deerstalker
A new graphic novel, Nicnevin and the Bloody Queen, is due to be released in the UK on August 20. The horror story was released in the States earlier this year to great reviews. Read on for more details in the press release.
NICNEVIN AND THE BLOODY QUEEN, a Haunting Coming-of-Age Horror Story For Our Times
(August 13, 2020) Something strange has been unleashed in the North of England. A modern-day druid has been committing a series of ghastly murders in an attempt to unleash the awesome power of the ancient gods of Great Britain. But all hell really breaks loose when his latest would-be victim, rebellious teen Nicnevin “Nissy” Oswald, turns out to be more than she seems. In NICNEVIN AND THE BLOODY QUEEN, debut graphic novel writer Helen Mullane, acclaimed artists Dom Reardon and Matthew Dow Smith, and celebrated colorist Lee Loughridge have created a haunting and unsettling coming-of-age horror story for our times.
“Darkly magical and strange, NICNEVIN AND THE BLOODY QUEEN explores British landscape and myth in the style of folk horror film and TV from the 1960s and ’70s but with a contemporary edge.”— Kim Newman (Anno Dracula)
Humanoids, the publisher of some of the world’s most iconic and groundbreaking science fiction and fantasy graphic novels, will publish NICNEVIN AND THE BLOODY QUEEN in the UK on August 20, 2020. The book features a stunning cover by Jock, the co-creator of Wytches and one of the modern masters of comic book suspense.
This original graphic novel marks the literary debut of writer Helen Mullane, who collaborates with artists Dom Reardon and Matthew Dow Smith, letterer Robin Jones, and colorist Lee Loughridge for a different kind of horror and a different kind of heroine. In the story, London teen “Nissy” Oswald is stuck in the countryside for the entire summer with only her mother and little brother for company, but things start to look up when she meets Reggie, an attractive and mysterious older man to whom she feels inexorably drawn. As Nissy divides her time between feuding with her mother and lusting for Reggie, the small town is rocked by a grisly murder and everything changes. “I wanted to channel the feelings and attitudes that I remember so clearly from my own teenage years, the experiences of me and my friends,” said Mullane. “We weren’t wholesome or chaste, or bothered about saving the day–we weren’t the Famous Five or the Teen Titans! We just wanted to hang around, maybe get a bit wasted, get crushes on whoever was around… I feel like that sort of teen experience is rarely explored in mainstream comics.”
The original graphic novel received widespread acclaim upon its publication in the States this spring:
“A series of murders in rural England might not seem like the sort of thing that would interest a surly teenager, but Nicnevin Oswald has no idea that she’s at the center of a story that stretches back centuries and places her in grave danger. Welcome to the world of Nicnevin and the Bloody Queen…a world of druids, magical thinking and murders.”—HOLLYWOOD REPORTER
“A truly great horror story that simultaneously conjures images from that golden age of British horror, while presenting a distinct modern slant—which is both timely and very welcome. Compelling, unique, and unmissable.”—Tula Lotay (All-Star Batman)
“Beautiful and foreboding.”—DAILY DEAD
“Dredging its dread from the deep well of teenage anxieties and British folk horror, a new original graphic novel being published by Humanoids is an old-fashioned fright yarn that weaves a lasting spell on readers yearning for an intense murder mystery with a black magic flair…. A disturbing coming-of-age horror story perfect for these complicated digital age times.”—SYFY WIRE
“Darkly magical and strange, Nicnevin and the Bloody Queen explores British landscape and myth in the style of folk horror film and TV from the 1960s and ’70s but with a contemporary edge.”—Kim Newman (Anno Dracula series, Nightmare Movies: A critical history of the horror film, 1968–88)
“For a modern teenage girl, there is no thought more chilling than a summer vacation with their mother in the middle of nowhere. But throw in witchcraft, murder, and mysterious strangers, and you have a different kind of horror entirely. … Beautifully unnerving.”—SCREENRANT
