deerstalker

https://nerdist.com/article/michael-keaton-improvised-iconic-batman-89-dialogue-you-wanna-get-nuts-lets-get-nuts-the-flash-screening/

It’s been 31 years since Michael Keaton last wore the cape and cowl of the Dark Knight in Batman Returns. But after all this time, he’s back as Bruce Wayne in The Flash. As a way of celebrating his long-awaited return, Keaton was part of a special screening hosted by Empire Magazine of his 1989 Batman debut and the upcoming The Flash. At the Q&A, Keaton answered several questions about filming the original Tim Burton film, and how a certain iconic line was totally improvised on set. He explained the origin of “You wanna get nuts?? Let’s get nuts!” to the crowd.

“I don’t think ‘Let’s get nuts’ was in the script, that was me. That scene was never really that good as written, to be honest with you. That was one of the days when we went round and round. I think Kim [Basinger] is in it, me and Jack [Nicholson], nobody could ever find it. I thought, ‘Okay, pressure’s on, man. Pressure. Is. On.’ I thought he’d probably said, ‘Okay, I’m kind of cornered, I only have one way to go and I’d better let this character know that we’re gonna throw down.’

Michael Keaton's Batman in his suit without his cowl and with gold plated arms in The Flash
DC Studios

One of the other more famous things Michael Keaton invented for the big screen Batman is the idea that Bruce Wayne had a deeper, gravely voice when in costume. This was definitely not something Adam West did, and almost every other cinematic Batman has followed in Keaton’s footsteps here. Particularly Christian Bale in the three Christopher Nolan films. So what inspired the infamous Bat-voice? According to Keaton, it was really just logic.

“I actually bother people because I fall back to logic. And I remember standing there going, ‘Okay, how are we gonna do this?’ The scene was somebody standing right next to me and I said, this guy’s going to look at me and say, ‘Hey, it’s Bruce Wayne!’ It’s as practical as ‘How does the audience really believe that people don’t go, “clearly this is Bruce Wayne dressed up on a rubber suit…’ “

Michael Keaton as Batman in Tim Burton's 1989 film.
Warner Bros.

We are beyond excited to see Michael Keaton as the Caped Crusader again The Flash. We can only hope it’s not the last time we see him in the black rubber suit. It’s an infinite multiverse, after all. And who wouldn’t want to see Keaton as “Old Man Bruce” in a live-action Batman Beyond project? To read more details on Keaton’s time making Batman, be sure to head on over to Empire Magazine for more.

The post Michael Keaton Reveals He Improvised Iconic BATMAN ’89 Dialogue appeared first on Nerdist.

June 5, 2023

Michael Keaton Reveals He Improvised Iconic BATMAN ’89 Dialogue

https://nerdist.com/article/michael-keaton-improvised-iconic-batman-89-dialogue-you-wanna-get-nuts-lets-get-nuts-the-flash-screening/

It’s been 31 years since Michael Keaton last wore the cape and cowl of the Dark Knight in Batman Returns. But after all this time, he’s back as Bruce Wayne in The Flash. As a way of celebrating his long-awaited return, Keaton was part of a special screening hosted by Empire Magazine of his 1989 Batman debut and the upcoming The Flash. At the Q&A, Keaton answered several questions about filming the original Tim Burton film, and how a certain iconic line was totally improvised on set. He explained the origin of “You wanna get nuts?? Let’s get nuts!” to the crowd.

“I don’t think ‘Let’s get nuts’ was in the script, that was me. That scene was never really that good as written, to be honest with you. That was one of the days when we went round and round. I think Kim [Basinger] is in it, me and Jack [Nicholson], nobody could ever find it. I thought, ‘Okay, pressure’s on, man. Pressure. Is. On.’ I thought he’d probably said, ‘Okay, I’m kind of cornered, I only have one way to go and I’d better let this character know that we’re gonna throw down.’

