deerstalker
https://blacknerdproblems.com/indie-comic-con-2024-power-to-the-creators/
The cronut dropped, and everyone lost their pastry loving minds but when you think about it, that was a fire concept that was long overdue. I like to think of a comic con for independent creators in the same light – an amazing idea that needed a Charles Xavier, someone to nurture that spark of genius, organize and execute. *Cue Matthew Sardo and Comix Well Spring hitting the DBZ fusion dance, and an amazing new con is born.
On a rainy day in March, nerds, geeks, and otaku from all over the tristate descended upon Southern Connecticut State University for a rarity – a convention that can boast that it’s the first of its kind, Indie Comic Con. Greatness begets imitation, so I wouldn’t be surprised if indie cons become the new croissant hybrid of the nerd world. Everyone in attendance will one day tell their snotty nosed child or nephew how they recognized greatness while everyone else slept on the first event that shined a bat signal level light on the independent writers and artists of the world and kick-started a revolution in the land of comics.
As I stepped through the front doors of Indie Con, I got this warm, inviting feeling. Not the feeling you get when you walk into grandma’s crib while she’s baking, the kind you get when you know everyone in the building is of a similar mindset; “I’ve laid it all on the line and refuse to be anything but unapologetically me.”
What you have to remember about independent artists is that it takes a ton of courage to put your art out into the world without the backing of some company, organization, or money bags angel investor. Indie work is hard work. Indie work is that person on a page, that person infused into their artwork, that person through and through – and you have no idea if it will sell, if people will hate it, or if it’s any good. So at a con like this, you need to feel Luffy levels of positivity and support as soon as you arrive. You want to get a “one of us” chant vibe from the first booth you see all the way to the one tucked in the back corner. And that’s exactly how my day went. Let me tell you about all the artists and art that I saw, loved, and appreciated at Indie Comic Con.
A Diversity of Dopeness
There were so many different flavors of creators that I found myself working the room like Erina Nakiri after a night out at a Sailor Boom party. Was I able to be wild hype at the number of POC artists in attendance, while also being severely disappointed at the lack of women represented? You damn right. I made B lines for artists that were giving cocoa butter enthusiast and wound up swimming in melanated greatness.
Joshua Smith Jearmon writes this dope Biblical, Mesoamerican, Mt. Olympus influenced Bad Natures book that touches on themes of betrayal, sacrifice, nature, and rebirth.
Ziaire Ward’s Gunman is a tale of an alternate version of earth, where one-man rules all. When that man snatches up the wrong woman, our main character, Gunman becomes the focal point in a world without guns. Unless you go by the name of Gunman, of course.
Jason Quinones had a slew of artistic work on display including his humor laced Beer & Cookies comics, some stickers, sketch covers, and poster art. He sat on his first comic con panel about the cartooning process and provided insight into what inspired his illustration style (such as the written work of Paul Dini on Batman: The Animated Series). He’s a vet in the comic streets, and we can’t wait to see him get more opportunities to bring our favorites to life.
Miles Curtiss is a guy who clearly marches to the beat of his own drum. If a loc’d black man with an imperfect smile, penny vest, and penchant for rock n roll can have all the confidence in his comic book, The Editors that featured a Where’s Waldo style cover, then of course I have to check out what this book is all about!
What I Needed More Of
Keshawn Dodds was the man with the master plan. He has an impressive looking book series titled, Menzuo, and is working on getting his art adapted for the big or silver screen, and is behind the New Age of Heroes Comics Convention that will be held on November 9th where comic book authors, artists, writers, and their fans will be a gathering in Springfield, MA for another exciting convention.
Despite all the amazing artists I had already seen, D.B. Supr wound up being the booth that got me most hype. Donning an all black Japanese inspired oni half facemask, you couldn’t help but raise an impressed eyebrow as you passed by his block. I call it his block because he pretty much had the entire back corner of the convention room on lock.
