deerstalker

https://www.themarysue.com/charmed-feminist-show/

 

Charmed

News of the upcoming Charmed reboot has been met with mixed feelings from everyone: fans and people attached to the original series alike. Member of the original ‘Power of Three’ trio Holly Marie Combs, a.k.a. Piper, took to the internet to let people know how she felt about the new reboot.

The way Combs puts it, her huge issues with the series are many, but mostly have to do with the fact that this new reboot will be made with zero input from the original creator of the show, Constance M. Burge, and none of the original cast members will play a part in this reboot as of yet. While this series will be using the named Charmed it seems unlikely that it will have any connection to original show’s mythology and universe.

I have…mixed feelings about it. The Charmed mythology is highly inconsistent and there are multiple continuity holes that would make it complicated to create a series within the same universe that did not completely ret-con many elements of the original series. This show would have continuity errors within the same season of a show. Sometimes only a few episodes apart. Yet, it is very upsetting to hear that this title is just a way of getting the original Charmed  fanbase interested in a product that does not seem to have any interest in appreciating the fun mess of the original show.

However, the thing that caught my interest was this tweet:

 

When we call something a “feminist show” that encapsulates a lot and I feel that sometimes we do a disservice to female-led media by painting a brush of “feminist” over it just because it includes women in leading roles. That’s a good start, but a female-led series does not a feminist work make. Just for the record, calling a show “feminist” doesn’t automatically mean the show is good or if it is not feminist that makes it bad: you can always process something through a feminist analytical lens regardless of what the source material is like.

So for me I came up with a few rules when it comes to judging if a series is feminist: (a) tackles issues related to gender inequality (b) diverse in terms of its depiction of women (c) women are allowed to have female friends (d) avoids stereotypical depictions of women and, most importantly, (e) the women are well-written/competent.

Now, these are just my own guidelines that I came up with because I felt like there were shows I loved that had feminist themes or tackled some feminist issues, but I wouldn’t be able to call them feminist because for as much as they did that was good there was an equal amount of bad.

Charmed is a mixed bag if we want to view it through a feminist lens, so let’s break it down.

(a) tackles issues related to gender inequality: Charmed is certainly a “girl power” show, which is not a dismissive statement. I grew up on girl power shows/music, and I think they are an important gateway to understanding different things about how gender works. Plus, seeing ladies kick ass on television is always a plus. But Charmed‘s insight into gender is so shallow it barely goes below the surface. Sure they say things like “it’s the woman’s job to save the world,” but they also have a ghost grandma who hates men so much she has to be convinced to love her own grandson. It’s so comical that you can’t help but eyeroll as she cringes at holding baby Wyatt, lamenting that they don’t have boys in the family. Charmed does touch on sexual harassment in the workplace in one episode and over the top sexism by literally turning men into pigs or turkeys, but it is always played for laughs and nothing ever comes from it. Charmed is well-meaning but says very little outside of the cliche and obvious.

(b) diverse in terms of its depiction of women: Yeah, Charmed takes place in a very cis, white and straight part of San Francisco. They have one token non-white cast member in Deryl, there is only ever one non-white man as a love interest in season one, played by John Cho so that’s a plus. When it comes to body type all of the women are fit and young with the exception of Grams, who is fit, but older.

(c) women are allowed to have female friends: Hahahahaha. Nope. Chosen women don’t have friends. In fact other than the core three women, everyone else of importance in their life is a guy. They needed a Kenzi real bad.

(d) avoids stereotypical depictions of women: We went from these kinds of fanservice costumes in Season Three:

fanservice charmed

To these in the later seasons:

fanservice charmed

Don’t get me wrong, the earlier seasons would put the girls in some questionable fashion outfits, but it wasn’t frequent and it showed off their personalities really well. In later seasons, the problem isn’t just that it is so blatant and over the top, but that it happens all of the time. After the fourth season, it feels like a race to put Alyssa Milano in as little clothing as possible. While Milano was a producer on the show, as was Combs, neither of them got paid extra for their trouble and while they could help make decisions about storylines and character, it is unclear if those…stylistic choices were their own.

