If there’s one thing for sure, Gina Torres understands that beauty and football are a natural combination. That said, the Suits star is set to appear in an e.l.f. Cosmetics commercial during the Super Bowl this Sunday. The spot will feature a segment called “Judge Beauty,” which takes place in e.l.f. Court (a courtroom that deals with makeup-related crimes on the eyes, lips, and face, of course!)
And what’s even more exciting, “you’re going to be reunited with some of your favorite characters if you’re a Suits fan,” as Torres tells ESSENCE. Rick Hoffman, for example, sues Torres for misusing company funds to buy overpriced makeup. Naturally, Judge Judy finds Torres guilty and sentences her to having “glowy skin” from only using e.l.f.’s new $14 Halo Glow Liquid Filter.
In real life, Torres loves the natural coverage it leaves on her skin. “It’s true to its word,” she says. “It really is this lovely natural filter that gives you a glow. It catches light in a really beautiful, flattering way,” Torres adds. “One thing for sure is the product doesn’t make you look like you have a ton of makeup on. In fact, it actually looks quite natural.”
The 9-1-1 Lone Star actress is also excited about the Super Bowl opportunity because she genuinely loves storytelling of all kinds. “I love getting into somebody’s shoes and shedding a different kind of light on a personality, character, or a real person that you may not otherwise understand.” she says. “It helps you gain more compassion for those in the real world.” And with this project in particular, she’s just excited to bring people at home joy. “This commercial really is full of recognizable, wonderful personalities and I think people are just going to have a whole lot of fun.”
If there’s one thing for sure, Gina Torres understands that beauty and football are a natural combination. That said, the Suits star is set to appear in an e.l.f. Cosmetics commercial during the Super Bowl this Sunday. The spot will feature a segment called “Judge Beauty,” which takes place in e.l.f. Court (a courtroom that deals with makeup-related crimes on the eyes, lips, and face, of course!)
And what’s even more exciting, “you’re going to be reunited with some of your favorite characters if you’re a Suits fan,” as Torres tells ESSENCE. Rick Hoffman, for example, sues Torres for misusing company funds to buy overpriced makeup. Naturally, Judge Judy finds Torres guilty and sentences her to having “glowy skin” from only using e.l.f.’s new $14 Halo Glow Liquid Filter.
In real life, Torres loves the natural coverage it leaves on her skin. “It’s true to its word,” she says. “It really is this lovely natural filter that gives you a glow. It catches light in a really beautiful, flattering way,” Torres adds. “One thing for sure is the product doesn’t make you look like you have a ton of makeup on. In fact, it actually looks quite natural.”
The 9-1-1 Lone Star actress is also excited about the Super Bowl opportunity because she genuinely loves storytelling of all kinds. “I love getting into somebody’s shoes and shedding a different kind of light on a personality, character, or a real person that you may not otherwise understand.” she says. “It helps you gain more compassion for those in the real world.” And with this project in particular, she’s just excited to bring people at home joy. “This commercial really is full of recognizable, wonderful personalities and I think people are just going to have a whole lot of fun.”
Heading: “Handling the Undead”: Grief, Norwegian Zombie Style
CW: The film contains a disturbing depiction of animal cruelty
This review contains mild spoilers
“Handling the Undead,” a Norwegian horror film directed by Thea Hvistendahl, starts off ominously, quietly, and deliberately, continuing with a pervasive atmosphere of dread that’s relentless. In the film’s world, grief is a monster – one that will eat you alive if you let it.
The movie follows three families experiencing different stages of grief: Anna (Renate Reinsve), a woman whose young son has died a few weeks ago, and her father, Mahler (Bjørn Sundquist); Tora (Bente Børsum), whose wife, Elisabet (Olga Damani), is about to be buried; and husband and wife David (Anders Danielsen Lie) and Eva (Bahar Pars), and their two children, Flora (Inesa Dauksta) and Kian (Kian Hansen), who are about to experience a traumatic loss.
Anna copes with her loss by leaving her son’s toys everywhere and refusing to eat the meals her father brings her, as evidenced by the wrapped plates of uneaten food in her fridge. Mahler struggles to snap her out of her denial, but he’s as lost in his grief as she is. Tora, meanwhile, sits at home and takes her phone off the hook after Elisabet’s wake, cutting herself off from the world.
Meanwhile, Eva gets ready for work as David preps for a comedy set. Kian plays a zombie first-person shooter game while his sister, Flora, tells Eva she really doesn’t want to babysit him. When Kian loses, the game’s graphics splash, “YOU ARE DEAD,” which has different meanings depending on whose story we’re following.
Not too long after, electricity crackles and a high-pitched sound spreads throughout the city, causing headaches and sending birds swooping in strange patterns. Mahler, who is visiting his grandson’s grave, collapses as a blackout occurs. Once it ends, David gets a call that Eva has died.
Soon, Anna’s son—who is the most decomposed of the three zombies we meet—Elisabet, and Eva are reanimated and their loved ones have a choice: How do I handle this extraordinary event? What do I do with this second chance? Others are presumably dealing with the same choice as we see police tape at the cemetery, and officers knock at Anna’s door.
Hvistendahl, who shares screenplay credit with John Ajvide Lindqvist (on whose novel the film is based) adhere closely to the three families’ reactions, leaving the threat zombies traditionally pose in the background. This choice does two things: it makes the grief more suffocating and it amps up the dread as the audience waits for the zombies to start biting. Hvistendahl laser-focuses on the grief of the living as they cope with the dead, whether it’s treating them as if they were still alive, or accepting that circumstances have drastically changed.