He had fashion merch, vinyl toys, decals, and books on display, which are available here. After speaking with him for a few minutes, it was clear that he truly was the antithesis of a one trick pony. He writes, draws, and inks his own comics, touting himself as the old school Kanye or rookie year Wemby of this generation of indie comics. Dude was truly pulling a triple double, solo dolo. His book Fist of the New Lands featured some incredible cover art, and his newest joint Artriculated is an ode to graffiti artistry. I truly appreciated his dedication to his craft.
For the Love of Turtles
The moment of the day where I could drop all of the attention to detail, hustle, and networking was during the 4 Decades of Turtle Power panel where Eric Talbot and Jim Lawson hopped on stage and treated us all like the homies. It’s so refreshing to witness people treat you like you just grabbed a tall cold glass of iced tea and sat down on the couch to talk like normal folx.
I was born in 87, the same year the cartoon dropped, so the turtles have been a staple in my mind since I was old enough to say the word pizza and throw a kick at my brother’s head while making kung fu sounds. Did I read the comics back then? No, but that didn’t matter because Leo, Raph, Mikey, Donny and them were ubiquitous in all aspects of kid life. TV shows, action figures, movies, all types of toys, and arguably the most important part of their stardom – they were the talk of the playground. “I’m Raphael”, “I’m Michelangelo” was all you heard once it came time to beat Shredder’s imaginary ass. Should’ve known I was destined for the nerdom when I was all about Donatello. So yeah, as a lifelong fan of Teenage Mutant Ninja Turtles, the inclusion of this panel is what got me excited to hoof it out to Yale city when I got the email invite to their event.
What was really cool about Lawson and Talbot talkin shop was the early years of comics, bits of info you get from them, and the game they put you onto. They spoke from a genuine, independent artist mindset, and it was impressive how down to earth they’ve remained. You have to attribute that to the original owners of the TMNT franchise, Kevin Eastman and Peter Laird, who started the comic back in 1983 and remained the ultimate decision makers for the franchise until 2009. Eric Talbot and Jim Lawson described the process of TMNT swelling to such a massive property and how absurd it was that 2 guys, who could be described as the antithesis of businessmen, owned it for as long as they did.
Lawson informs the intimate crowd scattered throughout this theater room that Kevin and Pete put out an APB about the comic, got it pitched to toy companies which led to all the other licensing deals, movies, and shows that came about. Then Lawson put it all in perspective when he said, imagine you’re this big million dollar Hollywood exec and “you have to get final approval from 2 guys out in Massachusetts to get these deals done.” The crowd chuckles, knowing this was not only funny but a hell of a moment of imagery. Before they wrapped up, they left the crowd of indie artists and Teenage Mutant Ninja Turtles fans of all ages with a line that will stick with me and hopefully every other attentive mind in that crowd forever, “Go get a licensing agent if you’re trying to do what we did.”
Once an artist makes something massive, draws a book that carries the story, or writes something that becomes a cash cow, it’s easy to ride the convention calendar train and reminisce about the times before you made it, but to use your platform while on the most authentic startup stage there can be, to slide such a dense piece of advice in there, I couldn’t help but retain my ear to ear grin the entire time they spoke. Once they wrapped up the journey down 40 years of Turtle Lane, we got to Q&A, and I proudly took the opportunity to ask them the most obvious non-comic question there is, “which Ninja Turtles movie is your favorite?” They both agreed you have to go with “the 1st movie, right?!” Then Lawson explained that he hadn’t seen the newest Seth Rogan made film but heard great things about. I assured him that he should add it to his list and that concluded the 4 Decades of Turtle Power panel.
Artist Alley Central
This convention was deadass an artist alley on Compound V, and was all contained to one space, so I got to take my time meeting and interacting with a slew of dope creators and checked out their current or most popular books. Halden Fraley’s Miralynd, Daniel Patierno’s Cryptozoic comics, Matt King’s Tales to Enlighten and Ian Cinco’s Neon Spring were cool books I peeped while making the rounds.
