deerstalker

https://blackgirlnerds.com/underrated-vampire-films-to-sink-your-teeth-into/

These days there’s no shortage of vampire content, but the sub-genre is home to some quality films that definitely aren’t talked about enough. If you can’t wait for Halloween to get your vampire fix, now is the perfect time to check out these underrated vampire films that are just fang-tastic! 

Queen of the Damned (2002)

After the success of 1994’s Interview with the Vampire (based on Anne Rice’s Vampire Chronicles book series) and before AMC’s TV series adaptation of the same name, there was Queen of the Damned. It arrived on the big screen in 2000 and was considered a poorly structured representation of Rice’s work. Stuart Townsend starred as Lestat de Lioncourt, a vampire who creeps out of his coffin at the sound of nu metal and becomes an elusive rock god. However, the film’s real star was Aaliyah’s Queen Akasha, awakened by Lestat and ready to make him her king. 

This isn’t a movie to watch for its substance, but the style is undeniably entertaining. Lestat’s brooding is cranked up to 11, occult researcher Jesse Reeves (Marguerite Moreau) is reduced to a bland love interest, and the whole thing is riddled with very cringe dialogue. It’s a bad movie but a good time. 

For fans of 2000s nu-metal jams and sexy Black vampire queens.

Where to watch: Tubi 

A Girl Walks Home Alone at Night (2014)

Visionary writer-director Ana Lily Amirpour crafted a stylish black-and-white horror feature with A Girl Walks Home Alone at Night, the first Iranian vampire spaghetti Western. A lonely Girl (Sheila Vand) goes on nightly prowls around the mostly empty streets of Bad City, an ideal place for a hungry creature of the night to find a snack or two. She also likes threatening children and riding skateboards on occasion. When she comes across Arash (Arash Marandi), she resists the urge to bite him, instead bringing him back to her apartment to listen to music. 

Amirpour blends classic vampire mythology with Iranian culture, Rockabilly, and German Expressionism to create this otherworldly, graphic novel-like aesthetic. It’s a must-watch for any horror buff. 

For fans of David Lynch, brooding vampire vigilantes, and eerie slow-burn art house films.

Where to watch: Prime Video 

Bliss (2019)

When punk rock artist Dezzy Donahue (Dora Madison) gets painter’s block, she tries out a new drug called Bliss, essentially a Long Island iced tea of drugs. It gets the creative juices flowing but not until after she parties a little too hard, has a threesome with her flaky best friend Courtney (Tru Collins) and her male companion Ronnie (Rhys Wakefield), and wakes up sans clothes on a bathroom floor. From there, Dezzy and the audience go on a wild, neon-soaked ride of blackouts, addiction, manic artistry, and possible vampirism. It has a grimy hard rock aesthetic and the SnorriCam style shots put us uncomfortably close to this woman as she experiences a seemingly painful, disorienting vampire transformation. 

For fans of Climax, Euphoria, loud music, and trippy visuals. 

Where to watch: Prime Video 

Buffy the Vampire Slayer (1992)

Just about everyone is familiar with the Buffy the Vampire Slayer TV series by now. But five years before it premiered on the WB, there was the movie starring Kristy Swanson as the popular high school cheerleader who also happens to be the “Chosen One.” After the California teen is approached by Merrick (Donald Sutherland), she reluctantly begins her training (wearing the best slayer training aerobics fashion ever). It turns out she’s already inexplicably skilled with a wooden stake. This movie doesn’t ask much from the viewer. It knows a lot of things don’t make sense.

Including the aforementioned Sutherland, Buffy has a stacked cast. Rutger Hauer and Paul Reubens deliver delightfully campy performances as the main vamp antagonists Lothos and Amilyn. It also features young future stars Hilary Swank, David Arquette, Thomas Jane, and Ben Affleck, with the late Luke Perry as Pike, Buffy’s bad boy love interest. 

For fans of self-aware comedies, Valley Girl slang, and ’90s-era music and fashion.

