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https://www.thenerdelement.com/2023/10/07/nfl-week-4-prediction-updates-and-week-5-picks-2/
Good afternoon, folks! Today I want to discuss which picks I got correct and which ones I got wrong! So, let’s get started, shall we?! I predicted that the Vikings would beat the Panthers 24-20, but the final score was 21-13 Vikings over the Panthers. I predicted that the Ravens would beat the Browns 31-23, but the final score was 28-3 Ravens over the Browns in a blowout. I predicted that the Broncos would beat the Bears 21-14, but the final score was 31-28 Broncos over the Bears in a very close game. I predicted that the Eagles would beat the Commanders 27-20, but the final score was 34-31 Eagles over the Commanders in a shootout. I predicted that the 49ers would beat the Cardinals 30-27, but the final score was 35-16 49ers over the Cardinals. The Cards defense could not stop the 49ers playmakers. They were too much for them to handle. Brock Purdy only had one incompletion. The Cards kept fighting hard by driving a 99-yard touchdown down 21-3 to make it 21-16. The Cards of course had too many penalties and mistakes. I predicted that the Cowboys would beat the Pats 35-17, but the final score was 38-3 Cowboys over the Pats in a huge blowout. I predicted that the Chiefs would beat the Jets 31-19, but the final score was 23-20 Chiefs over the Jets in a close game. Hmm. Seems like the Chiefs offense is not scoring a lot of 30 points so far this season as they did not actually get wide receiver help. I predicted that the Seahawks would beat the Giants 24-17, but the final score was 24-3 Seahawks over the Giants in a blowout.
I predicted that the Dolphins would beat the Bills 37-34, but the final score was 48-20 Bills over the Dolphins.
Overall, I have gotten 8 out of 9 picks correct!!! Only one pick I missed! Now, let’s get to the NFL week 5 picks, shall we?! The first game I will predict is the Jags @Bills game. I actually think the Jags will beat the Bills 24-20. The next game I will predict is the Ravens @Steelers game, the divisional rivalries. I think the Steelers will actually beat the Ravens 34-27. The next game I will predict is the Bengals @Cardinals game. Both of these teams are coming off with their losses last week desperately needing a win tomorrow especially the Bengals. The Bengals offense only has 3 offensive touchdowns so far this season. They had a lot of expectations going into the season. The defense of the Bengals have given up a lot of big runs and they have missed 12 tackles against the Titans. And now recently, the quarterback Joe Burrow said that this game is a must win for us. The Cardinals offense of course has more offensive touchdowns than the Bengals do. Jamar Chase might be a key factor for Joe Burrow to throw to. I have not predicted the Cardinals to win some games so far. However, I’m actually going to predict that the Cards will beat the Bengals 24-17. It will be fascinating to see how these two teams play. Also, the Cards can’t have too many mistakes and penalties. That is called shooting yourselves in the foot. The next game I will predict is the Eagles @Rams game. I think the Eagles will beat the Rams 37-19. The next game I will predict is the Jets @Broncos game. I think the Jets will beat the Broncos 26-23. The next game I will predict is the Chiefs @Vikings game. I think the Chiefs will beat the Vikings 24-17. The next game I will predict is the Cowboys @49ers game on Sunday Night Football.. This is going to be a very good game. You know, I’m actually going to pick the Dallas Cowboys to beat the 49ers in a very close game 40-37 in a shootout. I know, some people will disagree with me on this, but this is my prediction. Someone eventually has to beat the 49ers. The last game I will predict is the Packers @Raiders game. I think the Packers will beat the Raiders 28-21.
So, what are your guys’ thoughts and comments about the NFL week 5 picks?!
Stay tuned for NFL updates.
The post NFL Week 4 Prediction Updates and Week 5 Picks! appeared first on The Nerd Element.
We are so happy to report that The Writers Guild of America (WGA) announced an end to its strike on Wednesday 27 at 12:01 a.m. PT. Yes, the writers’ strike is now officially over. This WGA strike lasted 148 days, marking the second-longest strike in the history of the union. But although difficult for all WGA members involved, the writers’ strike was well worth it. The WGA released the details of the deal it struck with the AMPTP, and the gains and protections for writers, as promised, are exceptional. Happily, as of October 9, the WGA membership voted to ratify this deal, and it will last until 2026.
From issues of AI to streaming data to health insurance, the WGA negotiating committee truly held its ground to receive a deal that meets the needs of its members. The WGA achieved agreement on many points that at one time seemed like an impossibility. But through the mechanism of its strike, the WGA managed to win these necessary evolutions, which will benefit writers today and in the future.
✅Minimum room size.
— Jackson Lanzing (@JacksonLanzing) September 27, 2023
✅Pay increases.
✅AI can't write.
✅Disclosure of streaming numbers w/ residuals to match.