Nick Forker’s Eyeland featured some incredible, and yes, eye-catching cover art.
Ian Richardson needs no introduction for horror comic fans, and as I thumbed through Wendigo, I immediately understood why.
Joe Romie’s horror vibes are clearly felt with his Bloodlust book standing front and center for all the fans of gore and spooky lit.
Colin Devonshire and son were promoting their comic By the Time I Get to Dallas. Dad was missing when I stopped by their booth, but that provided me the opportunity to get the unfiltered answers I was looking for. Like how a night of dad’s drinking and wild ideas led to the creation of this fun apocalyptic book.
Hans Rickheit – had a number of books available with Squirrel Machine and Folly being the ones that most caught my eye
Sam Royale has some really good book options including Papa Balloon Cactus.
Rian Miller’s Man-Gull was easily the most audacious book cover that I saw on this day and as I thumbed through the actual pages, I was left more impressed than filled with shock. Love when a cover and concept can draw you in, while the content can hold your attention.
Eisner award winner Gideon Kendall had plenty of his impressive creations on full display including Mega Ghost, Wait…It Gets Worse, and more.
I have to say that this was one of the most enjoyable comic cons I’d ever been to. Every artist was there for the love of the game, not the climbing of the corporate popular nerd ladder. While everyone in the building would be more than happy to make a comic that became the hottest selling, Eisner-award lauded book in all the land, everyone was plenty happy just to be there sharing their art with like-minded individuals, fans of multiple comic book genres, and youth hungry for their next fave character and storyline.
Indie Comic Con pulled off an impressive feat, and I truly hope this event is brought back for their second annual, in a bigger more centralized location. How can you go wrong with more room for independent creators to showcase their hard work and more access for people to come support said indie artists? Everybody eats.
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The post Indie Comic Con 2024 – Power to the Creators appeared first on Black Nerd Problems.
The cronut dropped, and everyone lost their pastry loving minds but when you think about it, that was a fire concept that was long overdue. I like to think of a comic con for independent creators in the same light – an amazing idea that needed a Charles Xavier, someone to nurture that spark of genius, organize and execute. *Cue Matthew Sardo and Comix Well Spring hitting the DBZ fusion dance, and an amazing new con is born.
On a rainy day in March, nerds, geeks, and otaku from all over the tristate descended upon Southern Connecticut State University for a rarity – a convention that can boast that it’s the first of its kind, Indie Comic Con. Greatness begets imitation, so I wouldn’t be surprised if indie cons become the new croissant hybrid of the nerd world. Everyone in attendance will one day tell their snotty nosed child or nephew how they recognized greatness while everyone else slept on the first event that shined a bat signal level light on the independent writers and artists of the world and kick-started a revolution in the land of comics.
As I stepped through the front doors of Indie Con, I got this warm, inviting feeling. Not the feeling you get when you walk into grandma’s crib while she’s baking, the kind you get when you know everyone in the building is of a similar mindset; “I’ve laid it all on the line and refuse to be anything but unapologetically me.”
What you have to remember about independent artists is that it takes a ton of courage to put your art out into the world without the backing of some company, organization, or money bags angel investor. Indie work is hard work. Indie work is that person on a page, that person infused into their artwork, that person through and through – and you have no idea if it will sell, if people will hate it, or if it’s any good. So at a con like this, you need to feel Luffy levels of positivity and support as soon as you arrive. You want to get a “one of us” chant vibe from the first booth you see all the way to the one tucked in the back corner. And that’s exactly how my day went. Let me tell you about all the artists and art that I saw, loved, and appreciated at Indie Comic Con.
A Diversity of Dopeness
There were so many different flavors of creators that I found myself working the room like Erina Nakiri after a night out at a Sailor Boom party. Was I able to be wild hype at the number of POC artists in attendance, while also being severely disappointed at the lack of women represented? You damn right. I made B lines for artists that were giving cocoa butter enthusiast and wound up swimming in melanated greatness.
