Hi everyone! Today I want to share some of the details that Disneyland has announced today about the retheme of Splash Mountain. So, let’s get started, shall we?! So, Disneyland has announced that the name of the new ride that will replace Splash Mountain is called Tiana’s Bayou Adventure. The new ride will replace Splash Mountain at both Disneyland and Magic Kingdom. The story of the ride is that Tiana, with Naveen and Louis, sets off on a journey to host a unique Mardi Gras party. Guests will be “active participants” in the ride and it will end with the “ultimate Mardi Gras party.” The attraction will have new music inspired by the film’s soundtrack. There will be new characters alongside the characters from the animated movie. Based on silhouettes of characters in the concept art, at least some may be redressed audio-animatronics from Splash Mountain. Disney did not announce when Splash Mountain will close, but Tiana’s Bayou Adventure will open in late 2024. Tiana’s voice actress Anika Noni Rose accidentally leaked this timeframe a few weeks ago. The “Tiana Reimagined” panel later today will showcase “news of ‘Princess and the Frog’, and reveal of Tiana’s new look,” so may have more information about the ride. So, I’m sure that Princess Tiana will be very excited since she is getting a ride that she deserves. I know that some Disney fans do not like the move, but Disney is planning on doing this. So, you would have to know when the attraction will close so that you will know that you should ride Splash Mountain one more time. Keep an eye out on the date that will close. I think that it will close at some point next year or the beginning of 2024. Or maybe it will close right after Mickey’s ToonTown reopens next year with its new designs, some of the retheme including Gadget’s Go Coaster, Goofy’s House, and Donald’s Boat while Roger Rabbit’s Cartoon Spin and Mickey and Minnie’s house are expected to return. Also, the addition of the new ride called Mickey and Minnie’s Runaway Railway. I think all of this makes sense!
This news just came out today!
So, what do you guys think about the Splash Mountain retheme details?!
I would love to hear lots of comments, thoughts, and opinions down below!
Hi everyone! Today I want to share some of the details that Disneyland has announced today about the retheme of Splash Mountain. So, let’s get started, shall we?! So, Disneyland has announced that the name of the new ride that will replace Splash Mountain is called Tiana’s Bayou Adventure. The new ride will replace Splash Mountain at both Disneyland and Magic Kingdom. The story of the ride is that Tiana, with Naveen and Louis, sets off on a journey to host a unique Mardi Gras party. Guests will be “active participants” in the ride and it will end with the “ultimate Mardi Gras party.” The attraction will have new music inspired by the film’s soundtrack. There will be new characters alongside the characters from the animated movie. Based on silhouettes of characters in the concept art, at least some may be redressed audio-animatronics from Splash Mountain. Disney did not announce when Splash Mountain will close, but Tiana’s Bayou Adventure will open in late 2024. Tiana’s voice actress Anika Noni Rose accidentally leaked this timeframe a few weeks ago. The “Tiana Reimagined” panel later today will showcase “news of ‘Princess and the Frog’, and reveal of Tiana’s new look,” so may have more information about the ride. So, I’m sure that Princess Tiana will be very excited since she is getting a ride that she deserves. I know that some Disney fans do not like the move, but Disney is planning on doing this. So, you would have to know when the attraction will close so that you will know that you should ride Splash Mountain one more time. Keep an eye out on the date that will close. I think that it will close at some point next year or the beginning of 2024. Or maybe it will close right after Mickey’s ToonTown reopens next year with its new designs, some of the retheme including Gadget’s Go Coaster, Goofy’s House, and Donald’s Boat while Roger Rabbit’s Cartoon Spin and Mickey and Minnie’s house are expected to return. Also, the addition of the new ride called Mickey and Minnie’s Runaway Railway. I think all of this makes sense!
This news just came out today!
So, what do you guys think about the Splash Mountain retheme details?!
I would love to hear lots of comments, thoughts, and opinions down below!
Award-winning actor and filmmaker Damien D. Smith has decided to take an activist approach with his new short documentary Free to be Free: That’s How God Created Us. The filmmaker, notably known for his work with his short film, Daddy’s Big Girl, won the 2018 Filmmaker of the year at Gentleman Jack Reel to Real Short Film Competition. He also is the winner of the Arts with Impact Grand Prize Award for his short About That.
Scrutinizing the plight of women’s issues and how they are marginalized is not new for Smith. His film The Vexplores the undercurrent of sexual abuse towards women in the sports industry. This has turned into his first feature film titled The V (Victory High), which is currently in pre-production.
