuels filed a compliant a week after Dillard filed a compliant against her and a summons was issued for Dillard to appear in court February 6th, 2020. Samuels is scheduled to appear in court on December 23rd, 2019. They both can be arrested for second-degree assault if the judge sees probable cause during their court appearances. If convicted they will face jail time.
These charges stem from a physical altercation the two women had at a dinner party back in October. Dillard claims that Samuels grabbed her by her hair and pulled her down.
“At this point in our investigation, we had no choice but to file this criminal summons case after several attempts to mediate this situation with Ms. (Dillard) Bassett were rejected by herself and her team,” Samuels’ attorney A. Scott Bolden said in a statement. “My client was assaulted by someone known for her aggressive, threatening and belligerent conduct. On this regard, Mrs. Samuels had no choice but to fully defend herself and she did. Nevertheless, my client wants nothing more than to find peace with this situation but unfortunately the ability to do so through mediation has been denied. Therefore this summons is the proper next step for Mrs. Samuels and her right to self-defense.”
Dillard’s attorney James L. Walker Jr. found it funny that Samuels would retaliate by filing charges of her own when she claims she is innocent.
“I did not know innocent people filed counterclaims as a strategic move after we all know they have been charged and caught on video threatening and attacking our client!,” he told People in a statement. “We gladly welcome seeing Mrs. Samuels in court! We pray she is presently getting some type of treatment for anger management! The video is very clear and my client and I have confirmed with the network that Mrs. Samuels was clearly the aggressor!”
The entire situation occurred while the cameras were filming season five of RHOP.