✅Guaranteed 2nd step for screenwriters.
✅Script fees for staff writers.
✅Writing teams get full payment into pension (this is huge for me specifically)
Hell. Yes. https://t.co/j7HPdCe41r
For those interested in reviewing the full agreement between the AMPTP and the WGA, the WGA MBA summary has been released here. Here a few parts of note.
The Strike-Ending WGA Agreement on AI, Writers, and Hollywood
The topic of AI has occupied the mind of many a creative in recent history. Although it seems obvious to creators that AI could never replace the mind and passion of thinking humans, this truth appears less obvious to studios and executives. But happily, the WGA was able to successfully curb AI use in Hollywood, at least where writers are concerned.
The WGA agreement summary notes:
We have established regulations for the use of artificial intelligence (“AI”) on MBA-covered projects in the following ways:
- AI can’t write or rewrite literary material, and AI-generated material will not be considered source material under the MBA, meaning that AI-generated material can’t be used to undermine a writer’s credit or separated rights.
- A writer can choose to use AI when performing writing services, if the company consents and provided that the writer follows applicable company policies, but the company can’t require the writer to use AI software (e.g., ChatGPT) when performing writing services.
- The Company must disclose to the writer if any materials given to the writer have been generated by AI or incorporate AI-generated material.
- The WGA reserves the right to assert that exploitation of writers’ material to train AI is prohibited by MBA or other law.
Basically, AI is out and writers are in. We love to see it.
The WGA Agreement on Streaming Data Transparency
Writers, and many parts of the industry, have felt great frustration over not knowing exactly how their work performs on streaming channels. Of course, not knowing and not getting paid correlate heavily. When it comes to streaming numbers and performance, the WGA’s strike-ending agreement reveals:
The Companies agree to provide the Guild, subject to a confidentiality agreement, the total number of hours streamed, both domestically and internationally, of self-produced high budget streaming programs (e.g., a Netflix original series). The Guild may share information with the membership in aggregated form.
In addition, viewership hours on streaming will factor into bonuses for writers in work created for a High Budget Subscription Video on Demand channels.
The WGA Agreement on Health and Pension Contributions for Writing Teams
It seems wild, but it’s true, that since writing teams were paid together they had to split pension and health contributions. Now, “each writer on a writing team employed for a script will receive pension and health contributions up to the relevant cap as though they were a single writer, rather than splitting the applicable cap.” That, we imagine, is a truly meaningful evolution to those that it affects.
The Writers’ Strike Is Over, What’s Next?
In addition to all of this, many other gains were made in terms of script fees, room sizes, time writers get to spend on a production, and more. When the WGA announced the strike was over on September 27, writers could officially return to work. At the time, the agreement still needed to be ratified.
Happily, as of October 9, 2023, the WGA membership officially voted to ratify the strike-ending contract. Variety shares, “The membership voted 99% in favor of ratification, with 8,435 voting in favor and 90 members opposed.” This new contract will run from September 25, 2023 through May 1, 2026. We commend the writers on all of their hard work and continual efforts to ensure a fair deal for current and future scribes in Hollywood.
While this is great news for writers, the work for unions is not over. SAG-AFTRA remains on strike and has not yet received meaningful acknowledgment from the studios. In fact, a second SAG-AFTRA strike aimed at achieving fair compensation and protections for video game work has been authorized. Members of all unions and non-union members alike should continue to show solidarity and help fight for the good of all. Here are some ideas on how you can help!
Originally published on September 27, 2023.
The post The Writers’ Strike Is Officially Over, WGA Votes to Ratify the Deal appeared first on Nerdist.
For 21 years, the city of Wichita has hosted the Tallgrass Film Festival in Kansas. This festival which proudly boasts to be “stubbornly independent”, showcases some of the best of indie films from around the world. This is through an annual 4-day film festival, year-round special screenings, filmmaking competitions and filmmaker labs.
The in-person and virtual festival runs Oct 5-8. The films in competition have been awarded. However, there is the audience award that is still up for grabs. The festival keeps going until October 30th virtually, which means you can watch films from the festival and vote for who you would like to win the audience awards to be announced November 1.
Here at BGN we always like to highlight Black excellence in entertainment — the following is a list of Black films and filmmakers with official selections at the festival. There are Black-centric films featured on this list with non-Black directors. As well as films with Black directors that are not specifically focused on Black experiences.
FEATURES
Elizabeth Gray Bayne – Chocolate Milk
Chocolate Milk explores racial inequities in birth and breastfeeding in the US by following the stories of three Black mothers in South Los Angeles over multiple years – a new mom, a WIC employee and a homebirth midwife.
Lagueria Davis – Black Barbie: A Documentary
Through intimate access to a charismatic Mattel insider, Beulah Mae Mitchell, BLACK BARBIE delves into the cross section of merchandise and representation as Black women strive to elevate their own voices and stories, refusing to be invisible.
