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Writer: Joe Henderson / Artist: Lee Garbett / Image Comics
Skyward #8 takes the time to focus on its characters and rightfully so. While the world building is always excellent, it can always feel like major character development, aside from Willa’s, is left behind. This issue gives us some major insight into our newest characters, Lucas and the farmers, as well as Willa’s relationship with Edison.
The last issue’s reveal, that the farmers worked for Barrow, certainly put Willa in a precarious position – right in enemy territory. So, it was only logical that she and Edison would look for the quickest way out. However, with them being in the middle of a bug-infested jungle, that is easier said than done. Willa hiding the truth of her mission from Edison also doesn’t make the situation any better.
At the farm, we quickly learn more about our new friend/enemy Lucas and the farmers. Turns out that farming in Zero G is perhaps the deadliest profession known to man. Barrow prepared them to survive the changing gravity and breed cows to supply food to the city. However, it also turns out that wasn’t enough for the cows to survive the hoards of giant bugs that would spawn out of the jungles. While not exactly a Soylent Green type of situation, let’s just say the substitute for cows practically begs people to look at their nutrition labels.
Lucas is an interesting character. He and Willa have an interesting exchange that brings the two closer. His backstory makes the reader feel sympathy for him but the way that Henderson writes him in this issue makes you question if he can be trusted. He’s a character that comes off as worn out. In fact, most of the farmers, feel like they are tired emotionally. It’s something that you can tell right away, which speaks to their daily life.
Willa is definitely trying her hardest to survive and stick to her mission. However, if this issue has a theme, it’s trust and learning who to put faith in. I do think Edison has more than earned her trust and you can see the strain on their relationship as she continues to hide the fact that she wants to fix the world’s gravity. I understand that she feels like her mission would hurt him but he’s come this far. As the story moves on, the ending leaves a lot of choices for Willa. Eventually, she is going to have to let someone in on her secret and trust that they can help her.
8.5 Weirdly Sexy Moments out of 10
Reading Skyward? Find BNP’s other reviews of the series here.
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The post Skyward #8 Review appeared first on Black Nerd Problems.
Writer: Joe Henderson / Artist: Lee Garbett / Image Comics
Skyward #8 takes the time to focus on its characters and rightfully so. While the world building is always excellent, it can always feel like major character development, aside from Willa’s, is left behind. This issue gives us some major insight into our newest characters, Lucas and the farmers, as well as Willa’s relationship with Edison.
The last issue’s reveal, that the farmers worked for Barrow, certainly put Willa in a precarious position – right in enemy territory. So, it was only logical that she and Edison would look for the quickest way out. However, with them being in the middle of a bug-infested jungle, that is easier said than done. Willa hiding the truth of her mission from Edison also doesn’t make the situation any better.
At the farm, we quickly learn more about our new friend/enemy Lucas and the farmers. Turns out that farming in Zero G is perhaps the deadliest profession known to man. Barrow prepared them to survive the changing gravity and breed cows to supply food to the city. However, it also turns out that wasn’t enough for the cows to survive the hoards of giant bugs that would spawn out of the jungles. While not exactly a Soylent Green type of situation, let’s just say the substitute for cows practically begs people to look at their nutrition labels.
Lucas is an interesting character. He and Willa have an interesting exchange that brings the two closer. His backstory makes the reader feel sympathy for him but the way that Henderson writes him in this issue makes you question if he can be trusted. He’s a character that comes off as worn out. In fact, most of the farmers, feel like they are tired emotionally. It’s something that you can tell right away, which speaks to their daily life.
Willa is definitely trying her hardest to survive and stick to her mission. However, if this issue has a theme, it’s trust and learning who to put faith in. I do think Edison has more than earned her trust and you can see the strain on their relationship as she continues to hide the fact that she wants to fix the world’s gravity. I understand that she feels like her mission would hurt him but he’s come this far. As the story moves on, the ending leaves a lot of choices for Willa. Eventually, she is going to have to let someone in on her secret and trust that they can help her.
8.5 Weirdly Sexy Moments out of 10
Reading Skyward? Find BNP’s other reviews of the series here.
Want to get Black Nerd Problems updates sent directly to you? Sign up here!
Are you following Black Nerd Problems on Twitter, Facebook, Instagram, Tumblr, YouTube or Google+?
The post Skyward #8 Review appeared first on Black Nerd Problems.
Back in October, I had the chance to interview the producer and writer from Human Head Studios, developers of The Quiet Man. Unlike the usual AAA fare expected from Square-Enix, this was an […]
The post ‘The Quiet Man’ Is the Most Disappointing Game of 2018 appeared first on Geek.com.