“What makes Nicnevin and the Bloody Queen so special isn’t just how well crafted and ornate it is, but how it seamlessly blends an insidious fairy tale murder mystery with the coming-of-age story of a teenager embracing her emerging identity.”—Emma Ríos (Pretty Deadly)
“Helen Mullane’s debut graphic novel Nicnevin and the Bloody Queen carefully walks the line between realism and folk horror in a way that only the best horror stories do. Mullane’s unique take on the folklore and mythology of Great Britain, told through the eyes of a disaffected teen, slowly works its way towards an explosive ending with many terrifying signposts along the way.”—HORROR NEWS NETWORK
“Folk horror is the ideal genre for exploring the wave of unreason engulfing us, and in Humanoid’s NICNEVIN AND THE BLOODY QUEEN by Helen Mullane and Dom Reardon the comics medium may just have the final word. This is a masterpiece.”— Alex Paknadel (Friendo)
“The artwork for this collection is gorgeous… It’s easy to fall under the spell of this book…. Highly entertaining story.”—FANGIRL NATION
“NICNEVIN & THE BLOODY QUEEN is a moody slice of folk horror that peels away the skin of modern Britain to reveal its wild and bloody heart.”—Andy Diggle (Losers)
“A fantastic gothic horror, fairytale-esque story that draws in readers with an unnerving art style and a narrative that keeps you turning the pages.”—WICKED HORROR
“This is an excellent book. Helen Mullane is going to be a name to watch.”—Christian Ward (Invisible Kingdom, O-DC)
“Like a great witch’s potion, Humanoids have stirred together a cauldron of quality creators who bring their own unique skills together to create something magical and mysterious.”—PIPEDREAM COMICS
“Folk horror at its finest.”—Lawrence Campbell (B.P.R.D.)
“Reminiscent of some of Mike Mignola’s best work…. The art is fantastic and the atmosphere is perfect.”—FORCES OF GEEK
“A contemporary folk horror tale rich in atmosphere and feeling…. Impressive.”—WYRD DAZE
“NICNEVIN AND THE BLOODY QUEEN is eerie yet cathartic. Strange yet graceful. Novel yet wistful…. [It] marks Helen Mullane as a much needed, passionate new voice in horror/weird fiction.”—Lonnie Nadler (The Dregs)
“NICNEVIN is the kind of dark and spooky British tale that appeals to the mid-teen to adult crowd and seems like a nice, fun confection—right up until it rips out your guts and leaves you with nightmares for weeks on end. Anyone whose read Neil Gaiman’s novels can appreciate the style… It’s an impressive work.”—PULLBOX
“This is fabulous! A bewitching blend of British folk horror and coming-of-age yarn that had me racing through its pages, desperate to see what happened next. Nicnevin is a heroine for our times, a sympathetic but credibly self-absorbed urban teenager discovering there’s more to the landscape than meets the eye.”—Anne Billson (Suckers, Stiff Lips, Cats on Film)
“Nicnevin and the Bloody Queen captures much of the same brooding vibe of the old British manifestations of folk horror.”—COMICS BEAT
NICNEVIN AND THE BLOODY QUEEN is ripe with black magic, myth, and murder. The book comes alive with its honest depiction of family dysfunction and moments of quiet despair. It’s a spellbinding story, the kind that recalls the best horror stories of the past, while daring to unearth something entirely new.
For more updates, follow Humanoids on Twitter, Facebook and Instagram.
ABOUT THE WRITER
Helen Mullane began her career in film distribution, managing the release of major films for the likes of Studio Canal and EOne. Later she produced the feature documentary FUTURESHOCK! THE STORY OF 2000AD and various shorts such as the multi-award-winning NASTY. Helen currently resides in northern Sweden where she lives with 80 huskies, balancing her time between writing and dog mushing.
ABOUT THE ARTISTS
Dom Reardon is an illustrator from the U.K. He is best known for his work in the anthology comic 2000 AD where he co-created the series Caballitics Inc. with writer Gordon Rennie and The Grievous Journey of Ichabod Azrael with writer Rob Williams. He has also worked for Dark Horse, Walker Books and Wizards of the Coast among others.
Matthew Dow Smith is a writer and comic book artist who has worked for nearly every major American comic book publisher. His art has appeared in Mike Mignola’s Hellboy, Dark Horse Comics’s Bad Luck Chuck, Aftershock’s Dead Kings, DC’s Suicide Squad: Hell to Play, and many others. He is also the writer/artist of the upcoming The October Girl graphic novel series.
