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https://blacknerdproblems.com/euphoria-part-2-jules-a-visually-therapeutic-session/

Euphoria has never been as rich as these past two episodes. Maybe it is the constraints the pandemic has put on us all, but these concentrated episodes are giving us the chills and deep emotional cuts. In Euphoria Part 1, we saw Rue fresh off of abandonment and opening up to her sponsor. This episode we get a sensitive Jules in her first therapy session. I applaud the genius use of setting, but the magnificence of this episode lies in the visuals and poetic elegance of the writing. Be aware spoilers are ahead! 

Where is My Mind? 

If you follow Euphoria, you know the visuals for Jules scenes are out of this frickin world. From the moment I saw her spotlight ride through the trees, I knew this show was here to give me a mind f**k. This special episode even flashes back to that scene in an instant memory while Jules finds the words to describe her situation.

We see Jules, no makeup, plopped on the therapist couch more reserved than usual. Jules’ face is holding back much of what she really wants to say and from her expression remorse is what we see. Her therapist played by Lauren Weed (Arrested Development) sits in a very calm demeanor balancing out the anxiety on Jules’ face. Cut to, we see a full recap of Jules’ journey through their eyes – no really it’s a beautiful shot displaying the colorful blurred images of Jules’ experiences through season one. The light is delicate and the eye movements telling. How can one sight for three full minutes make me want to cry?! As a slight tear begins to well up in her eye, the emotion of it all starts to wash over.  

Just My Imagination 

For the rest of the episode, we are given stunning visualizations of Jules mental images. Laying on the beach being washed over by water, to memories of a home life we have yet to see, and a past that will be revealed. The arc of the imagery is an episode unto itself, with multiple fantasies and multiple lives Jules has led. We find out how she truly feels about Rue – we knew she cared for Rue, but never truly knew to what extent. The emotional transparency is in the fantasy Rue shared from Part 1. The fantasy portrays both Rue and Jules living in New York on their own, Jules heading to her art presentation while Rue bids her adieu. They both look so happy. Cut in between this fictional life are the images of Jules and Rue’s true time together set to a melodic soundtrack that makes your heart pump with equal parts sorrow and pure adoration. 

Side by side happiness with Rue is misery over Jules’ mother’s addiction. A massive reveal that Jules’ pressure to help Rue stay clean stems from her experience with her mother, aaaand now we’re all crying. The imagery does not let up – if emotions were stylistic photography these images would be despair, because inside despair was a place where immense love once stood. This episode plays with these two emotions. We then take a trip through Jules text message relationship with the fictional Tyler. Images of bodies rolling around in lust and adventure flood the screen personifying her back and forth messages with ‘Tyler.’ It’s a whole ass relationship, one which she says was the best sex of her life. Once she finds the relationship was a ruse the imagery takes a sharp left. The scenes take the same lustrous images and turn them into fear and betrayal. Trigger warnings are in order here. 

Lithium 

Hunter Schaffer is up next on that Emmy’s list. Whether it is for writing or for her performance when given the spotlight, we truly see how Jules has evolved and Schaffer has really grown with the role. Jules’ ability to lose herself in the moments is so visceral in this episode. Things we had not noticed before are being highlighted from Jules point of view, the first kiss with Jules and Rue, where we thought Jules was caught off guard and she was instead frozen with emotion.  

Shcaffer’s performance goes from indifference to anxiety to pure elations to the pits of despair to remorse and fear. And sadness remains throughout the emotional trip. It is a marathon for just one person. My heart aches as her fantasy with Rue turns sour, and she spends the better part of five minutes trying to rescue Rue behind a locked bathroom door. Girl where is the ballot ‘cus you got my vote. I hope a nomination is calling your name. 

Once the credits began to roll, my jaw was snatched when I saw “Written by Sam Levinson & Hunter Schaffer.” You better get it Hunter – you go Glen Coco! I knew Schaffer had to have at least consulted on the script. The detail of experience in gender and trans existence came so effortlessly to Schaffer in a way that seemed deeper than just relating to the text. She begins by saying, “I think I want to go off my hormones” then continues a high-level self-reflection on gender and transitioning before it is “too late.” The idea that puberty marked a point of which a body could not return. That their body would become thick and rough – but also thinking of the beauty in thick and rough. 

