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There was nobody like her. An unstoppable force, one of the fiercest performers of our time, Tina Turner, the Queen of Rock ‘n’ Roll, has passed away at 83-years-old.
It was that trademark alto voice that could detonate at any time on stage, her strong cheekbones and magnetic smile, and those legendary legs; more than 150 million records sold nationwide; 12 Grammys; honored at the Kennedy Center; etched in the Rock and Roll Hall of Fame. Her life became the basis for the 1993 film What’s Love Got to Do with It, the HBO documentary Tina in 2021, and a Broadway musical that she called her public farewell.
Tina Turner, born Anna Mae Bullock, grew up in Nutbush, Tennessee, where the population just inches over 10,000 people. Performing came naturally for Turner, as she explained in her 2019 autobiography Tina Turner: My Love Story. She describes music-filled shopping adventures — being 4 or 5 years old and being paid by salesgirls to sing radio songs she had memorized — and the excitement of leading her cousins, half-sister Evelyn, and sister Alline in pretend stage shows.
At the age of 16, Turner moved to St. Louis, Missouri, with her mother and sister Alline. She began going to Club Manhattan where she first met Ike Turner. As depicted in What’s Love Got to Do with It, one night she joined Ike and his group on stage for an impromptu performance of B.B. King’s You Know I Love You, and well, the rest is history.
There’s been no secret about the abuse, both personally and professionally, that Turner endured at the hands of Ike Turner. She was one of the first celebrities to speak publicly about domestic abuse. “Looking back, I realize that my relationship with Ike was doomed the day he figured out that I was going to be his meal ticket, his moneymaker,” Turner wrote in My Love Story. She described how she was a last-minute replacement to sing on A Fool in Love — which became their first hit in 1960 — and was impressive enough that a record label executive told Ike to make Tina the group’s focal point. “What went through Ike’s head when he heard that advice?” she said. “He had to find a way to protect his interests, and that’s when the trouble began.”
Turner was forthcoming about the years of emotional and physical abuse, as well as being financially ruined by her 20-year relationship with Ike Turner. She described bruised eyes, busted lips, a broken jaw, and other injuries that frequently sent her to the hospital. She lost everything, including her money. Yet, in her forties, at a time when most of her musical peers were winding down their careers, Turner reinvented her image, and her life.
In 1984, her solo album Private Dancer was released. At the time, MTV music videos were new and a staple for artists, if they wanted any kind of exposure. It was all about the visual. It was the video for What’s Love Got to Do with It that reintroduced us to Turner’s greatness. She called love a “second-hand emotion,” as she did that signature strut through New York City streets, with spiky blonde hair, a cropped jean jacket, mini skirt, and stiletto heels. Hello!
Other hits on that album — Better Be Good to Me, Let’s Stay Together, and Private Dancer — all reminded us that Turner was a force to be reckoned with. The album solidified that she could not be denied; could not be ignored; and was not under Ike’s thumb anymore.
In 1985, she co-starred in the movie Mad Max Beyond Thunderdome, which blessed us with another hit song, We Don’t Need Another Hero (Thunderdome). Her light just kept shining, even after her 50th anniversary tour. We can’t forget that Proud Mary performance at the 2008 Grammy Awards with Beyoncé, which has been circulating on social media since word of Turner’s passing. Looking back, it was as if Turner were passing the torch to the next generation. Queen Bey clearly understood the assignment.
What I love about Tina Turner is that second-act in her forties. It’s truly a masterclass for women, particularly Black creative women, as we often doubt ourselves once we’ve reached a certain age. We measure our level of success based on what we’ve been through. We give up dreams and goals because we think we’re too old. We wait for society to inform us when or if we can be relevant. We listen when told we should just have a seat and be quiet. Tina Turner showed us that our stories never stop being written; we can find the strength to reinvent, restart, and be triumphant in our own right.
As we celebrate Tina Turner’s incredible life, her legacy is not one of victimhood. She’s an example of how a little Black girl from Nutbush, Tennessee, came to own her truth in the midst of pain and trauma to become the woman she was meant to be. Her legacy is that of countless awards and accolades, for sure. But we will remember how we have been changed by her resilience, fortitude, and unmatched talent. We are grateful that we had the honor and opportunity to witness such a force in our lifetime. Tina Turner will always be simply the best.
There was nobody like her. An unstoppable force, one of the fiercest performers of our time, Tina Turner, the Queen of Rock ‘n’ Roll, has passed away at 83-years-old.
It was that trademark alto voice that could detonate at any time on stage, her strong cheekbones and magnetic smile, and those legendary legs; more than 150 million records sold nationwide; 12 Grammys; honored at the Kennedy Center; etched in the Rock and Roll Hall of Fame. Her life became the basis for the 1993 film What’s Love Got to Do with It, the HBO documentary Tina in 2021, and a Broadway musical that she called her public farewell.
Tina Turner, born Anna Mae Bullock, grew up in Nutbush, Tennessee, where the population just inches over 10,000 people. Performing came naturally for Turner, as she explained in her 2019 autobiography Tina Turner: My Love Story. She describes music-filled shopping adventures — being 4 or 5 years old and being paid by salesgirls to sing radio songs she had memorized — and the excitement of leading her cousins, half-sister Evelyn, and sister Alline in pretend stage shows.