(e) the women are well written/competent: This is a hard one for me. As someone who grew up watching Charmed, I loved the fun costumes, the love stories, and the sister drama. It was definitely a show that defined my youth, and so when I sat down to watch the series from the beginning it was…a weird experience. I didn’t watch much of the pre-Paige episodes so I grew really attached to Prue and I loved what they did with the characters. While the show would play fast and loose with its own canon, and it was far from perfect, I would say that up until Season Four the show and the girls were fun. They had excellent chemistry together and felt like sisters.

Then the dark times came. After Season Five it just becomes so nonsensical and repetitive that I had to stop watching halfway through Season Six because I realized I was fast-forwarding through most of the episodes. The show would have so many jarring plot-holes to watch in a binge situation, I found myself getting frustrated.

Phoebe turned into an obnoxious person who cared more about herself than anybody else and never dealt with any of the repercussions of her actions from the Cole situation. Piper, who was my favorite growing up, doubled down on becoming a den mother and would complain about her guardian angel husband going out to save people’s lives. Paige was mostly fine, they just didn’t always know what to do with her. The Charmed Ones, who were destined to save the world from great evil, turned into Frank Miller anti-heroes who were more angry about being asked to help people than anything else. Saving lives was an irritant that pulled them away from dating or their day jobs or the mundane lives they wanted to leave on the side.

Mind you, I think it is a good idea to show the struggle of trying to maintain a “normal” life while saving the world from evil. However, they complained about it every day and no one ever called them out on it. They were allowed to get away with every hint of bad behavior, cast judgment over everyone else, and just be the worst heroes ever, but the universe acted like they farted roses. It would actually be quite a deconstruction to have the heroines of a story be filthy hedonists who do it reluctantly, but let’s not treat them like the Sailor Scouts.

Charmed started off as a show with feminist intent, and I think overall, there are still really important and worthy things the show does. There is a reason it has retained in the hearts of many. There is a reason why even today, I still love to rewatch the first four seasons. Charmed came at the right time and provided something fun for an audience. It may have run way, way past its expiration date, but that doesn’t take away from the good it did do.

So if we are only focusing on the “feminist” aspect of this reboot, I hope it has something to say, allows the sisters to have friends, doesn’t put them in fanservice costumes for no reasons and allows them to be flawed, fully developed consistant characters.

(image: The WB/Edits made by author)

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The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—

January 30, 2018

Was Charmed Ever Really a Feminist Show?

https://www.themarysue.com/charmed-feminist-show/

 

Charmed

News of the upcoming Charmed reboot has been met with mixed feelings from everyone: fans and people attached to the original series alike. Member of the original ‘Power of Three’ trio Holly Marie Combs, a.k.a. Piper, took to the internet to let people know how she felt about the new reboot.

The way Combs puts it, her huge issues with the series are many, but mostly have to do with the fact that this new reboot will be made with zero input from the original creator of the show, Constance M. Burge, and none of the original cast members will play a part in this reboot as of yet. While this series will be using the named Charmed it seems unlikely that it will have any connection to original show’s mythology and universe.

I have…mixed feelings about it. The Charmed mythology is highly inconsistent and there are multiple continuity holes that would make it complicated to create a series within the same universe that did not completely ret-con many elements of the original series. This show would have continuity errors within the same season of a show. Sometimes only a few episodes apart. Yet, it is very upsetting to hear that this title is just a way of getting the original Charmed  fanbase interested in a product that does not seem to have any interest in appreciating the fun mess of the original show.

However, the thing that caught my interest was this tweet:

 

When we call something a “feminist show” that encapsulates a lot and I feel that sometimes we do a disservice to female-led media by painting a brush of “feminist” over it just because it includes women in leading roles. That’s a good start, but a female-led series does not a feminist work make. Just for the record, calling a show “feminist” doesn’t automatically mean the show is good or if it is not feminist that makes it bad: you can always process something through a feminist analytical lens regardless of what the source material is like.

So for me I came up with a few rules when it comes to judging if a series is feminist: (a) tackles issues related to gender inequality (b) diverse in terms of its depiction of women (c) women are allowed to have female friends (d) avoids stereotypical depictions of women and, most importantly, (e) the women are well-written/competent.