Joshua Smith Jearmon writes this dope Biblical, Mesoamerican, Mt. Olympus influenced Bad Natures book that touches on themes of betrayal, sacrifice, nature, and rebirth.
Ziaire Ward’s Gunman is a tale of an alternate version of earth, where one-man rules all. When that man snatches up the wrong woman, our main character, Gunman becomes the focal point in a world without guns. Unless you go by the name of Gunman, of course.
Jason Quinones had a slew of artistic work on display including his humor laced Beer & Cookies comics, some stickers, sketch covers, and poster art. He sat on his first comic con panel about the cartooning process and provided insight into what inspired his illustration style (such as the written work of Paul Dini on Batman: The Animated Series). He’s a vet in the comic streets, and we can’t wait to see him get more opportunities to bring our favorites to life.
Miles Curtiss is a guy who clearly marches to the beat of his own drum. If a loc’d black man with an imperfect smile, penny vest, and penchant for rock n roll can have all the confidence in his comic book, The Editors that featured a Where’s Waldo style cover, then of course I have to check out what this book is all about!
What I Needed More Of
Keshawn Dodds was the man with the master plan. He has an impressive looking book series titled, Menzuo, and is working on getting his art adapted for the big or silver screen, and is behind the New Age of Heroes Comics Convention that will be held on November 9th where comic book authors, artists, writers, and their fans will be a gathering in Springfield, MA for another exciting convention.
Despite all the amazing artists I had already seen, D.B. Supr wound up being the booth that got me most hype. Donning an all black Japanese inspired oni half facemask, you couldn’t help but raise an impressed eyebrow as you passed by his block. I call it his block because he pretty much had the entire back corner of the convention room on lock.
He had fashion merch, vinyl toys, decals, and books on display, which are available here. After speaking with him for a few minutes, it was clear that he truly was the antithesis of a one trick pony. He writes, draws, and inks his own comics, touting himself as the old school Kanye or rookie year Wemby of this generation of indie comics. Dude was truly pulling a triple double, solo dolo. His book Fist of the New Lands featured some incredible cover art, and his newest joint Artriculated is an ode to graffiti artistry. I truly appreciated his dedication to his craft.
For the Love of Turtles
The moment of the day where I could drop all of the attention to detail, hustle, and networking was during the 4 Decades of Turtle Power panel where Eric Talbot and Jim Lawson hopped on stage and treated us all like the homies. It’s so refreshing to witness people treat you like you just grabbed a tall cold glass of iced tea and sat down on the couch to talk like normal folx.
I was born in 87, the same year the cartoon dropped, so the turtles have been a staple in my mind since I was old enough to say the word pizza and throw a kick at my brother’s head while making kung fu sounds. Did I read the comics back then? No, but that didn’t matter because Leo, Raph, Mikey, Donny and them were ubiquitous in all aspects of kid life. TV shows, action figures, movies, all types of toys, and arguably the most important part of their stardom – they were the talk of the playground. “I’m Raphael”, “I’m Michelangelo” was all you heard once it came time to beat Shredder’s imaginary ass. Should’ve known I was destined for the nerdom when I was all about Donatello. So yeah, as a lifelong fan of Teenage Mutant Ninja Turtles, the inclusion of this panel is what got me excited to hoof it out to Yale city when I got the email invite to their event.
What was really cool about Lawson and Talbot talkin shop was the early years of comics, bits of info you get from them, and the game they put you onto. They spoke from a genuine, independent artist mindset, and it was impressive how down to earth they’ve remained. You have to attribute that to the original owners of the TMNT franchise, Kevin Eastman and Peter Laird, who started the comic back in 1983 and remained the ultimate decision makers for the franchise until 2009. Eric Talbot and Jim Lawson described the process of TMNT swelling to such a massive property and how absurd it was that 2 guys, who could be described as the antithesis of businessmen, owned it for as long as they did.