“I think about the ocean…Because the ocean is strong as fuck and feminine as fuck.” – Jules  

The imagery was the wrapping, the fantasy, the box, and the writing was the gift – hands down. I’d find it hard to believe that someone finished this special without being affected. The last scene we are back in reality, and our two characters have finally met up weeks after Jules left Rue at the train station. Both feel they are inadequate to sustain the love that they feel. Rue stands close to the door while Jules sits on the bed, neither able to properly speak the truth. Rue leaves abruptly and we leave Jules sobbing through the rain on her window pane. Where do we go from here? This is some teenage ish with some grown ass issues and you are rooting for the both of them to win. We’re not likely to see season 2 of Euphoria until late 2022, but these performances have enough of a lasting effect until then.

Cover Image courtesy of HBO Max via Screen Rant

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The post ‘Euphoria Part 2: Jules’ – A Visually Therapeutic Session appeared first on Black Nerd Problems.

https://blackgirlnerds.com/while-you-fest-check-out-colman-domingos-sundance-tv-amc-digital-series-bottomless-brunch-at-colmans/

Actor Colman Domingo (Ma Rainey’s Black Bottom, The Walking Dead) new series Bottomless Brunch at Colman’s premieres on January 31st.

Each episode dissects a prolific conversation around representation in Hollywood. The new season episode will feature Colman in conversation with the amazing Radha Blank and Julio Torres. 

The remainder of the episodes will drop timed to cultural moments including International Women’s Day, Cinco de Mayo, Juneteenth, Pride 2021, and 4^th of July.

http://www.thenerdelement.com/2021/01/29/some-disney-pass-holder-updates-covid-19-vaccines-and-more/?utm_source=rss&utm_medium=rss&utm_campaign=some-disney-pass-holder-updates-covid-19-vaccines-and-more

Hi everyone! I just have some pretty big updates I want to discuss with you guys! So, let’s get started, shall we?! At Walt Disney World, the officials said even if you get the COVID-19 vaccine, you will still have to wear a face covering at the parks.

The company made the announcement in a safety rules update.

“Face coverings are required for all Guests (ages 2 and up) and Cast Members, including those who have received a COVID-19 vaccine. Please bring your own face coverings and wear them at all times, except when dining or swimming.”

According to the Centers for Disease Control and Prevention, masks should still be worn even if someone is vaccinated. “Not enough information is currently available to say if or when CDC will stop recommending that people wear masks and avoid close contact with others to help prevent the spread of the virus that causes COVID-19,” the CDC’s website said. “Experts need to understand more about the protection that COVID-19 vaccines provide in real-world conditions before making that decision.” Disney, as well as other Orlando theme parks, have required visitors to wear face masks since reopening this past summer. Disney’s theme parks are still only allowing 35% capacity amid the coronavirus pandemic in order to help limit crowds.

Today, it was announced that Johnson & Johnson’s long-awaited, one shot vaccine was 66% effective against COVID-19 while Pfizer and Moderna’s are around 99%. Over 1.5 million people in Florida have been vaccinated so far, according to the state. I like the way Disney World still has guests wearing masks even though if they have been vaccinated! What do you guys think?

Disney World has released a new physical distancing rule for larger parties. The Walt Disney World website has been updated with a new policy for larger parties who are visiting Disney property.

The new statement posted on the site states that parties larger than 10 people should “split into smaller groups” to allow for increased physical distancing.

Temporary adjustments are in place to promote the physical distancing. Physical distancing measures may include:

Signage and Ground Markings

Physical barriers

Party size

Parking

Training

All of these adjustments should help with the physical distancing so that people don’t get infected by the virus.

The White House task force has announced their recommendation that Florida should close down its bars and restaurants.

Florida Gov. Ron DeSantis is against this proposed sweep of closures, stating:

    We believe every job is essential. You work in a restaurant; we have your back. If you are a hair stylist, we protect your right to earn a living and if you are a parent, we ensure your kids have the right to in-person learning. Lockdowns do not work. Florida is currently in the red zone as far as hospitalizations go according to health officials, a large reason why the Biden administration is calling for these types of nonessential businesses to shut down.

