deerstalker

https://blackgirlnerds.com/tulsa-massacre-survivor-viola-fletcher-becomes-worlds-oldest-author/

This year marks the 102nd anniversary of the Tulsa Race Massacre, and it includes the harrowing story of the oldest living survivor, Viola Fletcher, who recently turned 109 years old.

“Mother Fletcher,” as she’s affectionately known, has written a memoir titled Don’t Let Them Bury My Story: The Oldest Living Survivor of the Tulsa Race Massacre in Her Own Words. In it, she recounts her journey from being a terrified 7-year-old girl forced to escape her burning neighborhood of Greenwood to testifying before Congress to ensure justice for the victims of the massacre. It was one of the bloodiest racial attacks ever in United States history.

On May 30, 1921, Dick Rowland, a Black teenage shoeshine boy, was arrested and charged for assaulting a white elevator operator named Sarah Page in the elevator of a building in downtown Tulsa. The next day, the newspaper printed a story saying that Rowland had tried to rape Page, with an accompanying editorial stating that a lynching was planned for that night. That evening mobs of both Blacks and whites appeared at the courthouse where Rowland was being held. A confrontation took place that resulted in the death of a white protester. The Tulsa massacre was consequently ignited.

Beginning May 31 and lasting for two days, the massacre left as many as 300 people dead, mostly Black people, and destroyed Tulsa’s prosperous Black neighborhood of Greenwood known as “Black Wall Street.” More than 35 blocks of Black homes and businesses were burned to the ground, nearly 10,000 people were left homeless, and the rampage caused more than $2 million in damage. Despite this devastating event, it had been barely mentioned in the history books until a state commission was formed to document the incident in the late 1990s.

The consensus later was that whatever happened between Rowland and Page in that elevator was harmless. Perhaps Rowland accidentally stepped on her foot or bumped into her when the elevator shifted from one floor to the next. At that time, simply daring to smile at a white woman could get you killed.

Mother Fletcher was the second oldest of eight children. Her younger brother, Hughes Van Ellis, was a newborn at the time of the massacre, and as of 2021 was 100 years old. The house they grew up in had no electricity. On the night of the massacre, Fletcher was in bed asleep; her mother woke the family and they fled for their lives. Due to uncontrollable circumstances after the massacre, the family lost everything but the clothes they were wearing. Fletcher left school after the 4th grade. In 1932, she married Robert Fletcher. They moved to California during World War II to work in the shipyards, where she was an assistant welder. After the war, the couple settled in Bartlesville, Oklahoma, to raise their three children, and Fletcher eventually retired from work at age 85.

Since the COVID-19 pandemic, we have been forced to confront inescapable facts of past and present racism. W.E.B. Du Bois predicted in 1903 that the issue of the 20th century would be “the problem of the color line.” He has been proven right many times over.

The Tulsa Race Massacre is a stark reminder of how white fear can run so deep that it can destroy Black legacies and inheritances when there’s disruption of that color line Du Bois spoke of. For Black people in 1921, their families passed down something else from one generation to the next: the mental and emotional stress that results from the constant threat of white violence and financial insecurity. In a matter of two days, everything the thriving Greenwood community had built was gone. More importantly, every dream, goal, and plan they had for that community were destroyed as well.

Many people were introduced to the Tulsa Race Massacre because of HBO’s Watchmen in 2019. The very first episode of the series opens with a depiction of the horrific events, showing a Black World War I veteran trying to protect his wife and son as they escape the attack on Black Wall Street. What I appreciated about this was they didn’t sugarcoat what happened. They showed Tulsa’s Black residents being hunted, their homes and businesses being burned down, as well as airplanes flying over the city to drop bombs.

HBO continued the history lesson in 2020 with Lovecraft Country. During the ninth episode, entitled Rewind 1921, the show’s main characters travel back in time to Tulsa to recover pages of a book needed to save another character’s life after she had been cursed. They arrive in Greenwood the day of the massacre. The episode shows the reality of white mobs killing Black residents and burning down homes and businesses.

It is believed that the hundreds of people that were killed are buried in mass graves. Experts have been searching local cemeteries for victims of the massacre. Today, Greenwood, like so many once-prosperous Black areas, remains severely economically depressed.

In her testimony to Congress, Mother Fletcher described what Greenwood meant to its residents and detailed how she lives with the memories every day. “Our country may forget this history, but I cannot, I will not, and other survivors do not, and our descendants do not.”

