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The release of Amazon MGM Studios’ highly-anticipated sports drama The Fire Inside is right around the corner. And according to co-stars Brian Tyree Henry and Ryan Destiny, it’ll subvert your expectations of what a boxing movie can be while still maintaining the sports genres’ unique charm.
I don’t think there’s anything quite as unifying as a good sports movie. Take the Rocky saga, for one, or ’90s feel-good flicks like A League of Their Own. To this day, the genre occupies a strange place in cinema history, with these films (mostly) committing to either an unserious, coming-of-age aesthetic or, similar to last year’s The Iron Claw, maxing out their R-ratings with a grounded family drama that will 100% rip your heart out. For all that people expect sports films to be formulaic by now, I’m constantly surprised by how much nuance these movies can have—and The Fire Inside is no exception.
This year was a wild ride at the movies. From epic blockbusters to small indie wonders, this year reminded us why we love to go to the theater. Let’s start with the films that left us cheering, sobbing, and had us going back to the theaters for repeat viewings. These films reminded us why we love getting lost in a dark theater with a bunch of strangers. We here at Black Girl Nerds are excited to share with you some of our picks of what we consider the best films of 2024 by a select group of esteemed film critics.
Jamie Broadnax’s Best of 2024
Wicked
I am not making this up when I say that Cynthia Erivo and Ariana Grande’s rendition of “Defying Gravity” lives rent-free in my head on a daily basis. I must confess, I have never seen Wicked the musical, so I came into this experience as a newbie. Wicked delivered on all fronts: stunning visuals, gut-punch storytelling, and performances so good that I will riot if both Erivo and Grande respectively are not nominated for Oscars. Ariana Grande as Glinda and Cynthia Erivo as Elphaba took audiences to Oz like we’ve never seen it before. And let’s not forget Jeff Goldblum as the Wizard, whose charm was the cherry on top of this emerald sundae. Wicked wasn’t just a movie, it was an event. If this is what Part One gave us, I can’t wait to see how the story concludes in Wicked: For Good.
Flow
Some of the best films are movies that sit with you. A movie that just marinates and simmers long after you’ve experienced it. That’s the case with Gints Zilbalodis’ animated feature film Flow. Composed of no dialogue, just organic sounds of nature and animal-speak, it’s a story about a cat whose home is devastated by a great flood. He finds refuge on a boat populated by various species, and will have to team up with them despite their differences. With its fluid animation, haunting score, and Zilbalodis’ signature knack for blending serenity with tension, Flow is as much a meditation as it is a movie. It really is the kind of flick that stays with you, not because of flashy effects or fast-paced action, but because it speaks to something deeper. Perhaps because I’m a cat-person and love animals, but I will add it is a deeply universal story that anyone (whether you like cats or not) will appreciate.
Sing Sing
Speaking of films with deeply resonating storylines, Sing Sing was profoundly one of the best films I’ve seen this decade. This gripping drama, based on the real-life work of the Rehabilitation Through the Arts program, took us inside the walls of a maximum-security prison to tell a story about redemption, creativity, and brotherhood. The ensemble cast, featuring real-life formerly incarcerated actors alongside seasoned professionals, delivered performances so authentic they blurred the line between acting and reality. The film’s raw emotion, coupled with its unflinching honesty, made it impossible to look away. Standout performances by Colman Domingo and Clarence Maclin will literally bring tears to your eyes and feel so many emotions. It’s not surprising that both actors are in the awards conversation. Do yourself a favor and see this movie. It’s an incredible piece of work.
Chalice Williams’ Best of 2024
Dune: Part Two
Watching a movie with a captivating plot and intriguing characters is one thing, but when those things are set to an intense score and mesmerizing cinematography, that is peak cinema. Dune: Part Two is more than a movie, it was an experience to see play out on the big screen. Timotheé Chalamet and Zendaya reprising their roles and diving deeper into their character arcs made for a great film from beginning to end. Seeing Paul Atreidis transform into a leader of his people was worth the slow pacing we endured for the first film. It all culminated in the sequel, and boy, it was worth the wait. Not only was the film a masterpiece, but it effortlessly set up what is to come between the love triangle that is Chalamet, Zendaya, and Florence Pugh’s characters for the third installment.
