deerstalker
Kevin Mazur
Beyoncé and Jay-Z continue to receive backlash over their About Love campaign for Tiffany & Co. which debuted in August.
In the advertisement, Bey gives Holly Golightly vibes as an ode to the 1961 classic film Breakfast At Tiffany’s while she sports the jeweler’s priceless yellow diamond — a gem only worn by five other women in history since it was taken from South Africa in 1877 by the brand’s founder Charles Lewis Tiffany.
As MADAMENOIRE detailed in our initial reporting, a part of the newsworthiness of the campaign surrounded Beyoncé being the first Black woman to get the honor of wearing Tiffany’s yellow diamond.
Perhaps more interestingly, buzz also surrounded the fact that Bey and Jay posed for the shoot in front of a never before seen by the public Basquiat painting known as Equals Pi, which seemingly featured the jewelers signature “robin-egg” blue.
In the weeks following the campaign’s release, almost every aspect of it has come into question. Was Beyoncé’s feature in the campaign “as the first Black woman” to rock the gem just a tokenistic ploy by Tiffany to create buzz? Why was Beyoncé picked to rock a diamond “stolen from Africa?” Why would she and Jay-Z even agree to do the campaign? Was the brand only donating $2 million to HBCU’s in partnership with the power couple to cover up the problematic nature of the advertisement overall?
Moreover, conversation continues to swirl over the politics concerning Basquiat’s artwork in the advertisement — questioning whether the legendary 1980s NYC artist would have signed off on his artwork been placed in the campaign.
Shortly after About Love was released, Tiffany & Co.’s VP Alexandre Arnault suggested that the artist’s usage of the particular shade of blue was intentional, and even an ode to the high-end jeweler.
“We don’t have any literature that says he made the painting for Tiffany,” Arnault said in an interview with WWD. “But we know a little bit about Basquiat. We know his family. We did an exhibition of his work at the Louis Vuitton Foundation a few years back. We know he loved New York, and that he loved luxury and he loved jewelry. My guess is that the [blue painting] is not by chance. The color is so specific that it has to be some kind of homage.”
Yet and still, for those who love Basquait’s work, have studied it, and were close to the late artist before he passed away in 1988, Bey and Jay’s Tiffany campaign serves as the antithesis of what the artist’s work stands for.
To them, Basquiat’s art, in part, is about encouraging people to question the capitalist ideals promoted to society through the efforts of mainstream advertising, subverting tokenism and against elitism and classism.
Alexis Adler, who lived with the artist during the early years of his art career from 1979-1980, recently shared her reaction to the controversial campaign.
“I’d seen the ad a couple days ago and I was horrified,” Adler told The Daily Beast.
“The commercialization and commodification of Jean and his art at this point—it’s really not what Jean was about,” she went onto express.
“Unfortunately, the museums came to Jean’s art late, so most of his art is in private hands and people don’t get to see that art except for the shows. Why show it as a prop to an ad?” Adler questioned. “Loan it out to a museum. In a time where there were very few Black artists represented in Western museums, that was his goal: to get to a museum.”
A close friend of Basquiat’s who worked with the latter as teens via their graffiti art duo SAMO, similarly expressed that the placement of Equals Pi in Tiffany’s campaign has no contextual regard for Basquiat or his work.
“People think that his association with luxury was because he was impressed with that sh*t, but he couldn’t care less,” Al Diaz emphasized. “It’s not just about wearing an Armani suit. If he wore it, it’s because he could buy it and fuck it up, it wasn’t because the stitches were fabulous or well-made.”
“It’s lost in translation,” he added on Basquiat’s message in light of Bey and Jay’s Tiffany ad. “People won’t see the depth. At this point the only people that could afford a Basquiat are people he was targeting. Like, you’re the oppressor. They buy it out so that it becomes meaningless.”
Basquiat’s assistant Stephen Torton shared strong opinions on the campaign. As a man who worked closely with the artist — mixing paints for Basquiat and framing a countless amount of the creative’s paintings — Torton said that despite the background color of Equals Pi, Tiffany was never the artist’s inspiration.
“The idea that this blue background, which I mixed and applied was in any way related to Tiffany Blue is so absurd that at first I chose not to comment,” Torton posted on Instagram. “But this very perverse appropriation of the artist’s inspiration is just too much.”
“They wouldn’t have let Jean-Michel into a Tiffany’s if he wanted to use the bathroom, or, if he went to buy an engagement ring and pulled a wad of cash out of his pocket. We couldn’t even get a cab,” Torton told The Daily Beast.
Later he added, “I don’t know the truth but I know a lie when I see one.”
Kevin Mazur
Beyoncé and Jay-Z continue to receive backlash over their About Love campaign for Tiffany & Co. which debuted in August.
In the advertisement, Bey gives Holly Golightly vibes as an ode to the 1961 classic film Breakfast At Tiffany’s while she sports the jeweler’s priceless yellow diamond — a gem only worn by five other women in history since it was taken from South Africa in 1877 by the brand’s founder Charles Lewis Tiffany.