Nicki Micheaux – Summer of Violence
Refusing law school to pursue poetry, a sheltered college grad, cut off from her father’s money, struggles to survive while living in Denver during the Summer of Violence in 1993.
William Forbes and Douglas Skinner – Name of the Game
The untold story of black male exotic dancing in south Los Angeles and how it intersects with the origins of hip hop, gang culture, and kung fu assassins.
J.S. Hampton – The Unseen
A witch from the 1850’s is transported into the head of her descendant in modern Kansas City, who is tasked with helping get her ancestor’s body back.
SHORTS
Shequeta Smith – Dick Control
Richard Tye “Trigga” Simmons, a rich, promiscuous, jet-setting rapper, has a one-night stand with a beautiful groupie who happens to be a witch. When Tye disrespects her, she places a curse that can’t be broken until he learns how to respect women.
George Ellzey Jr. – Cottage Grove
A young man struggles to communicate with his stroke-afflicted father, and at the same time, stay true to himself.
Destyn Fuller-Hope – A Part of You/ Made Me Whole Again
Two Lives. One Gift. A post-kidney transplant memoir, told as a dream-like prayer to Mom.
Kameishia Wooten – Choices
Hidden away under the bleachers at school, free-spirited Aisha gives a pregnancy test to Jessica, a cheerleader and prom queen contender, who’s terrified of what the results might mean. They are joined by their childhood friend Portia, who has made her own decisions about motherhood. The three reconnect over their circumstances and celebrate all of life’s choices.
Bailey Williams – Black People Surf?
A documentary that chronicles the renaissance of Black surf culture in Southern California.
It’s no secret that Black people are not the first that come to mind when you think of water activities or surfing. But what if we told you there were communities all around the world where Black folks are meeting at the beach and communing in the water to dispel those ideas?
This documentary follows the founders, instructors, and surfers who are committed to building a more inclusive surf community through their collectives and non-profit efforts. We hope this film will help inspire those who do not know how to swim into changing the tide.
Anndi Jinelle Liggett – Jelly
A young, Black girl with a peculiar fascination with death tries to solve the mysterious case of a missing neighbor while coming to terms with a more personal disappearance.
David Fortune – Shoebox
After sweeping hair at a local barbershop, a 12-year-old boy hopes to make a purchase that will bring honor and healing to his loved ones.
Frederick Thornton – October Mourning
Grieving the unexpected loss of his father, Henry Sims gets a chance to have one more conversation with Dad.
Directed by Tessa Slovis and Written by Bukola Ogunmola – Falsies
Robert is applying for his dream job at Harborville Corporation. But with the change comes the aching weight of feeling the need to fit in. Gail is trapped in the monotony of marriage and motherhood. These strangers world’s collide when Gail becomes the sole witness of racially charged violence against Robert. In a tailspinning, time bending 13 minutes, FALSIES examines white female complicity, the necessity of action, self actualization and acceptance.
Robert Brogden III – Robert & Billie
A generational love story set in the historic town of Nicodemus, Kansas, the only remaining western settlement founded by formerly enslaved Black Americans following the Civil War. Robert works as a maintenance man at the Nicodemus National Historic Site, tending to the very building where he met his wife, Billie, over sixty years ago. A few years after her passing, Robert reflects on their shared life and love.
Kris Bailey – I Am Brihanna Jayde
The 2023 Kansas All American Goddess gives viewers and listeners a glimpse of the Drag Queen life and what it means to live life authentically as a gay man.
Benjamin Shimwa – Inner Sounds
After a car accident ends his singing career, Louis rediscovers his musical passion through the keys of a piano, inspired by a heartfelt conversation with his sister.
Hophni William – The Ballad of Rich and Champ
Rich and Champ arrive at their nightly stomping grounds for some easy money at the billiards table. The pair have different aims for their lives, but their working relationship keeps them moving in the same direction. The night cruises along like any other until a new challenger drops more money than either man expects on the table. When everything’s on the line, Rich and Champ will learn who each other really is.
Geoff Ross – This Is About The Census
A loyal citizen is called into a government office to answer a life or death question: why does the census only have one person?
Niki Taylor Roberts – Go To Bed, Raymond
A father discovers the surprising truth about why his son won’t go to bed.
Not every film is available online, to select which films you would like to stream you can click on the hyperlink in the title. Deadline is October 30th to submit your vote.
Jordan Peele has proved he is a horror genius by making us face personal traumas in Get Out and Us, while discovering sinister experiences in Nope. He is continuously changing the landscape of the horror genre, with his use of social commentary.