Where to watch: HBOMax

Once Bitten (1985)

If you haven’t seen Jim Carrey in this teen sex horror comedy then you’re missing out. He plays Mark Kendall, a sex-obsessed high schooler who drives an ice cream truck and just wants to get laid. While out on the town, aka Hollywood, with his equally horny friends, he meets the seductive Countess (Lauren Hutton) and follows her home to a fabulous mansion. Mark is just what she needs to maintain her youthful glow — a male virgin to drink from 3 times before Halloween. But instead of just keeping him around, she decides to infiltrate his dreams and chase him around L.A. 

Once Bitten is a lot of fun and jam-packed with catchy tunes. There’s even a ridiculous impromptu dance-off between the Countess, Mark, and his girlfriend Robin (​​Karen Kopins).

For fans of Jim Carrey and ’80s nonsense.

Where to watch: Tubi 

What We Do in the Shadows (2014)

Written and directed by Taika Waititi and Jemaine Clement, What We Do in the Shadows is a mockumentary following the undead lives of three vampire roommates in Wellington, New Zealand. Viago (Waititi), Vladislav (Clement), and Deacon (Jonny Brugh) are from different regions and time periods and have their own styles. But they all enjoy a night out. They have a brief but hilarious run-in with a local werewolf pack led by Anton (Rhys Darby), who scolds his brethren for cursing because they’re werewolves, not swear-wolves. 

While the FX series of the same name has gained a fanbase, the original film is often overlooked. I love the series because Waititi and Clement expanded this wacky vampy world and moved the setting to Long Island. The series has a different cast but the OG core trio make a few appearances as members of the Vampiric Council.

For fans of Flight of the Conchords and the mind of Taika Waititi. 

Where to watch: I recommend a Shadows marathon beginning with the film on Prime Video and following it up with the series on Hulu

Shadow of the Vampire (2000)

Shadow of the Vampire is truly a forgotten gem despite earning its lead actor an Academy Award nomination in 2001. The film stars Willem Dafoe as enigmatic actor Max Schreck best known for his eerie portrayal of the titular vampire in 1922’s Nosferatu — a role he played so well that rumors spread he was an actual vampire. Joining him on screen is the legendary John Malkovich as filmmaker Friedrich Wilhelm Murnau, a name any film student will certainly know. 

Aside from the over-the-top acting style of the time, Nosferatu is far from a comedy. However, you’ll have plenty of laughs watching Shadow of the Vampire. Murnau’s production of Nosferatu is quite chaotic as Schreck’s presence has the cast and crew weary, which is hardly of any concern to Murnau. Though when his essential crew members start to disappear, his patience runs thin. 

For fans of Ed Wood, Nosferatu, and film history.

Where to watch: Tracking this one down will require some work since it’s not currently streaming on any platforms. But it’s worth seeking out a DVD copy online or from a library. In the meantime, check out the trailer on Prime Video and watch/rewatch Nosferatu on Tubi while you’re at it. 

And before you mention Sinners, the film is FAR from being underrated.

The post Underrated Vampire Films to Sink Your Teeth Into appeared first on Black Girl Nerds.

September 21, 2025

Underrated Vampire Films to Sink Your Teeth Into

https://blackgirlnerds.com/underrated-vampire-films-to-sink-your-teeth-into/

These days there’s no shortage of vampire content, but the sub-genre is home to some quality films that definitely aren’t talked about enough. If you can’t wait for Halloween to get your vampire fix, now is the perfect time to check out these underrated vampire films that are just fang-tastic! 

Queen of the Damned (2002)

After the success of 1994’s Interview with the Vampire (based on Anne Rice’s Vampire Chronicles book series) and before AMC’s TV series adaptation of the same name, there was Queen of the Damned. It arrived on the big screen in 2000 and was considered a poorly structured representation of Rice’s work. Stuart Townsend starred as Lestat de Lioncourt, a vampire who creeps out of his coffin at the sound of nu metal and becomes an elusive rock god. However, the film’s real star was Aaliyah’s Queen Akasha, awakened by Lestat and ready to make him her king. 

This isn’t a movie to watch for its substance, but the style is undeniably entertaining. Lestat’s brooding is cranked up to 11, occult researcher Jesse Reeves (Marguerite Moreau) is reduced to a bland love interest, and the whole thing is riddled with very cringe dialogue. It’s a bad movie but a good time. 

For fans of 2000s nu-metal jams and sexy Black vampire queens.