Both Danielsen Lie and Reinsve shine here, much as they did in 2021’s “The Worst Person in the World” (screened at a previous Sundance Festival), though unfortunately, this time they don’t share any scenes. Børsum and Sundquist are equally good as people who cannot let go of their departed beloveds.
The score is wonderful; it propels the narrative with its movement between ominous strings and memorable melancholy, pushing the action forward even when it seems as though nothing is happening (the composer, Peter Raeburn, received the World Cinema Dramatic Special Jury Award for Original Music at the Festival).
“Handling the Undead” is engrossing and tragic, forcing questions of mortality to the fore. As a debut feature, it announces Hvistendahl as a talent to watch. As a meditation on grief, it will also take a bite out your heart.
If you’re looking for Black love and romance novels this month, I’ve got you covered. There are plenty of love stories out there featuring Black protagonists — and written by Black women. I’ve rounded up my favorite picks of Black romance novels to sink your teeth into. Happy reading.
Jasmine Guillory has created a special world with her novels where a lot of sexy things happen between sexy people, well-adjusted men who aren’t afraid to work on their mess, and, in this novel, a love story between a talented ad executive and a movie star. This is a romantic comedy, but along the way we get some honest discussions about anxiety and mental health, family loyalty, and the pressures of fame. As always, Guillory’s writing is charming and accessible, while always giving us characters to root for.
Not only is this book unapologetically Black but it is a Black romance book with everything under the sun. The characters are complex but intertwine so beautifully. The relationship between Eva and Shane can only be described as soulmates. No matter where they end up, they will always find one another, and through their trauma they immediately bond with one another. The romance is just epic — from the seven days in June, which was Romeo and Juliet inspired and certainly shows it, to the second-chance romance that is the central story.
Carlisa “Carli” Henton is a beautiful and talented young musician/songwriter, working as a junior account manager at a big-name media company. She meets the company’s new client: Tau Anderson, a hot R&B pop star. He pursues Carli relentlessly but fraternization with clients is not allowed. So, what’s a girl to do?
What I love most about how Coleman tells this story is her commitment to authenticity — Carli is not supposed to have it all figured out all at once, but I also don’t think she is meant to struggle. I do believe she had to face some conflicts, grow through messes she made along the way, and ultimately make decisions that probably didn’t make other people happy. Ultimately, she knew her decisions would make her happy in the long run. I was rooting for Carli and Tau throughout the book, and hope their story continues.
A feel-good novel if ever I’ve read one. The writing is clever and flavorful, full of all the spice and sass, reminisces, failures and regrets, personal triumphs, and lessons learned that make McMillan’s characters feel like your close friends. It reminded me of the women in my life I can really relate to because they’ve been there/done that and lived through it to share their stories. That’s a special kind of love and what you’ll find within this story.
I thought I was getting a sweet, fun, and light friends-to-lovers story, but I actually got something quite emotional. Kenya following her dreams throughout the book was so inspirational. Her challenges were a great illustration of how following your dreams (especially ones seen as peculiar in the eyes of society) can be hard. Cam and Kenya are so cute. Having two characters with feelings for each other without each other knowing is always fun. You would think it’s so obvious to them. The love is already there; all that is missing is the romance. I usually lean towards the enemies-to-lovers trope but after reading this story, I changed my mind. It was refreshing how Glass also explored what love really is between friends who’ve had each other around forever. Is it love or are they just used to each other?
Take a Hint, Dani Brown follows Danika, a hardworking PhD student, and the romance-loving, Muslim security guard Zafir, who works in the building where she teaches. They serve us some strong Jim and Pam vibes in the beginning with typical office flirtation but everything changes when a video of Zaf carrying Dani to safety goes viral on Twitter (now X). Zaf wants to use his newfound internet fame to launch his mental health non-profit, and what better way to milk the attention than fake date his work crush. Throw in a little friends-with-benefits action, and now things are getting interesting.
This story gently explores trauma, passion, planning for your future, and the power of both music and words. Love Radio is a heartfelt coming-of-age romance celebrating Black love. Danielle and Prince are so special and I could not get enough of their story. The way LaDelle told this story of young people navigating high school while battling various hardships was outstanding. I loved how Danielle and Prince are so mature and dated to get to know each other. Prince was the guy we all wanted to date in high school but who just didn’t exist!
This story is set in Nigeria and gives voice to both husband and wife as they tell the story of their marriage, including the forces that threaten to tear it apart. Yejide and Akin met at university, fell in love, and married. Though many expected Akin to take several wives, he and Yejide have always agreed: polygamy is not for them. But four years into their marriage, after consulting fertility doctors and healers, trying strange teas and questionable cures, Yejide is still not pregnant. She assumes she still has time, until her family arrives on her doorstep with a young woman they introduce as Akin’s second wife. Just imagine her shock, anger, and jealousy. Yejide knows the only way to save her marriage is to get pregnant, which, finally, she does. But the cost is more than she ever could have imagined. This story is good, y’all.
All of these amazing reads are available on Amazon and everywhere books are sold. Consider purchasing from Bookshop.org, a platform that gives independent bookstores tools to compete online and financial support to help them maintain their presence in local communities.