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Netflix’s Geeked Week is returning once more. The event begins June 6. But it’s already looking like we’re in for a creepy and kooky ride. The streaming platform teased a preview of the upcoming Tim Burton series, Wednesday. The upcoming series follows the teenage Wednesday Addams. She’s thwarting a monster and trying to keep her psychic abilities in check. And before we get our actual tease, Netflix is giving us a little look at an important member of the Addams family: Thing.

Thing has clearly seen better days, as the scarred and stitched together appendage graces the screen.

Here’s the logline, per Netflix:

Wednesday is a sleuthing, supernaturally infused mystery charting 16-year-old Wednesday Addams’ years as a student at Nevermore Academy. Season One will follow Wednesday as she attempts to master her emerging psychic ability, thwart a monstrous killing spree that has terrorized the local town, and solve the murder mystery that embroiled her parents 25 years ago—all while navigating her new and very tangled relationships at Nevermore.

Jenna Ortega plays the titular teen, while Catherine Zeta-Jones and Luis Guzmán play Morticia and Gomez. Rounding out the cast are Gwendoline Christie, Christina Ricci, Hunter Doohan, Percy Hynes White, Joy Sunday, Emma Myers, Riki Lindhome, Jamie McShane, Georgie Farmer, Naomi Ogawa, and Moosa Mostafa.

It’s particularly exciting to see Ricci, our current Yellowjackets MVP, returning to the franchise. Will the former Wednesday Addams have a scene with Ortega? We’d love to see a Wednesday Addams team-up.

In addition to Burton, who serves as director and executive producer, the creative team includes Al Gough and Miles Millar as producers and showrunners. Gandja Monteiro and James Marshall direct two episodes in the latter half of the eight-episode season. Plus, Danny Elfman is teaming up with Burton, his frequent collaborator, to write the score alongside Chris Bacon.

The post Netflix Points the Finger Toward Wednesday Addams Series in First Tease appeared first on Nerdist.

I will start by saying that I stan Moses Ingram.  The moment I saw her in The Queen’s Gambit, I knew she was the one to watch. She graduated from the Yale School of Drama along with fellow student Jonathan Majors (Loki, The Harder They Fall) and is a force — pun intended — to be reckoned with. Ingram has also gone on to star with Denzel Washington in The Tragedy of Macbeth. However, her latest project is her biggest yet , a role in the Star Wars universe.

Ingram plays Inquisitor Reva Sevander, also known as the Third Sister. She’s force-sensitive and serves the Galactic Empire as a member of the Inquisitorius. Her mission is crystal clear — to find and capture the Jedi Master Obi-Wan, who is now a fugitive on the run. As of this writing, Ingram has appeared in only two episodes of the 6-episode run of the Disney+ show Obi-Wan Kenobi. However, in that time, the actor has received a ton of vitriol from toxic fans online and Ingram herself has posted screenshots from her Instagram account of some the racist backlash from fans.

She’s not letting it get her down and sent a message online:

In the meantime, please send love bombs and spread support for Moses Ingram because toxic fandom is a culture fostered by online hate empowered by social media platforms.  John Boyega went through this, Kelly Marie Tran went through this and now we’re seeing it happen all over again Moses.

Reva Savander so far in the story of Obi-Wan Kenobi offers a very significant plot device for Obi-Wan’s journey and currently is the perfect foil for his story.  At the beginning of the pilot episode, we see children under attack during Order 66 and one of those children is a Black girl. At this time, the girl is unidentified, but it is likely that this is a young Reva as a Jedi. Reva was attacked and abandoned. And while one Jedi was killed, it is possible that another got away.  That Jedi could likely have been Obi-Wan. 

Reva is rebellious against the orders of the Inquisitors and breaks the rules which reveals that her motivations are more for personal gain as opposed to a mission.  I’m also not alone in this theory and if this is in fact the case, since our third sister kills The Grand Inquisitor in a moment of defiance, this confirms that she’s not playing sides here.  The only side she’s on is most likely her own.

So what does this have to do with toxic fandom?