Lawson informs the intimate crowd scattered throughout this theater room that Kevin and Pete put out an APB about the comic, got it pitched to toy companies which led to all the other licensing deals, movies, and shows that came about. Then Lawson put it all in perspective when he said, imagine you’re this big million dollar Hollywood exec and “you have to get final approval from 2 guys out in Massachusetts to get these deals done.” The crowd chuckles, knowing this was not only funny but a hell of a moment of imagery. Before they wrapped up, they left the crowd of indie artists and Teenage Mutant Ninja Turtles fans of all ages with a line that will stick with me and hopefully every other attentive mind in that crowd forever, “Go get a licensing agent if you’re trying to do what we did.”
Once an artist makes something massive, draws a book that carries the story, or writes something that becomes a cash cow, it’s easy to ride the convention calendar train and reminisce about the times before you made it, but to use your platform while on the most authentic startup stage there can be, to slide such a dense piece of advice in there, I couldn’t help but retain my ear to ear grin the entire time they spoke. Once they wrapped up the journey down 40 years of Turtle Lane, we got to Q&A, and I proudly took the opportunity to ask them the most obvious non-comic question there is, “which Ninja Turtles movie is your favorite?” They both agreed you have to go with “the 1st movie, right?!” Then Lawson explained that he hadn’t seen the newest Seth Rogan made film but heard great things about. I assured him that he should add it to his list and that concluded the 4 Decades of Turtle Power panel.
Artist Alley Central
This convention was deadass an artist alley on Compound V, and was all contained to one space, so I got to take my time meeting and interacting with a slew of dope creators and checked out their current or most popular books. Halden Fraley’s Miralynd, Daniel Patierno’s Cryptozoic comics, Matt King’s Tales to Enlighten and Ian Cinco’s Neon Spring were cool books I peeped while making the rounds.
Nick Forker’s Eyeland featured some incredible, and yes, eye-catching cover art.
Ian Richardson needs no introduction for horror comic fans, and as I thumbed through Wendigo, I immediately understood why.
Joe Romie’s horror vibes are clearly felt with his Bloodlust book standing front and center for all the fans of gore and spooky lit.
Colin Devonshire and son were promoting their comic By the Time I Get to Dallas. Dad was missing when I stopped by their booth, but that provided me the opportunity to get the unfiltered answers I was looking for. Like how a night of dad’s drinking and wild ideas led to the creation of this fun apocalyptic book.
Hans Rickheit – had a number of books available with Squirrel Machine and Folly being the ones that most caught my eye
Sam Royale has some really good book options including Papa Balloon Cactus.
Rian Miller’s Man-Gull was easily the most audacious book cover that I saw on this day and as I thumbed through the actual pages, I was left more impressed than filled with shock. Love when a cover and concept can draw you in, while the content can hold your attention.
Eisner award winner Gideon Kendall had plenty of his impressive creations on full display including Mega Ghost, Wait…It Gets Worse, and more.
I have to say that this was one of the most enjoyable comic cons I’d ever been to. Every artist was there for the love of the game, not the climbing of the corporate popular nerd ladder. While everyone in the building would be more than happy to make a comic that became the hottest selling, Eisner-award lauded book in all the land, everyone was plenty happy just to be there sharing their art with like-minded individuals, fans of multiple comic book genres, and youth hungry for their next fave character and storyline.
Indie Comic Con pulled off an impressive feat, and I truly hope this event is brought back for their second annual, in a bigger more centralized location. How can you go wrong with more room for independent creators to showcase their hard work and more access for people to come support said indie artists? Everybody eats.
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The post Indie Comic Con 2024 – Power to the Creators appeared first on Black Nerd Problems.