Now, these are just my own guidelines that I came up with because I felt like there were shows I loved that had feminist themes or tackled some feminist issues, but I wouldn’t be able to call them feminist because for as much as they did that was good there was an equal amount of bad.

Charmed is a mixed bag if we want to view it through a feminist lens, so let’s break it down.

(a) tackles issues related to gender inequality: Charmed is certainly a “girl power” show, which is not a dismissive statement. I grew up on girl power shows/music, and I think they are an important gateway to understanding different things about how gender works. Plus, seeing ladies kick ass on television is always a plus. But Charmed‘s insight into gender is so shallow it barely goes below the surface. Sure they say things like “it’s the woman’s job to save the world,” but they also have a ghost grandma who hates men so much she has to be convinced to love her own grandson. It’s so comical that you can’t help but eyeroll as she cringes at holding baby Wyatt, lamenting that they don’t have boys in the family. Charmed does touch on sexual harassment in the workplace in one episode and over the top sexism by literally turning men into pigs or turkeys, but it is always played for laughs and nothing ever comes from it. Charmed is well-meaning but says very little outside of the cliche and obvious.

(b) diverse in terms of its depiction of women: Yeah, Charmed takes place in a very cis, white and straight part of San Francisco. They have one token non-white cast member in Deryl, there is only ever one non-white man as a love interest in season one, played by John Cho so that’s a plus. When it comes to body type all of the women are fit and young with the exception of Grams, who is fit, but older.

(c) women are allowed to have female friends: Hahahahaha. Nope. Chosen women don’t have friends. In fact other than the core three women, everyone else of importance in their life is a guy. They needed a Kenzi real bad.

(d) avoids stereotypical depictions of women: We went from these kinds of fanservice costumes in Season Three:

fanservice charmed

To these in the later seasons:

fanservice charmed

Don’t get me wrong, the earlier seasons would put the girls in some questionable fashion outfits, but it wasn’t frequent and it showed off their personalities really well. In later seasons, the problem isn’t just that it is so blatant and over the top, but that it happens all of the time. After the fourth season, it feels like a race to put Alyssa Milano in as little clothing as possible. While Milano was a producer on the show, as was Combs, neither of them got paid extra for their trouble and while they could help make decisions about storylines and character, it is unclear if those…stylistic choices were their own.

(e) the women are well written/competent: This is a hard one for me. As someone who grew up watching Charmed, I loved the fun costumes, the love stories, and the sister drama. It was definitely a show that defined my youth, and so when I sat down to watch the series from the beginning it was…a weird experience. I didn’t watch much of the pre-Paige episodes so I grew really attached to Prue and I loved what they did with the characters. While the show would play fast and loose with its own canon, and it was far from perfect, I would say that up until Season Four the show and the girls were fun. They had excellent chemistry together and felt like sisters.

Then the dark times came. After Season Five it just becomes so nonsensical and repetitive that I had to stop watching halfway through Season Six because I realized I was fast-forwarding through most of the episodes. The show would have so many jarring plot-holes to watch in a binge situation, I found myself getting frustrated.

Phoebe turned into an obnoxious person who cared more about herself than anybody else and never dealt with any of the repercussions of her actions from the Cole situation. Piper, who was my favorite growing up, doubled down on becoming a den mother and would complain about her guardian angel husband going out to save people’s lives. Paige was mostly fine, they just didn’t always know what to do with her. The Charmed Ones, who were destined to save the world from great evil, turned into Frank Miller anti-heroes who were more angry about being asked to help people than anything else. Saving lives was an irritant that pulled them away from dating or their day jobs or the mundane lives they wanted to leave on the side.

Mind you, I think it is a good idea to show the struggle of trying to maintain a “normal” life while saving the world from evil. However, they complained about it every day and no one ever called them out on it. They were allowed to get away with every hint of bad behavior, cast judgment over everyone else, and just be the worst heroes ever, but the universe acted like they farted roses. It would actually be quite a deconstruction to have the heroines of a story be filthy hedonists who do it reluctantly, but let’s not treat them like the Sailor Scouts.

