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Like many fandoms, The Walking Dead family disagrees on pretty much everything. But one thing we largely agree on is that the show’s first few seasons were absolutely fantastic. Many of the decisions that Rick and his survival comrades made in those early years of the apocalypse set the foundation for so many story arcs and pivotal moments. And, even though the flagship series is over, fans love to give The Walking Dead the “What If?” treatment. What if Shane actually killed Rick in that field? What if Daryl never saved Carol at the farm? It is always fun to think about the possibilities, but now we can make them happen. The Walking Dead: Destinies is a new The Walking Dead video game that allows players to rewrite the show’s history and relive some epic moments with original characters.
We can see the conceit in action in The Walking Dead: Destinies trailer below.
AMC and GameMill Entertainment are teaming up to make this new The Walking Dead game happen. The Walking Dead: Destinies covers seasons one through four, which includes the farm, prison, and Terminus arcs in the Atlanta area. The storyline can go many different ways depending on the player’s choices for The Walking Dead‘s most famous characters like Rick Grimes and Daryl Dixon. If a player dares, they can change the fates of folks like Shane Walsh and see how that decision affects the future. It is probably not the best choice considering Shane’s obsession with Lori and Carl. This is a super cool concept considering most of The Walking Dead’s popular games are about characters who don’t exist in the show, like Clementine.
The Walking Dead: Destinies’ trailer back some unforgettable memories in game-form, especially with its voiceover. We can hear Rick giving his infamous speech following the fall of the farm. Gotta love when he tells people that they can either let him lead or figure life out on their own. (It is lovingly known by many fans as the Ricktatorship speech.) We also see locations that are long gone, like the prison and downtown Atlanta. And yes, there’s some blood and gore because it is a The Walking Dead game. Players will have to manage their resources and fight for their survival. The clip notes that this is a work in progress, so we will have to wait for the final graphics.
A new Walking Dead game with original characters like Rick that lets you change the show’s storylines sounds like a great time. The Walking Dead: Destinies will get a digital release on November 17 with a physical release following in December. It will be available for PC, Nintendo Switch, PlayStation, and Xbox and cost $50. The game is available for preorder today.
Originally published on August 17, 2023.
The post New THE WALKING DEAD: DESTINIES Video Game Lets Players Rewrite Show’s Early Seasons appeared first on Nerdist.
Like many fandoms, The Walking Dead family disagrees on pretty much everything. But one thing we largely agree on is that the show’s first few seasons were absolutely fantastic. Many of the decisions that Rick and his survival comrades made in those early years of the apocalypse set the foundation for so many story arcs and pivotal moments. And, even though the flagship series is over, fans love to give The Walking Dead the “What If?” treatment. What if Shane actually killed Rick in that field? What if Daryl never saved Carol at the farm? It is always fun to think about the possibilities, but now we can make them happen. The Walking Dead: Destinies is a new The Walking Dead video game that allows players to rewrite the show’s history and relive some epic moments with original characters.
We can see the conceit in action in The Walking Dead: Destinies trailer below.
AMC and GameMill Entertainment are teaming up to make this new The Walking Dead game happen. The Walking Dead: Destinies covers seasons one through four, which includes the farm, prison, and Terminus arcs in the Atlanta area. The storyline can go many different ways depending on the player’s choices for The Walking Dead‘s most famous characters like Rick Grimes and Daryl Dixon. If a player dares, they can change the fates of folks like Shane Walsh and see how that decision affects the future. It is probably not the best choice considering Shane’s obsession with Lori and Carl. This is a super cool concept considering most of The Walking Dead’s popular games are about characters who don’t exist in the show, like Clementine.
The Walking Dead: Destinies’ trailer back some unforgettable memories in game-form, especially with its voiceover. We can hear Rick giving his infamous speech following the fall of the farm. Gotta love when he tells people that they can either let him lead or figure life out on their own. (It is lovingly known by many fans as the Ricktatorship speech.) We also see locations that are long gone, like the prison and downtown Atlanta. And yes, there’s some blood and gore because it is a The Walking Dead game. Players will have to manage their resources and fight for their survival. The clip notes that this is a work in progress, so we will have to wait for the final graphics.
A new Walking Dead game with original characters like Rick that lets you change the show’s storylines sounds like a great time. The Walking Dead: Destinies will get a digital release on November 17 with a physical release following in December. It will be available for PC, Nintendo Switch, PlayStation, and Xbox and cost $50. The game is available for preorder today.
Originally published on August 17, 2023.
The post New THE WALKING DEAD: DESTINIES Video Game Lets Players Rewrite Show’s Early Seasons appeared first on Nerdist.
One of the best parts of roleplaying games is sinking into the storytelling and letting loose with friends. And one of the more challenging parts of roleplaying games is finding a consistent game master who will do all the work and preparation to create the space for storytelling. Enter Sharkbomb Studios’ The Mending Circle. This gentle-sounding roleplaying game doesn’t require a game master or extensive prep. Made for exactly three players, The Mending Circle takes the group on a journey of healing.
The Mending Circle‘s designer Martin Nerurkar started working on the game when he was recovering from burnout. It took time for Nerurkar to finish the first edition, released digitally. Now he’s back with the second edition, a cozy and wholesome roleplaying game in which the players come together as a coven of three witches sent to help someone in need. The Mending Circle‘s full synopsis is as follows:
In The Mending Circle you tell healing stories together.
