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Arya looks forward to seeing one of the many faces and so does fans as we wait with bated breath for the final season of #ThronesYall aka Game of Thrones to air on HBO.
As we see our favorite characters unite including a romantic kiss shared by Grey Worm and Missandei, affirming that Black love can exist, even in Westeros. And as the war begins between humans and white walkers, the final battle will ensue and we can only cross our fingers and pray that our favorite characters won’t die off. But at this stage, will it matter since the story will no longer go on? Time will tell what will happen, and we’re excited to see how the plot unfolds during this epic series finale.
The last season of Game of Thrones airs April 14th on HBO.
Whitney Houston. Prince. Michael Jackson. These are some of the recent musical superstars who seemed to have passed just too soon. And the latest performer to meet an untimely demise was a new, emerging star–Janice Freeman. A contestant on the TV singing competition show, The Voice, Freeman was a fan favorite who was said to have “stunned” the shows judges with her amazing vocal talent. Sadly, Freeman died from a blood clot as a result of a severe case of pneumonia. She was only 33-years-old.
So much black musical talent has been lost at young ages. It’s easy to muse over what these superstars could have gone on to achieve in their already stellar careers, had the universe extended them more time.
Here is a list of other black artists who were gone too soon (name and age at the time of death are listed).
15 Black Artists Who Died Too Young
1. Aaliyah Haughton, 22
(Wikimedia)
Just 22-years-old at the time of her death, Aaliyah was just hitting her stride as a singer and actress. Redefining the look and sound of R&B in the early ’90s, she was a platinum-selling performer admired and loved by her fans. Tragedy struck the evening of Aug. 25, 2001, when Aaliyah’s plane crashed in the Bahamas as she and her entourage attempted to return to the States following a video shoot.
2. Christopher ‘The Notorious B.I.G.’ Wallace, 24
(Flickr)
Born and raised in Brooklyn, New York, Wallace would become one of hip-hop’s most respected and successful rappers. The marquee artists of Sean Combs’ label Bad Boy Records, Wallace would go on to release dozens of hit records, memorable guest verses, and sell millions of albums. Tragically, he was murdered in a drive-by shooting in Los Angeles on March 9, 1997. He left behind two children and a lasting music legacy.
3. Tammi Terrell, 24
(Flickr)
Already a solo singer for the Motown label, Terrell’s popularity grew once she paired with label mate Marvin Gaye. The two sang notable duets including, “Ain’t No Mountain High Enough,” “Ain’t Nothing Like the Real Thing,” and “You’re All I Need to Get By.” It was during this time Terrell was diagnosed with a malignant brain tumor. Despite eight surgeries, the young singer’s health continued to deteriorate and she passed away on March 16, 1970, just a month shy of her 25th birthday.
4. Tupac Shakur, 25
(Flickr)
A gifted lyricist and outspoken figure, Shakur ruffled more than a few feathers in his time but it was his brutally honest approach to his craft that drew fans. He was also a budding actor with an impressive résumé and was the face of West Coast rap in the ’90s. Tragically, the young star was gunned down in a drive-by shooting in Las Vegas and he died from his injuries days after, on Sept. 13, 1996.
5. Otis Redding, 26
(Wikimedia)
A struggling soul singer in the early ’60s, Redding made his mark on the musical landscape with “These Arms of Mine” in 1962. The biggest record of his career, however, was the timeless classic “Sitting on the Dock of the Bay.” Unfortunately, Redding would not live to see how consequential his signature song became as it was released a month after his death in a plane crash on Dec. 10, 1967.
6. Jimi Hendrix, 27
(Flickr)
A talented musician, singer, and songwriter; Hendrix revolutionized the use of the electric guitar with a distorted amp sound—breathing new life into rock music. Hailing from Seattle, Washington, he rose to fame in Europe before gaining accolades in the United States. After a night of partying, Hendrix was found dead in the London apartment of his girlfriend on Sept. 18, 1970.
7. Lisa ‘Left Eye’ Lopes, 30
(Flickr)
As one-third of the platinum-selling girl group TLC, Lopes made a name for herself as the trio’s outspoken, quirky member. TLC amassed a catalog of hits embraced by millions of fans. Eventually leaving the group to strike out on a solo career, Lopes’ life was cut short when she was involved in a fatal car accident on April 25, 2002, in Honduras.
8. Minnie Riperton, 31
(Wikimedia)
Riperton was noted for her unique five-and-a-half octave vocal range. Her talent was on full display with her iconic 1975 single, “Loving You.” The classically-trained singer went on to release other successful songs. However, in August 1976, she announced that she had breast cancer and had to undergo a mastectomy. Although she was only given six months to live at the time of her diagnosis, she continued to record and tour and became s spokesperson for the American Cancer Society. She lost her fight against breast cancer on July 12, 1979. Her talented legacy lives on in her daughter, actress and comedian Maya Rudolph.
