deerstalker

20th Century Fox has officially confirmed, according to IGN, that a third Kingsman film is on its way and is currently planned for a November 8, 2019 release date, with Matthew Vaughn back on board to both write and direct. Kingsman 2: The Golden Circle was not as adored as its predecessor, but it still did very well at the box office, and with the star power of rising star Taron Egerton and forever bae Colin Firth, it is no surprise that Fox wants to pump out another film as soon as possible before one of them gets attached to an MCU movie or something like that.

(via Collider, image: 20th Century Fox)

• • Crazy Rich Asians stars talk about there experiences of racism and otherness in society. It’s a really powerful video and one that makes the opening scene of CRA, where Michelle Yeoh’s Eleanor schools a racist, even more powerful. “Where are you from? No where are you really from?” Ugh.
  • Shameless has gone through a lot of characters throughout its now nine seasons, now it’s time to look at the ones who have added to the show and those who made the show just too clustered. (via Screenrant)
  • Robert Macfarlane, Frances Hardinge, and Harry Potter cartographer Miraphora Mina talk about their favorite fantasy maps. (via The Guardian)
  • BoJack Horseman creator has no f*cks to give about calling out trash men and his fellow pretentious male creators. (via Salon)
  • We made a fuss about the sexy The Handmaid’s Tale costumes, rightfully so, but can we also take that same energy into getting rid of all of the racist and sexist Halloween costumes we have to see every damn year? (via Twitter/lo_lifer)

Now that you’ve gotten the costume based on a fictional dystopia removed, can y’all muster up enough backlash to do something about the site’s entire “Indian Costumes” section? pic.twitter.com/qVpTWBFiRU

— (@lo_lifer) September 21, 2018

What are you catching up on this Saturday? For me it’s Killjoys.

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Writer: Al Ewing / Artist: Lee Garbett / Marvel Comics

The life of Robert Bruce Banner must suck. I mean, the guy can’t seem to catch a break. Always on the run, dealing with the constant changes of the Hulk, DYING!!! Even the moments where it seems like he has a chance to breathe are filled with tension. Bruce Banner has it bad and the way things are going, it’s only going to get worst.

After the all-out brawl with the Sasquatch, Bruce has elected to lock the Hulk up for a bit. Here, Ewing explores more of how Bruce and the Hulk’s new relationship works. Once again, the smarter Hulk is my favorite part of this new series. While we don’t really get to see much of him, Bruce provides some more insight into just why the Hulk is much smarter than he is.

What’s also very interesting is that the two don’t exactly have direct communication with one another. So, for Bruce, the return of his father as the one infecting the gamma monsters is still a mystery to him. We don’t learn much about his father’s return other than what we saw at the end of the last issue. His father is now somehow attached to the Hulk, and I can’t wait to see the ramifications of that.

Unfortunately for the Bruce, his fight with the possessed Sasquatch has attracted some unwanted attention. It’s here we get the introduction of a brand new villain who has ties to a certain General known for hunting the Hulk. His addition is a welcomed one. I like that Ewing is starting to explore how the rest of the world is reacting to the Hulk’s re-emergence. It also helps that this villain introduction shows what lengths he is willing to go to capture the Hulk.

Another great issue of The Immortal Hulk. It also helps that Lee Garbett graces us as a guest artist for this issue. With the great work he does on Skyward, I wish he would stick around for a bit. He’s isn’t really given too much to do and seeing him draw the Hulk in action would be a treat. However, it seems he is only here for this issue and having Joe Bennett back isn’t too bad, especially with what’s coming.

8 BDSM Monitors out of 10

Reading The Immortal Hulk? Find BNP’s other reviews of the series here.

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The post The Immortal Hulk #6 Review appeared first on Black Nerd Problems.

In the age of Diversity with a capital letter — a culture-shifting topic that influences entertainment to provide wider representation of and for audiences — it feels strange to watch a film like An American In Paris, a new rendition of the 1950s musical. The filming of the live musical, now re-released in theaters, does not feature a prominent person of color (or any person of color, to my awareness). It doesn’t take long into the plot before the fact of its whiteness is just one of several aspects that transports you to a world that tells the type of story we’ve now graduated from. Indeed, it’s a classic tale, and one that holds an undoubtable charm for those finding beauty in the “traditional values” of boy-meets-girl, perseverance through denial, and winning love to dance into the moonlight. For those who bristle at the Baby It’s Cold Outside-style seduction there’s little to hold onto in a film built upon its antiquated allure, but for others the 4-time Tony Award-winning musical will spark a feeling of international romance and enchantment that you might only feel on vacation.

On the heels of World World II, an American soldier named Jerry Mulligan (Robert Fairchild) decides to stay in Paris after several serendipitous encounters with a Parisian dancer. It’s a different Paris that he fell in love with, as the musical teleports us to a time before the romantic charm of the enchanting city — back when the city was more notably full of poverty, unemployment, and violence. The setting itself offers an interesting backdrop to its love story, as our characters — including our narrator who has also fallen in love with the same Parisian dancer as Jerry — climb the emotional staircase out of wartime as An American In Paris captures Paris’ transition into joy. That transition, the finding of hope and beauty both from and through art, is one of the most resonant and meaningful themes of the production.

A few other themes include standard fare: following your heart, the value of independence, living for yourself and not others. They are fleeting though, feeble and unworthy in comparison to the stunning performance by the heroine, Lise Dassin (Leanne Cope), who shines brighter than the lights that follow her strong, stunning, evocative performance across the stage. Three newly-acquainted men fall in love with her, unbeknownst to one another, and become friends as they share stories about their lives and the new woman they want to have join them. Only one of them is the frontrunner of course, Jerry, who woos Lise in classic romance fashion that plays out well in dance but reads notably rapey by modern standards.

Directed and choreographed by Christopher Wheeldon, the musical is anchored by the dance sequences between Fairchild and Cope when they’re at their closest, tangling and untangling like a magic trick of rope. For me, music and lyrics by George and Ira Gershwin relay the most whiteness of the musical, with jazz rather barren of foot-tapping soul and “fun” songs you won’t remember past the final bows. Instead, the best is when things are slowed down a notch, and the stage cleared, left to feature only a few dancers at a time or, even better, just the two.

Overall, whether for the romance, history, or music, 2018’s theater release of An American In Paris is worth watching on its merits, not to mention for the history lesson (or reminder) of one of the most celebrated musicals of all time. Leanne Cope is easy to fall in love with, and so is Paris for that matter, if only in the end. And if nothing else, watch this one as a reminder of where we used to be in entertainment. Unfortunately 2018 looks a bit too much like the original premiere of An American In Paris in 1951. When it comes to diversity and romance, we’ve come a long way from then.

You can find a local screening of An American In Paris at a theater near you.

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The post “An American In Paris” Reminds of Classic Love Stories… For Better or Worse appeared first on Black Nerd Problems.

A young, recent trade-school graduate hustled for his first job, standing up at a busy intersection passing out his résumé has now landed a full-time job. Back in February, De’Andre Matthews, 21 graduated from Houston School of Carpentry, but was still struggling to find a job after applying to “at least 30 jobs all over […]

The post #BlackExcellence: Aspiring Electrician Lands First Job After Handing Out Résumés appeared first on Essence.