ABOUT HUMANOIDS:
Based in Hollywood, California, with branches in Paris, London, and Tokyo, HUMANOIDS was co-founded 46 years ago in Paris, France, by legendary creator Mœbius, and has published thousands of titles since, including international bestsellers and iconic series such as The Incal and The Metabarons.
The post New Graphic Novel: NICNEVIN AND THE BLOODY QUEEN appeared first on The Nerd Element.
A new graphic novel, Nicnevin and the Bloody Queen, is due to be released in the UK on August 20. The horror story was released in the States earlier this year to great reviews. Read on for more details in the press release.
NICNEVIN AND THE BLOODY QUEEN, a Haunting Coming-of-Age Horror Story For Our Times
(August 13, 2020) Something strange has been unleashed in the North of England. A modern-day druid has been committing a series of ghastly murders in an attempt to unleash the awesome power of the ancient gods of Great Britain. But all hell really breaks loose when his latest would-be victim, rebellious teen Nicnevin “Nissy” Oswald, turns out to be more than she seems. In NICNEVIN AND THE BLOODY QUEEN, debut graphic novel writer Helen Mullane, acclaimed artists Dom Reardon and Matthew Dow Smith, and celebrated colorist Lee Loughridge have created a haunting and unsettling coming-of-age horror story for our times.
“Darkly magical and strange, NICNEVIN AND THE BLOODY QUEEN explores British landscape and myth in the style of folk horror film and TV from the 1960s and ’70s but with a contemporary edge.”— Kim Newman (Anno Dracula)
Humanoids, the publisher of some of the world’s most iconic and groundbreaking science fiction and fantasy graphic novels, will publish NICNEVIN AND THE BLOODY QUEEN in the UK on August 20, 2020. The book features a stunning cover by Jock, the co-creator of Wytches and one of the modern masters of comic book suspense.
This original graphic novel marks the literary debut of writer Helen Mullane, who collaborates with artists Dom Reardon and Matthew Dow Smith, letterer Robin Jones, and colorist Lee Loughridge for a different kind of horror and a different kind of heroine. In the story, London teen “Nissy” Oswald is stuck in the countryside for the entire summer with only her mother and little brother for company, but things start to look up when she meets Reggie, an attractive and mysterious older man to whom she feels inexorably drawn. As Nissy divides her time between feuding with her mother and lusting for Reggie, the small town is rocked by a grisly murder and everything changes. “I wanted to channel the feelings and attitudes that I remember so clearly from my own teenage years, the experiences of me and my friends,” said Mullane. “We weren’t wholesome or chaste, or bothered about saving the day–we weren’t the Famous Five or the Teen Titans! We just wanted to hang around, maybe get a bit wasted, get crushes on whoever was around… I feel like that sort of teen experience is rarely explored in mainstream comics.”