As MADAMENOIRE detailed in our initial reporting, a part of the newsworthiness of the campaign surrounded Beyoncé being the first Black woman to get the honor of wearing Tiffany’s yellow diamond.
Perhaps more interestingly, buzz also surrounded the fact that Bey and Jay posed for the shoot in front of a never before seen by the public Basquiat painting known as Equals Pi, which seemingly featured the jewelers signature “robin-egg” blue.
In the weeks following the campaign’s release, almost every aspect of it has come into question. Was Beyoncé’s feature in the campaign “as the first Black woman” to rock the gem just a tokenistic ploy by Tiffany to create buzz? Why was Beyoncé picked to rock a diamond “stolen from Africa?” Why would she and Jay-Z even agree to do the campaign? Was the brand only donating $2 million to HBCU’s in partnership with the power couple to cover up the problematic nature of the advertisement overall?
Moreover, conversation continues to swirl over the politics concerning Basquiat’s artwork in the advertisement — questioning whether the legendary 1980s NYC artist would have signed off on his artwork been placed in the campaign.
Shortly after About Love was released, Tiffany & Co.’s VP Alexandre Arnault suggested that the artist’s usage of the particular shade of blue was intentional, and even an ode to the high-end jeweler.
“We don’t have any literature that says he made the painting for Tiffany,” Arnault said in an interview with WWD. “But we know a little bit about Basquiat. We know his family. We did an exhibition of his work at the Louis Vuitton Foundation a few years back. We know he loved New York, and that he loved luxury and he loved jewelry. My guess is that the [blue painting] is not by chance. The color is so specific that it has to be some kind of homage.”
Yet and still, for those who love Basquait’s work, have studied it, and were close to the late artist before he passed away in 1988, Bey and Jay’s Tiffany campaign serves as the antithesis of what the artist’s work stands for.
To them, Basquiat’s art, in part, is about encouraging people to question the capitalist ideals promoted to society through the efforts of mainstream advertising, subverting tokenism and against elitism and classism.
Alexis Adler, who lived with the artist during the early years of his art career from 1979-1980, recently shared her reaction to the controversial campaign.
“I’d seen the ad a couple days ago and I was horrified,” Adler told The Daily Beast.
“The commercialization and commodification of Jean and his art at this point—it’s really not what Jean was about,” she went onto express.
“Unfortunately, the museums came to Jean’s art late, so most of his art is in private hands and people don’t get to see that art except for the shows. Why show it as a prop to an ad?” Adler questioned. “Loan it out to a museum. In a time where there were very few Black artists represented in Western museums, that was his goal: to get to a museum.”
A close friend of Basquiat’s who worked with the latter as teens via their graffiti art duo SAMO, similarly expressed that the placement of Equals Pi in Tiffany’s campaign has no contextual regard for Basquiat or his work.
“People think that his association with luxury was because he was impressed with that sh*t, but he couldn’t care less,” Al Diaz emphasized. “It’s not just about wearing an Armani suit. If he wore it, it’s because he could buy it and fuck it up, it wasn’t because the stitches were fabulous or well-made.”
“It’s lost in translation,” he added on Basquiat’s message in light of Bey and Jay’s Tiffany ad. “People won’t see the depth. At this point the only people that could afford a Basquiat are people he was targeting. Like, you’re the oppressor. They buy it out so that it becomes meaningless.”
Basquiat’s assistant Stephen Torton shared strong opinions on the campaign. As a man who worked closely with the artist — mixing paints for Basquiat and framing a countless amount of the creative’s paintings — Torton said that despite the background color of Equals Pi, Tiffany was never the artist’s inspiration.
“The idea that this blue background, which I mixed and applied was in any way related to Tiffany Blue is so absurd that at first I chose not to comment,” Torton posted on Instagram. “But this very perverse appropriation of the artist’s inspiration is just too much.”
“They wouldn’t have let Jean-Michel into a Tiffany’s if he wanted to use the bathroom, or, if he went to buy an engagement ring and pulled a wad of cash out of his pocket. We couldn’t even get a cab,” Torton told The Daily Beast.
Later he added, “I don’t know the truth but I know a lie when I see one.”
By ·September 6, 2021 Published · September 6, 2021 Updated
Cardi B had a busy Labor Day weekend!
The Grammy winning rapper is officially a mom of two! She and her husband, Migos rapper Offset, welcomed their second child together on Saturday, September 4, and it’s a boy! The rapper’s son was born at 6:14pm in New York and joins big sister Kulture, 3, who celebrated her birthday in July with a lavish princess-themed party.
The happy couple revealed their big news on Instagram, sharing a photo of themselves holding their newborn baby together at the hospital.
View this post on InstagramA post shared by Cardi B (@iamcardib)
“We are so overjoyed to finally meet our son. He is already loved so much by family and friends and we can’t wait to introduce him to his other siblings,” the couple shared in a statement from their rep.