Deadpool & Wolverine
Deadpool & Wolverine allowed us comic book nerds to release a ton of pinned-up excitement. We’ve waited for YEARS for these two to team up, and the closest we got was X-Men Origins: Wolverine, which was a disappointment. Ryan Reynolds and Hugh Jackman gave us that feeling we felt when we saw Avengers: End Game, with many special appearances from characters, with Wesley Snipes being the highlight. While most of what we saw strayed away from comic book accuracy and the MCU timeline, it didn’t matter, because it was simply a film for the fans. Kevin Feige gave the people what they wanted, and it was a box office smash. It would be no surprise if we got to see these two side by side again, but even if we don’t, what they created with Deadpool & Wolverine most likely can never be replicated. I mean, the opening sequence alone was truly iconic.
The Wild Robot
Lupita Nyong’o as a robot that gets stranded on an island and befriends a group of animals may sound like a wild concept, but someone saw the vision. With its heartwarming underlying messages of parenting and fitting in, The Wild Robot was a beautiful film that truly deserved to be recognized more. Animated films don’t solely have to appeal to kiddos, after all this one in particular hit harder for me as an adult since I understood more of the undertones. Nyong’o’s warmth truly added to Roz’s motherly feel and humanized the robot for us to relate to. The book series has been popular for some time, so seeing it come to life on screen was a treat, especially since it was done so well. It would be no surprise to see The Wild Robot take home
Jeanine T Abraham’s Best of 2024
Wicked
Wicked is an enchanting, hilarious, and inspiring film that exceeds expectations and profoundly touches the heart. I inadvertently saw a 3D pre-screening and was blown away. Directed by Jon M. Chu, this adaptation of the smash-hit Broadway musical, based on Gregory Maguire’s novel, brings to life the fantastical land of Oz in a way that feels fresh and vibrant while staying true to the essence of the beloved stage production. From the moment the opening notes of Stephen Schwartz’s iconic score fill the theater, it’s clear that this Wicked is more than just a visual feast — it’s an emotional journey. The chemistry between the two leads, Elphaba and Glinda, is electric, with Cynthia Erivo’s powerhouse performance as Elphaba and Ariana Grande’s playful yet poignant portrayal of Glinda. Erivo brings depth, vulnerability, and power to Elphaba. She captures the character’s complexity with grounded precision. Casting a Black woman as Elphaba gives the story rich texture and nuance, making this film perfect for our times. Grande delivers a charming yet heartfelt take on Glinda, effortlessly balancing comedy with moments of raw emotion.
I’m not a musical theater fan, but Erivo and Grande singing Defying Gravity was a moment that left me breathless. The production design is breathtaking, with majestic visuals and vibrant colors. The makeup and hair departments are incredible, and the costumes are stunning. Jeff Goldblum shines as the Wizard, bringing charm and darkness. New songs and structural tweaks make the film feel familiar and excitingly new. Whether you’re a lifelong fan or discovering the world of Oz, this film is an experience you won’t want to miss. This film is a must-see experience for both longtime fans and newcomers to the world of Oz. I loved it so much I’ve seen it twice.
Village Keeper
Village Keeper is a triumphant first dramatic feature by Karen Chapman with a unique take on a familiar story that leaves the audience hopeful. The film takes place in a subsidized housing complex in Toronto. It follows Jean (Olunike Adeliyi), a grieving widow and single mother trying to keep her two teenage children safe in a hostile environment. Jean and her children have moved in with Grandma (Maxine Simpson), Jean’s mother, to make ends meet, and the family discovers that they can survive and thrive beyond their temporary physical circumstances. I loved Village Keeper because it goes beyond the tropes of Black people living in challenging communities and reveals a journey of discovery to wellness and self-care. The film also reflects the challenges of a Black mother sandwiched between caring for her mother and her children while attempting to protect everyone. Jean is working her fingers to the bone in several low-paying jobs while trying to support her aging mother and giving her mother autonomy as she ages. Jean’s kids are at an age where they still need her guidance but must explore finding themselves and expressing their freedom as young people.
Village Keeper goes beyond the strong Black woman trope and reveals the cracks created by the multifaceted levels of trauma Black women in these kinds of communities endure. Instead of exposing the audience to violent trauma, Chapman’s spectacular screenplay shows the impact of the trauma and the work it takes to process and heal trauma. Village Keeper is touching, funny, and inspiring. Chapman’s story goes beyond the trauma and reveals the power of finding multiple levels of support and community care needed to connect to joy, regardless of financial or community circumstances. Village Keeper is a film I will hold in my heart to remember the power of love, healing, and community.
