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https://nerdist.com/article/ai-da-artificial-intelligence-robot-artist-self-portrait/
With the new surge in artificial intelligence’s abilities, more people are asking what constitutes art. AI images from text prompts in programs like DALL-E and Midjourney are everywhere these days and are constantly improving. The existence of an artificially intelligent robot named Ai-da also means we have to ask what constitutes an artist. Ai-da exhibited a series of self-portraits at London’s Design Museum last year, which you can see in the video below. She continues to create art so us mere mortals must confront how technology and creativity intersect.
We learned about Ai-da on Boing Boing. She is named after Ada Lovelace, the 19th century mathematician widely regarded as the first computer programmer. Ai-da’s metal hand can hold a pencil and she draws what her camera eyes see. Her programming dictates that she never sketches the same thing twice. She has a silicone head and torso and rocks several different hairstyles. Via a computerized voice, Ai-da has even given a TEDx Talk about herself and what her art means for humanity and the future of artificial intelligence.
Agents of S.H.I.E.L.D. fans like me may be getting flashbacks a different Aida. Season four’s villain, and one of the best of the entire series, A.I.D.A. began as an artificial intelligent digital assistant. She desires to be real and transforms herself and then the world around her to suit her selfish purposes. She even declares herself Madame Hydra and eventually gains human emotions and inhuman powers. What could possibly go wrong? Hopefully this real-life Ai-da won’t get her robot hands on the Darkhold and head down a dark path.
Pop culture is full of creative people asking what artificial intelligence means for humanity. Here’s hoping it won’t turn out as badly, or put us on the darkest timeline, now that we have the technology to act it out in reality.
Melissa is Nerdist’s science & technology staff writer. She never turns down an opportunity to talk about the Framework. Melissa also moderates “science of” panels at conventions and co-hosts Star Warsologies, a podcast about science and Star Wars. Follow her on Twitter @melissatruth.
The post Do This AI Robot’s Self-Portraits Count as Art? appeared first on Nerdist.
With the new surge in artificial intelligence’s abilities, more people are asking what constitutes art. AI images from text prompts in programs like DALL-E and Midjourney are everywhere these days and are constantly improving. The existence of an artificially intelligent robot named Ai-da also means we have to ask what constitutes an artist. Ai-da exhibited a series of self-portraits at London’s Design Museum last year, which you can see in the video below. She continues to create art so us mere mortals must confront how technology and creativity intersect.
We learned about Ai-da on Boing Boing. She is named after Ada Lovelace, the 19th century mathematician widely regarded as the first computer programmer. Ai-da’s metal hand can hold a pencil and she draws what her camera eyes see. Her programming dictates that she never sketches the same thing twice. She has a silicone head and torso and rocks several different hairstyles. Via a computerized voice, Ai-da has even given a TEDx Talk about herself and what her art means for humanity and the future of artificial intelligence.
Agents of S.H.I.E.L.D. fans like me may be getting flashbacks a different Aida. Season four’s villain, and one of the best of the entire series, A.I.D.A. began as an artificial intelligent digital assistant. She desires to be real and transforms herself and then the world around her to suit her selfish purposes. She even declares herself Madame Hydra and eventually gains human emotions and inhuman powers. What could possibly go wrong? Hopefully this real-life Ai-da won’t get her robot hands on the Darkhold and head down a dark path.
Pop culture is full of creative people asking what artificial intelligence means for humanity. Here’s hoping it won’t turn out as badly, or put us on the darkest timeline, now that we have the technology to act it out in reality.
Melissa is Nerdist’s science & technology staff writer. She never turns down an opportunity to talk about the Framework. Melissa also moderates “science of” panels at conventions and co-hosts Star Warsologies, a podcast about science and Star Wars. Follow her on Twitter @melissatruth.
The post Do This AI Robot’s Self-Portraits Count as Art? appeared first on Nerdist.
Legendary animator-writer-director Henry Selick (Coraline) makes his long-awaited return to the screen with a dark and edgy stop-motion feature just in time for Halloween.
Co-written by horror auteur Jordan Peele (Nope) and based on an unpublished book by Selick and Clay McLeod Chapman, Wendell & Wild is about second chances, self-discovery, and the afterlife and somehow manages to shine a light on the grim reality of the prison industrial complex and juvenile correctional system while remaining a fun, spooky story with plenty of bug guts.