Michael Keaton's Batman in his suit without his cowl and with gold plated arms in The Flash
DC Studios

One of the other more famous things Michael Keaton invented for the big screen Batman is the idea that Bruce Wayne had a deeper, gravely voice when in costume. This was definitely not something Adam West did, and almost every other cinematic Batman has followed in Keaton’s footsteps here. Particularly Christian Bale in the three Christopher Nolan films. So what inspired the infamous Bat-voice? According to Keaton, it was really just logic.

“I actually bother people because I fall back to logic. And I remember standing there going, ‘Okay, how are we gonna do this?’ The scene was somebody standing right next to me and I said, this guy’s going to look at me and say, ‘Hey, it’s Bruce Wayne!’ It’s as practical as ‘How does the audience really believe that people don’t go, “clearly this is Bruce Wayne dressed up on a rubber suit…’ “

Michael Keaton as Batman in Tim Burton's 1989 film.
Warner Bros.

We are beyond excited to see Michael Keaton as the Caped Crusader again The Flash. We can only hope it’s not the last time we see him in the black rubber suit. It’s an infinite multiverse, after all. And who wouldn’t want to see Keaton as “Old Man Bruce” in a live-action Batman Beyond project? To read more details on Keaton’s time making Batman, be sure to head on over to Empire Magazine for more.

The post Michael Keaton Reveals He Improvised Iconic BATMAN ’89 Dialogue appeared first on Nerdist.


June 5, 2023

AHSOKA Will Feature an Unknown Inquisitor, but Which STAR WARS Era Are They From?

https://nerdist.com/article/ahsoka-will-feature-an-unknown-inquisitor-but-where-in-the-star-wars-timeline-are-they-from/

Ahsoka on Disney+ is going to reintroduce some legendary characters from Star Wars past. Sabine Wren, Hera Syndulla, Ezra Bridger, and Grand Admiral Thrawn will all make their live-action debuts on the spinoff. We expect other familiar faces will join them in surprise cameos. But we now know there will be an appearance by someone we never expected to see. The series will feature one of Darth Vader’s elite Jedi hunters, an Inquisitor. Who is this mysterious Force user? What do they want with Ahsoka now? And most importantly, at what point in the Star Wars timeline will this Ahsoka Inquisitor show up?

Empire‘s latest issue provides new insights into what to expect from the Rosario Dawson-led series when it arrives later this summer. That includes how Sabine Wren will be dealing with the guilt of not finding her friend Ezra just yet. It also examines how Ahsoka Tano will be following a lonely path. But the most intriguing revelation from the magazine is the photo of a masked Inquisitor.

Inquisitors worked for Palpatine and Vader during the reign of the Empire. Typically seen using spinning double-bladed red lightsabers, the deadly Force-sensitive unit hunted down Jedi across the galaxy. They’ve previously appeared on Star Wars Rebels, in Cal Kestis’ Jedi games, and in live-action on Obi-Wan Kenobi. Known by numbers (such as Fifth Brother or Third Sister), many have died on-screen.

The Grand Inquistor walks away from his ship flanked by two other Inquistors
Lucasfilm

While the group’s numbering system indicates we have yet to meet all of them, it certainly seemed as though most (if not all) died by the time the Empire collapsed. None have ever appeared in a post-Return of the Jedi timeline. And that’s when Ahsoka will take place, same as The Mandalorian, so it is surprising to see the presence of an Inquisitor.

So how and why will an unknown Inquisitor appear on the Ahsoka series? (Their mask is unlike any we’ve seen before.) There are three logical explanations. The first is simply that not all of them died and stopped hunting Jedi after the Rebel Alliance won. It’s very possible at least one Inquisitor was still around years later, loyally serving her dead Emperor. (We know lots of officers did just that.)

Jedi: Fallen Order's Second Sister.
Lucasfilm

They also might have sought vengeance against Ahsoka, who had many run-ins with Inquisitors. And with Grand Admiral Thrawn still alive, we might learn those leftover Inquisitors ended up working for him directly. They might even know about the plan to resurrect Palpatine.