Hard Truths
British filmmaker Mike Leigh’s Hard Truths is a nuanced exploration of a Black British family that is universally relatable. Set in contemporary Britain, the film navigates the lives of ordinary people caught up in personal and societal conflict. Leigh masterfully utilizes his trademark improvisation method with his actors, allowing their characters to evolve organically through workshops and rehearsal. This technique inspires authentic performances that feel spontaneous and believable, and every ensemble member shines. Marianne Jean Baptiste’s (Secrets and Lies) standout performance as Pansy is extraordinary. Pansy is a middle-aged woman caught in the turbulent intersection of her regrets and the shifting dynamics of her family and career. This performance showcases Jean Baptiste’s range, subtlety, and emotional depth. Jean Baptiste’s presence is magnificent in a film that demands the portrayal of layered, complex characters.
The film’s pacing is intentional but never feels slow. Each scene builds upon the last, slowly peeling away layers to reveal the raw emotions beneath. Hard Truths is a testament to Leigh’s unparalleled ability to probe beneath the surface of everyday lives, revealing the hidden forces that shape our actions, choices, and relationships. The film’s subtle music allows the performances and dialogue to take center stage. When music does appear, it’s there for a reason, effectively underscoring the scene’s emotional weight, which adds to the film’s atmosphere. Hard Truths explores moral ambiguity as the characters grapple with their contradictions, desires, and the painful realities they face. Each of them is flawed and searching for meaning in a world that doesn’t care about their struggles. The dialogue is witty and sharp and brings these characters to life in a relatable and heartbreaking way. Hard Truths is a film about our choices, the lies we tell ourselves, and the painful, often complicated process of confronting what is true. Hard Truths made me laugh, challenged me, and made me think about this family long after the credits rolled.
Cassondra Feltus’ Best of 2024
Heretic
We can always count on A24 to deliver, especially when it comes to psychological horror. Written and directed by Scott Beck and Bryan Woods (The Boogeyman), Heretic follows Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East), two Mormon missionaries looking to convert people to the Church of Jesus Christ of Latter-day Saints. When they first meet Mr. Reed (Hugh Grant), he’s a seemingly friendly, reclusive man who’s a welcoming host genuinely interested in their religion. But as the Sisters talk to him, there’s obviously something off about him. Grant perfectly portrays the unsettling yet charismatic character, proving he should really be in more horror and thriller movies. Religious horror films tend to explore Catholicism, particularly the same old exorcism story. However, Heretic, with its exceptional cinematography, set design, music, and performances, is a uniquely eerie film that thankfully doesn’t rely on demons and heroic priests (or jumpscares).
Nosferatu
As a big fan of Robert Eggers (The Northman), as well as the original Nosferatu from 1922, this was one of my most anticipated films of the year. And I was not disappointed. This take on the monstrous vampire has all of Eggers’ hallmarks, including an incredible ensemble cast. Lily-Rose Depp’s previous work hasn’t been my cup of tea but her performance as Ellen Hutter is beyond impressive. Bill Skarsgård steps into another scary creature role as Count Orlok. He mostly exists in the shadows, making the times when we actually see him extra creepy. While some visual choices didn’t really work for me (like the bizarre handlebar mustache), I never doubt Skarsgård’s ability to play a deeply unsettling character. The constant dread is palpable throughout the film, made all the more frightening with the wintry landscape.
Deadpool & Wolverine
This majorly hyped-up film was easily one of the best theater-going experiences I’ve had in a long time. While it’s not without flaws, Deadpool & Wolverine met, and in some instances, exceeded my expectations. The return of Hugh Jackman as Wolverine was more than exciting (and in the yellow suit, no less!). Of course, I love Ryan Reynolds and his consistently hilarious portrayal of Deadpool as well; the opening fight sequence set to NSYNC’s “Bye Bye Bye” became an instant favorite. I managed to avoid most spoilers and surprise cameos, so when a certain hero walked out in all his glory, I literally gasped.
Catalina Combs’ Best of 2024
Gladiator II
I am a massive fan of Gladiator (2000), so when rumblings of a Gladiator II came along, I was intrigued. When the cast was announced with Denzel Washington, Pedro Pascal, and Connie Nielsen, the excitement was beyond words. People may talk about how Denzel was using his Denzel voice, how the film was rushed or whatever, but were you not entertained? This film had my eyes glued to the action. The gladiator fights, the arena battles, the psychotic emperors were all fun to watch. The plot may have been lacking, but when’s the last time you went to a film and just for the pure entertainment and joy of it? This film didn’t have an agenda, it was a fun, bloody, action movie. I laughed, I jumped from body splatters, and it was awesome. The cinematography was great. It gave the same aesthetic as the first Gladiator. Ridley Scott has his moments these days, and this was one of them. Just a fun ride that I can’t wait to add to my DVD collection.
