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Spider-Man: Into the Spider-Verse is going to introduce mainstream audiences to a ton of new Spider-People they have never met before, starting with Miles Morales and Spider-Gwen. But one character that is no doubt going to win everyone over is Spider-Man Noir, a hard-boiled 1930s-style detective Spidey, played by none other than Nicolas Cage. But just who the heck is Spider-Man Noir? Was he made up for the movie, or are his roots actually in the pages of Marvel Comics?

The character actually does originate from the comics, and has actually been around for less than a decade. Considering how long it takes most comic book characters to make the leap to the big screen, it’s amazing that Spidey Noir has had such a short time to become a fan favorite and into the movies. Making his first ever appearance in the Spider-Man Noir limited series, this darker, alternate history Spider-Man is still Peter Parker, but became Spider-Man in 1933 in the midst if the Great Depression. In this version of New York, the big crime boss is Norman Osborn, a.k.a. “the Goblin.” Many of the Goblin’s goons are pulp fiction style gangster versions of classic Spidey bad guys like the Chameleon, Kraven the Hunter, and more.

Peter is a cub reporter learning the trade from The Daily Bugle’s Ben Urich, and he winds up taking a hot tip on a story that leads him to a warehouse where the Goblin’s men are unloading a shipment of stolen antiques, one of which is an ancient spider statue. When opened, it unleashes hundreds of spiders, and one of them bites Peter, and when he passes out, he has a wild dream about a mythical spider-god. Once Peter wakes up, he finds himself upside-down in a black web of his own making. Realizing he has been gifted with arachnid abilities, he dons some old World War I goggles and becomes the vigilante Spider-Man.

After the Goblin kills his mentor Ben Urich, Spider-Man decides to bring down the crime boss once and for all, with a little help from one Felicia Hardy, who in this universe isn’t the Black Cat, but the proprietor of the “Black Cat Club” speakeasy. After his initial limited series, which was part of an overall “Marvel Noir” publishing initiative, Peter Parker returned in Eyes Without A Face. This story shows Spidey taking on Doctor Otto Octavius, who in this world is working for the Nazis, and in true noir fashion, the second story ends on a very downbeat note.

Spider-Man Noir would show up again in cross-universe capers like the Spider-Verse event comic from 2014, and the following year in the multiverse-spanning Secret Wars. He becomes part of a team of other alternate Spider-Men called “The Web Warriors,” and is currently appearing in the sequel to Spider-Verse, called Spider-Geddon. But even before he makes his big screen debut, Spider-Man Noir has already appeared in other non-comics media, starting with several episodes of Ultimate Spider-Man on Disney XD, where he is voiced by actor Milo Ventimiglia.

But more than on television, Spidey Noir has made several appearances in a ton of video games, where his a perfect fit, thanks to his distinct visual appeal. He appeared in Spider-Man: Shattered Dimensions, voiced by Christopher Daniel Barnes, who many will recognize as the voice of Peter Parker from the old ’90s animated series. He also shows up in Spider-Man: Edge of Time, Marvel: Avengers Alliance, and most recently, his distinctive costume appears as an unlockable outfit in Marvel’s Spider-Man for the PS4.

With the Nic Cage portrayal about to bring the character of Spider-Man Noir to millions more people who will have never heard of him before, don’t expect Into The Spider-Verse to be the last time we see the gumshoe version of Peter Parker on the big screen, or on the small one. Whether it’s a solo spin-off project, an ongoing comic book series, or another team-up animated film, the future looks bright for this sepia toned version of everyone’s favorite wall-crawler.

Are you as excited as we are to see Spider-Man Noir hit the big screen? Be sure to let us know your thoughts down below in the comments.

Images: Marvel Comics / Sony Animation

Among the many voices calling out the horrific treatment of asylum seekers at the U.S. border, Alexandria Ocasio Cortez reminded her followers that applying for asylum is not a criminal act, citing a number of extreme, but still entirely relevant, precedents.

Asking to be considered a refugee & applying for status isn’t a crime.

It wasn’t for Jewish families fleeing Germany.
It wasn’t for targeted families fleeing Rwanda.
It wasn’t for communities fleeing war-torn Syria.
And it isn’t for those fleeing violence in Central America. https://t.co/qhv7Rr1itn

— Alexandria Ocasio-Cortez (@Ocasio2018) November 25, 2018

And with that, anthropomorphized damp sock Lindsey Graham felt the need to inform Ocasio-Cortez that, well actually, the current situation at the U.S./Mexico border is different from that of Nazi-occupied Germany.

I recommend she take a tour of the Holocaust Museum in DC.