Where to watch: Tubi 

A Girl Walks Home Alone at Night (2014)

Visionary writer-director Ana Lily Amirpour crafted a stylish black-and-white horror feature with A Girl Walks Home Alone at Night, the first Iranian vampire spaghetti Western. A lonely Girl (Sheila Vand) goes on nightly prowls around the mostly empty streets of Bad City, an ideal place for a hungry creature of the night to find a snack or two. She also likes threatening children and riding skateboards on occasion. When she comes across Arash (Arash Marandi), she resists the urge to bite him, instead bringing him back to her apartment to listen to music. 

Amirpour blends classic vampire mythology with Iranian culture, Rockabilly, and German Expressionism to create this otherworldly, graphic novel-like aesthetic. It’s a must-watch for any horror buff. 

For fans of David Lynch, brooding vampire vigilantes, and eerie slow-burn art house films.

Where to watch: Prime Video 

Bliss (2019)

When punk rock artist Dezzy Donahue (Dora Madison) gets painter’s block, she tries out a new drug called Bliss, essentially a Long Island iced tea of drugs. It gets the creative juices flowing but not until after she parties a little too hard, has a threesome with her flaky best friend Courtney (Tru Collins) and her male companion Ronnie (Rhys Wakefield), and wakes up sans clothes on a bathroom floor. From there, Dezzy and the audience go on a wild, neon-soaked ride of blackouts, addiction, manic artistry, and possible vampirism. It has a grimy hard rock aesthetic and the SnorriCam style shots put us uncomfortably close to this woman as she experiences a seemingly painful, disorienting vampire transformation. 

For fans of Climax, Euphoria, loud music, and trippy visuals. 

Where to watch: Prime Video 

Buffy the Vampire Slayer (1992)

Just about everyone is familiar with the Buffy the Vampire Slayer TV series by now. But five years before it premiered on the WB, there was the movie starring Kristy Swanson as the popular high school cheerleader who also happens to be the “Chosen One.” After the California teen is approached by Merrick (Donald Sutherland), she reluctantly begins her training (wearing the best slayer training aerobics fashion ever). It turns out she’s already inexplicably skilled with a wooden stake. This movie doesn’t ask much from the viewer. It knows a lot of things don’t make sense.

Including the aforementioned Sutherland, Buffy has a stacked cast. Rutger Hauer and Paul Reubens deliver delightfully campy performances as the main vamp antagonists Lothos and Amilyn. It also features young future stars Hilary Swank, David Arquette, Thomas Jane, and Ben Affleck, with the late Luke Perry as Pike, Buffy’s bad boy love interest. 

For fans of self-aware comedies, Valley Girl slang, and ’90s-era music and fashion.

Where to watch: HBOMax

Once Bitten (1985)

If you haven’t seen Jim Carrey in this teen sex horror comedy then you’re missing out. He plays Mark Kendall, a sex-obsessed high schooler who drives an ice cream truck and just wants to get laid. While out on the town, aka Hollywood, with his equally horny friends, he meets the seductive Countess (Lauren Hutton) and follows her home to a fabulous mansion. Mark is just what she needs to maintain her youthful glow — a male virgin to drink from 3 times before Halloween. But instead of just keeping him around, she decides to infiltrate his dreams and chase him around L.A. 

Once Bitten is a lot of fun and jam-packed with catchy tunes. There’s even a ridiculous impromptu dance-off between the Countess, Mark, and his girlfriend Robin (​​Karen Kopins).

For fans of Jim Carrey and ’80s nonsense.

Where to watch: Tubi 

What We Do in the Shadows (2014)

Written and directed by Taika Waititi and Jemaine Clement, What We Do in the Shadows is a mockumentary following the undead lives of three vampire roommates in Wellington, New Zealand. Viago (Waititi), Vladislav (Clement), and Deacon (Jonny Brugh) are from different regions and time periods and have their own styles. But they all enjoy a night out. They have a brief but hilarious run-in with a local werewolf pack led by Anton (Rhys Darby), who scolds his brethren for cursing because they’re werewolves, not swear-wolves. 