Charmed started off as a show with feminist intent, and I think overall, there are still really important and worthy things the show does. There is a reason it has retained in the hearts of many. There is a reason why even today, I still love to rewatch the first four seasons. Charmed came at the right time and provided something fun for an audience. It may have run way, way past its expiration date, but that doesn’t take away from the good it did do.

So if we are only focusing on the “feminist” aspect of this reboot, I hope it has something to say, allows the sisters to have friends, doesn’t put them in fanservice costumes for no reasons and allows them to be flawed, fully developed consistant characters.

(image: The WB/Edits made by author)

Want more stories like this? Become a subscriber and support the site!

The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—


January 29, 2018

SH’s Collection Power Up: SSJ Goku Rose Shin Retsuzan-Episode 77

http://www.thenerdelement.com/2018/01/24/shs-collection-power-ssj-goku-rose-shin-retsuzan-episode-77/

SH’s Collection Power Up: SSJ Goku Rose Shin Retsuzan-Episode 77

 

Want to buy Dragon Ball Figures & Statues?
Follow our SOCIAL MEDIA to learn all details:
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The post SH’s Collection Power Up: SSJ Goku Rose Shin Retsuzan-Episode 77 appeared first on The Nerd Element.


January 29, 2018

Tutorial: Valentine’s Day Dollar Store Wreath

http://dollarstorecrafts.com/2018/01/tutorial-valentines-day-dollar-store-wreath/

Valentine Wreath DIY

I decided I wanted a Valentine’s Day wreath this year.  I’ve never been a big wreath person, but Pinterest can change a girl.  I wasn’t sure exactly how my wreath would look, I just knew I wanted it to be big, bold, and red.

I headed to Dollar Tree and just started picking up red Valentine items that “spoke” to me.  I liked the sparkly garland, and the heart picks were too cute to pass up.  I had a ton of red ribbon left over from Christmas, and some wood heart frames I had purchased at Michael’s.  I looked at my collection for several days, still not sure what to do with it.  So I just started playing with my supplies, and I wound up with a wreath that I absolutely LOVE.  Here’s how I ended up making it.

Dollar Store Wreath DIY

Project estimate:

  • Wreath form, $1
  • Wire edged ribbon, on hand or $1 and up
  • Valentine garland, $1
  • Heart Picks, $1
  • Wood heart frame, $1
  • Puffy hearts, $1 for 6
  • Stickers, on hand

Total:  $5 and up

supplies

Step one:  Wrap the wreath form with ribbon (optional, but I can’t stand floral foam shedding!)  Paint the heart shaped frame.

step 2

Step two:  Cut the wire garland into 24 inch pieces.  Wrap one end of wire around the wreath form, and coil the rest into a loose spiral.  Repeat.

ribbon 1ribbon 2

Step three:  Cut the wire edged ribbon into 32 inch strips.  Attach it to the wreath form by doubling the ribbon, and pulling the ribbon ends through the loop.  Repeat.

step 5

Step four:  Slide the ends of the heart picks into the base of the ribbon loops.

Step five:  Glue the wood heart to the front, and attach the puffy heart with a ribbon.  Add a cupid sticker (optional).

step 6

Step six:  Curl the ends of the wired ribbon in different directions.

Isn’t this a fun wreath?  If you don’t care for my red/gold combo, you could easily make it white/pink or any other colors that say “Valentine’s Day” to you.  Have fun crafting and creating!

DIY Valentine Wreath

The post Tutorial: Valentine’s Day Dollar Store Wreath appeared first on Dollar Store Crafts.


January 29, 2018

Mo’Nique Versus Netflix: Focus On The Message, Not The Messenger

http://www.blackenterprise.com/monique-versus-netflix-focus-on-the-message-not-the-messenger/

Mo’Nique has been catching hell, especially from much of Black Twitter, over the past several days.

In a video widely circulated on social media, the Oscar Award-winning actress and comedian has called for a boycott of Netflix after accusing the streaming service of gender- and race-based pay gaps. It reportedly initially offered Mo’Nique $500,000 for a comedy special, while Amy Schumer was offered $11 million (negotiated up to $13 million) and Dave Chappelle was offered $20 million. (Comedian Wanda Sykes later tweeted—expressing support for Mo’Nique—that Netflix offered her less than $250,000, which she passed on, landing a more satisfactory deal with Epix.)

