Ok Now The 1st Grindhouse Show of the Year! Airing SUN 6pm via BTalk 100: MF Doom Passes; Ray Fisher vs DC; Is Space Force Trump’s Sole "Good" Contribution?; New Book on Black Comic Artists; Cobra Kai S3

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Ok Now The 1st Grindhouse Show of the Year! Airing SUN 6pm via BTalk 100: MF Doom Passes; Ray Fisher vs DC; Is Space Force Trump’s Sole "Good" Contribution?; New Book on Black Comic Artists; Cobra Kai S3

http://www.afronerd.com/2021/01/ok-now-1st-grindhouse-show-of-year.html

 

Let’s start 2021 with a terse and “to the point” start, people!  Welcome to the first Afronerd Radio broadcast of 2021 streaming under the guise of the infamous Grindhouse brand this Sunday at 6pm eastern.  The topics for the brand new year are as follows:  regrettably the world experienced yet another untimely death with the passing of iconic underground rap artist and graphic novel enthusiast, Daniel Dumile aka MF Doom;    

Cyborg actor, Ray Fisher seems to be tripling down on his critique against DC/Warner Media/Joss Whedon but this time he is speaking negatively toward DC Films President, Walter Hamada; thoughts about the one achievement that may be the lone bright spot of the Trump Administration’s oftentimes cantankerous and inept perception-the creation of the U.S. Space Force;  a New York Times piece on a new book entitled, Invisible Men: The Trailblazing Black Artists of Comic Books-the book profiles 18 male Golden-Age comic era artists;  the highly anticipated third season of Cobra Kai premiered on Netflix this weekend and Dburt gives his spoiler-free impressions; and the “Soho Karen” story continues with the female aggressor’s identity now being revealed;  the AtlantaBlackstar.com site lends focus to two black classically trained musicians performing in symphony orchestras as well as the question of diversity in the classical music genre; Marvel movies/streaming series slated for release in 2021;  and in a likeminded fashion, DC movies like Static Shock and Batgirl will be on the HBO Max streaming platform; lastly, the saga that is the Prince estate continues. The curation of the icon’s music is one matter and his music’s undervaluation is another.   
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