While the FX series of the same name has gained a fanbase, the original film is often overlooked. I love the series because Waititi and Clement expanded this wacky vampy world and moved the setting to Long Island. The series has a different cast but the OG core trio make a few appearances as members of the Vampiric Council.

For fans of Flight of the Conchords and the mind of Taika Waititi. 

Where to watch: I recommend a Shadows marathon beginning with the film on Prime Video and following it up with the series on Hulu

Shadow of the Vampire (2000)

Shadow of the Vampire is truly a forgotten gem despite earning its lead actor an Academy Award nomination in 2001. The film stars Willem Dafoe as enigmatic actor Max Schreck best known for his eerie portrayal of the titular vampire in 1922’s Nosferatu — a role he played so well that rumors spread he was an actual vampire. Joining him on screen is the legendary John Malkovich as filmmaker Friedrich Wilhelm Murnau, a name any film student will certainly know. 

Aside from the over-the-top acting style of the time, Nosferatu is far from a comedy. However, you’ll have plenty of laughs watching Shadow of the Vampire. Murnau’s production of Nosferatu is quite chaotic as Schreck’s presence has the cast and crew weary, which is hardly of any concern to Murnau. Though when his essential crew members start to disappear, his patience runs thin. 

For fans of Ed Wood, Nosferatu, and film history.

Where to watch: Tracking this one down will require some work since it’s not currently streaming on any platforms. But it’s worth seeking out a DVD copy online or from a library. In the meantime, check out the trailer on Prime Video and watch/rewatch Nosferatu on Tubi while you’re at it. 

And before you mention Sinners, the film is FAR from being underrated.

The post Underrated Vampire Films to Sink Your Teeth Into appeared first on Black Girl Nerds.


September 21, 2025

Wait, When Did Bucky Run for Congress? Clues We All Missed

https://blackgirlnerds.com/wait-when-did-bucky-run-for-congress-clues-we-all-missed/

One of the best things that happened in 2008’s The Incredible Hulk, starring Edward Norton, is the film’s credit scene. In it, General Ross, portrayed by William Hurt, gets a surprise visit from none other than Robert Downey Jr.’s Tony Stark, who informs the future Red Hulk that he’s putting together a team: the Avengers. In retrospect, that wasn’t the first post-credits scene in cinematic history, but it was the one that announced the biggest cinematic franchise of all time. Soon, post-credit scenes and cameo appearances became Marvel’s favorite tool for announcing new projects.

Fast-forward to MCU’s most recent release, Captain America: Brave New World, and we’re introduced to a new Star-Spangled Avenger. Anthony Mackie’s Sam Wilson dons the stars and stripes and leads his first MCU film after the original Captain America Steve Rogers (Chris Evans) left his shield in Wilson’s possession at the end of Endgame. However, the shield and the mantle of the First Avenger weren’t the only things Rogers had left Wilson with. He also left him with his best friend, James Buchanan Barnes, better known as Bucky or the Winter Soldier.

Both Wilson and Bucky held their own in MCU’s The Falcon and the Winter Soldier, which was renamed to Captain America and the Winter Soldier at its conclusion, offering us a glimpse of what was to come. Of course, the MCU delivered, and Sam Wilson became the Captain. But what happened to Bucky? Well, as seen in Captain America: Brave New World, Bucky is actually campaigning to become a congressman, setting up his role in the upcoming Thunderbolts*. But when did that happen, and have we missed all the clues?

To be entirely fair, there haven’t been many clues indicating that Bucky Barnes would even consider entering the political arena in the MCU — at least not on the silver screen. But the idea actually isn’t all that surprising. While The Falcon and the Winter Soldier saw Sam Wilson wrestling with the weight of becoming Captain America and honoring Steve Rogers’ legacy, Bucky spent a good deal of time making amends for his lethal tenure as the Winter Soldier while also attending therapy to help him reconcile with his past actions as a brainwashed Hydra assassin.

He then appears in Captain America: Brave New World — after he received a presidential pardon for his aid in fighting Thanos — when Sam needed some encouragement after his sidekick got gravely injured. Barnes is too familiar with the feelings of guilt Wilson is currently burdened by (having unwillingly injured so many) and conveniently appears to offer some heartfelt words of encouragement to the new Cap, reminding him that Rogers entrusted him with the shield and the symbol for a reason. Wilson then makes an off-handed joke about Barnes’s speech writers before the conversation casually pivots to Barnes running for political office.