Might help her better understand the differences between the Holocaust and the caravan in Tijuana. https://t.co/05vCexiClE

— Lindsey Graham (@LindseyGrahamSC) November 26, 2018

Graham wasn’t the only prominent right-wing figure to spout this perspective. Former Trump/current Fox News mouthpiece Sebastian Gorka tried to shame Ocasio-Cortez for a lack of empathy in comparing the situation at the border to an act of genocide.

Ocasio-Cortez fired back at this twisting of her words, saying what was already clear in her initial tweet: “This is not about atrocity. It’s about how we get there.”

And you know who wasn’t on board with Graham’s recommendation or Gorka’s assessment, and who directly echoed AOC’s point? The official account of the Auschwitz Museum. While they didn’t mention anyone by name, this tweet, put out only three hours after Graham’s, is pretty clear in its target.

When we look at Auschwitz we see the end of the process. It’s important to remember that the Holocaust actually did not start from gas chambers. This hatred gradually developed from words, stereotypes & prejudice through legal exclusion, dehumanisation & escalating violence.

— Auschwitz Memorial (@AuschwitzMuseum) November 26, 2018

Alexandria Ocasio-Cortez wasn’t drawing direct comparisons between the current attacks on asylum-seekers and the Holocaust. She was talking about the legal process of claiming asylum. That was clear to anyone actually, you know, read her words rather than just inferring what they assumed to be her argument.

By the way, Auschwitz Museum has pinned the tweet pic.twitter.com/Muvh9VFOgF

— Roberto Ferdman (@robferdman) November 27, 2018

And as always, The Onion is also here with the relevant headline.

Holocaust Survivors Recall Exact Day Holocaust Started Right Out Of The Blue https://t.co/3ndiq1ad7g pic.twitter.com/ysHN1mh3My

— The Onion (@TheOnion) November 27, 2018

Maybe Lindsey Graham and Seb Gorka can carpool to that museum so they can both get a refresher on what the early days of such horrific atrocities look like. Seems like they need it.

(image: Jim Bourg-Pool/Getty Images)

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A boxer is the type of athlete whose life depends on his muscle mass and in Creed II, Michael B. Jordan’s character, Adonis, is in the fight of his life. Adonis takes continues the Drago vs. Creed legacy his father left behind, and died in, as Adonis jumps into the ring with Ivan Drago’s son, […]

The post Watch ‘Creed II’ Stars Share What They’ve Sacrificed To Get What They Want appeared first on Essence.

12-year-old actress Saniyya Sidney has one of the most impressive resumes in Hollywood and her career is just getting started. She’s in the Oscar-nominated films Fences and Hidden Figures. She also appeared in an indie film that made its premiere at SXSW called Fast Color. I had the pleasure of meeting her and interviewing her during the promotion of Fast Color —  a story about three generations of Black women with supernatural powers.

There is one thing about Saniyya Sidney that is evident — don’t let her age fool you — she carries the wisdom of a 70-year-old.

Saniyya has also appeared on the small screen playing the role of young Kizzy in Roots and starring in the hit FX series American Horror Story: Roanoke.

The rising star is now appearing as the lead protagonist in a new series on FOX called The Passage. The story focuses on Project NOAH, a secret medical facility where scientists are experimenting with a dangerous virus that could lead to the cure for all disease, but also carries the potential to wipe out the human race. Sidney plays Amy Bellafonte, a young girl chosen to be a test subject. Federal Agent Brad Wolgast (Mark-Paul Gosselaar) is the man who is tasked with bringing her to Project NOAH. Ultimately, however, Wolgast becomes her surrogate father, trying to protect her at any cost.

I had the pleasure of catching up with Saniyya Sidney again to chat about her latest role on this new series. We chatted about the differences between working in TV over film, hanging out with Zack Morris, and what makes this show so unique?

Can you share with us who Amy Belafonte is, and why she’s being chased after?

Amy Belafonte is an orphan. She’s a girl from nowhere. A city government agency is coming to find her and she’s been trying to cure this big plague that is coming. Some things happen and you just have to watch the series to find out if she can or cannot save the world.

We’ve seen your work in major feature films and indies, like Fences, Hidden Figures, Fast Color, and now you are on TV. And you’ve also been in other TV properties, like American Horror Story. Do you have a preference for movies or TV? Is one more challenging than the other?

I believe that all work is a great challenge for all actors because being able to just play different roles, I think it’s a great experience to do different things that we’ve never tried before. And to play different roles that can be important to the world, but it’s nothing different. I think it’s just fun, and to be able to be on a TV show, and to be on TV it’s great because it’s not so different from movies but it’s just like, a long movie and different episodes, explaining it just a little bit longer.