That Christmas
I love a good Christmas movie. The creators of Love Actually made one of the cutest, feel good, animated films of the year. Currently, streaming on Netflix, this film stars the voice talents of numerous talents including Bill Nighy, Brian Cox, and Fiona Shaw. The film is a joyful holiday film that highlights diverse types of people, family dynamics, and relationships. It carried the emotional themes and Christmas cheer that Love Actually emotes with a childlike innocence, reminding us of what’s really important during the holidays. The animation is fun. It brings out the nostalgia and innocence of Christmas. Such a beautiful film for kids and grownups alike.
Exhibiting Forgiveness
This film is such a powerful display of forgiveness and family relationships. The cast is everything with Andra Day, André Holland, and Aunjanue Ellis-Taylor. Amazing acting and cast chemistry. They story of reconciliation and forgiveness is powerful. I wish more people paid attention to this film for award season. It is brilliantly acted, beautifully shot, and an overall emotional and strong film. Everything about this film screams Oscar-worthy, but the release and marketing wasn’t the biggest. I hope more people get a chance to see this film because it is truly magnificent in every aspect.
So, here’s to the filmmakers who dared to dream big, the actors who brought those dreams to life, and the audiences who showed up ready to be swept away. If 2024 taught us anything, it’s that cinema is still very much alive and thriving, and we can’t wait to see what’s next.
Stay tuned for our Worst Films of 2024 list!
The post BGN’s Picks for the Best Films of 2024 appeared first on Black Girl Nerds.
When HBO announced the IT prequel series Welcome to Derry, the fans of Stephen King’s horror universe weren’t just ecstatic but also abuzz with questions. One of them is the question of King’s own involvement in shaping the show and just how much creative input he will provide. After all, few authors have such a distinct voice in modern storytelling as the Master of Horror, considering how his narratives have fueled nightmares for decades now. However, things are a bit different when it comes to adaptations.
King’s role and involvement in his adaptation varied, ranging from hands-on involvement in the creative process to providing his blessing from a distance — with cameo appearances somewhere in between those two. So, where does Welcome to Derry fall on this particular spectrum? Derry is a fictional town in Maine and arguably one of the richest settings in King’s body of work. It was first introduced in 1986’s IT novel, but King has expanded its lore with secrets, tragedies, and supernatural horrors in works like Insomnia and 11/22/63.
Given Derry’s lore and its connection to the malevolent entity lurking beneath the surface, we can debate whether or not the town of Derry is a living and breathing character in its own right. But that debate is worthy of a separate discussion, and one Welcome to Derry might just explore on its own. One thing is certain: we’re definitely not dealing with King’s iconic Dollar Babies here, but an adaptation of one of his most recognizable works. Considering just how much effort he invested in establishing Derry’s lore, it’s not unreasonable for fans to question his potential involvement in the series.
Sadly, Stephen King’s precise level of involvement with the series remains unclear for the time being. Admittedly, King’s relationship with adaptations of his literary work has been, at times, tumultuous, and while he had expressed his satisfaction with some, he famously criticized the others. A good example of this would be The Shawshank Redemption and Andy Muschietti’s adaptation of IT, both of which were praised by the author. On the other hand, there’s The Shining, which he criticized heavily in live appearances for its adaptation of Jack Torrance.
Furthermore, King took a more measured approach to adaptations of his work over the years, and he either consulted the creatives or simply offered his blessings rather than becoming deeply involved with the creative process. Earlier reports regarding Welcome to Derry confirm this, as they suggest that the author isn’t writing the show directly. Instead, Jason Fuchs and Brad Caleb Kane are the acting showrunners, with Andy and Barbara Muschietti (the creative minds behind the 2017 IT and its sequel) acting as executive producers.
With that said, while King’s fingerprints may not grace every page of the script, he previously praised Andy Muschietti’s IT remake and its sequel, and the team behind the series not only sought King’s blessing but also expressed a commitment to honoring his work — something that they have previously done with great success. Both films earned critical acclaim and King’s approval for their modernized but still faithful take on his 1986 novel, and Welcome to Derry could be as, if not even more, successful than the films.
But even with King’s blessings, there are risks in adapting his expanded lore. Welcome to Derry is set in the 1960s and explores the origins of Pennywise the Dancing Clown, including the dark history of the town and the horrific events that transpired at the Black Spot. This is somewhat of an uncharted territory since King never explicitly explored IT’s origins and Derry’s dark history. Instead, some pieces of Pennywise’s origins and Derry’s histories are explored in interludes woven throughout the IT novel, presented as Mike Hanlon’s journal entries.