In June, Cardi surprised fans by announcing her pregnancy during the 2021 BET Awards, revealing that she was expecting baby number two by appearing on stage with her hubby during Migos’ performance of “Type Sh*t” and showing off her growing baby bump and pregnancy glow. She followed up the onstage reveal with an official announcement via Instagram, sharing beautiful photos from her maternity shoot.
View this post on InstagramA post shared by Cardi B (@iamcardib)
While Cardi and Offset have yet to share their new baby’s name, we have a hunch it might just start with a “K”. We’ll see!
Congrats to Cardi and Offset on their new addition. See sweet moment’s from Cardi’s second pregnancy below.
01Cardi B’s Second PregnancyNEW YORK, NEW YORK – AUGUST 30: Offset and Cardi B at Nasdaq HQ in Times Square to ring the bell for Reservoir Media IPO on August 30, 2021 in New York City.
(Photo by Gotham/GC Images) 02Cardi BThe rapper used the BET Awards to announce, without having to say it, that she’s expecting her second child with husband, fellow rapper Offset. 
Johnny Nunez/Getty Images for BET 03Cardi BAt the 2021 BET Awards, Cardi B revealed that she and her husband Offset were expecting their second child together by showing off her growing baby bump on stage during their performance. 
(Photo by Bennett Raglin/Getty Images for BET) 04Cardi B and Amanda SealesThis duo put their best gymnastics routine together for a special episode of #CardiTries on Instagram. 
05Cardi B’s Second Pregnancy 
Instagram 06Cardi B’s Second Pregnancy 
Instagram 07Cardi B’s Second Pregnancy 
Instagram 08Cardi B’s Second PregnancyEAST RUTHERFORD, NEW JERSEY – AUGUST 22: Offset and Cardi B perform onstage during Hot 97 Summer Jam 2021 at Met Life Stadium on August 22, 2021 in East Rutherford, New Jersey. 
(Photo by Johnny Nunez/WireImage) 09Cardi B’s Second PregnancyLOS ANGELES, CA – JUNE 27: Offset and Cardi B are seen on June 27, 2021 in Los Angeles, California. 
(Photo by Photographer Group/MEGA/GC Images) TOPICS: baby cardi b pregnancy
The post Cardi B Gives Birth To Her Second Child: ‘We Are So Overjoyed To Finally Meet Our Son’ appeared first on Essence.
Afronerd Radio can now be heard LIVE courtesy of Apple Music/Itunes
We hope that you are enjoying your Labor Day weekend, folks! Perhaps to further enjoy your respite, check out the latest episode of Afronerd Radio's Grindhouse broadcast airing every Sunday at 6 p.m. eastern on BTalk 100. The issues to be discussed this time are listed as follows: the crew discuss their trials respective experiences as New Yorkers dealing with the torrential onslaught of Hurricane Ida
Dburt actually went to a movie theater for the first time in over a year and it was Marvel's Shang-Chi and the Legend of the Ten Rings that pulled him! We will provide you with our impressions of the film which is projected to make 75-85 million at the box office this 3-day holiday weekend; A Gamesradar.com piece posits that the vaunted DC vs. Marvel rivalry is officially over (OK....we didn't get that memo, but let's see); popular podcaster/comedian, Joe Rogan recently disclosed that he contracted COVID-19 but was able to combat the virus with some fairly questionable drugs (as opposed to getting vaccinated); And what about that Christopher Lloyd (Back to the Future franchise, Taxi) Rick and Morty Adult Swim promo?....Great Scott!
And then there's the upcoming Injustice VG to animated movie...hmm:
actor, Jaleel White's interview on the People's Party with Talib Kweli provides some interesting insight
into the early development of his iconic Steve Urkel character (and indirectly providing nascent blerd imagery):
And then there's this:
Tonight, an all Black male crew broadcasted the 10 p.m. newscast on NBC 33.
— Jonah Gilmore (@JonahMGilmore) September 4, 2021
Everyone from the anchor, reporter, sports, weather & production are black males.
We work so hard, do amazing jobs & this moment is so humbling to us.
This is Black Excellence! #BlackBoyJoy pic.twitter.com/3GtvyOdbv6
And lastly, our thoughts about Facebook's apology for their A.I. labeling a video about Black men as "primates." SO are we to assume that racial animus will be "baked in" to the algorithm?
One thing that Dburt is doing (finally) is investing in cryptocurrency, courtesy of Roundlyx. We would implore our followers to investigate, discern and then explore by using our referral code: afro-87A4BF
Call us LIVE at 508-645-0100. AFTER CLICKING ON THE HIGHLIGHTED LINK, GO DIRECTLY TO AFRONERD RADIO!!!
or This link below.....
Also, Afronerd Radio's podcast format can be heard via BTalk 100 Pandora, Spotify and, IHeartRadio....more formats to follow!