Here’s the answer: Reva Sevander’s autonomy. A character with her own agency, making executive decisions, and not some worker bee under the Galactic Empire is daunting to a predominantly white male fanbase. Historically the representation of Black women in the Star Wars universe have been lackluster at best.  And it could be a bit too soon to make any assumptions here since we’re only a couple of episodes in, but Reva could be the most fully fleshed out third-dimensional Black female character we will get for the first time in Star Wars.  If the story plays out correctly, and theories align properly, Reva could be the heart and soul of this show which could inevitably provide a rich story for the good vs bad component of storytelling in this narrative. These toxic fans may fear that the story of Obi-Wan Kenobi could turn out to be less about the titular character and Anakin Skywalker and more about Reva Sevander and quite possibly Leia Organa. And God forbid women inevitably turn out to be at the forefront of this series — “OH THE HORROR!”

While I don’t believe they would eclipse the attention from stars Ewan McGregor and Hayden Christensen, I do believe that their characters will be far from the 2-dimensional roles we’ve seen played out in past franchises played by women.  And in Moses Ingram’s case, Black women specifically. I hope I’m not tooting my own horn here by praising this too much before seeing how this unfolds, because my theory could be wrong, but if IMDB has Moses Ingram listed to be in all six episodes, that gives me hope that at least Reva isn’t fridged in the first few episodes of season one. 

Star Wars is supposed to be a space for entertainment, a place to unwind and get away from reality, at least for a short while.  We’re not supposed to take the monstrosities of the real world into the fandoms we love.  In fact, that’s the whole point, we’re supposed to leave those things behind.  When we’re fighting with friends and family on Facebook about gun control laws and politics, we can all take a break and fire up Disney+ for a couple of hours and watch Obi-Wan Kenobi and escape from the realities of the terrible world we live in. 

Moses Ingram deserves to open up her Instagram app without seeing nasty messages from “alleged fans” harassing her for playing a FICTIONAL CHARACTER. It’s unreal that still today women of color actors of Star Wars are still dealing with online attacks from fans.

But if my theory proves correct, and Reva later becomes the patron saint of Obi-Wan, then the toxic fandom just exposed themselves for who they truly are.  They really do not want to see a Black woman making her own choices and creating her own narrative. A Black woman taking risks.  If she doesn’t abide by their rules, she’s seen as a threat, and that is what they are ultimately afraid of. I’m excited to see the trajectory of how Reva’s character unfolds and what direction the show Obi-Wan Kenobi goes in.

Obi-Wan Kenobi airs Wednesdays on Disney+

There’s Black wealth and there’s Black generational wealth. There’s living in a mansion and living in a manor. These are the heavy distinctions that represent the Swift legacy. In the new CW series Tom Swift, the Swift family comes from a dynasty of entrepreneurs who know their tech and solve problems. Imagine having unlimited resources and unimaginable wealth — this is the world of the Swifts.

The show explores the lives of the Swift family, which is comprised of the titular character Tom (Tian Richards), his cousin Zenzi (Ashleigh Murray), his adopted brother Lino (Donovin Miller), and their bodyguard Isaac (Marquise Vilson) — who safeguards the team during their series of adventures. Each episode is “mission-based,” and expect to see shoes involved as well. 

The pilot episode of Tom Swift aptly titled “…And the Liftoff to Saturn” opens with a narration by Richards, who says, “We’re not nerds, we’re Black nerds.” It took everything in me not to jump up and down with every fiber of my being hearing a fictional character acknowledge both his Blackness and nerdiness in the same breath. 

For fans of Black Panther, which showcased an Afrofuturistic world with advanced tech and a highly evolved nation of people, there will be similar conversations and perhaps some comparisons here and there to Tom Swift. However, this world is less surreal and more steeped in a contemporary-based setting.

Although based on the multiple young-adult book series incarnations over many decades of the twentieth century, creative liberties were definitely taken here with both race, sexual identity, and economic status, which makes this show completely different from the books. For fans looking to relive the experience of the books, stop immediately. The CW series appears to have been more inspired by the books as opposed to using the books as canon for an adaptation. For example, on The CW, Tom is not only Black but openly queer. Given the culture of where we are today and the lack of representation for Black queer people, it’s what our society needs — representation when the Tom Swift books were published was practically non-existent.  