Damien spoke with BGN over the phone to discuss his latest project under the production arm 4910 Rosalie Productions, the film Free To Be Free. This film focuses on HB382 — brought by Rep. Candace N. Newell, which addresses discrimination in education, employment, public accommodations, and housing opportunities. While The Crown Act is making waves and partnering with large companies like Dove to bring more visibility to the issue of hair discrimination, it still persists state-wide. Smith uses filmmaking as a tool of awareness and activism in this latest project.
For our readers, please share what Free To Be Free is about.
Free to be Free is a documentary that chronicles the stories, trials, and tribulations women have to go through because of their hair. It’s actually all human beings, but predominantly African-Americans because their hair doesn’t conform to Eurocentric views of beauty or standards of “professionalism.” We chronicle the stories told by a majority of women of all different social statuses. It goes in parallel to trying to get a bill passed in the state of Louisiana. The hope is to put together a policy that protects people based on hair, like The Crown Act.
There are many documentaries about Black women’s hair, but few touch on the work of The Crown Act and the impact it has on regulating Black hair in the workplace. Why was this particular topic important for you?
Hair has been a topic that has been close on my radar for a long time. Because hair is the first thing you notice about physical appearance, it has a lot to do with pride. Representation matters. I saw us doing so much stuff that altered their hair because they felt like they didn’t fit in.
Growing up, I saw the effects it had on the young ladies and young women in my life. So, that’s one part of why I’ve always wanted to address it. My partner Nia Weeks was working with her advocacy on getting the bill passed. We wanted to lobby for this bill. In total, we shot a docuseries that contains three other films. Some of the stories were pulled from there.
While this issue impacts Black women predominantly, you offer a male perspective by making a cameo and interviewing a male subject in the documentary. What was the reason for this artistic choice?
We’re unpacking issues that predominantly affect African-American women and women in general. It does a disservice to a story if we only have one perspective about a subject. I believe that a male perspective or even how you could assist and provide allyship to these stories will be unique because of different experiences. I want to provide a different perspective to help the totality of the story and its impact.
Your film has been selected at many film festivals. What has the feedback been so far from people watching this for the first time?
It’s been very positive. Viewers didn’t know the process of getting these bills passed. Kind of like seeing how the sausage gets made. I tried to do my best. This is why you have to focus on your local elected officials. They make policies that affect your life. These national elections might not trickle down, and you might not even fit in that margin. But these local politicians are the ones that control your fate judiciously or through policies that regulate and change how you are perceived in a workplace.
What advice do you have for budding writers and filmmakers that stare at a blinking cursor or just don’t know how to get started in that first movie?
My advice for people who are just getting started is that first, you have got to get started. Everybody is looking at that blinking cursor. The only difference between the people who got it done and didn’t get it done is the mindset that you’re going to get it done and start. That’s it. Nothing is going to replace the work. Nothing. The more you practice, the more you hone it, the more valuable it is, and nothing is going to replace it. And I’ve picked up that jewel through experience and time. If you continue to work, whatever the highs and the lows are of your situation, you always have that cache of work that you will be known for.
Damien D. Smith is certainly creating a cache of his work through filmmaking and activism with Free to be Free: That’s How God Created Us which will be screening at the Essence Festival. The screening takes place Sunday, July 3, 2022, at 4:30PM.
You can catch Smith performing on-screen on Snowfall (FX networks) and The Purge TV on the USA network.
When my partner comes to visit me, we like to engage in Mario Party violence: Good ol’ Birdo vs Donkey Kong action. We talk shit, then pick up the joy-cons and throw hands. But one weekend I stopped and observed that the mini-games are the homies being—tortured? Hold it with me for a second. Mario and his homies are being put in some inhumane situations (even for the sake of their world). In Mario Party, they got capitalistic ghosts, mushrooms that watch you get robbed, and “minigames” that include things that could kill you. Mario Party is not fun and games. It has never been fun and games. We’re playing into violent affairs, and we’re complicit in our remotes.
Let me start off with some of these “minigames.” These ain’t games okay. They’re forcing people (and animals) to do extravagant, possibly life-altering tasks for 10 dollars.
Exhibit A:
Let’s start off with this Pogo-a-Gogo. A game where three characters on a pogo stick fight to stay on a space station as a rival rotates the platform so that you may plummet into intergalactic doom. Okay. So, we see the problem, right? Toad, the host is basically telling you, “For ten bucks, make your homie disintegrate into the milky way.” My questions are: How they even got the pogo sticks up there in the first place? Why aren’t they floating away? And why did they have to choose something so life threatening in the first place?
According to Business Insider: “You could only last 15 seconds without a spacesuit — you’d die of asphyxiation or you’ll freeze.”
And how long is this game you ask?
They all should’ve died four times.
