deerstalker
http://blacknerdproblems.com/the-wilds-4-review/
Writer: Vita Ayala / Artist: Emily Pearson / Black Mask Studios
This issue of The Wilds starts off with this beautiful first page reminding us of the circumstances of the world this comic is set in and also giving us the context we need to categorize all the different characters we come across so far in the pages we’ve been reading. This is a new world with new rules to live by. As one panel states: “Pasts erased by the reckoning, people found new identities…”
Daisy and Heather have been reunited and while I wish it were in happier times, the two lovers find themselves caged inside this facility…that captures people and experiments on them and others. [Sigh] Things are as bad as they’ve ever been. The two talk briefly start exchanging info on all the connecting threads now that a lot is making more sense–all these missing folks, the surveillance and even perhaps the odd behavior and patterns of the infected.
“Closer To Ending This Nightmare Permanently”
With just four issues, as writer Ayala is starting to weave story threads together as seen with Heather and Daisy’s first panels and then with the revelation of the big bad, a familiar face to both women who is running this sick joint. We get a taste of his motivations and his ideal of who is expendable and who isn’t as he takes one of them away. It is fascinating to see just what this new world needs–because who you were before the reckoning definitely plays a part in what purpose someone will need you for, like having medical training or any kind or even–a botanist!
“There Has To Be Something Better Than Being Used”
Pearson gives us all the bountiful, beautiful art that we can expect from her for a wide array of scenes: the current story with several flashbacks thrown in for good measure. Daisy escapes Richard’s facility, mounts a mini rescue mission and we’re given glimpses of her life before, after the reckoning and some time afterward–all connected to Daisy and vehicles that move. We can concur that Daisy wraps up a lot of her identity in the new world with being mobile via driving and having access to move–to not be pinned up or walled up behind walls which helps explains her personality and much of the conflict she’s had with different characters through this series.
There are some great pages, some great panels showing emotion that I couldn’t help but stare at and suck in, including this panel included above of Daisy in a state of showing vulnerability which looked stunning against the backdrop of Stelladia’s always fantastic coloring job. The attention to detail to the flowered infected has always been a high point for this book for both artist and colorist, giving this comic that distinctive look we’ve come to know and this issue is no different. I also have to give Stelladia her props for her touch as a colorist for the transitions from night to day and vice versa–it is a skill that effectively sets the tone and atmosphere for different scenes that helps hammer home the emotions being conveyed really well. Oh–and some impressive lettering by the one and only Jim Campbell!
“Funny How When Men Like You Talk About Sacrifices, They Always Mean People Like Me “
For some, the ends justify the means. A whole manner of atrocities can be forgiven or overlooked it means a beneficial outcome or some favors. It is clearly evident that this mindset has not died out in this new world, after the flowery reckoning. Yet, Daisy’s epic homecoming pulls no punches and gives no fucks–her quick thinking and observant musing give her the push she needs to do more and be more. It is a brilliant character profile as it is a new building block in the plot.
She makes it known that there is only one sacrificial lamb here and it’s not one of her people, it’s the wolf that’s been preying upon them in their own home, their own compound. The final pages really drive home what a dream team this creative team has been on such as book like with this with such a publisher. This is the issue before the finale (for now) and I am hyped to see what is in store for us readers.
9.3 Rock Hard Revelations Out of 10
The 5th and FINAL (for now) issue of #THEWILDS is still available for pre-order from you local comic shops!
Best Run artist @phillipsevy!
Main cover @Alterici
Run (heh), don’t walk to secure the 33 page, action packed conclusion to our story!#SurviveTheWilds ?? pic.twitter.com/TQDfmc43Ej
— ✊?Vita @ FlameCon H38???️? (@definitelyvita) August 1, 2018
See our site’s other reviews of The Wilds here.
Want to get Black Nerd Problems updates sent directly to you? Sign up here!
Follow us on Twitter, Facebook,Instagram, Tumblr, YouTube and Google+.
The post The Wilds #4 Review appeared first on Black Nerd Problems.
