Natasha Lyonne dying in increasingly creative ways isn’t exactly a joy to watch (maybe because I love Natasha Lyonne too much) but we get to live in the loop all over again with Russian Doll season two. For those who didn’t watch the Netflix show’s first exemplary season, where have you been, friend? I know you probably have things to do in your life, but also that is a mistake you’ve very clearly made and you need to fix it.

The show follows Nadia (Lyonne) who lives in New York and is celebrating her birthday. As her night goes on, she finds herself lying in the street dead after a car hits her. So what happens after she dies? Her night resets and she’s back in the bathroom of her birthday party, given a second, third, fourth, fifth, etc. chance to fix the loop.

A show that made us newly want to rock curly bangs, Russian Doll somehow made the repetitive nature of a Groundhog Day-esque night seem new and fresh with each new episode. From Nadia finding Alan (Charlie Barnett) stuck in the same death loop that she is to learning about Nadia’s mother (Chloë Sevigny) and her childhood trauma, the show is filled with interesting characters, twists, and more to keep us engaged.

Natasha Lyonne shared the news on her Twitter account with a fun video announcing the second season.

II ⁦@RussianDoll⁩ 🦇🦇🦇🦇 pic.twitter.com/eFrr3g0Vyj

— natasha lyonne (@nlyonne) June 11, 2019

Personally, I’m extremely excited that the show will be returining. Russian Doll is an excellent look at a wonderfully complicated female character and the joys that we, as the audience, can have while watching her journey. With Natasha Lyonne’s Nadia, we get a female character who is not idealized but rather a fully fleshed-out, richly complex person, and that alone will keep me tuning in for more.

Russian Doll season 2 has a lot to live up to, but honestly? I trust everyone involved and know it is going to be quite an interesting season.

(images: Netflix)

Want more stories like this? Become a subscriber and support the site!

—The Mary Sue has a strict comment policy that forbids, but is not limited to, personal insults toward anyone, hate speech, and trolling.—

WARNING: The following contains spoilers for the films, Spider-Man: Into the Spider-Verse, Detective Pikachu, and The Sun Is Also a Star. Although Loving v. Virginia officially abolished all remaining anti-miscegenation laws in the United States in 1967, it really hasn’t been until recently where the portrayals of mixed race characters and interracial couples on the […]

Ava DuVernay didn’t want her new Netflix miniseries When They See Us titled “Central Park Five” because she felt it didn’t do justice to the young men wrongly convicted in the case.

“Obviously there’s a name recognition in Central Park Five, but Ava correctly pointed out that this didn’t do justice to these men’s stories. She wanted to reclaim a name for them,” said Netflix VP of Original Content, Cindy Holland on a panel discussion with DuVernay at the Producer’s Guild (PGA) Produced By conference.

DuVernay

The Central Park Five was the name referred to in news headlines about the five teenage boys (four African-American, one Latino-American) convicted of raping a white female jogger in New York’s Central Park in 1989. They served between six and 13 years behind bars before a prison inmate confessed to the murders and his DNA was a match.

Although exonerated right away at that point, it took lawsuits and years before the now-men received two settlements from the City of New York, totaling over 44 million dollars.

Instead of retelling just the court case, DuVernay wanted to concentrate on the familial side of the story and get away from the “true crime” genre.

“We came into something that just felt very intimate. We felt at the core of what we wanted to do with this was to really see these men and reclaim their humanity,” she said. “They are not the Central Park Five. They are not a faceless group of thugs. They are Kory, Antron, Raymond, Yusef, and Kevin, and they have memories and families and bleeding hearts and have communities. We wanted to recognize that.”

How it all came together started in 2015 with a tweet and then a cocktail party in New York.

“I received a tweet from Raymond Santana,” DuVernay said. “He asked me what I was going to make after Selma. ‘Could it be CPFive #fingerscrossed?’ So I flew into his DMs [direct messages]. I said, ‘Does no one have your story?’ I thought it would be fascinating to say I met one of the Central Park Five.

“I really didn’t think I’d be here four years later,” she continued. “When I sat in front of them and listened to his story and looked into his eyes and he introduced me to each of the men — over a series of days — I left that meeting saying I had to tell their story.”

After chatting with friend and producer Jonathan King (Roma) at a cocktail party, DuVernay and King asked for and secured the rights to take it to Jane Rosenthal, founder and CEO of Tribeca Enterprises to produce, and then eventually to Netflix to buy. DuVernay and all involved brainstormed on the title.

What started out as a possible feature film blossomed into four-episode series in which each episode deals with a different side of the case. Each episode unpacks a different part of the criminal justice system, according to DuVernay.

“The first episode will be about this case, but it also is showing how it feels to be arrested as a young Black boy, precinct behavior, the kinds of behavior we’re hearing that is happening in precincts around the country as it relates to Black and brown people.

“In the second episode, we gonna talk about bail, the fact that we have a debtor’s prison in this country — the fact that there are people in prison who are poor and innocent and people who are not in prison who are rich and guilty. We’ll talk about judges and jurys, and district attorneys and prosecutors.

“In the third episode, we’ll talk about how we’re locking up children in this country and putting them with adults and walking away. We’ll talk about post-incarceration — how we treat formerly incarcerated citizens in this country. If you’ve done a crime or not, you’ve done your time. You get out, [but] you still can’t vote, can’t get a job, can’t get a student loan, can’t move, can’t live as a full citizen in this country.

“And then we’ll talk about the horrors of incarceration, and folks won’t even know we’re talking about this because we’re watching this very famous case. We talk about the mothers and the heartache and the memories.”

When They See Us keeps in tandem with DuVernay’s other projects highlighting social justice, from Selma to the little-seen Middle of Nowhere to the internationally-released Netflix documentary 13th, which also looks at the prison system in America.

Finally, the title, When They See Us, is about how people are seen by others, according to producer Berry Welsh (Quincy), who also worked on the series. He said, “It invites you to challenge your idea of what are other people seeing when they see you and what are you seeing when you see other people.”

When They See Us is streaming on Netflix.

The post How Ava DuVernay Stays on Her Path with ‘When They See Us’ appeared first on Black Girl Nerds.

A strange large mass of material has been detected under the Moon’s largest crater and may contain metal from an asteroid that crashed into the lunar surface and formed the crater, according to […]

The post Researchers Discover Mysterious Material Under Moon’s Largest Crater appeared first on Geek.com.