“You can call her trendy
And superficial
An elegant hustler
But don’t you call her no tramp”
“Betty: They Say I’m Different’ is an intimate and experimental documentary into the life of funk music icon Betty Davis. Through a mixture of unseen archival footage, collaborator and family interviews, and psychedelic transcendental animation, the film chronicles the rise and subsequent self-imposed exile of the Queen Goddess of Funk. I was fortunate to finally catch the film at the 21st Indie Memphis film festival after a year of near misses and “almost got im” moments.
As free as a bird and just as distant, Betty Davis (born: Betty Mabry) herself looms over the material of this documentary, appearing only in abstract extreme close ups or her detached voice. She is the force woven gracefully and mysteriously through the film as filmmaker Phil Cox tells the story of Betty’s childhood in Durham, North Carolina and Pittsburgh before her exodus to New York City.
While enrolled at FIT and taking in Greenwich Village musical trends, she spent her time writing songs and eventually sold the composition “Uptown (To Harlem)” to the Chambers Brothers in 1967. Her path included stints as a model, a relationship with South African trumpeter Hugh Masekela, and an aborted marriage to Miles Davis. The culmination of these experiences and her childhood dream leads to the creation of her own band and the release of three controversial albums – Betty Davis (1973), They Say I”m Different (1974) , and Nasty Gal (1975). Through her sexualized performances, stage costumes, and dominant lyrics, she confounded just as many audiences as she enraptured.
Betty Davis remains a living pioneer in breaking boundaries for the perception and power of women in music, resonating through the years in not only funk, but also today in rock, pop, and hip-hop. Her lyrics were written and performed from a perspective and directness that were up to that point the domain of men. Unlike the the lyrics of her female counterparts, her lyrics were not about how a man made her feel, but rather she would do. In “He Was a Big Freak,” she sings: When I was his daydream / Ain’t no need to tell you what that means / I’d tie him up with my turquoise chain. Many speak of her influence upon Miles Davis’ electric and avant-garde period after introducing him to the music of Jimi Hendrix and Sly & the Family stone. Betty, however, reveals and the genius of the woman who was a songwriter, bandleader, fashionista, and singer – a funk renaissance artist.
With a running time of only 52 minutes, the film feels more like a beginning than an ending. Alive and in good health, but still in voluntary seclusion, the Queen of Funk sits quietly from her own mythic mountain. The most touching scene of the film reunites Betty’s original band with her via speakerphone. While the original members gather all together, Betty remains afar and directing the subject away from ever seriously meeting in person again.
Betty: They Say I’m Different is currently playing in select film festivals and cities across the world. Delicate, personal, and honest, the film is worth watching any way you can – flights, cable, VOD, film festival, astral projections, etc. Check the film’s website and Facebook page for current updates for where you can catch the film near you.
Rating: 7.9 out of 10
@fatbellybella shares a message from Betty Davis (❤️❤️❤️) at They Say I’m Different doc premiere pic.twitter.com/N0i39rGDnO
— Joe Lynch (@branniganlynch) May 24, 2018
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The post The Mysterious Queen of Funk! Betty: They Say I’m Different Review appeared first on Black Nerd Problems.
We love John Cho. John Cho is a bonafide star, and should probably have his own major franchise by now. From his comedic roots with Harold and Kumar to his television lead roles in a wide range of shows from Flash-Forward to Selfie to his always scene-stealing performances as Hikaru Sulu in Star Trek, he’s usually the bright spot of whatever project he’s in. The Internet agrees; two years ago, a social media movement called #StarringJohnCho swept Twitter, with users imaging Cho as the lead of The Avengers, James Bond, and other big titles.
In 2018, it worked. Cho led the film Searching to critical acclaim; the film is the first Western contemporary thriller to be headed by an Asian-American actor. Cho spoke of the importance: “I haven’t thought of that, but what is meaningful to me is seeing the image of a whole, loving Asian-American family [more] than anything else. It’s very rare in movies. The image of that is much more startling than it should be. It was surprising to me how powerful it was. I want the future to be where it’s completely normal to see an Asian-American family on-screen.”
Searching is one of my favorite films of 2018. Taking place entirely on laptop and phone screens, it tells the story of David (Cho), who’s daughter Margot (Michelle La) goes missing. As the investigation’s detective (Debra Messing in a turn that’s far from Grace Adler) struggles to piece together what happened, David turns to his daughter’s laptop for clues. The unique point of view only amps up the tension, rather than distracts from it. At the core of an immensely taut script is Cho’s intense, heartbreaking performance, which proves he’s been leading man material for decades. Why didn’t he lead the Taken franchise with chops like this? More importantly, can we put him as the lead in more things now?
Cho touched on the importance of it all in a touching Instagram post.
We had the chance to sit down with Cho prior to the film’s release. He talked about the #StarringJohnCho movement, and a bit about breaking new ground in his various roles. We also talked about the uniqueness of Searching’s point of view. Check out the interview below. Searching is available on Digital today, and will be coming to Blu-ray and DVD November 27.
(Image: Matt Winkelmeyer/Getty Image)
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