At their heart is always one or more of the Torn: someone in a state of pain or anxiety and in need of support. Most likely they are scared, poor, isolated or marginalized in some way that makes it difficult for them to access help themselves. This pain does not come from a physical ache but rather from a metaphorical, emotional wound. If it persists it often leads to more suffering radiating outwards.
But this Wound catches the attention of three witches that set out to help. Using your magical charms you will help and guide the process of healing. As a first step the Torn needs to reach a state of relative safety and stability. Only after this is achieved can they confront the source of their pain and gain awareness. Finally, they have to make a new meaning for themselves to move forward.
The game features a D6 system, quick start scenarios, and a 130+ page sourcebook. Given the vulnerable nature of the game, you’ll likely want to play with people you already know and feel comfortable being open with.
The Mending Circle is available to back on Kickstarter now.
The post THE MENDING CIRCLE Is a Witchy RPG About Hope and Healing appeared first on Nerdist.
At my core, I am a living confluence of contradiction. I am a nonbinary, biracial technical writer. I literally am compromised of non-standard, disparate, and contradictory components. My resume is a hodgepodge of endeavors from engineering degrees and pop culture multimedia critique, and I am a firm proponent of a STEAM educational framework.
And yet, running further contrary to an already contrarian existence is a single truth that I hold dear: I do not understand 5e multi-classing. I caution my players to avoid multi-classing. I never multi-class my own characters as though delving into a separate class would somehow doom their existence. I get visibly confused when someone mentions that they have mutli-classed.
This has not gotten better with the recent release of Baldur’s Gate, where several guides explain the so-called benefits of multi-classing in various builds as a way to leverage new and exciting combinations of skills and class features, and my brain just ends up short circuiting after seeing the backslash.
And the thing is I didn’t always have this mentality. When I was first learning how to play Dungeons and Dragons with their 3.5e, the idea of multi-classing was significantly less detracting to me, although that was due to the fact that I wasn’t viewing multi-classing as a means to increase my range. Instead, I was viewing multi-classing as a means to unlock the true power that I wanted my PC to have. One of the prominent features of D&D 3.5e was the inclusion of Prestige Classes: unique classes that your character had to be molded into. Unlike the standard classes, you could never start out as level 1 of a prestige class nor could you ever get a full 20 levels of the class either. There were specific requirements that required investing in specific skills and choices, some of which required you to delve outside your typical background to get all those requirements checked off. However, unlike true multi-classing, I think the mentality was very different for me. Prestige class was kinda the equivalent of getting a specialized degree that would then supersede everything that came before it. Multi-classing in my head is the equivalent of a certificate.
And logically, I know that isn’t entirely fair to multi-class PCs. The fact remains that there are plenty of reasons why multi-classing is appealing. From a narrative perspective, it shows a character choosing to delve into a new specialty, influenced by the choices and circumstances they find themselves in. Hell, in Order of the Stick, Elan chooses to take a level in wizard to help improve the potency of his magical illusions. He also takes a level in daring swashbuckler, although that’s a prestige class equivalent, and that’s completely ignoring his evil twin brother’s Nale convoluted level schema to poor mimic the effect of a bard.
From a mechanical perspective, it does widen the toolbox dramatically. The first level provides a plethora of features and investments that very well could compliment certain attributes. Furthermore, I also know for a fact that some of the broken builds in D&D history require multi-classing, none more infamous than the Pun-Pun, thought experiments that push the game mechanics to create a functional god at ridiculously low levels. It’s a min-maxer’s dream that should also never be allowed at an actual table.
But for me personally, I just do not understand the appeal of multi-classing. From a gameplay perspective, the progression of the classes feels like the intended path (helped by the fact that multi-classing is an optional rule even within the core rulebook). This is doubly true for spellcasters as the potency of their spells is directly tied to their character level, and skipping levels prevents access to some of the most busted spells in the game. It creates extensive bookkeeping issues, as your HP dice and Skill Points quickly get out of sync, and that aforementioned versatility also leads to having significantly more options (that again are also fundamentally weaker) that can slow down the decision-making process. And the fact is that when I’m playing a tabletop RPG, I am playing within the framework of a group. I am one character within a party, and party dynamics are more enjoyable when each character has their own niche. Having a proverbial jack of all trades may be nice for large parties, but for the more intimate settings, it never feels great being “good” at several things when your teammates are “phenomenal” at a thing.
It also certainly doesn’t help that progression in tabletop spaces is not predictable. Since leveling is at the game master’s discretion, taking a level in a different class could very much put you at a power deficit for an indeterminate amount of time until you can pick up the other levels that would even out your builds. Of course, getting to build higher level characters from the start could mitigate this, but that’s a lot of planning and coordination and maybe you’re just built for it better than I am.
Versatility in real life, I value immensely. Being able to adapt to a plethora of circumstances is a true asset, and being well-rounded is an important consideration. In games though, I much rather be the best hammer than a Swiss-army knife. I much rather find creative uses of being the best hammer to solve problems than practical solutions with the Swiss-army knife. And for me, when I play a game, I want to invest fully into a singular fantasy. I want to do the things that I designed my character to do at their fullest, and for me, that means triple downing on the first decision and keeping everything at a honed edge. I want that clarity, the pure joy of a max level fireball, an attack of opportunity with way too many dice, and that weird niche level 20 feature that is beholden only to your class, as proof of your dedication and devotion to a singular idea. Which again, doesn’t exactly back translate to real life, but perhaps that’s a different article.
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The post A D&D Confessional: I Still Don’t Understand Multi-classing appeared first on Black Nerd Problems.