As many Americans will soon prepare to celebrate the Fourth of July, it shouldn’t be lost on us that not every part of our history has been worth celebrating. It’s difficult to learn about the massacre and even see it being depicted on screen without being deeply moved by it. It’s a story of so much pain brought by the hands of racists. It’s not a feel-good story. Mother Fletcher lived through it, but her story, however, is one of triumph. She gives true meaning to the strong Black woman and is continuing to fight for justice every step of the way.

Mother Fletcher’s book, Don’t Let Them Bury My Story, will be available July 4, 2023.

June 11, 2023

Tulsa Massacre Survivor, Viola Fletcher, Becomes World’s Oldest Author

https://blackgirlnerds.com/tulsa-massacre-survivor-viola-fletcher-becomes-worlds-oldest-author/

This year marks the 102nd anniversary of the Tulsa Race Massacre, and it includes the harrowing story of the oldest living survivor, Viola Fletcher, who recently turned 109 years old.

“Mother Fletcher,” as she’s affectionately known, has written a memoir titled Don’t Let Them Bury My Story: The Oldest Living Survivor of the Tulsa Race Massacre in Her Own Words. In it, she recounts her journey from being a terrified 7-year-old girl forced to escape her burning neighborhood of Greenwood to testifying before Congress to ensure justice for the victims of the massacre. It was one of the bloodiest racial attacks ever in United States history.

On May 30, 1921, Dick Rowland, a Black teenage shoeshine boy, was arrested and charged for assaulting a white elevator operator named Sarah Page in the elevator of a building in downtown Tulsa. The next day, the newspaper printed a story saying that Rowland had tried to rape Page, with an accompanying editorial stating that a lynching was planned for that night. That evening mobs of both Blacks and whites appeared at the courthouse where Rowland was being held. A confrontation took place that resulted in the death of a white protester. The Tulsa massacre was consequently ignited.

Beginning May 31 and lasting for two days, the massacre left as many as 300 people dead, mostly Black people, and destroyed Tulsa’s prosperous Black neighborhood of Greenwood known as “Black Wall Street.” More than 35 blocks of Black homes and businesses were burned to the ground, nearly 10,000 people were left homeless, and the rampage caused more than $2 million in damage. Despite this devastating event, it had been barely mentioned in the history books until a state commission was formed to document the incident in the late 1990s.

The consensus later was that whatever happened between Rowland and Page in that elevator was harmless. Perhaps Rowland accidentally stepped on her foot or bumped into her when the elevator shifted from one floor to the next. At that time, simply daring to smile at a white woman could get you killed.

Mother Fletcher was the second oldest of eight children. Her younger brother, Hughes Van Ellis, was a newborn at the time of the massacre, and as of 2021 was 100 years old. The house they grew up in had no electricity. On the night of the massacre, Fletcher was in bed asleep; her mother woke the family and they fled for their lives. Due to uncontrollable circumstances after the massacre, the family lost everything but the clothes they were wearing. Fletcher left school after the 4th grade. In 1932, she married Robert Fletcher. They moved to California during World War II to work in the shipyards, where she was an assistant welder. After the war, the couple settled in Bartlesville, Oklahoma, to raise their three children, and Fletcher eventually retired from work at age 85.

Since the COVID-19 pandemic, we have been forced to confront inescapable facts of past and present racism. W.E.B. Du Bois predicted in 1903 that the issue of the 20th century would be “the problem of the color line.” He has been proven right many times over.

The Tulsa Race Massacre is a stark reminder of how white fear can run so deep that it can destroy Black legacies and inheritances when there’s disruption of that color line Du Bois spoke of. For Black people in 1921, their families passed down something else from one generation to the next: the mental and emotional stress that results from the constant threat of white violence and financial insecurity. In a matter of two days, everything the thriving Greenwood community had built was gone. More importantly, every dream, goal, and plan they had for that community were destroyed as well.

Many people were introduced to the Tulsa Race Massacre because of HBO’s Watchmen in 2019. The very first episode of the series opens with a depiction of the horrific events, showing a Black World War I veteran trying to protect his wife and son as they escape the attack on Black Wall Street. What I appreciated about this was they didn’t sugarcoat what happened. They showed Tulsa’s Black residents being hunted, their homes and businesses being burned down, as well as airplanes flying over the city to drop bombs.