Expanding on King’s work without his direct involvement could potentially lead to deviations that would alienate purists and die-hard fans of his work, as well as the author himself. Thus, the creative minds behind the show must balance creative freedoms with respect to the source materials — which, as we previously said, they did successfully in the past. So, while Welcome to Derry moves closer to its debut date — which still remains as equally mysterious as King’s involvement — fans are left to speculate just how much of King’s magic will shine through.
Will the Muschiettis manage to capture the cosmic dread and psychological depth that defines King’s work? Or will they introduce some of their own, looser interpretations of Derry and the universe King spent decades weaving? Whatever the case may be, Welcome to Derry remains one of the highest-anticipated releases of 2025, with or without King’s direct involvement. Judging by what we know about the series thus far, it has the potential to become a worthy addition to King’s multiverse and hopefully dodge the pitfalls associated with some of his other adaptations.
The post Stephen King’s Role in ‘Welcome to Derry’: How Much Creative Input Does the Horror Master Have? appeared first on Black Girl Nerds.
Well, That Wasn’t Shocking, But It Still Stings
After last night’s Game Awards ceremony, where The Veilguard snagged just one nomination for Innovation in Accessibility, it’s painfully clear: Bioware didn’t just miss the mark – they missed the entire shooting range. For a franchise that once defined the RPG genre, this was less a comeback and more a Flemeth-level disappearance. I, at least, was hoping for a Best Performance nomination for Gareth David-Lloyd, who once again delivered a masterclass in voice acting as Solas. His portrayal captured every layer of the Dread Wolf – the charm, the melancholy, and the quiet menace – with a perfection that deserved more recognition.
Don’t get me wrong – the Innovation in Accessibility nomination was well-deserved. Making games more inclusive and ensuring more people can experience Thedas is a victory worth celebrating. But considering despite The Veilguard’s stellar music, voice acting, and potential for a complex narrative, it’s frustrating that this was its only recognition. Thedas has always been a world of depth and nuance, and this game deserved more than a single nod.
That said, the effort behind The Veilguard is undeniable. The graphics are stunning – if your rig can handle them without melting. The environments, character designs, and intricate details show that the team poured their hearts into this world. There are flashes of brilliance that remind us of Bioware’s undeniable talent for world-building.
A Divided Reception
Here’s the thing: while some hardcore critics were unsatisfied, many long-time fans genuinely enjoyed the game. It may not have been everything we hoped for, but it wasn’t the disaster some made it out to be. The disconnect is real, though. As a Soulsborne fan, even I was surprised to see Shadow of the Erdtree get nominated for Game of the Year – it’s a DLC, not a full game. Meanwhile, Star Wars Outlaws received multiple nominations despite being critically panned. So why was The Veilguard left in the Fade while other titles skated by?
The criticism came hard and fast, and some of it was impossible to ignore. The game promised a new, epic chapter in the Dragon Age saga but stumbled over its own lore. Long-time fans were baffled by inconsistencies and retcons, as if Bioware looked at the Codex and said, “Continuity? Never heard of her.”
And, of course, there were the usual cries of “It’s too woke!” from a small but vocal corner of the internet. Because heaven forbid a fantasy game reflect a diverse world. Bioware gave us options, but somehow the mere existence of non-binary Qunari had people acting like they were being forced into a Pride parade.
This release left many wondering if The Veilguard would have fared better as a standalone fantasy game rather than a Dragon Age entry. The storytelling, once a masterclass in faction conflict and moral ambiguity, felt… thin. Instead of brooding dilemmas and knife’s-edge decisions, we got conflicts that wrapped up faster than a fetch quest in The Hinterlands. The world used to feel like it was on the brink of collapse; now it just feels like everyone’s in group therapy.
Hope for the Future
Do I think Bioware can bounce back? I believe they can. They’ve pulled off redemption arcs before (Mass Effect 3, anyone?). If they can dust off the lore books, listen to the feedback, and remember what made Origins and Inquisition great, there’s still hope. Bioware fans are nothing if not patiently stubborn.
Maybe The Veilguard was just a misstep on the way to something greater. Maybe the next DLC or update will patch the gaps, retcon the retcons, and remind us why we fell in love with Thedas. I’m not ready to give up on this world just yet.
And if all else fails? At least we’ll always have the haunting echoes of Solas’s voice and the bittersweet memories of a Dragon Age that used to be.
Cover image via EA Games
Naliaah Castro is a NY-born blerd, gamer, and grad student juggling parenthood, work, and co-paneling on New Blerd Order. With a love for horror, RPGs, sci-fi, and fantasy, she’s probably either deep into a video game or rewatching Lord of the Rings for the hundredth time.
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The post Between Lore and Outrage: The Divided Fate of ‘The Veilguard’ appeared first on Black Nerd Problems.