The original graphic novel received widespread acclaim upon its publication in the States this spring:
“A series of murders in rural England might not seem like the sort of thing that would interest a surly teenager, but Nicnevin Oswald has no idea that she’s at the center of a story that stretches back centuries and places her in grave danger. Welcome to the world of Nicnevin and the Bloody Queen…a world of druids, magical thinking and murders.”—HOLLYWOOD REPORTER
“A truly great horror story that simultaneously conjures images from that golden age of British horror, while presenting a distinct modern slant—which is both timely and very welcome. Compelling, unique, and unmissable.”—Tula Lotay (All-Star Batman)
“Beautiful and foreboding.”—DAILY DEAD
“Dredging its dread from the deep well of teenage anxieties and British folk horror, a new original graphic novel being published by Humanoids is an old-fashioned fright yarn that weaves a lasting spell on readers yearning for an intense murder mystery with a black magic flair…. A disturbing coming-of-age horror story perfect for these complicated digital age times.”—SYFY WIRE
“Darkly magical and strange, Nicnevin and the Bloody Queen explores British landscape and myth in the style of folk horror film and TV from the 1960s and ’70s but with a contemporary edge.”—Kim Newman (Anno Dracula series, Nightmare Movies: A critical history of the horror film, 1968–88)
“For a modern teenage girl, there is no thought more chilling than a summer vacation with their mother in the middle of nowhere. But throw in witchcraft, murder, and mysterious strangers, and you have a different kind of horror entirely. … Beautifully unnerving.”—SCREENRANT
“What makes Nicnevin and the Bloody Queen so special isn’t just how well crafted and ornate it is, but how it seamlessly blends an insidious fairy tale murder mystery with the coming-of-age story of a teenager embracing her emerging identity.”—Emma Ríos (Pretty Deadly)
“Helen Mullane’s debut graphic novel Nicnevin and the Bloody Queen carefully walks the line between realism and folk horror in a way that only the best horror stories do. Mullane’s unique take on the folklore and mythology of Great Britain, told through the eyes of a disaffected teen, slowly works its way towards an explosive ending with many terrifying signposts along the way.”—HORROR NEWS NETWORK
“Folk horror is the ideal genre for exploring the wave of unreason engulfing us, and in Humanoid’s NICNEVIN AND THE BLOODY QUEEN by Helen Mullane and Dom Reardon the comics medium may just have the final word. This is a masterpiece.”— Alex Paknadel (Friendo)
“The artwork for this collection is gorgeous… It’s easy to fall under the spell of this book…. Highly entertaining story.”—FANGIRL NATION
“NICNEVIN & THE BLOODY QUEEN is a moody slice of folk horror that peels away the skin of modern Britain to reveal its wild and bloody heart.”—Andy Diggle (Losers)
“A fantastic gothic horror, fairytale-esque story that draws in readers with an unnerving art style and a narrative that keeps you turning the pages.”—WICKED HORROR
“This is an excellent book. Helen Mullane is going to be a name to watch.”—Christian Ward (Invisible Kingdom, O-DC)
“Like a great witch’s potion, Humanoids have stirred together a cauldron of quality creators who bring their own unique skills together to create something magical and mysterious.”—PIPEDREAM COMICS
“Folk horror at its finest.”—Lawrence Campbell (B.P.R.D.)
“Reminiscent of some of Mike Mignola’s best work…. The art is fantastic and the atmosphere is perfect.”—FORCES OF GEEK
“A contemporary folk horror tale rich in atmosphere and feeling…. Impressive.”—WYRD DAZE
“NICNEVIN AND THE BLOODY QUEEN is eerie yet cathartic. Strange yet graceful. Novel yet wistful…. [It] marks Helen Mullane as a much needed, passionate new voice in horror/weird fiction.”—Lonnie Nadler (The Dregs)
“NICNEVIN is the kind of dark and spooky British tale that appeals to the mid-teen to adult crowd and seems like a nice, fun confection—right up until it rips out your guts and leaves you with nightmares for weeks on end. Anyone whose read Neil Gaiman’s novels can appreciate the style… It’s an impressive work.”—PULLBOX
“This is fabulous! A bewitching blend of British folk horror and coming-of-age yarn that had me racing through its pages, desperate to see what happened next. Nicnevin is a heroine for our times, a sympathetic but credibly self-absorbed urban teenager discovering there’s more to the landscape than meets the eye.”—Anne Billson (Suckers, Stiff Lips, Cats on Film)
“Nicnevin and the Bloody Queen captures much of the same brooding vibe of the old British manifestations of folk horror.”—COMICS BEAT
NICNEVIN AND THE BLOODY QUEEN is ripe with black magic, myth, and murder. The book comes alive with its honest depiction of family dysfunction and moments of quiet despair. It’s a spellbinding story, the kind that recalls the best horror stories of the past, while daring to unearth something entirely new.
For more updates, follow Humanoids on Twitter, Facebook and Instagram.
ABOUT THE WRITER
Helen Mullane began her career in film distribution, managing the release of major films for the likes of Studio Canal and EOne. Later she produced the feature documentary FUTURESHOCK! THE STORY OF 2000AD and various shorts such as the multi-award-winning NASTY. Helen currently resides in northern Sweden where she lives with 80 huskies, balancing her time between writing and dog mushing.