HBO continued the history lesson in 2020 with Lovecraft Country. During the ninth episode, entitled Rewind 1921, the show’s main characters travel back in time to Tulsa to recover pages of a book needed to save another character’s life after she had been cursed. They arrive in Greenwood the day of the massacre. The episode shows the reality of white mobs killing Black residents and burning down homes and businesses.

It is believed that the hundreds of people that were killed are buried in mass graves. Experts have been searching local cemeteries for victims of the massacre. Today, Greenwood, like so many once-prosperous Black areas, remains severely economically depressed.

In her testimony to Congress, Mother Fletcher described what Greenwood meant to its residents and detailed how she lives with the memories every day. “Our country may forget this history, but I cannot, I will not, and other survivors do not, and our descendants do not.”

As many Americans will soon prepare to celebrate the Fourth of July, it shouldn’t be lost on us that not every part of our history has been worth celebrating. It’s difficult to learn about the massacre and even see it being depicted on screen without being deeply moved by it. It’s a story of so much pain brought by the hands of racists. It’s not a feel-good story. Mother Fletcher lived through it, but her story, however, is one of triumph. She gives true meaning to the strong Black woman and is continuing to fight for justice every step of the way.

Mother Fletcher’s book, Don’t Let Them Bury My Story, will be available July 4, 2023.


June 11, 2023

Juvenile Added To Essence Festival Hip-Hop Lineup After Speaking Out

https://www.blackenterprise.com/juvenile-to-perform-at-essence-festival/

Essence Festival is celebrating 50 years of hip hop this year and Juvenile was confused about why his name wasn’t on the original lineup.

After blasting the initial lineup for Essence Fest, Juvenile was proud to announce his inclusion in this year’s roster of live performances. The Cash Money rapper sent out a tweet on Wednesday, June 7, confirming his set.

“Hip-Hop 50 without Juvie? Not a chance. June 30th, NOLA we live!” Juvenile tweeted.

The announcement comes one week after Juvie spoke out about the initial Essence Festival of Culture lineup which included a number of A-list performers but only one New Orleans native.

“How is essence doing 50 years of hip hop in New Orleans without me???” Juvenile wrote in a since-deleted tweet. “F that Donna Fest July 2nd me w my live band +Mannie Fresh +Rebirth & more.”

Mia X was the only New Orleans native included on the initial bill. Headliners include Ms. Lauryn Hill, Missy Elliott, and Megan Thee Stallion, with a celebration of hip hop’s 50th anniversary from pioneers like Big Daddy Kane, Doug E. Fresh, EPMD, Gucci Mane, Big Boi, Jermaine Dupri, KRS-One and more. There’s a West Coast set featuring Ice Cube, E-40, Ice T, and more.

 

View this post on Instagram

 

A post shared by ESSENCE Festival (@essencefest)

There is also a “South Got Something to Say” set where prominent Atlanta natives will perform including Lil Jon, Jermaine Dupri, and Gucci Mane, among many more. When a fan brought this up to Juvie last week, he shamed the festival for acknowledging the south but not natives from the city where the festival is hosted each year.

“They have a segment called ‘the south has something to say’ with all Atl rappers,” the fan wrote.

“They did not understand the assignment,” Juve replied.

Essence took to Instagram to address the matter and announce Juvenile’s inclusion in the coveted show, Okay Player reports.

“As we prepared to celebrate the cultural commemoration of 50 years of Hip-Hop at this year’s festival, we planned with intention around the integration of New Orleans & Louisiana artists and the musical heritage across several experiences,” they wrote.

“Whether it be the celebration of Hip-Hop femcees like New Orleans native, Mia X, who has previously been announced, or special surprise performances from local Hip-Hop artists that should not be missed, along with our all Crescent City musical line-up during our Family Day celebration, the city of New Orleans and state of Louisiana will be well represented including Hip-Hop artist, Juvenile.”

It looks like Essence Festival of Culture has a jam-packed lineup for 2023 that will have the culture talking.


June 10, 2023

International African American Museum To Open Its Doors In Charleston, South Carolina

https://www.blackenterprise.com/international-african-american-museums-opens-in-charleston-s-c/

The long-awaited International African American Museum will finally open its doors later this month, and the city of Charleston, South Carolina, is preparing for an emotional week.