Thirteen-year-old Kat Elliot (Lyric Ross) lost her parents in a tragic accident when she was eight. She harbors a lot of guilt that has hardened her against the world. She’s angry and has no interest in friends or any kind of affection. “I figured I’d just hate myself for the rest of my life,” she says.
But there are moments when her vulnerability shows. After years bouncing around foster homes and a stint in juvie, she’s brought back to her hometown to attend Rust Bank Catholic School for Girls via a program called Break the Cycle. Rust Bank has seen better days, and it’s pretty much gone downhill since her parents died and their brewery burned down.
Throughout the film, Kat encounters RBC’s various oddball characters, like shifty headmaster Father Bests (James Hong) and the demon-obsessed janitor Manberg (Igal Naor). She also meets the fiercely protective Sister Helley (Angela Bassett), who knows more about the supernatural than one would expect. Kat’s ushered around the school by irritable, penguin-shaped nuns, but before she makes her way down the halls of RBC, she gives the school uniform a makeover to match her green-haired Afropunk style.
Meanwhile, the titular demon bros Wendell (Keegan-Michael Key) and Wild (Jordan Peele) are working for an Oogie Boogie-like villain named Buffalo Belzer (Ving Rhames) in the Underworld. Belzer runs the Scream Faire for the Souls of the Danged. The brothers have their own big amusement park dreams, fittingly called Dream Faire. But they need help from Kat, who happens to be their Hellmaiden. Yes, on top of everything else she’s dealing with, Kat discovers she can summon demons to the Land of the Living.
Selick, a big Key & Peele fan, reached out to the duo about this story of tricky hellions. He told Polygon, “It seemed like a Key & Peele skit, almost, that they could be these siblings who are demons but have very human weaknesses and desires.” That duality of humanity versus the otherworldly is a mainstay throughout the film, leading us to ask who the real bad guys are in this story. Is it the gleefully manipulative demons or the greedy humans?
The visual style of Wendell & Wild stands out from other stop-motion animations. It’ll definitely remind you of classics like The Nightmare Before Christmas, but the designs aren’t as smooth. Right away I noticed the seams between the characters’ faces. Selick said in an interview that they intentionally “left in bumps and imperfections.” I admit it’s sort of distracting. However, it gives the characters an oddly tangible look. There’s also a paper cutout aesthetic reminiscent of the eerie shadow puppetry in Candyman.
Each character is distinct, with some even resembling the voice actor portraying them. I knew Father Bests was James Hong within two seconds of seeing the character’s face. With its multicultural cast of characters, you can tell that designs embrace Black and Brown features and hair texture, especially when it comes to Kat because we love a Black goth girl. I can’t wait to see all the amazing cosplay the film inspires. Plus, Bruno Coulais (Coraline) infuses his trademark ethereal choir music with Kat and her parents’ love of punk, featuring a few bangers from the likes of Living Colour and TV on the Radio.
There’s a lot to love about Wendell & Wild, but it also has a lot going on for one film. Kat and her demons could’ve used more screen time with a little less focus on the corrupt prison storyline. Kat’s starting at a new school, finding out she has powers, facing her literal demons, raising the dead, and worrying about the fate of Rust Bank, all while carrying around unresolved trauma and a general dislike for everything and everyone, is a lot. Then there are multiple subplots involving RBC staff, students, and parents, not to mention what’s going on in the Underworld.
One of my favorite things about the film is just how subversive it is when it comes to kids’ movie tropes. For starters, the depressing town of Rust Bank might be the least kids’-movie setting ever. The wealthy girls at school aren’t bullies but rather super welcoming and optimistic, which Kat finds annoying. Adults aren’t stifling anyone’s childlike imagination or telling them to grow up (because they’re too focused on money). The cast and characters are incredibly diverse without their racial or sexual identity being the most talked about aspect of their existence. RBC’s only trans student Raúl (Sam Zelaya) has a supportive single mom and a school (a Catholic school at that) that recognizes his transition.
Wendell & Wild is a fun, twisted tale of tragedy, trauma, and second chances, beautifully wrapped in Halloween greens and mystic purples. Though the story feels over-packed at times, the balance of spooky fun and social commentary makes up for it. And with rich, diverse characters like Kat and Raúl, the film is a rare gem in the stop-motion animation genre. Henry Selick never misses, and I hope this genius collaboration with Jordan Peele is the first of many.
Wendell & Wild had its world premiere at the 2022 Toronto International Film Festival. The film hits theaters October 21, 2022, and will stream October 28 on Netflix.