ABOUT THE ARTISTS
Dom Reardon is an illustrator from the U.K. He is best known for his work in the anthology comic 2000 AD where he co-created the series Caballitics Inc. with writer Gordon Rennie and The Grievous Journey of Ichabod Azrael with writer Rob Williams. He has also worked for Dark Horse, Walker Books and Wizards of the Coast among others.
Matthew Dow Smith is a writer and comic book artist who has worked for nearly every major American comic book publisher. His art has appeared in Mike Mignola’s Hellboy, Dark Horse Comics’s Bad Luck Chuck, Aftershock’s Dead Kings, DC’s Suicide Squad: Hell to Play, and many others. He is also the writer/artist of the upcoming The October Girl graphic novel series.
ABOUT HUMANOIDS:
Based in Hollywood, California, with branches in Paris, London, and Tokyo, HUMANOIDS was co-founded 46 years ago in Paris, France, by legendary creator Mœbius, and has published thousands of titles since, including international bestsellers and iconic series such as The Incal and The Metabarons.
The post New Graphic Novel: NICNEVIN AND THE BLOODY QUEEN appeared first on The Nerd Element.
A few days ago, I scrolled past a targeted ad on Twitter. The ad was for the shaving company Gillette Venus and featured Animal Crossing player characters. I didn’t think much of it at first, as brands using the game to advertise isn’t anything new.
As it turns out, this was a lot more than a simple ad. Gillette Venus has partnered with the game to make it, as they’ve branded the endeavor, “skinclusive.” Animal Crossing allows you to customize your character, though, as with most games, the choices are fairly limited. (Although I do love that things like hairstyles and dress are not confined by gender.)
What Gillette Venus has done is created a bunch of design codes for a variety of skin types, including freckles, acne, psoriasis, eczema, vitiligo, and more. There are also codes for body-related things like curves, surgery scars, stretch marks, burns, and cellulite. In all, there are 19 skin types and eight skin tones, totalling 264 possible new designs. You can see the designs in the Lookbook put together by the brand.
Acne, Vitiligo, Psoriasis, Scars & more. We’re bringing IRL skin to #ACNH so that more players can feel represented in the gaming world. #SkinclusiveACNH
— Gillette Venus (@GilletteVenus) August 7, 2020
Designer Nicole Cuddihy writes:
As I designed, I thought of those in my own life who represent each skin type. I wanted to create designs I knew they would cherish– a bright dress for my confident friend who never hides her acne, a fashionable look for my artistic friend with a deep scar, and a feminine lacy top for my courageous aunt who underwent a mastectomy. I am incredibly excited to bring you this collection, in partnership with Venus.
This sort of detail was already something players had the option to do, as we can design patterns as face paint. But there’s something very emboldening about having your own specific skin design created for you, especially on such a mass level. Many of the designs GV has created are things most of us would think of as “flaws” in ourselves. Sure, this is a product tie-in and there’s always reason to be cynical of that but honestly, having a company create these designs of those “flaws” because they actually see them as marketable can feel super empowering (in pretty much the only way capitalism can be empowering).
Have you done any skin-related custom designs? Will you be using Gillette Venus’s? Show us those screengrabs in the comments! (via Pajiba)
- Disney+ had Hamilton, now Netflix is getting the Princess Diana musical Diana. The show will hit streaming early next year before reopening on Broadway in May. (via Vanity Fair)
- A great piece from Rebecca Solnit: “Trans women pose no threat to cis women, but we pose a threat to them if we make them outcasts.” (via The Guardian)
- This is an important deep dive into the absolutely horrific sexual abuse/racism/milkshake machines full of cockroaches at at least one Alamo Drafthouse location. Full disclosure: It was co-written by my husband. But that means I can vouch for how harrowing and thorough a month-plus worth of investigative interviews were leading up this. (via The Pitch)
- Yayyyyyyyy:
I’m writing a book with @ABRAMSbooks pic.twitter.com/O0MnAlTheU
— ziwe (@ziwe) August 12, 2020
- And on the flip side, oh noooooo:
Now this is why students should feel pumped about going back to school. https://t.co/igxptfyMDl
— Kashana (@kashanacauley) August 12, 2020
- Vulture asked a gynecologist about “WAP.” (via Vulture)
- This New Zealand city has an official wizard and it’s a paid position. (via CNN)
- Please make this real and please let me have it:
I’ve never wanted anything to be more real in my entire life #Fvck2020 #WednesdayWisdom pic.twitter.com/QJ79qJrDmN
— Tara Dublin Doesn’t Want You to Get Sick
(@taradublinrocks) August 12, 2020
What did you all see out there on this whatever day it is?