9. Donny Hathaway, 33
(Facebook)
A talented singer and composer, Hathaway made a name for himself in the late ’60s as a songwriter creating hit records for other artists. But by the end of that decade he was signed on as a recording artist in his own right and made waves as a singer, most notable for his duets with Roberta Flack, “Where is the Love?” and “The Closer I Get to You.” Despite his success, Hathaway battled depression that led to an apparent suicide; investigators say he leaped from a 15th-floor room in a New York City hotel, on Jan. 13, 1979.
10. Sam Cooke, 33
(Wikimedia)
Often referred to as ‘The King of Soul,” Cooke helped popularize soul music and paved the way for many legendary vocalists. With over two dozen top 40 hits in his catalog, Cooke was also one of the first African American musical artists to become an entrepreneur. He founded his own record and publishing company. Despite his trailblazing accomplishments, Cooke died under controversial circumstances when he was fatally shot by a motel manager who alleged that he had attacked her on Dec 11, 1964.
11. Dorothy Dandridge, 42
(Facebook)
Dandridge was a performer from a young age alongside her sister as part of a child act, The Wonder Children (later, The Dandridge Sisters). She sang at small venues on what was then known as the ‘chit’lin circuit.’ As an adult, Dandridge added acting to her talent repertoire and became the first African American to be nominated for an Academy Award for best actress for her role in the movie Carmen Jones. She continued to act and sing until her death from either an accidental drug overdose or an embolism on Sept. 8, 1965.
12. Marvin Gaye, 44
(Wikimedia)
A Motown legend, Gaye racked up an impressive musical catalog of timeless records that ranged from political commentary to love ballads. He fought drug addiction and depression throughout his life. His personal demons came to a head when he and his father got into an altercation on April 1, 1984, that led to the singer’s death from a fatal gunshot wound. Gaye died just one day shy of his 45th birthday.
13. Billie Holiday, 44
(Flickr)
Born Eleanor Fagan, Holiday was a celebrated jazz singer who shifted the musical landscape of her genre in the 1940s and earned critical acclaim as a result. However, her long-term drug and alcohol addictions caught up with her and her health began to fail in her later years. On May 31, 1959, Holiday was checked into the hospital due to complications from liver and heart disease. She passed away on July 17, 1959.
14. Nat King Cole, 45
(Wikimedia)
An accomplished jazz pianist with a smooth baritone voice, Cole made history as the first African American to host a TV variety show, The Nat King Cole Show. Still, it was his music accented by a warm personality and melodic voice that resonated most with his fans. The avid cigarette smoker died from lung cancer on Feb. 15, 1965.
15. Frankie Lymon, 25
(Wikimedia)
His high-pitched notes were immediately recognizable. Lymon was the lead singer for the group The Teenagers, which had its heyday in the late ’50s and ’60s. One of the first black singing groups to have crossover appeal, The Teenagers had a blended sound of American rock and roll and soulful R&B. Lymon died from a heroin overdose on Feb. 27, 1968.
Editor’s Note: Originally published in 2011; updated March 2019
The post 15 Black Artists Who Died Too Young appeared first on Black Enterprise.
This week, American Gods, the Starz adaptation of Neil Gaiman’s popular novel of the same name, returns — but the path from its exciting, bunny-filled finale of the first season to the first episode of its second season has been surprisingly rocky. Season one showrunners Bryan Fuller and Michael Green departed on not-so-friendly terms, after butting heads with the producers over the show’s budget and with Gaiman himself over the show’s direction. And when Fuller and Green left, two gods went with them: Gillian Anderson, the new god Media, and Kristen Chenoweth, the old god Easter. Both departed saying that their involvement was very much contingent on Fuller’s. But the show must go on! And in this case, it did, with Gaiman taking over more creative control and the rest of the cast seeing things through with the story of Mr. Wednesday and Shadow Moon.
Getting Started in Season Two
The first season ended with a mini-rumble at Easter’s home, during a pastel-colored party she held with more than one Jesus in attendance. Wednesday and Shadow arrived to convince her to join their side in the coming war. She made a show of her powers in assent, intimidating the new gods and stirring Shadow’s faith in the old, while Wednesday revealed that he’s the head honcho in Norse mythology, Odin. Mad Sweeney and Laura, who had been on their own little adventure, also arrived at the party, Laura having tracked Shadow’s glow there.