Mo’Nique’s grievances and her approach to dealing with it have fallen on largely unsympathetic ears, with people pointing to her reputation for being difficult to work with and burning bridges with everyone from Tyler Perry, Oprah Winfrey, and Lee Daniels to BET. Many charge her and her husband Sidney Hicks with mismanaging her career and diminishing demand for her talent since her Oscar-winning turn in the film Precious.

Let’s assume that all of this is absolutely true. I don’t care. I am not mad at Mo’Nique at all.

If she was a white male actor with the exact same personality, reputation, and résumé, we wouldn’t even be having this conversation. (Don’t even get me started on the personalities, behaviors, and attitudes of Hollywood decision-makers, the overwhelming majority of whom are white and male.) I’m not saying Mo’Nique deserves Chris Rock money. But if she doesn’t assert her value, who will?

There are two sides to why men get paid more than women and white people get paid more than black people for the same work.

1. Race and gender discrimination.

2. Women and African Americans have been conditioned to passively accept what’s offered, while white males have been conditioned to assertively pursue the best offer they can get, without regard to merit or qualifications—or past behavior. (Exhibit A: President Donald Trump.) Unlike white males, women and African Americans are not automatically assumed to be qualified and to merit opportunities.

The more you ask for, the more you get, whether you actually deserve it or not. Personally, I wouldn’t pay Dave Chappelle money to Mo’Nique, but she should be applauded for fighting for it, not attacked.

However, all of that is beside the point.

The house is on fire, and too many are worried about whether Mo’Nique sounded the alarm in just the right way or for the right reasons. Even if she doesn’t get a penny of what she’s demanding, it is Netflix and the rest of the industry that should be the focus, when it comes to opportunities and compensation for black female comedians, including Wanda Sykes, Aisha Tyler, and too many others to count, past and present. Piling on with criticism of Mo’Nique’s undeservedness or poor negotiation strategy is beside the point. Netflix should not get off the hook.

We need to consider and focus on the larger picture and pattern raised by Mo’Nique, no matter how undeserving or unstrategic she might be with her calling out Netflix. Black female comedians don’t get starring roles in sitcoms offered to people like Roseanne Barr or Kevin James, nor are they cast in the lead film roles enjoyed by the likes of Amy Schumer or Kevin Hart. (By the way, Barr’s eponymous show Roseanne is being revived by ABC on March 27, after two decades off the air, with the lead character as a Trump supporter, like the actor portraying her.)

Our focus should not be on how messy Mo’Nique is alleged to be, but the larger issue, which is not new. Saturday Night Live just had its first black female comedian as a host, Tiffany Haddish—in 20-freaking-17! And don’t even get me started on the hellish abuse Leslie Jones endured for the crime of being cast in the all-female Ghostbusters reboot. We should be far more upset about that than about Mo’Nique calling for a boycott.

Holding Netflix accountable does not require following calls for a boycott or even standing up for Mo’Nique. (I admit: She’s not Rosa Parks.) It means holding their feet to the fire on the larger issue: If not Mo’Nique, and apparently, not Wanda Sykes, what black female comedians will Netflix, and the entertainment industry in general, value and compensate accordingly?

If this turns into a big payday for Leslie Jones, Tiffany Haddish, and others, I’m all good with Mo’Nique raising the issue, no matter how questionable her approach.

Eyes on the prize, people. Eyes on the prize.

Let me add: In my opinion, Wanda Sykes is off-the-chain hilarious, and not just to black people. She should be making money hand over fist, as in millions. (I feel the same way about Leslie Jones.) How does Netflix offer her even less than Mo’Nique? I’m glad she got satisfaction with Epix, but where are her leading comedic roles in television and film projects? I’m not getting people’s insistence on defending Netflix and the industry as a whole. They’ve done nothing to deserve the benefit of the doubt. As for Netflix’s multiyear deal with uber-producer Shonda Rhimes, I call that a good start—nothing more.

The post Mo’Nique Versus Netflix: Focus On The Message, Not The Messenger appeared first on Black Enterprise.


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