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https://www.essence.com/culture/black-girls-draw-jena-holliday-black-motherhood-video
One of the greatest revolutionary acts as a Black person in America is Black motherhood.
Not only was this right stripped from Black women while they were enslaved, it is also the cornerstone of most Black families in its various forms. Mothers. Aunties. Grandmothers. Sisters. Motherhood is power.
For illustrator Jena Holliday, her art represents that power, presenting its complexities in a positive way.
“I want to bring Black women and Black motherhood into focus in a positive light,” she told ESSENCE in the latest installment of Black Girls Draw. “Black women are a work of art.”
“Black women are unique, creative, courageous, bold, and march to the beat of their own drum,” she continued.
Representation, especially portrayed authentically, is an important ingredient in Holliday’s work.
“Representation wasn’t there growing up, which caused me to question many things about my own identity. I want to show different facets of Black women to the world. As a mother myself, I hope to inspire others and those behind me to change the world by adding to the conversation by the power of their creativity, actions, and words.”
Watch Holliday’s story above and check out her work, here.
I am here for anything Taraji P. Henson-related, but I have to admit when I first heard that she was set to star in What Men Want, a Paramount remake of the Nancy Meyers rom-com What Women Want starring sexist notorious scumbag racist Mel Gibson, my first instinct was to get hugely annoyed.
After all, CAN’T HOLLYWOOD JUST TELL FEMALE STORIES WITHOUT NEEDING TO RE-DO PREVIOUSLY MALE-LED SOURCE MATERIAL? WE HAVE STORIES THAT ARE OURS TO BEGIN WITH! MAKE THOSE! But then I remembered my own opinions about reboots and remakes in general, that in them lies a huge opportunity to course correct, and make up for previous mistakes for modern-day audiences.
If you don’t remember, the original 2000 What Women Want starred Mel Gibson as a confident chauvinistic male who suddenly acquires the ability to hear what the women around him are really thinking … which made him better at landing the ladies. According to Deadline Hollywood, “the new version follows a female sports agent (Henson) who has been constantly boxed out by her male colleagues. When she gains the power to hear men’s thoughts, she is able to shift the paradigm to her advantage as she races to sign the NBA’s next superstar.”
Reasons this makes me happy:
- There’s something especially gleeful about replacing the racist Mel Gibson with a black woman. I just take a special joy in that.
- While I’m sure there will be some kind of romantic angle for Henson’s character, she’s using her new ability to advance in her career, and correct the sexist imbalance she’s had to deal with.
In its day, What Women Want was “progressive,” because it depicted a man who learns that he actually needs to care about women’s needs and desires if he wants to succeed in life. An updated version in which a woman of color uses her man mind-reading skills to get ahead in her career? I can totally be down for that.
The title is a bit unfortunate. While I know that it’s important to have it be close to the original title to reference that it’s a remake, calling something What Men Want just makes me want to respond with, “Haven’t we cared about that long enough?” However, knowing the premise of the actual story lessens my fears, and gives me hope that we’re going to see something awesomely feminist with one of my favorite actresses in the lead.
Henson will also be executive producing along with producers Will Packer and James Lopez. There’s no word yet as to who will be on writing and directing duties. My hopes skew female, of course.
What Men Want is scheduled for a January 11, 2019 release.
(image: screencap)
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