At the age of 16, Turner moved to St. Louis, Missouri, with her mother and sister Alline. She began going to Club Manhattan where she first met Ike Turner. As depicted in What’s Love Got to Do with It, one night she joined Ike and his group on stage for an impromptu performance of B.B. King’s You Know I Love You, and well, the rest is history.
There’s been no secret about the abuse, both personally and professionally, that Turner endured at the hands of Ike Turner. She was one of the first celebrities to speak publicly about domestic abuse. “Looking back, I realize that my relationship with Ike was doomed the day he figured out that I was going to be his meal ticket, his moneymaker,” Turner wrote in My Love Story. She described how she was a last-minute replacement to sing on A Fool in Love — which became their first hit in 1960 — and was impressive enough that a record label executive told Ike to make Tina the group’s focal point. “What went through Ike’s head when he heard that advice?” she said. “He had to find a way to protect his interests, and that’s when the trouble began.”
Turner was forthcoming about the years of emotional and physical abuse, as well as being financially ruined by her 20-year relationship with Ike Turner. She described bruised eyes, busted lips, a broken jaw, and other injuries that frequently sent her to the hospital. She lost everything, including her money. Yet, in her forties, at a time when most of her musical peers were winding down their careers, Turner reinvented her image, and her life.
In 1984, her solo album Private Dancer was released. At the time, MTV music videos were new and a staple for artists, if they wanted any kind of exposure. It was all about the visual. It was the video for What’s Love Got to Do with It that reintroduced us to Turner’s greatness. She called love a “second-hand emotion,” as she did that signature strut through New York City streets, with spiky blonde hair, a cropped jean jacket, mini skirt, and stiletto heels. Hello!
Other hits on that album — Better Be Good to Me, Let’s Stay Together, and Private Dancer — all reminded us that Turner was a force to be reckoned with. The album solidified that she could not be denied; could not be ignored; and was not under Ike’s thumb anymore.
In 1985, she co-starred in the movie Mad Max Beyond Thunderdome, which blessed us with another hit song, We Don’t Need Another Hero (Thunderdome). Her light just kept shining, even after her 50th anniversary tour. We can’t forget that Proud Mary performance at the 2008 Grammy Awards with Beyoncé, which has been circulating on social media since word of Turner’s passing. Looking back, it was as if Turner were passing the torch to the next generation. Queen Bey clearly understood the assignment.
What I love about Tina Turner is that second-act in her forties. It’s truly a masterclass for women, particularly Black creative women, as we often doubt ourselves once we’ve reached a certain age. We measure our level of success based on what we’ve been through. We give up dreams and goals because we think we’re too old. We wait for society to inform us when or if we can be relevant. We listen when told we should just have a seat and be quiet. Tina Turner showed us that our stories never stop being written; we can find the strength to reinvent, restart, and be triumphant in our own right.
As we celebrate Tina Turner’s incredible life, her legacy is not one of victimhood. She’s an example of how a little Black girl from Nutbush, Tennessee, came to own her truth in the midst of pain and trauma to become the woman she was meant to be. Her legacy is that of countless awards and accolades, for sure. But we will remember how we have been changed by her resilience, fortitude, and unmatched talent. We are grateful that we had the honor and opportunity to witness such a force in our lifetime. Tina Turner will always be simply the best.
Sony’s PlayStation Showcase this year came with some big announcements. Most prominently, a new streaming service and PlayStation’s first official wireless earbuds. Project Q will be a dedicated device launching later in the year. It will allow you to play any compatible1 game installed on your PS5 console using Remote Play over Wi-Fi2. The device will deliver crisp visuals and smooth gameplay streamed from your PS5 when you’re away from your TV. All the buttons and features of the DualSense wireless controller, including adaptive triggers and haptic feedback, are featured on the device3.
They also revealed PlayStation’s first-ever official wireless earbuds. Launching later this year, the earbuds will feature new wireless technology developed by Sony Interactive Entertainment and will deliver lossless audio with low latency for a high-quality audio experience. These will bring next-generation audio immersion to PS5 along with PC, and feature connectivity to smartphones via Bluetooth. Sony will reveal more details over the next few months. You can see the first images above. And below is an official statement from SIE president Jim Ryan about these new reveals:
“Our fans expect and deserve a steady cadence of amazing content. Today’s presentation demonstrates our unwavering commitment to offering them the best and most varied catalog of games possible. It also highlights the tremendous popularity and power of the PS5 as the global development community rallies to push its advanced capabilities to the limit. We’re investing heavily in the future with innovative best-in-class hardware like PlayStation VR2 and the newly revealed Project Q, and our expansion into PC, Mobile, and Live Service gaming is transforming how and where our content can be enjoyed.”
We expect Sony Interactive Entertainment to reveal much more in the coming months.
The post Sony Announces New PlayStation Handheld and First Wireless Earbuds appeared first on Nerdist.