Season Two begins where One left off: Wednesday, Shadow, Sweeney, and Laura have left Easter’s party and are now headed to the House on the Rock, the center for nostalgia, kitsch, and the kind of American mythology to which the old gods relate. Meanwhile, Mr. World and Technical Boy are regrouping after the tiff at Easter’s, and Mr. World demands that Technical Boy find Media. Why, exactly, did Media leave? Well, the episode’s attempts to explain away the show’s two casting departures are sloppy and, unfortunately, transparent. Media, who can no longer be portrayed by Anderson in Lucille Ball or Bowie cosplay, is just captured conceptually. Her interaction with Technical Boy is just that — conceptual, bland, and a bit unclear. Easter’s absence is a bit more believable, because it conveniently reworks what we can assume was originally meant to be a throwaway scene from the finale. Wednesday had run over some of Easter’s rabbits on his way to her house. Easter found out and is now too upset to join them. OK, I’ll bite, but the move sucks all of the air out of the wonderfully cinematic climax of Easter’s reclamation of her powerful old-god identity, Ostara.
In fact, much of the first episodes of Season Two just feels like a deflated version of the brilliant, engaging, entertaining show we got two years ago. Despite the fireworks ending of the first season, the second season drags its feet. We’re headed toward the direction of war, we know, but we seem to have lost our momentum as the show shuffles along. The big scene at the House on the Rock — which was always going to be perhaps the most challenging for the TV show to adapt, because it was another of the book’s more conceptual moments of imagination and transformation — was underwhelming and slow-moving, with garish effects.
Some Things Still Work
Not everything has lost its glimmer and shine, however. Orlando Jones, as Mr. Nancy, is as charismatic as ever, and a pleasure to watch. In a scene that will surely serve as a salve to those still smarting from Green Book‘s Best Picture win at the Oscars last month, Nancy is in the car with a sleeping Wednesday, a large bucket of fried chicken prominently placed between them, and Nancy mutters to himself contemptuously, “This motherfucker asks me if I want something to eat, and then he gets in the car with a bucket of fried fucking chicken!!” before throwing the entire bucket out of the window. Ian McShane is still the perfect Mr. Wednesday, while Yetide Badaki, as Bilquis, manages to embody total, unrelenting sexual energy every time she’s in a scene. We get more of Mr. World, a role that allows Crispin Glover to show off his uncanny ability to represent an amalgamation of every ghoulish goon who’s ever been, in fiction and real life. And then there’s the odd chemistry between Emily Browning and Pablo Schreiber, as Laura and Sweeney.
It looks like Season Two is setting things up so that Laura and Sweeney will continue to travel together; Sweeney mentions that he may know a demon in New Orleans who can bring Laura back to life. Meanwhile, Salim is still following his lover, the Jinn, and they soon go off on their own journey to retrieve a weapon for the great war to come. All of this sounds enticing, sure, but the problem is how it makes the show feel like it’s taking the unnecessary scenic route to its big moment. Gaiman has said how he looks forward to including more gods and mythologies in the series that he couldn’t include in the book. As appealing as that sounds, it may turn into an issue of the writer world-building for the sake of world-building, at the expense of the narrative.
Filling In The Blanks
Even the backstory we get about Shadow early in Season Two, while it thankfully fills in some of the many blanks the character had in the novel, feels misplaced. Its relevance at this particular point in the story (as opposed to, say, earlier, or later, when what we find out about Shadow’s past can be more directly parallel to Shadow’s present) is unclear. Despite all of Ricky Whittle’s real-life charms, Gabriel Darku, as a teenage Shadow, is much more sympathetic and engaging — but that’s a fault of the writing of the character, not of Whittle’s acting. Young Shadow is smart and compassionate and seems to lack the jaded passivity that older Shadow wears as a semblance of a personality. The backstory tries to explain at what point Shadow lost his personality and agency. It’s something related to a tragedy and the state of racial affairs in the country, but if that’s all we’ll be presented with in the season, that won’t be enough. Time will tell, and hopefully we’ll get more of Darku to let us know how Shadow Moon became Shadow Moon — and more about how Shadow’s interactions with the world are colored by his status as an ethnically ambiguous-looking (but decidedly half-black) person of color.
Gaiman fans know the writer has no dearth of imagination, and here his playground, which exists at the intersection of Americana and multiple world mythologies, is rife with possibility. That would appear to be a recipe for success — until it isn’t. The show will still need the daring and urgency of the first season if it’s going to remain the dazzling adaptation it once was. We’ll see what Gaiman and his gods deliver.
American Gods Season Two returns to STARZ on March 10th.
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The post American Gods Season Two Is Coming, Are You Watching?: Our Preview appeared first on Black Nerd Problems.