Writer: Vita Ayala / Artist: Emily Pearson / Black Mask Studios
This issue of The Wilds starts off with this beautiful first page reminding us of the circumstances of the world this comic is set in and also giving us the context we need to categorize all the different characters we come across so far in the pages we’ve been reading. This is a new world with new rules to live by. As one panel states: “Pasts erased by the reckoning, people found new identities…”
Daisy and Heather have been reunited and while I wish it were in happier times, the two lovers find themselves caged inside this facility…that captures people and experiments on them and others. [Sigh] Things are as bad as they’ve ever been. The two talk briefly start exchanging info on all the connecting threads now that a lot is making more sense–all these missing folks, the surveillance and even perhaps the odd behavior and patterns of the infected.
“Closer To Ending This Nightmare Permanently”
With just four issues, as writer Ayala is starting to weave story threads together as seen with Heather and Daisy’s first panels and then with the revelation of the big bad, a familiar face to both women who is running this sick joint. We get a taste of his motivations and his ideal of who is expendable and who isn’t as he takes one of them away. It is fascinating to see just what this new world needs–because who you were before the reckoning definitely plays a part in what purpose someone will need you for, like having medical training or any kind or even–a botanist!
“There Has To Be Something Better Than Being Used”
Pearson gives us all the bountiful, beautiful art that we can expect from her for a wide array of scenes: the current story with several flashbacks thrown in for good measure. Daisy escapes Richard’s facility, mounts a mini rescue mission and we’re given glimpses of her life before, after the reckoning and some time afterward–all connected to Daisy and vehicles that move. We can concur that Daisy wraps up a lot of her identity in the new world with being mobile via driving and having access to move–to not be pinned up or walled up behind walls which helps explains her personality and much of the conflict she’s had with different characters through this series.
There are some great pages, some great panels showing emotion that I couldn’t help but stare at and suck in, including this panel included above of Daisy in a state of showing vulnerability which looked stunning against the backdrop of Stelladia’s always fantastic coloring job. The attention to detail to the flowered infected has always been a high point for this book for both artist and colorist, giving this comic that distinctive look we’ve come to know and this issue is no different. I also have to give Stelladia her props for her touch as a colorist for the transitions from night to day and vice versa–it is a skill that effectively sets the tone and atmosphere for different scenes that helps hammer home the emotions being conveyed really well. Oh–and some impressive lettering by the one and only Jim Campbell!
“Funny How When Men Like You Talk About Sacrifices, They Always Mean People Like Me “
For some, the ends justify the means. A whole manner of atrocities can be forgiven or overlooked it means a beneficial outcome or some favors. It is clearly evident that this mindset has not died out in this new world, after the flowery reckoning. Yet, Daisy’s epic homecoming pulls no punches and gives no fucks–her quick thinking and observant musing give her the push she needs to do more and be more. It is a brilliant character profile as it is a new building block in the plot.
She makes it known that there is only one sacrificial lamb here and it’s not one of her people, it’s the wolf that’s been preying upon them in their own home, their own compound. The final pages really drive home what a dream team this creative team has been on such as book like with this with such a publisher. This is the issue before the finale (for now) and I am hyped to see what is in store for us readers.
9.3 Rock Hard Revelations Out of 10
The 5th and FINAL (for now) issue of #THEWILDS is still available for pre-order from you local comic shops!
Best Run artist @phillipsevy!
Main cover @Alterici
Run (heh), don’t walk to secure the 33 page, action packed conclusion to our story!#SurviveTheWilds ?? pic.twitter.com/TQDfmc43Ej
— ✊?Vita @ FlameCon H38???️? (@definitelyvita) August 1, 2018
See our site’s other reviews of The Wilds here.
Want to get Black Nerd Problems updates sent directly to you? Sign up here!
Follow us on Twitter, Facebook,Instagram, Tumblr, YouTube and Google+.
The post The Wilds #4 Review appeared first on Black Nerd Problems.
Writers: Scott Snyder, Aaron Gillespie/ Artists: V Ken Marion, Sandu Florea, Dinei Ribeiro / DC Comics
I have enjoyed every single one of the New Age of DC Heroes titles that have spun out of Metal. The diversity in the titles covers a wide range of characters and genres, each one endearing in its own way. It is a wonderful mix of old school DC mythos reimagined for the modern aesthetic, none more apparent than with the New Challengers.