However, while there haven’t been many clues within the MCU, some clues were dropped off-screen during future project announcements. Discerning fans might’ve noticed that Barnes is wearing a congressional pin in the latest trailer for Thunderbolts*, where he’s set to play a major role. Additionally, actor Wyatt Russell — set to portray US Agent John Walker in the upcoming film — did mention that Barnes is now a congressman during a red-carpet appearance several months ago. Admittedly, though, it sounded more like a joke than an actual possibility.

Truth be told, while unusual for the character and quite surprising to the MCU audiences, Bucky is hardly the first Marvel character to run for office in comic book history. Those more familiar with the comics know that Tony Stark was the Secretary of Defense, and Matt Murdock (Daredevil) was the mayor of New York City. Even Steve Rogers was a presidential candidate back in the 1980s; two versions of the character, actually — one was elected, and the other one dropped out of the race. For Bucky, however, running for political office is unprecedented, even in comics.

Following the character’s appearance in the Captain America comic book back in 2005, Bucky has basically been an Avengers mainstay who had, at one point, taken up the mantle of Captain America. He went on numerous adventures in the comics, including time-traveling, becoming Earth’s protector and whatnot, but he never ran for political office. However, since he never actually received the shield in the MCU, this could be Marvel Studios’ way of having him still follow in Steve Rogers’ footsteps and run for office.

Whether or not that’s true isn’t really significant since the MCU is known for taking some creative liberties with Marvel Comics’ material, chucking it all under the “it’s a multiverse” umbrella and calling it a day. The main question now is whether his return to action in the Thunderbolts* means that he’s potentially relinquishing his office in the process, or is he really that dedicated to his constituents?   

The post Wait, When Did Bucky Run for Congress? Clues We All Missed appeared first on Black Girl Nerds.


September 20, 2025

Why ‘Sinners’ Competing for the Drama Category at the Golden Globes is Crucial

https://blackgirlnerds.com/why-sinners-competing-for-the-drama-category-at-the-golden-globes-is-crucial/

Awards season is never just about statues and red carpets. For studios, showrunners, and actors alike, the categories in which a project competes can determine whether it becomes a cultural juggernaut or fades into the background of the crowded prestige television landscape. That’s why the decision for Sinners to compete in the Drama category at the Golden Globes rather than Comedy/Musical, is not just a strategic move but a crucial one. It positions the film for maximum visibility, artistic validation, and long-term staying power.

The Prestige of the Drama Category

The Golden Globes are one of the most high-profile televised award shows in the world, serving as both a predictor of industry momentum and a launchpad for talent into further recognition, including the Emmys and Oscars. Among its categories, Best Film Drama stands as the crown jewel. Historically, it has recognized films in this category that are also in the horror genre. Most notably the 1992 nomination of Silence of The Lambs. And while the film didn’t win the Golden Globe that year, it did went on to win the big kahuna, the Academy Award for Best Picture. Competing here places Sinners in conversation with the most serious and culturally impactful movies released theatrically.

By entering Drama, Sinners asserts itself not as a one-time experiment but as a series with the ambition and capacity to stand shoulder to shoulder with the best.

Raising the Stakes for Representation

Beyond strategy, the Drama category offers Sinners a vital platform for representation. With its themes, characters, and creators rooted in underrepresented experiences, the show brings fresh voices into a historically exclusive space. Too often, stories centering marginalized communities are relegated to “niche” categories, quietly celebrated but not afforded the full prestige of the industry’s top honors. By competing for Drama, Sinners rejects this marginalization and demands recognition on equal footing.

This is crucial in today’s cultural landscape, where representation is not just about visibility but about validation. A Drama category nomination signals that Sinners is not “important for its community” — it is important, period. That kind of recognition reverberates outward, encouraging networks, streamers, and financiers to invest in more complex stories about communities that have long been sidelined.