As for how the episode develops, Tom does have daddy issues, and his father Barton Swift (Christopher B. Duncan) is not accepting of his lifestyle. In fact, he refers to Tom as being “sensitive” and makes it known he would prefer to have someone else take the reins of the company once he retires. Tom’s final interaction with his father ends in an argument, and tragedy strikes when his father’s ship suddenly explodes on a space mission. Tom of course feels responsible for his father’s demise because of the faulty tech that he helped develop, and he believes he could have been more careful. Tom’s mother Lorraine (April Parker Jones), who serves as not only the matriarch on the show but as an anchor to Tom and the Swift family, is oblivious to Tom’s fractured relationship with his father. However, she’s very aware of Tom’s sexual identity and is accepting of it, unlike her husband Barton. 

Smart technology is a strong communicative tool, and it tends to be a tool that talks back to you. We have Alexa, Siri, and of course JARVIS from the Marvel Cinematic Universe. In Tom Swift, the legendary LeVar Burton lends his voice as Barclay, an AI-assisted device helping Tom navigate his tech. It is just perfect casting to have Burton be a part of this series, since he is the OG Black nerd from his Reading Rainbow days (not to mention his role as Geordi in Star Trek: The Next Generation), and many of us older Blerds (the portmanteau term for Black nerd) think of Burton’s voice when we read old children’s books anyway. The casting couldn’t be any more on point. 

Tom discovers later in the pilot episode that his father did not perish in the spaceship explosion and that he hid in a pod and managed to transport his way out of the aircraft before it exploded. However, what Tom does uncover is that there’s some unsavory activity happening and someone is trying to take over the company. This person ultimately was responsible for trying to assassinate his father. The plot twist and crime mystery Tom and his team have to solve will certainly make for an interesting series. My fingers are crossed that the series will maintain the same momentum as the pilot episode.

The theme of Tom Swift is developed very much like a mystery show that is mission-based with some really cool tech to explore. I’ll repeat that it will be interesting to see how the series develops over the season as well as how fans react to a show about a Black gay billionaire. While the idea of a queer lead is not an anomaly, a billionaire Black one most certainly is. And he identifies as a Black nerd, so that’s kind of a big deal.

Tom Swift aired Tuesday May 31, 2022, on The CW and streams free on their app. 

Writer: Jaromir François / Artist: Todor Hristov 

There’s only one thing better than a good indie comic, and that’s a good indie comic that also happens to be the first comic that a young artist has ever made. Jaromir François debuts his first entry into the mainstream comic book industry with, My Brother, Teddy. Supported by outstanding visuals from Todor Hristov and on point coloring skills courtesy of Sonya Anastasova, François writes his tale of fantasy and chivalry in a very palatable way for all readers. One of the biggest compliments I will give this book is its delivery of clear and interesting storytelling. Whether you are 6 and can’t wait to cuddle up with your stuffed animal tonight or 36 and able to reflect fondly on your years snuggled up with a beat-up teddy bear your grandma gave you, there is a story and message here for all to enjoy.

They say the pen is mightier than the sword, but it goes the other way around for Jaromir François. Instead of using a ton of text bubbles and dialogue, he lets the sequence of events tell the story while your mind fills in the blanks. I honestly love that approach, when done right. With the help of Todor Hristov and Sonya Anastasova, all you need is your eyes to fully digest everything happening in My Brother, Teddy because their artwork is so dam gorgeous. I’m talkin a thing of beauty that might make you forget this is the first time François is doing this whole dance!

Without revealing too much, this is a story about a boy and his teddy. This story is about heart and determination. This story is about friendship and the bonds that shape who we become in life.

One night, a teddy bear wakes up to find his owner missing. The only place he could be? The ominous looking closet, of course. Teddy dons a wooden sword and shield and readies himself for the perilous journey ahead.

What happens next is a beautiful Beast Wars like transformation. Teddy enters this savage new world as the strapping hero he was destined to be, then slashes his way through all manner of creatures and wills himself through hardships that test his mettle.

The rest of My Brother, Teddy is filled with dope action and adventure that is giving Monstress vibes, with some Chronicles of Narnia in the mix and a splash of Saga. High praise, I know. It’s a good thing the pacing of this story, character arc, and visuals are all top-notch. Oh, and did I mention, there’s a soundtrack that accompanies the book? Yeah, Jaromir François is off to a real good start.

8 Nigh Death Teddy Experiences Out of 10

If you’re interested in reading My Brother, Teddy, you can pick up your copy at local and major comic shops or online here.

You can check out the creator’s Instagram page @sky_surfer117 for more.

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The post ‘My Brother, Teddy’ Review: A Fun Fantasy for Readers of All Ages appeared first on Black Nerd Problems.