So apparently, the White House wants the restaurants and bars to be shut down to help stop the spread of the pandemic, but the problem is that the Florida Gov. Ron DeSantis is trying to prevent that from happening. Why is he trying to prevent restaurants and bars from closing down?!

Over at the Disneyland resort, they have announced that Annual Passholders who held active Passports as of March 14, 2020 will be designated as Disneyland Resort Legacy Passholders going forward.

As Disneyland announced when they cancelled their Annual Passholder program, those who had active passports as of March 14, 2020 will continue to receive discounts based on their passport type on merchandise and food & beverages at select Downtown Disney District and Buena Vista Street locations, until new membership offerings are announced.

Disneyland says they are working on adding more opportunities during this limited time as well, so be sure to keep an eye out for more information as it becomes available.

Disneyland has also said that the Annual Passes will be returning when they reopen again which would likely be in the Spring or Summer of this year. Hopefully!

All of this information came from the news I look at.

So, what do you guys think about all of this Disney news?!

I would like to hear some comments, thoughts, opinions, concerns, or questions down below!

Stay tuned for more Disney updates.

The post Some Disney Pass Holder Updates, Covid-19 Vaccines, and More! appeared first on The Nerd Element.

http://www.thenerdelement.com/2021/01/26/jungle-cruise-revamp-and-more-disney-updates/?utm_source=rss&utm_medium=rss&utm_campaign=jungle-cruise-revamp-and-more-disney-updates

Hi everyone! Today I have some big Disney updates that I want to talk about. So, let’s get started, shall we?! So, at Walt Disney World, they have updated the face covering requirements for Water parks ahead of the Blizzard Beach reopening on March 7, 2021 which is 2 months away. They made this statement about the face coverings: “Face coverings will be required in designated areas for each Guest age 2 and up, including but not limited to the park entrance and exit, retail areas, and food and beverage ordering areas.”

    “Face coverings will not be permitted while experiencing water slides or in the water. You may also remove your face covering while actively eating or drinking, but you should be stationary and maintain appropriate physical distancing.” This reflects Walt Disney World’s standard face covering requirements, which states they must be worn at all times except when dining or swimming. The tickets are now available for Blizzard Beach. For more about face covering requirements and other COVID-19 guidelines at Walt Disney World Resort, check their Experience Updates page.

There are 10 changes that Disney World is expecting to have this year:

1. Parking-hopping has returned in a new way
2. Reservations are still required
3. Magic bands are no longer included
4. Free Magical Express Bus will end (January 1,2022)
5. Extra Magic Hours will be replaced
6. Water parks will be returning
7. More hotels will reopen — some with a new look
8. Will Fast Passes return?
9. Parades, fireworks and more are still out — for now
10. There are discounts

All of these changes will make Disney World a different place because they are dealing with the coronavirus cases and they are trying to do everything they can to not let people get infected by the virus.

Over at the Disneyland Resort, the attendance there are planning to rebound by 2022 due to pent-up demand, analysts forecast. Disneyland and other Disney theme parks around the world are expected to reach historical attendance levels by 2022 due to pent-up demand for travel and entertainment, according to a new analysts forecast.

UBS financial analyst John Hodulik forecasts attendance at Disney’s pandemic-battered theme park division will bounce back in 2022 after bottoming out during the COVID-19 pandemic.

“We believe the parks business has bottomed and we’ll see improved attendance/profitability as the vaccine becomes more widely distributed,” Hodulik wrote in the UBS report. “We expect parks to approach historical performance and attendance metrics by FYE22 with higher margins given operational improvements implemented during the pandemic.” The coronavirus pandemic shuttered all 12 of Disney’s theme parks around the globe at one point or another during 2020.

Disneyland and Disney California Adventure closed in March due to the pandemic and are not expected to fully reopen until spring or summer under COVID-19 health and safety reopening guidelines issued by the state.

Walt Disney World, Tokyo Disneyland and Shanghai Disneyland have returned with COVID-19 health and safety protocols, attendance restrictions and reservation requirements. Disneyland Paris and Hong Kong Disneyland have reclosed due to spikes in COVID-19 cases and hospitalizations in the regions around the parks.

Attendance plummeted during 2020 with the coronavirus closures of Disney theme parks and reduced capacity limits at reopened parks.