No one will fault you if you’re not familiar with the original Challengers of the Unknown, a group of adventurers written by Jack Kirby (and friends). It’s a deep cut of DC Comics dating all the way back to the late 1950’s, where a ragtag bunch of misfits with a mysterious benefactor go to various locations to investigate different scientific and paranormal oddities. You’ve probably heard this pitch dozens of times, but listen: the trope works for a reason. The New Challengers succeeds in evoking this scientific pulp fiction. You can’t help but smile at the obtuse references and callbacks.
New Challengers #4 is primarily narrated by Bethany. Snyder and Gillespie’s monologue is a little on the nose at the times throughout the issue, but the camp works in the issue’s favor more times than not. Death is the focal point of the issue, but much like the original tarot card, this isn’t a literal interpretation. There are a lot of decapitated dinosaurs, mummified looking mooks, and other things, so Death may be a little literal. And again, each member of the team also has an hourglass tattoo. It’s campy. It’s still enjoyable.
Trina, Moses, and Krunch get some moments to shine, but the spotlight is really on Bethany. The glimpse into her backstory and the incidental interactions with the grander DC universe make for fun vignettes. Marion, Florea, and Riberio make all the panels pop with vibrant colors and expressive scenes that just make you feel at home reading classic science fiction stories.
Admittedly, you’re going to have to do some research to truly appreciate the scope of what’s going on. At the same time, there’s enough compelling character work to give you something to latch onto.
8.1 “Deaths of Dinosaurs” out of 10
Want to get Black Nerd Problems updates sent directly to you? Sign up here!
Are you following Black Nerd Problems on Twitter, Facebook, Tumblr or Google+?
The post Exclusive: Advance Review of the Latest “New Age of DC Heroes” — New Challengers #4 appeared first on Black Nerd Problems.
Tyler “Ninja” Blevins is a Fortnite superstar. With over 10,000,000 subscribers, the 27-year-old is the most popular streamer on all of Twitch. And in a new interview with Polygon, he’s defended his choice not to stream with female players, essentially branding himself the Mike Pence of online gaming.
In a stream from last month (which now has almost 4 million views on YouTube), Ninja explained why he doesn’t stream with women, saying “This is exactly what happens. I play with another girl streamer, right? A joke would be made, a giggle would happen, and then this is the YouTube video: ‘Ninja Flirting With So-and-So? JGhosty [Ninja’s wife, also a streamer] Angry?’ Like clockwork, a video like that would be up in less than 10 minutes.” He frames that as “a life lesson” for his followers.
It’s true that female streamers face a unique set of hurdles, with many viewers aggressively sexualizing and romanticizing them, rather than respecting them as gamers. They are notoriously subjected to the kind of gossip and rumors Ninja describes here. That’s why it’s so unfortunate that he chooses to perpetuate that treatment of women, rather than work to change it.
Obviously, Ninja is free to stream with whomever he chooses. But he’s also going to be criticized for effectively denying all female streamers, no matter how talented, access to his 10,000,000 followers. Streaming has a persistent reputation as a boys’ club and players like Ninja refusing to ever share that kind of platform with a woman is exactly why. How are women ever supposed to rise to the top of this or any field when they’re actively and deliberately ignored by major players in their industry? (How does one get to be a major player in the first place? By forging connections with other players and offering each other shared exposure.)
By refusing to play with female streamers, he may feel like he’s staying out of things. But in reality, he’s only reinforcing the idea that female streamers should be avoided, that they come with drama attached, and that there is an inherent sexualization when playing with them.
He tells Polygon that “The only way to avoid that [gossip] is to not play with them at all.” Or he could use his massive platform to condemn that kind of gossip. He has an opportunity to dispell the view that men and women can’t have a platonic gaming session, which he could do simply by leading by example. Instead, he’s choosing to tacitly perpetuate this sexist view of female gamers.
(via Polygon, image: Christian Petersen/Getty Images)
Want more stories like this? Become a subscriber and support the site!
—The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—