The Competition Factor

Of course, competing in Drama is not without risk. The category is stacked with juggernauts from potential other Best Film Drama nominees (Hamnet, One Battle After Another, Sentimental Value, A House of Dynamite, It Was Just An Accident, Avatar: Fire and Ash among several other potential likely contenders). Films with massive budgets, critical acclaim, and existing momentum are currently in competition. But this is precisely why entering the field is crucial. To be considered alongside titles like Springsteen: Deliver Me From Nowhere or The Smashing Machine is to elevate the conversation around Sinners itself. Even if it does not win, the mere fact of nomination cements its place among the best of the best.

A Turning Point for Film

Ultimately, the decision for Sinners to compete in Drama speaks to a larger turning point in film. Audiences are craving stories that merge social relevance with emotional depth, refusing to accept easy binaries of “serious” vs. “genre” or “important” vs. “entertaining.” By planting itself firmly in the Drama category, Sinners reflects this evolution. It embodies the notion that stories centering complex, diverse characters deserve not just space at the table but the head of it.

Awards season may sometimes feel like an insider’s game, but the ripple effects are undeniable. The categories in which shows compete signal their artistic ambitions, cultural stakes, and long-term aspirations. For Sinners, entering the Golden Globes Drama category is a crucial move — not only for its own recognition but for the broader industry landscape. It’s a declaration that its story matters, its characters matter, and its artistry matters.

Whether it wins or not, the decision itself has already elevated the conversation. And in Hollywood, where visibility is power, that elevation is everything.

The post Why ‘Sinners’ Competing for the Drama Category at the Golden Globes is Crucial appeared first on Black Girl Nerds.


September 20, 2025

Technical Simplicity: Audi Concept C Profiles At IAA Mobility Show In Munich, Germany

https://www.blackenterprise.com/audi-concept-c-care-review/

Experienced by Kimatni D. Rawlins

The advanced Audi Concept C is a product of the German automaker’s storied heritage, integrated into a simple yet modern design philosophy for the future. Inspired by the Type D Silver Arrow race car and the Audi TT–with influences from the R8–the RWD Concept C features an upright grille, clean surfaces, strong shoulder lines, and a centrally located battery. 

I first laid eyes on the electric hardtop roadster at the industry-leading IAA Mobility Show in Munich, which focuses on human-centric technologies, safety advancements, and software-based automobile applications. Yes, beauty lies in the eyes of the beholder, but the Concept C consciously grasped everyone’s attention (including me) at the various venues Audi displayed it at. 

I enjoy visiting Germany to immerse myself in its principles that focus on humanitarian needs and infrastructure enhancement. Some of its values and tenets include healthy and wholesome culinary experiences, welcoming visitors with respect and hospitality, uplifting its people with community services, and, of course, producing stellar, innovative German machines. There has always been a certain appeal within American culture that an Audi instills when you park it in your driveway, especially if you opt for an RS variant!    

Nothing short of phenomenal, the two-seat Concept C paves the way for a bevy of forthcoming Audi vehicles engineered from a formula incorporating simplicity and technical precision. For example, the roadster’s new roof concept combines the elegance of a coupé with an open-top experience. The retractable hardtop opens and closes quickly, comprising two roof elements that enable the vehicle to maintain a uniform shape. And though it’s a concept, Audi will bring the sports car to life as a production model in 2027. 

Some of the keystone exterior features include a new light theme incorporating four horizontally arranged elements in each headlight and taillight, a titanium-painted finish to bring out the precision, lightness, and strength of the Concept C, and two-tone 21” rims optimized for aerodynamics. The spokes are hollowed out to reduce weight. To stride through the wind like a swordfish in oceans, Audi enhanced the Concept C with racing componentry made from composite, polished carbon fiber. 

Inside the cozy cockpit, you will find a 10.4″ foldable center display, haptic controls on the center console, physical controls finished in anodized aluminum, a round steering wheel featuring the four rings of Audi in a metal finish, metal door handles, and seats made out of natural materials to create a refined environment. 

Audi’s ambition is to remain a global tech driver while decarbonizing the automobile. Yet, as the German automaker moves fluidly into the future like a ‘90s point guard from NY, the goal is to reduce the sensationalization of overly complicated technology. Thus, less becomes more. 

RELATED CONTENT: Crowning The Road: England’s Most Iconic Supercars And Grand Tourers


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