Disney claimed eight of the top 10 spots in the 2019 rankings of the world’s most attended theme parks based on a report by Themed Entertainment Association/AECOM. Overall, Disney theme parks around the globe drew 157.3 million visitors in 2019, according to TEA/AECOM.

Disney’s Magic Kingdom (21 million visitors) was the most attended theme park in the world followed by Disneyland (18.7 million). Disney California Adventure ranked 13th on the 2019 list with 9.9 million visitors. Disney’s theme park business will be the “beneficiary of vaccine availability and pent-up demand for leisure travel” in the second half of 2021, according to the UBS analyst report.

UBS data suggests foot traffic has improved and attraction wait times have increased at Disney’s four Florida theme parks with attendance reaching a self-imposed 35% capacity limit. UBS expects accelerated vaccination distribution in the U.S. to allow Disney’s domestic theme parks to increase attendance caps to 70% by fall 2021 with attendance fully recovering by 2023. The bullish outlook on Disney is an about-face for UBS and Hodulik. The UBS analyst warned in April that Disneyland and other Disney theme parks might not reopen until January 2021.

“We now believe the lingering effects of the outbreak — including crowd avoidance, new health precautions, etc. — will dramatically reduce the profitability of these businesses even after they are reopened until a vaccine is widely available,” Hodulik wrote in April.” The economic recession plus the need for social distancing, new health precautions, the lack of travel and crowd aversion are likely to make this business less profitable until there is a widely recovery possibly. So, seems like Disneyland is trying everything they can to reopen on either Spring or Summer, but you never know what can happen. So, let’s just wait and see what happens.

Disney has announced that they will be updating the attraction the Jungle Cruise which is in Adventureland at Disneyland and at Disney World’s Magic Kingdom in Adventureland. They are making this attraction more inclusive after years-long complaints of racism. Disneyland’s Jungle Cruise has set sail in the park’s Adventureland area consistently since 1955, and it stands today as one of the remaining opening day attractions overseen by Walt Disney himself.

But culture often moves faster than decades-old mechanical hippos.

On Monday, the Walt Disney Co. announced that it’s embarking on what many views as a long-overdue course correction for the Jungle Cruise. Numerous changes will make the attraction feel more inclusive and less racially insensitive in its depiction of other cultures.

The move follows updates to other older attractions such as Splash Mountain and Pirates of the Caribbean, all done to remove now-outdated tableaus that can be cringe-inducing at best and racist at worst. The company had already announced that Splash Mountain, originally inspired by the critters in the racist film “Song of the South,” would receive a makeover themed to “The Princess and the Frog,” the movie that featured Disney’s first Black princess.  The Jungle Cruise, with its ties to the park’s patriarch, is likely to be viewed with a more protective lens by the company’s vast fanbase. Yet the ride has also been one under near-constant evolution since its inception. Its early influences were Disney’s own nature documentaries and the 1951 film “The African Queen,” a favorite of early Disneyland designer Harper Goff.

Its initial conception as “The Jungle Rivers of the World” leaned slightly more educational than today’s more humor-driven take. The ride’s unsavory tribal depictions, largely inspired by images from Papua New Guinea, were added in the years after its opening. These vignettes essentially depict Indigenous people as tourist attraction, attackers or cannibals. “Horrifyingly racist” is how one of Disney’s peers in the theme park design community, the think well Group, characterized various Jungle Cruise scenes in an essay published shortly after Disney announced the changes to Splash Mountain. A spear-waving war party was added to the Jungle Cruise in 1957, as was the “Trader Sam” character, a dark-skinned man today outfitted in straw tribal wear. Disney tiki bars — one on each coast — are named for the character that traffics in stereotypes. He’ll trade you “two of his heads for one of yours.”

“As Imagineers, it is our responsibility to ensure experiences we create and stories we share reflect the voices and perspectives of the world around us,” Carmen Smith said in a statement provided by Disney. Smith is the creative development and inclusion strategies executive at Walt Disney Imagineering, the company’s division responsible for theme park experiences.

Concept art previewed by Disney showed a reworking of the “trapped safari” scene, in which adventurers scurry up a tree to avoid the horn of a rhinoceros. In its current state at Disneyland, a white traveler is at top while native safari guides are in a more perilous position. The reimagined scene, one initially dreamed up by master Disney animator-designer Marc Davis as an advertisement for the ride, solely features hapless participants of a previous Jungle Cruise boat tour.