Exhibit B:
Next, let’s go to Bowser’s Blast, which is basically that bomb diffusing scene in Die Hard with a Vengeance, but everyone is Samuel L. Jackson. Bowser’s Blast presents four people in a line, with a huge bomb in the shape of Bowser’s head on a stage. One by one you have to select the lever that doesn’t set off the bomb. Each time someone selects a lever and it doesn’t go off, there’s one less lever for someone to choose; therefore, it increases the odds of you getting blown up. Basically, it’s an erotic dream for a serial killer.
I don’t know what kind of funding Toad got, but someone needs to investigate his budget for weapons of mass destruction. Because there is no reason why you got UNLIMITED Bowser head bombs. Look at them covering their heads as their best friend gets caught in the explosion. Tragic.
Exhibit C:
The last mini game I’m gonna focus on is Hot Rope Jump. It’s jump rope, but the rope is made out of flames. I want you to think about it. Imagine you’re playing double dutch back in the day and one of your homegirls say: “What if we lit this shit on fire?” Everyone was like, “Haha good one Shirley.” But then she insisted, “Nah, we’d look dope!” Everyone disagreed, but she did it anyway. That’s Mario Party Hot Rope Jump in a nutshell. You’re literally jumping to save the hairs on your butt from being singed. And what happens to you if you get caught? Literal smoke is flaming out your anus, and you’re hopping to safety.
Honorable Mention:
1) Cheep Cheep Chase: Four people get thrown into a dungeon pool being forced to swim for their lives avoiding spike balls floating on the water while a huge fish blubs after you to suck off your flesh and bones.
2) Boulder Ball: Three characters run up a steep incline as someone at the top of the hill throws down boulder balls at them.
Next, lets gravitate our attention to the party boards. Here they present you separate “paradises” and “invigorating experiences” to choose from. Ranging from a tropical island to a haunted forest, each is equipped with their own methods of follicle stressors. My main focus is going to be on Space Land. Modeled after a space colony, this board has multiple paths with a counter in the middle to set off a huge laser beam that not only blasts you into the air, but also yeets your entire bank account.
I bet you’re asking, what makes this more of a torture chamber than say Peach’s Birthday Cake where you can grow large piranha plants between the crevices of sweet frosting. Or why not Woody Woods where moles pop out of the ground and mess with the map, so you’re forced to go around in circles in a God forsaken place where mushrooms play soccer with acorns. You’re probably wondering why not Yoshi Island? A paradise where Bowser robs you of 20 bucks then throws a shell at your face disguised as a cake. No, I assure you Space Land is a menace, and here’s why.
THERE’S GHOSTS IN SPACE!
Everywhere else, it makes sense. Yoshi island? You could make an excuse for dead Yoshis. Haunted forest? Of course! You know what Space Land has? Ghosts AND cops! You make a space utopia, and you got homies in hoods and masks stop and frisking you at checkpoints. Sounds familiar, but I digress. Imagine in space and away from earth, you got homies chasing you in cop cars, a countdown waiting to strip you of your entire bank account, and on top of that when you least expect it, some broke dinosaur on the other side of the board plotting to steal your stars. You literally cannot escape the treachery.
My personal experience with Space Land begins with a classic game my partner (Donkey Kong) and me (Birdo, the bougie dinosaur). I knew this game was gonna be something when a huge cinderblock with arms chased me all the way to the other side of the board, which plopped me head first into the laser. What happened next? My partner circled around the counter and had all of my money (100 coins by the way) disappear. To give you retrospect, having 100 coins or more is basically like being the 1%, so imagine that to losing all your money and being broke. It be feeling like everyone laughing at you. Like, “Ah ha! Wasn’t you out here making it rain on Toadette? Now look at you, scraping for three dollars every five steps.” It’s quite embarrassing actually. And the fact that you can’t even pay off the “space cops” (Shy Guys) if you don’t got money. They just ignore you saying, “we got paper work.”
This Whole Board is Disrespectful!
After I got chased to the back of the board and was left with no money, everything was wild. I passed by the bank; they pitied my ass. “We’ll take whatever you have.” I’m sure Koopa is just looking at me and internally saying, “Oh. Brokey McBroke Broke is back. Somebody, get her a dollar.” I landed on the V.S. but didn’t have enough money for the betting pool. Toad started making side remarks about how there’s less money in the pot. Like obviously! You knew what was going on when I got here! Stop embarrassing me in front of the crew. I could sauté him for talking wild like that, but I’m not saying nothing.