It’s also possible this Inquisitor will appear in a flashback in Ahsoka, or that the show will begin at an earlier point than we expect. Ahsoka could open with a sequence set during the era of the Empire, which would more than explain why she would encounter an Inquisitor.

Rosario Dawson is Ahsoka Tano for The Mandalorian's second season
Lucasfilm

But the third possible explanation is the most intriguing. The show has teased a return to the World Between Worlds, a dimension outside of time and space. The appearance of an Inquisitor on the series might mean Ahsoka will go back in time to the past when the elite unit was operational. Or even that one of the Inquisitors will hop forward in time. That could mean this actually is an Inquisitor we met before and seen die.

Whatever the explanation, we’re excited that an Inquisitor is returning to the galaxy far, far away in Ahsoka. Inquisitors are always bad news for Jedi. But they do make for exciting television.

The post AHSOKA Will Feature an Unknown Inquisitor, but Which STAR WARS Era Are They From? appeared first on Nerdist.


June 5, 2023

The Spot: The WEIRD History of the Spider-Verse Villain

https://nerdist.com/watch/video/the-spot-the-weird-history-of-the-spider-verse-villain/

There’s a new threat to the Spider-Verse, and before you swing back into action with Miles, Gwen, and the rest of the Spider-variants, Kyle Anderson has you covered with everything you need to know about the villainous history of, The Spot!

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The post The Spot: The WEIRD History of the Spider-Verse Villain appeared first on Nerdist.


June 4, 2023

Film Industry and Civil Rights Pioneer Jessie Maple Transitions at 76

https://www.blackenterprise.com/film-industry-and-civil-rights-pioneer-jessie-maple-transitions-at-76/

Jessie Maple, a pioneer in the film industry and civil rights movement, passed away at 76 on May 30. 

Her death was confirmed by her loved ones in a statement released by the Black Film Center & Archive. Maple was the first Black woman admitted into the International Photographers of Motion Picture and Television Union. Her work as a cinematographer and director is immortalized in her 1981 independent feature film “Will,” one of the first black female-directed films released in the post-civil-rights era.

Maple was nothing short of a trailblazer. Hailed as one of the first Black female filmmakers to complete a feature-length film, she broke barriers within the film industry for her achievements and determination to advocate for Black representation.

 

 

Maple was born in 1947 in Louisiana. Her goal was not always filmmaking. Instead, for many years, she worked in bacteriology. However, she later began to explore writing, her first job being as part of a New York program for the Manhattan Tribune. The program’s funding dried up soon after Maple’s acceptance but she remained near the offices in hopes of finding pieces to write. She successfully published many stories under the publication until she later received work at the New York Courier

The 1968 release of the Kerner Commission Report, which identified poor representation of Black Americans as a cause for concern, led Maple to expand into filmmaking. She began training in organizations to jumpstart her career including Black Journal and Third World Cinema

Maple’s love for film blossomed even further after attending Ossie Davis’ Third World Cinema through the National Education Television Training School. She blossomed on projects including “Shaft’s Big Score!” Later in her career, she joined the New York camera operators union. However, this was not an easy feat, Variety reported.

“You can’t stop progress. You can hold it up for a minute, but you can’t stop it.” – Jessie Maple.

The entertainment industry was still rife with racial prejudice during the 70s. As a Black woman, Maple could not simply join the Union like her male, white counterparts. Instead, a lengthy legal battle ensued, which Patton recounted in her book, “How to Become a Union Camerawoman.”

After her admittance, the Union had Maple black-listed by studios, which resulted in her filing lawsuits against media conglomerates ABC, NBC, and CBS. While she ultimately succeeded, it was an obstacle she endured in her quest to bring more representation into the filmmaking world. 

Maple created many documentaries throughout her career. She worked as an editor, producer, writer, and cinematographer as well. Maple leaves behind her husband, three daughters, a grandson, and many nieces and nephews. 


RELATED CONTENTMaverick Entertainment Celebrates 25 Years of Championing Black Voices in Film & TV


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