Changes, Disney stressed, are being made independent of an upcoming Jungle Cruise-inspired film starring Dwayne Johnson and Emily Blunt. Expect all scenes that feature unsavory depictions of Indigenous characters to be updated, said a Disney spokesperson, although details on potential tweaks to the war party scene and the Trader Sam finale have not yet been shared. As silly and overly pun-filled as the Jungle Cruise may be, it has long been criticized as viewing adventure through an imperialist lens. Non-Americans are depicted as either subservient or savages. Although the ride is meant to be a collage of Asia, Africa and South America, human figures of the regions are presented as exotic, violent and dimwitted, humor that in the 1950s and 1960s was troublesome and today reeks of racism.

It’s also a point of view that clashes with the broader cultural Disney theme park mission, which over the decades has shifted from cartoonish and simplistic depictions of other cultures to a brand with a more global perspective. When Walt Disney World opened Animal Kingdom in 1998, Africa and Asia were shown in a more revered light, which only served to heighten the outdated cultural depictions of the Jungle Cruise.

Disney expects the changes to be completed this year at both Disneyland and Florida’s Walt Disney World, where the ride is currently open. The company adds that timelines could be affected by the COVID-19 pandemic, which led to Disneyland’s closure nearly a year ago. Even with Gov. Gavin Newsom’s lifting of stay-at-home orders this week, Disneyland may remain closed for some time.

As part of the changes, the story of the attraction will be tweaked. Guests will follow the exploits of a Jungle Cruise tour gone awry and throughout the ride catch glimpses of this past expedition. Expect, for instance, to see an old Jungle Cruise boat overtaken by chimpanzees, as the new scenes are designed to add fresh life, activity and characters to the attraction, while also fueling more corny jokes from the ride’s tour guides.

“When we consider making changes to a classic attraction, we focus on ways to ‘plus’ the experience,” said Chris Beatty, creative executive at Walt Disney Imagineering. “The skippers of the Jungle Cruise bring irreverent humor to guests of all ages, and we’re excited to be adding to that legacy — along with a new animated skipper figure — by celebrating their adventures and influence.”

Although the ride has long featured nods to past excursions that ended poorly, Disney is planning to add figures that will represent other tourists and, as Beatty noted, a not-so accomplished skipper. This move will help accomplish Disney’s goal of removing tribal caricatures and, in the words of Disney, “negative depictions of native people.” “For the first time ever, the skipper role will not only be that of a live, experienced and witty guide, but also represented by a show figure within the attraction itself,” said Kevin Lively, a story editor with Walt Disney Imagineering.

To those who follow the parks, the changes shouldn’t be entirely unexpected, especially with a movie starring Johnson and Blunt destined for theatrical distribution. “The Jungle Cruise,” like many other films affected by pandemic-related closures, was postponed from its 2020 release date to one this summer.

Worth noting, however, is that in this instance, Disney is not waiting to see how audiences respond to the picture. Consider it an indication that Disney is aware that the ride’s cultural makeover is a necessity more urgent than what marketing calendars may allow. Additionally, a Disney spokesperson says the new figures will not represent characters in the film.

None of the amended scenes were in the Jungle Cruise on Disneyland’s July 1955 opening, although that ride would look vastly different to today’s audiences.

Animals were then scarce — just seven hippos and eight crocodiles were present in the water, according to documentation of the park’s opening year — and the vast vegetation had not yet grown to mask nearby buildings. Many of the ride’s most beloved scenes, such as the elaborate elephant bathing pool, were dreamed up by animator-turned-Imagineer Davis and added in the 1960s.

Longtime fans of the attraction can expect to see some nods to retired boats in the new scenes, but the goal is a more inclusive ride that doubles down on silliness. Says Lively, “Ultimately, the jungle gets the last laugh.” They also removing the negative depictions of native people from the attraction the Jungle Cruise ride.

All of this information came from the Disney news I look at.

So, what do you guys think about this Disney information?!

I would like to hear some comments, thoughts, opinions, concerns, or questions down below!

Stay tuned for more Disney updates.

The post Jungle Cruise Revamp and More Disney Updates! appeared first on The Nerd Element.