The Star Trek: Starfleet Academy series is starting production soon, with Holly Hunter attached as the lead. The Paramount+ show will take place in the same timeframe as Star Trek: Discovery’s third through fifth season, in the 32nd century. This is some 900 years after the time of Picard, Seven of Nine, and other familiar characters from the franchise’s glory days. So why set Starfleet Academy in this time period, instead of one more familiar, and frankly, more popular? Here’s what Star Trek TV’s head honcho Alex Kurtzman had to say to Variety when asked about why this timeframe:
There’s a specific reason for that. As the father of a 17-year-old boy, I see what my son is feeling as he looks at the world and to his future. I see the uncertainty; I see all the things we took for granted as given are not certainties for him. I see him recognizing he’s inheriting an enormous mess to clean up and it’s going to be on his generation to figure out how to do that, and that’s a lot to ask of a kid.
My thinking was, if we set Starfleet Academy in the halcyon days of the Federation where everything was fine, it’s not going to speak to what kids are going through right now. It’ll be a nice fantasy, but it’s not really going to be authentic. What’ll be authentic is to set it in the timeline where this is the first class back after over 100 years, and they are coming into a world that is only beginning to recover from a cataclysm — which was the Burn, as established on Discovery, where the Federation was greatly diminished. So they’re the first who’ll inherit, who’ll re-inherit, the task of exploration as a primary goal.
In Discovery, “The Burn” occurred in the 31st century, when warp capability was neutralized for a century for unknown reasons. The crew of Discovery solved the mystery, allowing the Federation and Starfleet to return to their glory days. Discovery established that Tilly (Mary Wiseman) was an instructor for this new Academy. So we imagine she’ll appear in the series at some point. Kurtzman also confirmed that the show would take place on Earth (in San Francisco) as well as in space. (Yes, this means the show is going to focus on space cadets). Kurtzman also confirmed that the primary set “is the biggest we’ve ever built.” Will the Academy grounds look very different from the days of Wesley Crusher on TNG? Hey, Cambridge University has some buildings built in 1290, so you never know.
The post STAR TREK’S Alex Kurtzman Explains Why STARFLEET ACADEMY Is Set in the 32nd Century appeared first on Nerdist.
My favorite digital manga subscription service Azuki, home of my beloved My Dear Detective: Mitsuko’s Case Files will be adding six new titles to its library. This includes four comic series from Japanese publisher YUZU Comics and distributed by Media Do International, Inc., and two one-shots from independent manga publisher Star Fruit Books. The six titles are now available worldwide on the Azuki website and iOS and Android apps, with select free chapters available.
The two Star Fruit Books one-shots — Handyman Quincy and To White — are Azuki digital exclusives. This is part of a new partnership between Azuki and Star Fruit Books that will bring new Star Fruit Books titles to Azuki before they’re available anywhere else. A full list of the series with synopses from the publishers is provided below.
The Light Conjurer by Gene, published by YUZU Comics and distributed by MD-i: Robin, a seemingly useless summoner whose conjuring attempts are comically futile, secretly dreams of defeating a dragon. Fate has a sense of humor when Robin summons a mysterious prince who coerces him into going to an abandoned castle… where a dragon lives. Can a useless conjurer face the challenge of confronting a legendary beast? Creator Gene is a comic artist/illustrator who was born and raised in Tainan, Taiwan. She was the Bronze Prize-winner in the BL category at the first Ever Glory Original Comic Competition. An active figure in various doujin communities. Gene’s works come in diverse styles, and she loves to add a touch of humor to stories. Her work Wanted, Magic Girl! was selected to the 10th Golden Comic Best New Artist Award in 2019 and she also has won two top prizes at the 2020 Kyoto International Manga Anime Awards.
This looks like it will appeal to fans of: fantasy BL, PRINCES AND DRAGONS and really gorgeous, detailed artwork, and some really fun world-building,
Loving You When the World Ended by Gene, published by YUZU Comics and distributed by MD-i: An apocalyptic event forces two strangers to navigate a world where the old order is shattered. Is it survival of the fittest or survival of the richest? Spoiled Nuowan can’t stay alive in this new reality without the help of skilled hotel worker Yu Seng, whom he met only moments before the world ended. Yu’s former military training comes in handy but is kissing out of the blue a survival tactic?