I saw the pilot episode and it’s an exciting, edge-of-your-seat thriller. The show is based on Justin Cronin’s best-selling trilogy of the same name. Did you read the books?

My dad actually, he read all three. My dad was a big fan of the books. I read some of the first book but not much. I just wanna, you know, go off of what I believe Amy is until I read it, but I definitely look forward to reading it soon. My dad has read all three and he was really excited…he was like, “Oh, my god! You’re playing Amy!”

I know that you worked closely with Mark-Paul Gosselaar in this series, and you two have some really great chemistry. Did you guys hang out at all before filming, to kinda build up on that chemistry?

When we first got together it was kinda just like a rehearsal, so we would hang around the studio. We didn’t hang out much until later on but at first, we would have rehearsals. And I was really shy when I met him.  I did not know that he plays Zack Morris, so it was so funny when I met him, I was so, like, “Um, who are you? And nice to meet you, I guess?”

It was really funny. He was like, “I played Zack Morris in Saved by the Bell.” And I was like, “Zack Morris? Zack? The only Zack I know is Zac Efron which is my husband, so I don’t know who you are,” but I was like, “Oh, okay.” But it was cool because, you know, we talked so much to get to know each other.

I was ten and we talked about how he had kids around my age, and it was great to just communicate and how he understood, ’cause he’s setting an example at this father role, to Amy, because she’s never had a father, so to be able to portray that, you know, I think it was really cool that he understood because he has kids of his own.

Did it feel kind of daunting at all after you realized that he’s such a well-loved and received actor based off of his childhood character?

Mm, yes, he understood, being a child actor in the industry. He kinda reminded me about how to stay being a kid.

I started watching Saved by the Bell, to just see how he grew as a person and being able to be so young, like myself, to do it, I think it was like he understood and he learned about how it is to be in this industry so young, you know? So, for that, I was really honored to be able to just meet someone that started doing this at a young age like myself. It was really cool and I thought it was just nice to be able to just connect with someone that understood.

[The Passage] is a pretty scary and frightening show, and it’s filled with a lot of suspense. I see that there are some moments with Amy where she’s kind of looking at things from the bright side, and she’s got this sort of this sarcastic banter where you have fun with the character and playing alongside Mark-Paul.

Being able to play Amy, it’s fun to just be able to see how whenever I’m playing, I’m like, “Wow, this girl is really strong.” As much as she’s going through, such as losing herself, it made me realize and appreciate so much more in my life, and being able to be a young girl, was just like, “Ooh, I should appreciate more things that are happening in my life.”

What did you draw from? Because [in real life], you have a loving family. You have two adoring parents who are with you by your side when you do these interviews and junkets. But you’re playing an orphan in this role, so what did you pull from to be able to relate to this character?

I connect to all my characters and I just believe that whatever’s going on with that character, I’m going through. So, whatever Amy’s going through, I’m going through. As you said, I’ve never had a parent, thank God, pass. So, to connect to that, it was really something that I had to connect to.

I’ve lost some people in my life and to bring that emotion…what would it be like to lose a parent? And to have something so important in your life to be gone, you know? And someone that has been with you every step of the way and then just, suddenly just leave and vanish from your life? And to go through that process, I think it’s very important and I was respectful for the ones that have lost their parents or to have lost a loved one.

When I was with Mark-Paul, and I saw [Brad] Wolgast, I was like, “Let this guy be your light and your guide and start to trust him,” and when I opened myself up to him, as Saniyya, I let Amy open up to Wolgast.

We see so many of these shows on television, shows with supernatural creatures and vampires that are action/thrillers, but what makes The Passage different from other shows?

[The Passage] has to do with scientists and if you think about our technology that we have today, stuff like this could happen. “Oh, my gosh, this is kinda realistic.” And if we have to really think about it, what if this really did happen? That would be cool but not really because an apocalypse with vampires, yeah, no, I’m out, you’ll never see me in that situation.

But it’s different because it’s scary. It’s a wild ride. It’s a great adventure. It’s fun. And through it all, the heart of it, it’s a father/daughter relationship. The love of a father/daughter relationship. With everything that’s going on, that one thing is so important.

They really believe in each other. If you believe, then you can get through anything. That’s why I was like, “Okay. Through all of this, all of the power and the apocalypse and everything, she still let someone in and feels human.”

The Passage premieres on FOX January 14th, 2019

The post BGN Interview: Saniyya Sidney, Star of ‘The Passage’ appeared first on Black Girl Nerds.