https://www.themarysue.com/n-k-jemisin-beyonce-of-scifi/

Last night was the Hugo awards and the Beyoncé of science fiction,  N.K. Jemisin, won her third Hugo in a row for the final book in her Broken Earth Trilogy The Stone Sky. It was not only a big night for Jemisin, but for female authors in general at the Hugo Awards. Most of the winners of the evening were women and some were women of color, including Ohkay Owingeh /Black author, Rebecca Roanhorse, Asian-American author Marjorie M. Liu, and Japanese illustrator Sana Takeda.

Best Novel

• The Stone Sky, by N.K. Jemisin (Orbit)
• The Collapsing Empire, by John Scalzi (Tor)
• New York 2140, by Kim Stanley Robinson (Orbit)
• Provenance, by Ann Leckie (Orbit)
• Raven Stratagem, by Yoon Ha Lee (Solaris)
• Six Wakes, by Mur Lafferty (Orbit)

Best Novella

• All Systems Red, by Martha Wells (Tor.com Publishing)
• “And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
• Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
• The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
• Down Among the Sticks and Bones, by Seanan McGuire (Tor.com Publishing)
• River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

• “The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
• “Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)
• “Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
• “A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
• “Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)
• “Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)

Best Short Story

• “Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)
• “Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
• “Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)
• “Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
• “The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
• “Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)

Best Related Work

• No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)
• Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)
• Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)
• A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)
• Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press)
• Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)

Best Graphic Story

• Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)
• Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)
• Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)
• My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)
• Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
• Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)

Best Dramatic Presentation – Long Form

• Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)
• Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)
• Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)
• The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)
• Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
• Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)

Best Dramatic Presentation – Short Form

• The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)
• Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)
• “The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)
• Doctor Who: “Twice Upon a Time,” written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)
• The Good Place: “Michael’s Gambit,” written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)
• Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)

Best Editor – Short Form

• Lynne M. Thomas & Michael Damian Thomas
• John Joseph Adams
• Neil Clarke
• Lee Harris
• Jonathan Strahan
• Sheila Williams

Best Editor – Long Form

• Sheila E. Gilbert
• Joe Monti
• Diana M. Pho
• Devi Pillai
• Miriam Weinberg
• Navah Wolfe

Best Professional Artist

• Sana Takeda
• Galen Dara
• Kathleen Jennings
• Bastien Lecouffe Deharme
• Victo Ngai
• John Picacio

Best Semiprozine

• Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky
• Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
• The Book Smugglers, edited by Ana Grilo and Thea James
• Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
• Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
• Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff

Best Fanzine

• File 770, edited by Mike Glyer
• Galactic Journey, edited by Gideon Marcus
• Journey Planet, edited by Team Journey Planet
• nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry
• Rocket Stack Rank, edited by Greg Hullender and Eric Wong
• SF Bluestocking, edited by Bridget McKinney

Best Fancast

• Ditch Diggers, presented by Mur Lafferty and Matt Wallace
• The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
• Fangirl Happy Hour, presented by Ana Grilo and Renay Williams
• Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts; produced by Andrew Finch
• Sword and Laser, presented by Veronica Belmont and Tom Merritt
• Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

• Sarah Gailey
• Camestros Felapton
• Mike Glyer
• Foz Meadows
• Charles Payseur
• Bogi Takács

Best Fan Artist

• Geneva Benton
• Grace P. Fong
• Maya Hahto
• Likhain (M. Sereno)
• Spring Schoenhuth
• Steve Stiles

Best Series

• World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)
• The Books of the Raksura, by Martha Wells (Night Shade)
• The Divine Cities, by Robert Jackson Bennett (Broadway)
• InCryptid, by Seanan McGuire (DAW)
• The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
• The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)

In recent years, the science fiction awards have been working to be more inclusive, and this year’s finalists and winners show just how far we have come in recognizing the accomplishments of a diversity of people in working in that genre. It is hard to believe that in 2016 Jemisin became the first African-America author to win the Hugo for Best Novel and has now become the first person to win it three years in a row in that category.

It’s a beautiful reminder that despite all the things going wrong, that progress is happening.

(via Tor, image: Orbit)

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