This looks like it will appeal to fans of: post-apocalyptic settings, the grumpy/sunshine romancing trope, and the hilarious side of BL
Three Seconds After Our Eyes Met by Rancha, published by YUZU Comics and distributed by MD-i: The friendly, kind Student Union Event Division President Hezhan has a carefully maintained image but when fellow student Shunwen witnesses Hezhan’s outburst in a meeting room, he inadvertently becomes the keeper of Hezhan’s hidden side. Worried his secret will be revealed, Hezhan approaches Shunwen but every time their eyes lock, it feels like Shunwen sees right through him and he must “never lock eyes for more than three seconds.” Will Hezhan be able to protect his secret or will Shunwen reshape Hezhan’s life and his own? The creator of Three Seconds After Our Eyes Met, Rancha, was a Gold Prize-winner in the BL category at the second Ever Glory Original Comic Competition. Rancha is one of Taiwan’s most popular BL comic creators and renowned for delicate storytelling and for realistically presenting the emotions of his characters.
This looks like it will appeal to fans of: layered storytelling, college life/school life settings, and lots of drama
Confessions of a 35 Year Old by TEI, published by YUZU Comics and distributed by MD-i: Thirty-five-year-old, single office worker Jason normally finds love to be elusive. He doesn’t give much thought to his new coworker Frank when he joins the company. But when a chance encounter evolves into a series of shared moments, an unanticipated twist in their relationship finds Jason and Frank being roommates. Will Jason find his new normal is love?
This looks like it will appeal to fans of: late bloomers via characters in BL, older characters, and work place romances
Handyman Quincy by Stephan Lapin with art by Naoto Tsushima, published by Star Fruit Books: Quincy, a boy with prosthetic limbs, starts as a handyman to support his family. But buying a second-hand phone from a thrift shop accidentally connects him to hitman requests. Can the kind-hearted Quincy fulfill these requests for murder?
This looks like it will appeal to fans of: futuristic settings, disabled characters, and LOTS OF ACTION
To White by Dei Saito, published by Star Fruit Books: A young girl living in a strange black-and-white world fights her way past a creature guarding a door that leads to somewhere else.
This looks like it will appeal to fans of: manga in the fantasy genres, female protagonists, unique artwork, and one-shots
OTHER BIG AZUKI NEWS:
My Dear Detective is Coming to Print from Seven Seas!
Ever since Azuki launched the series, they’ve gotten nonstop requests for a print edition of My Dear Detective: Mitsuko’s Case Files. It’s a digital exclusive historical mystery manga about a talented detective and her quirky assistant. Now Seven Seas has announced My Dear Detective will be coming to print in October 2024! If you’ve kept up with my manga coverage on the site, you know this is a manga series that I love for its historical setting as well as one that I recommend for lovers of detectives stories via manga.
Of course, Azuki will continue to release the series digitally. You can read the entire series right now, plus new chapters straight from Japan on the first Monday of the month, in their Web, iOS, and Android apps! Find out what all the fuss is about!
Azuki is available on the web at www.azuki.co and in the iOS App Store and Google Play Store. The app features 300 manga series, including international hits like Attack on Titan, Fire Force, and A Silent Voice. Azuki also publishes acclaimed new series like Mecha-Ude: Mechanical Arms, Natsume & Natsume, and My Dear Detective: Mitsuko’s Case Files, with weekly new chapters available exclusively via the Azuki app.
Manga fans can start reading for free with advertisements today, or upgrade to Premium and access the full Premium catalog featuring thousands of chapters for just $4.99 a month. A 14-day free trial and discounted annual plan are also available, and additional volumes outside the subscription can be purchased via direct volume sales. Premium members get 20% off all volumes. Most titles are available worldwide (except Japan). Stay up to date on the latest announcements by following Azuki at x.com/ReadAzuki, facebook.com/ReadAzuki, and instagram.com/readazuki.
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The post Azuki Adds New Manga Series for May appeared first on Black Nerd Problems.