(image: )
Want more stories like this? Become a subscriber and support the site!
—The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—
Donald Trump appears to be returning to his political roots and tapping into the fears of white America to gain momentum for his campaign. On Wednesday, the impeached president suggested in a tweet that suburban housewives (read: white women) should be fearful of the low-income housing (read: low wage earners) that would take over their neighborhoods if Biden were to win.
“The ‘suburban housewife’ will be voting for me. They want safety & are thrilled that I ended the long running program where low income housing would invade their neighborhood,” Trump wrote. “Biden would reinstall it, in a bigger form, with Corey Booker in charge!”
The “suburban housewife” will be voting for me. They want safety & are thrilled that I ended the long running program where low income housing would invade their neighborhood. Biden would reinstall it, in a bigger form, with Corey Booker in charge! @foxandfriends @MariaBartiromo
— Donald J. Trump (@realDonaldTrump) August 12, 2020The tweet is reminiscent of a 2016 campaign tactic where Trump often told the “suburban housewife” that if Democrats, later Hillary Clinton, won the election, the MS13 gang would overrun her neighborhood and Mexicans would rape and murder her family members. Trump used these methods throughout his campaign and has touched on some of his same racist speaking points throughout his time at the White House. Today’s tweet suggests the campaign is in full gear.
In addition to the overt rhetoric, Trump also suggests that Biden, like him, would pick the Black, male candidate who ran against him to be in charge of HUD (Housing and Urban Development). Biden has not announced his plans for a HUD Secretary, nor do the policies he’s rolled out suggest Trump’s tweet has any basis of truth. But neither will negate the fact that Trump can successfully stoke the fears of the “suburban housewife” voter who is already concerned by the thought of a Black woman VP, and will be even more disturbed by the thought of another Black cabinet member.
What it is also true is that Biden has promised to reinstate the Affirmatively Furthering Fair Housing (AFFH) mandate, which was instated as part of the 1968 Fair Housing Act, and required federal agencies and federal grantees to actively address and work to eliminate housing discrimination and segregation. In 2015, that rule was modified under the Obama Administration to require that localities analyze housing discrimination and segregation in their areas, and come up with plans to tackle the findings. Early this year, current HUD Secretary Ben Carson suspended the 2015 rule indefinitely.
US President Donald Trump takes part in a cabinet meeting in the Cabinet Room of the White House in Washington, DC on November 19, 2019 as Ben Carson, Secretary of Housing and Urban Development looks on. (Photo by MANDEL NGAN / AFP) (Photo by MANDEL NGAN/AFP via Getty Images)Andrew Bates, Director of Rapid Response for the Biden Campaign, suggested Trump’s decision to restate the point about low-income housing in suburban neighborhoods (he tweeted almost the exact same thing last month) is an act of desperation. “Donald Trump’s presidency is melting down after his failed, divisive, erratic leadership has cost over 160,000 American lives, tens of millions of jobs, and left the United States the hardest-hit country in the world by COVID-19.” Bates continued, “As he struggles in vain attempts to tear the American people apart and distract the country from his devastating mismanagement with clumsy, bigoted lies, he’s only further discrediting himself — and proving that he’s dumbfounded after Joe Biden’s selection of a strong running mate who he himself said not two weeks ago would be a ‘fine choice.'”
Cory Booker also commented on Trump’s tweet, telling the commander in chief to put some respect on his name — it’s Cory, no “e” — and reel his racism in just a smidge.
Donaled, your racism is showing.-Cory https://t.co/jrHIoqJ8A2
— Cory Booker (@CoryBooker) August 12, 2020The post Trump Turns To Dog-Whistle Politics After Announcement Of Black Woman VP Pick appeared first on Essence.