After having to push back its plans for its grand opening to coincide with the birthday of Dr. Martin Luther King, Jr., the IAAM will open to the public on Tuesday, June 27. The $120 million project has been in the works for more than two decades and required unwavering support from leaders in the city of Charleston.

The location of the museum is central to the story of enslaved Africans who crossed the Atlantic to Gadsden’s Wharf, overlooking Charleston Harbor, where many Black ancestors first encountered America. Before the museum’s official opening, the city’s residents can take part in a worship ceremony on June 22 and a dedication ceremony community gathering on June 24.

“As this magnificent new museum demonstrates, Charleston isn’t just a city where history happened — it’s a city where history is still being made every day,” John Tecklenburg, the mayor of Charleston, said in a statement. “I couldn’t be prouder of this extraordinary achievement.” For the museum, Henry N. Cobb, Walter Hood, and Ralph Appelbaum designed 100,000 square feet of space including nine galleries, a genealogy center, and a memorial garden, according to The New York Times.

Visitors can also expect to see work by the Malian photographer Seydou Keïta, local artist Fletcher Williams III, and a short project by legendary Daughters of the Dust filmmaker Julie Dash entitled Seeking. The video “re-interprets the coming-of-age traditions of the Gullah Geechee, the descendants of West Africans brought to the American Southeastern coast, into a narrative of resilience,” according to The New York Times. The museum will also be home to pottery by the enslaved artist David Drake.

Tonya Matthews, the museum’s president and chief executive, expects the grand opening of IAAM to be an emotional one, with the weight of the history of Black Americans very present within its walls. Employees have received training on how to console visitors who may find the gravity overwhelming. “There is a lot of emotion associated with this museum,” said Matthews. “Some folks have waited so long, and they thought this moment would never come. You don’t know whether to laugh or cry or shout or sing. You probably will want to get that all in.”


June 9, 2023

The Surprising Ending of TRANSFORMERS: RISE OF THE BEASTS, Explained

https://nerdist.com/article/transformers-rise-of-the-beasts-surprise-ending-explained-hasbro-cinematic-universe/

Spoiler Alert

The following is less a spoiler for Transformers: Rise of the Beasts and more a spoiler for future movies.

Early on in Transformers: Rise of the Beasts, we learn Noah Diaz—the lead human character, played by Anthony Ramos—is a former soldier. Though just a private, we learn how highly decorated he was. He was forced to leave the Army because of his sick little brother. I wondered if this was just because of the rampant military propaganda present in the Transformers movies. It never seemed to matter too much in the movie; he definitely didn’t need to be a soldier to be brave enough to save the day. However, the end of the movie explained things a bit.

Giant mechanical gorilla from Transformers: Rise of the Beasts
Paramount Pictures

The final scene finds Noah going to another job interview for a security job. This one takes him to a seemingly normal shipping and/or laundry business. He goes into the back room for the interview, where he meets a character played by Michael Kelly (House of Cards). This character asks him about his thin resume and gets Noah to describe the work he recently did in South America. This guy reveals he knows all about Noah teaming up with the Transformers in Peru. He’s impressed.

So this guy, it turns out, works for a secret government agency and wants Noah to join. The normal-looking conference room then opens up and we see a massive hangar full of high-tech vehicles. The man hands Noah his card. On the front we see the name “Duke,” and when Noah flips it over we see the very familiar brand logo of G.I. Joe.

Duke yells at a superior in G.I. Joe: The Movie.
Sunbow/Hasbro

Now this is both surprising and not at all surprising. Hasbro and Paramount have long desired to create a proper cinematic universe for its many toy properties. While three live-action G.I. Joe movies have come out in the past 14 years, none of them have even approached the success of the Transformers. So, establishing that G.I. Joe not only exists in the Transformers universe, but is the S.H.I.E.L.D.-esque agency which investigates the weirder entities makes a lot of sense. Talk for years has speculated that MASK, ROM, and Visionaries would join Transformers and Joe in a cinematic universe.

So, we now have not only a new G.I. Joe organization but evidently a new, more senior Duke leading the team. In the ’90s, too, since Rise of the Beasts takes place in 1994. We shall see where all of this goes!

Kyle Anderson is the Senior Editor for Nerdist. You can find his film and TV reviews here. Follow him on Instagram and Letterboxd.

The post The Surprising Ending of TRANSFORMERS: RISE OF THE BEASTS, Explained appeared first on Nerdist.


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