But by far, what makes the Mario Party torture chamber worse are the item stores. If someone throwing boulders at you and a ghost coming to rob you isn’t enough, those mini shops set up throughout each board ran by Toad will do it. Toad the mastermind of all things PAIN has diabolical items ranging from things that can make you move faster, or reduce your opponents speed, steal things from them, etc. If you want to hurt someone ,Toad has it. But for the purpose of my own trauma, I’m gonna focus on one:
The “Chomp Call”
The Chomp Call summons three metal balls with TEETH to move Toadette to another star location. This item is inhumane. Not only does it revoke an opponent’s chance to get a star no matter how close they are, but it also puts Toadette at risk. Imagine you just see three wrecking balls with good dental coverage circling around you like sharks. I’d be terrified. This is Toadette’s life. The Chomp Call is probably one of the pettiest items in the game, because the computer specifically waits till you get really close to set it off. Right when you have your hopes and dreams, waited four turns to finally afford a star, then BAM! Somebody whips out their inhumane wrecking ball whistle to redirect the star somewhere else on the board. The places where Toadette falls, can lead the star directly to you or 50 steps away.
The Chomp Call is the Hateration in the Dancery
There’s been plenty of occasions by luck I roll high numbers and think I’m going to hit the star but like frustrating magic, I fall one step before it. I cry. I scream. Then, I see another player has a Chomp Call. They see my joy, pull it out and FWEEEEET! My hopes, my dreams dashed as I am forcibly taken back to the same side of the board I just came from and will take me another five turns to return to the star’s location.
I know we grew up thinking for generations that Mario Party is innocent fun and filled with activities for all ages. But I’m here to tell you that it is absolutely not. Folks get mad at violent shooter games; Mario Party needs that same energy. If you got your friends conspiring against you from 30 steps away, taking your money, making you succumb to money grubbing lasers and throwing boulders at you?! I think you have to rearrange your priorities.
SAN DIEGO, June 28, 2022—Writer Ernest Hemingway casts a long shadow in literature that extends into comic books, where he has appeared alongside Superman, Mickey Mouse and Captain Marvel—he even fought fascists with Wolverine.
Hemingway in Comics, the book and the exhibit at the Comic-Con Museum, explore what it means to be a pop culture icon, and how that image can change over time. Hemingway in Comics celebrates more than 120 of these comics from 18 countries, from the U.S. and Mexico to the Netherlands and Latvia. Artists featured in the show include Chris Ware, Colleen Doran, Cliff Chiang, Steve Rolston, Ryan Inzana, Gabo, Norwegian artist Jason and many others.
The Comic-Con Museum will host a preview of the show in its theater lobby during the July convention, then host the full 60+ artifact exhibition from August to December 2022.
Interviews with author/curator Robert K. Elder are available in advance, as well as with a few select creators featured in the book.
During the convention, a panel will discuss the show on Saturday (11:30 AM -12:30 PM). Panelists include Robert K. Elder (Hemingway in Comics) Elliot S! Maggin (Superman, Action Comics), Zander Cannon (Kaijumax, Smax), Eric Peterson (Jesus Christ: In the Name of the Gun), Dr. Emily Schindler, director of education at the Comic-Con Museum, plus special guests.
Praise for Hemingway in Comics:
“Hemingway in Comics is a fascinating look at America’s finest author in America’s most disposable medium. Hemingway wouldn’t be caught dead reading this book, but since he’s already dead, the rest of us can bask in its two-fisted, pop-culture obsessed meta-history.”
— Chris Burnham, artist & author, Batman Incorporated, Officer Downe
“It’s head-spinning to see all the ways that Ernest Hemingway has been handled in comics. From early reverential cameos, then on to broad caricature, and now moving onto more subtle hagiographies and skewering.
As a comic book artist, I want to draw my Hemingway and get added to a future edition.”
— Gene Ha, artist and author, Mae and Top 10
“There’s the Marvel Universe, the DC Universe, and now we have the Hemingway Universe. Robert K. Elder takes us on an entertaining, enlightening deep dive into a surprising corner of comic book history.”
— J.M. DeMatteis, author, Moonshadow and Kraven’s Last Hunt
For more information about Hemingway in Comics, visit:
Tickets to the Comic-Con Museum can be purchased at https://museum.comic-con.org/main
SAN DIEGO COMIC CONVENTION (SDCC) is a California Nonprofit Public Benefit Corporation organized for charitable purposes and dedicated to creating the general public’s awareness of and appreciation for comics and related popular art forms, including participation in and support of public presentations, conventions, exhibits, museums and other public outreach activities which celebrate the historic and ongoing contribution of comics to art and culture. In addition to its San Diego convention each summer Comic-Con (the premier comics convention of its kind in the world), SDCC organizes the Anaheim-based WonderCon each spring, and the SAM (Storytelling Across Media) symposium in the fall.
SDCC is the parent organization of the Comic-Con Museum in San Diego’s Balboa Park. On the web: Comic-Con.org, Facebook.com/comiccon, and follow us on Twitter (@Comic_Con) and on Instagram (@comic_con)