Out There Screaming: An Anthology of New Black Horror is a horror anthology by Black authors edited by Jordan Peele and I was so excited to read this. As we know, Peele definitely has an eye for a good story so I was very intrigued. The collection is a mix of horror, science fiction, folklore, and social commentary from the perspective of Black experiences that grapple with death, grief, racism, technology, and spirituality. Overall, this was a brilliant anthology filled with cosmic horror to psychological horror to your typical hauntings and haunted houses.
One thing that works for this collection is how differently the stories are. I wouldn’t be able to put any two stories from this collection together and say they felt similar, so I think anyone who picks this collection up will be able to find something they like.
With anthologies, my intention is to read two or three stories a day instead of trying to read it in big chunks. I managed to do that and it helped my enjoyment of it, as I never felt weighed down. Some of these stories are a little heavier in theme so reading them back-to-back wouldn’t have been the best idea.
This book was a great introduction to several new-to-me authors in a genre I’ve started to delve into more deeply. It’s also an outstanding example of the diversity of storytelling that exists within it. There were a few standout stories and authors I’m especially excited to read more from, but the anthology as a whole captivated my attention.
From psychological horror to monster hunting to alien abduction to folk/spiritual horror to contemporary history, this collection has varied ideas. Some of the stories were gut punches but perfectly paced and focused. Others felt like they could have benefitted from 50 more pages and being made into novellas.
The first story in the collection is Reckless Eyeballing by N.K. Jemisin. Black cop Carl sees eyes on car headlights which leads him to suspect that the drivers are guilty of crimes. Jemisin knows how to tell a story! The ending was a bit of body horror.
Eye & Tooth by Rebecca Roanhorse is about a sibling duo, Zelda and Atticus, who are supernatural hitmen, if you will. They accept a job in rural Texas from a woman with a supernatural creature problem. So, think creepy farmhouse, creepy cornfields, and creepy child galore. The atmosphere and setting were spooky. All of these elements drew me in quickly. But the ending was too abrupt for me. I wish there were more hints for Zelda’s powers. It felt like it came out of nowhere, but for a short story, I suppose it worked.
The Rider by Tananarive Due is a story of two sisters, Pat and Priscilla, who are involved in the Freedom Riders movement during the Civil Rights era. They take a bus to Montgomery, Alabama (or try to, anyway). I loved the historical aspect combined with a creepy monster devil. Thank goodness their plans didn’t work out!
My other favorites in this collection are The Most Strongest Obeah Woman of the World by Nalo Hopkinson. Yenderil swims to the bottom of the blue hole to kill the beast that haunts her village. But instead, the beast latches itself to her. It’s a combination of body horror and cosmic horror. It was gross and cool at the same time. The Norwood Trouble by Maurice Broaddus is about a young girl who experiences a lynch mob in the years before civil rights was initiated in the United States. I was expecting a short story with a historical setting where racism itself is the monster and this was definitely it. There is a quote from this story that stood out for me:
“Know your place. Stay in your place. But if you build your place into something nice, they want to take it from you. All they needed was an excuse.”
Within the 19 stories, some paint a bright image, some just get under your skin, some are bleak and dark, and some came through with a sense of hope, but they all force you to ask yourself, what is it that horrifies you? What is more frightening to you: a supernatural entity, or a police officer in a small town? What about your place in history? Regardless of what you see when you stare at the horrific, there is something in this collection to excite you, and something that will dig its way into your mind, blurring what you thought you knew to be safe.
In 1973, The Exorcist appeared in movie theaters. Three years later, writer James Baldwin shared his thoughts about the film in The Devil Finds Work, a book-length essay about racism in American cinema. Baldwin felt that the most memorable scene, a young girl twisting her head 360 degrees, was horrific but not for the obvious reason: that white Americans could watch it but have no real fear, by contrast, when imagining the everyday horrors of life as a Black American.
To Baldwin, the film was designed to horrify white Americans, who would have no idea of what it was like to be treated as inhuman. “The mindless and hysterical banality of the evil presented in The Exorcist is the most terrifying thing about the film,” he writes. “The Americans,” he continues, “should certainly know more about evil than that; if they pretend otherwise, they are lying, and any Black man … can call them on this lie; he who has been treated as the devil recognizes the devil when they meet.”
What I appreciate about Peele is that he is using his immense platform and influence to elevate the work of Black horror writers and stories. These stories are grounded in many different aspects of the Black experience, although not always explicitly, and this is what connects all of these diverse stories. I loved the inclusion and discussion of race and being Black in America in some of these stories. It really goes back to the question: What is it that horrifies you? Because for Black people, our answers will be quite different than others.
I highly-recommend this book for those that love horror stories, as well as those starting to dip their toes into the horror waters. It blends non-fictional themes with social and psychological aspects of the Black experience. The quality of the stories and the variety of horror represented makes this a 5/5 star read for me.
Out There Screaming: An Anthology of New Black Horror is available October 3, 2023 wherever books are sold.